(analog) Cruising is a step-by-step guide to sex outside of our phones. Leo Herrera tackles Queer cruising etiquette with a blend of history, humor and poetry alongside his own personal cruising fairy tales and failures. From what to expect checking into a bathhouse, to the rules of consent in a darkroom, Leo shares tips helpful for first-timers and rusty old-timers. (Analog) Cruising builds its own language, defining implied consent, caressing cues and the museum technique.

The foundational text that gave me life-changing context, helping me to understand who I was and who came before me.--Tourmaline, activist and filmmaker

Transgender Warriors is an essential read for trans people of all ages who want to learn about the towering figures who have come before them--and for everyone who is part of the fight for trans liberation

This groundbreaking book--far ahead of its time when first published in 1996 and still galvanizing today--interweaves history, memoir, and gender studies to show that transgender people, far from being a modern phenomenon, have always existed and have exerted their influence throughout history. Leslie Feinberg--hirself a lifelong transgender revolutionary--reveals the origin of the check-one-box-only gender system and shows how zie found empowerment in the lives of transgender warriors around the world, from the Two Spirits of the Americas to the many genders of India, from the trans shamans of East Asia to the gender-bending Queen Nzinga of Angola, from Joan of Arc to Marsha P. Johnson and beyond.

This book was published with two different covers. Customers will be shipped the book with one of the available covers.

The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.

Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.

In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a not yet here that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare's exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.

The never-before-told story of Brooklyn's vibrant and forgotten queer history, from the mid-1850s up to the present day.

***An ALA GLBT Round Table Over the Rainbow 2019 Top Ten Selection***
***NAMED ONE OF THE BEST LGBTQ BOOKS OF 2019 by Harper's Bazaar***

A romantic, exquisite history of gay culture. --Kirkus Reviews, starred

[A] boisterous, motley new history...entertaining and insightful. --The New York Times Book Review

Hugh Ryan's When Brooklyn Was Queer is a groundbreaking exploration of the LGBT history of Brooklyn, from the early days of Walt Whitman in the 1850s up through the queer women who worked at the Brooklyn Navy Yard during World War II, and beyond. No other book, movie, or exhibition has ever told this sweeping story. Not only has Brooklyn always lived in the shadow of queer Manhattan neighborhoods like Greenwich Village and Harlem, but there has also been a systematic erasure of its queer history--a great forgetting.

Ryan is here to unearth that history for the first time. In intimate, evocative, moving prose he discusses in new light the fundamental questions of what history is, who tells it, and how we can only make sense of ourselves through its retelling; and shows how the formation of the Brooklyn we know today is inextricably linked to the stories of the incredible people who created its diverse neighborhoods and cultures. Through them, When Brooklyn Was Queer brings Brooklyn's queer past to life, and claims its place as a modern classic.

A Publishers Weekly Best Book
One of the New York Public Library's 25 Books to Remember for 1999

Lavishly illustrated and meticulously researched, filled with fascinating facts and astonishing descriptions of animal behavior, Bruce Bagemihl's Biological Exuberance is a landmark book that will change forever how we look at nature.

Homosexuality in its myriad forms has been scientifically documented in more than 450 species of mammals, birds, reptiles, insects, and other animals worldwide. Biological Exuberance is the first comprehensive account of the subject, bringing together accurate, accessible, and nonsensationalized information. Drawing upon a rich body of zoological research spanning more than two centuries, Bagemihl shows that animals engage in all types of nonreproductive sexual behavior. Sexual and gender expression in the animal world displays exuberant variety, including same-sex courtship, pair-bonding, sex, and co-parenting--even instances of lifelong homosexual bonding in species that do not have lifelong heterosexual bonding.

Part 1, A Polysexual, Polygendered World, begins with a survey of homosexuality, transgender, and nonreproductive heterosexuality in animals and then delves into the broader implications of these findings, including a valuable perspective on human diversity. Bagemihl also examines the hidden assumptions behind the way biologists look at natural systems and suggests a fresh perspective based on the synthesis of contemporary scientific insights with traditional knowledge from indigenous cultures.

Part 2, A Wondrous Bestiary, profiles more than 190 species in which scientific observers have noted homosexual or transgender behavior. Each profile is a verbal and visual snapshot of one or more closely related bird or mammal species, containing all the documentation required to support the author's often controversial conclusions.

Definitely a book worth reading, regardless of the labels of normalcy you've pasted up to yourself or grown accustomed to letting others do the nasty gluing for you.--Bookslut

The divide is growing between the pro-military, pro-police, marriage-seeking gay and lesbian rights politics we see in the headlines every day and the grassroots racial and economic justice centered queer and trans resistance that fights to end prisons, borders, war and poverty. Queering Anarchism a vital contribution in this moment, providing analysis and strategies for building the queer and trans politics we want and need. --Dean Spade, Normal Life

A much-needed collection that thinks through power, desire, and human liberation. These pieces are sure to raise the level of debate about sexuality, gender, and the ways that they tie in with struggles against our ruling institutions.--Roxanne Dunbar-Ortiz, Outlaw Woman

Against the austerity of straight politics, Queering Anarchism sketches the connections between gender mutiny, queer sexualities, and anti-authoritarian desires. Through embodied histories and incendiary critique, the contributors gathered here show how we must not stop at smashing the state; rather normativity itself is the enemy of all radical possibility.--Eric A. Stanley, co-editor of Captive Genders

What does it mean to queer the world around us? How does the radical refusal of the mainstream codification of GLBT identity as a new gender norm come into focus in the context of anarchist theory and practice? How do our notions of orientation inform our politics?and vice versa? Queering Anarchism brings together a diverse set of writings ranging from the deeply theoretical to the playfully personal that explore the possibilities of the concept of queering, turning the dominant, and largely heteronormative, structures of belief and identity entirely inside out. Ranging in topic from the economy to disability, politics, social structures, sexual practice, interpersonal relationships, and beyond, the authors here suggest that queering might be more than a set of personal preferences?pointing toward the possibility of an entirely new way of viewing the world.

Contributors Include: Ryan Conrad, Sally Darity, Jamie Heckert, Farhang Rouhani, Jerimarie Liesegang, Benjamin Shepard, Gayge Operaista, CRAC Collective, Stephanie Grohmann, Sandra Jeppesen, Susan Song, Diana C. S. Becerra, Jason Lydon, Liat Ben-Moshe, Anthony J. Nocella, II, AJ Withers, Saffo Papantonopoulou, and Hexe.

Deric Shannon, C.B. Daring, J. Rogue, and Abbey Volcano are anarchists and activists who work in a wide variety of radical, feminist, and queer communities across the United States.

Leo Herrera's debut book Post is a collection of poems, lectures, prayers and grudges. In 2020, amidst the uncertainty of COVID-19, Herrera's voice emerged as a source of comfort, clarity, and difficult truths. Originally presented as meme essays on social media, Herrera's densely-written posts covered politics, race, immigration, class, religion and public health. The book presents Herrera's prose chronologically from 2020 to the end of 2023, from a small following to millions of eyes, from celebrity reposts to IRL protest signs. Beyond the viral hits and accolades, Post sets the stage for a dance of authenticity under the pressures of the digital spotlight. Delivered with a touch of humor and fury, Post skewers white privilege, virtue signaling, and late-stage capitalism in Herrera's signature decolonized and spiritual tone rare to social media space. Leo Herrera is a Mexican artist and activist whose work centers around the image, best known for his painting, photography and filmmaking. His social media writings were a complete pivot for fans. In Herrera's foreword essay for Post, he shares how his posts were an act of defiance. Their resurfacing as printed matter is a bold act of preservation against tech giants who threaten queer narratives with a click. This is Herrera reclaiming his digital archive.

Written from Wilde's prison cell at Reading Gaol to his friend and lover Lord Alfred Douglas, De Profundis explodes the conventions of the traditional love letter and offers a scathing indictment of Douglas's behavior, a mournful elegy for Wilde's own lost greatness, and an impassioned plea for reconciliation. At once a bracingly honest account of ruinous attachment and a profound meditation on human suffering, De Profundis is a classic of gay literature. Richard Ellmann calls De Profundis a love letter...One of the greatest, and the longest, ever written.

This Modern Library Paperback Classics edition contains newly commissioned notes.

In 1956 Bayard Rustin taught Martin Luther King Jr. strategies of nonviolence during the Montgomery Bus Boycott, thereby launching the civil rights movement. Widely acclaimed as a founding father of modern black protest, Rustin reached international notoriety in 1963 as the openly gay organizer of the March on Washington.

Long before the March on Washington, Rustin's leadership placed him at the vanguard of social protest. His gay identity, however, became a point of contention with the movement, with the controversy embroiling even King himself.

Time on Two Crosses offers an insider's view of many of the defining political moments of our time. From Gandhi's impact on African Americans, white supremacists in Congress, and the assassination of Malcolm X to Rustin's never-before-published essays on Louis Farrakhan, affirmative action, and the call for gay rights, Time on Two Crosses chronicles five decades of Rustin's commitment to justice and equality.

Espinoza's book stands out as a beacon for future queer writers, thinkers, and activists. Reading these accounts, I felt myself drawn into a past both wonderful and strange, a world I hope we will continue to celebrate and preserve. --Garrard Conley
Acclaimed author Alex Espinoza takes readers on an uncensored journey through the underground, to reveal the timeless art of cruising. Combining historical research and oral history with his own personal experience, Espinoza examines the political and cultural forces behind this radical pastime. From Greek antiquity to the notorious Molly houses of 18th century England, the raucous 1970s to the algorithms of Grindr, Oscar Wilde to George Michael, cruising remains at once a reclamation of public space and the creation of its own unique locale--one in which men of all races and classes interact, even in the shadow of repressive governments. In Uganda and Russia, we meet activists for whom cruising can be a matter of life and death; while in the West he shows how cruising circumvents the inequalities and abuses of power that plague heterosexual encounters. Ultimately, Espinoza illustrates how cruising functions as a powerful rebuke to patriarchy and capitalism--unless you are cruising the department store restroom, of course.

As the gay mainstream prioritizes the attainment of straight privilege over all else, it drains queer identity of any meaning, relevance, or cultural value, writes Matt Bernstein Sycamore, aka Mattilda, editor of That's Revolting! . This timely collection shows what the new queer resistance looks like. Intended as a fistful of rocks to throw at the glass house of Gaylandia, the book challenges the commercialized, commodified, and hyperobjectified view of gay/queer identity projected by the mainstream (straight and gay) media by exploring queer struggles to transform gender, revolutionize sexuality, and build community/family outside of traditional models. Essays include Dr. Laura, Sit on My Face, Gay Art Guerrillas, Legalized Sodomy Is Political Foreplay, and Queer Parents: An Oxymoron or Just Plain Moronic?

In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of reproductive futurism. Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself.

Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock's films, he embraces two of the director's most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.

In this chronicle of political awakening and queer solidarity, the activist and novelist Sarah Schulman describes her dawning consciousness of the Palestinian liberation struggle. Invited to Israel to give the keynote address at an LGBT studies conference at Tel Aviv University, Schulman declines, joining other artists and academics honoring the Palestinian call for an academic and cultural boycott of Israel. Anti-occupation activists in the United States, Canada, Israel, and Palestine come together to help organize an alternative solidarity visit for the American activist. Schulman takes us to an anarchist, vegan café in Tel Aviv, where she meets anti-occupation queer Israelis, and through border checkpoints into the West Bank, where queer Palestinian activists welcome her into their spaces for conversations that will change the course of her life. She describes the dusty roads through the West Bank, where Palestinians are cut off from water and subjected to endless restrictions while Israeli settler neighborhoods have full freedoms and resources.

As Schulman learns more, she questions the contradiction between Israel's investment in presenting itself as gay friendly--financially sponsoring gay film festivals and parades--and its denial of the rights of Palestinians. At the same time, she talks with straight Palestinian activists about their position in relation to homosexuality and gay rights in Palestine and internationally. Back in the United States, Schulman draws on her extensive activist experience to organize a speaking tour for some of the Palestinian queer leaders whom she had met and trusted. Dubbed Al-Tour, it takes the activists to LGBT community centers, conferences, and universities throughout the United States. Its success solidifies her commitment to working to end Israel's occupation of Palestine, and it kindles her larger hope that a new queer international will emerge and join other movements demanding human rights across the globe.

The Dream of a Common Movement collects essays, interviews, and speeches by the late feminist and civil rights activist Urvashi Vaid, whose pioneering writing and organizing over the course of four decades fundamentally shaped the LGBTQ+ movement. Vaid explores the LGBTQ+ movement's impact on the AIDS epidemic and its challenges as it developed a national presence. She calls out movement leaders and donors for not addressing gender, race, and class issues and passionately argues that the goal of any liberation movement should be transformation, not assimilation. In personal essays, Vaid describes a double consciousness forged by the experience of immigration and a complicated relationship with her Indian-American and lesbian identities. Whether she was focused on the Donors of Color Network, the 22nd Century Initiative, the Lesbian Political Action Committee, or other initiatives she launched, Vaid was steadfast in her vision of a more just society and believed deeply in the power of people coming together to effect change. Offering a window into the breadth of her progressive vision for social change, this volume inspires readers to never stop organizing and marching.

Featuring fiction, poetry, nonfiction, and comics by 48 writers from around the world, QDA: A Queer Disability Anthology proves that intersectionality isn't just a buzzword. It's a penetrating and unforgettable look into the hearts and souls of those defiant enough to explore their own vulnerabilities and demonstrate their own strengths. Here is a gathering of people with the transformative-and political-power of love that transcends gender and ability. Ignorance is the biggest barrier. An anthology often creates a community. In this respect, QDA is truly groundbreaking because it brings two wonderful communities together. There is not a single style, genre, or opinion in the book, but an orchestra of voices. Their seminal works mirror-and do not mirror-each other. Taken together, they light a brilliant path of honesty. -Jennifer Bartlett, co-editor of Beauty Is a Verb: The New Poetry of Disability

Souls of Queer Black Folk Anthology began as a three-panel discussion during Black History Month on the City College of New York campus from 2014-2017. The book also traces its roots to the first black LGBTQIA course offered in 2013 in the Black Studies program. The title of the course is Black Art in the Age of AIDS. Academics, professional writers, clergy, and undergrad students contribute a robust variety of stories, lived experiences, and histories of black queer people and help regenerate their importance.

Featured Essays By:

Erin Reid - Norval Soleyn - William Gibbons - Sydney Van Nort - Klaudia Dulo -

Hannah Issifu - Jannette Jwahir Hawkins - Armando Alleyne - Rev. Howard Blunt - Rev. F. Romall Smalls - Michael Henry Adams - Terence Taylor - Sur Rodney (Sur) - Daphne Arthur - Charzette Torrence -Hayat Hyatt - Lawrence Graham Brown - Roqué Caston Jr.- John T. Reddick - Marques Owens - Rev. Terrence Lee

A 2023 Lambda Literary Award Finalist in Nonfiction

An Electric Literature Most Anticipated LGBTQ+ Book of 2022 Selection

A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.

What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.

Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a category (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it's been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members--Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more--whose lives, work, and activism drive home that very category.

At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX's Pose, Tucker's compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

New York Times bestselling author and CNBC commenter Keith Boykin expands on the It Gets Better project by bringing together 25 essays by men of color on the topic of surviving growing up gay. In 1974, playwright Ntozake Shange published a choreopoem called For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf. The book/play/poetry would go on to inspire legions of women for decades and would later become the subject and title of a hugely popular movie in the fall of 2010. While the film was selling out movie theaters, young black gay men were literally committing suicide in the silence of their own communities. In the same time period, a young Rutgers University student named Tyler Clementi took his own life after a roommate secretly videotaped him in an intimate setting with another young man. In response, syndicated columnist and author Dan Savage created a YouTube video with his partner Terry to inspire young people facing harassment. Their message, It Gets Better, turned into a popular movement, inspiring thousands of user-created videos on the Internet. Savage's project targeted people of all races, backgrounds and colors, but Boykin has created something special for colored boys. The new book responds to the crisis of youth development and suicide in the black community, and more specifically among young gay men of color. For Colored Boys is designed to educate and inspire those seeking to overcome obstacles in their lives. About the Author Keith Boykin is the editor of The Daily Voice online news site, a CNBC contributor, a BET TV host and a New York Times best-selling author of three books. Educated at Dartmouth and Harvard, Keith attended law school with President Barack Obama and served in the White House as a special assistant to President Bill Clinton. Keith was a star on the 2004 Showtime television series American Candidate and has since appeared on numerous national media programs, including Anderson Cooper 360, The O'Reilly Factor, The Tyra Banks Show, The Montel Williams Show, Judge Hatchett and The Tom Joyner Morning Show. He lives in New York.

A Powerful Memoir and Documentary History

By combining the intimacy of a personal memoir with the rigor of documentary history, Lydia Otero weaves together a rich narrative of identity, activism, and personal transformation. With meticulous attention to detail, Otero traverses the homes of family members to dancefloors, bustling work sites, and organizing spaces in search of brown and queer belonging. Through photographs, archival documents, and compelling storytelling, Otero crafts a passionate narrative of personal becoming amid the political and cultural currents of 1980s Los Angeles.

Grounded in the philosophy that the personal is political, Otero portrays fellow organizers as strategists exploring previously unimagined avenues to address the needs of brown queers. The book traces Otero's transformations and blossoming sense of self, which often felt constrained by the binary gender assignments of the time, while it tells a documentary history of Lesbians of Color, Gay and Lesbian Latinos Unidos (GLLU), Lesbianas Unidas (LU) and Bienestar: A Gay Latino AIDS Project-groups central to the city's burgeoning queer, brown, and activist scene.

Otero's parallel story of becoming an electrician offers a unique vantage point of a city in the midst of restructuring, as Otero's labor contributed to building some of the most iconic structures in Los Angeles, such as the Universal CityWalk, U.S. Bank Tower, and the Metro Rail.

Meticulously researched, L.A. Interchanges invites readers to delve into the intricate interplay between personal experience and historical context. It is a testament to the complexity of intersectional identities, and the unwavering spirit of those who strive for justice and belonging in the face of adversity.