**New York Times bestseller**

The first comprehensive undercover look at the terrorist movement no one is talking about.

Delve into the gripping and eye-opening world of Men Who Hate Women, as acclaimed feminist writer Laura Bates presents an unflinching examination of the pervasive misogyny that plagues our society.

In this thought-provoking and meticulously researched book, Bates fearlessly uncovers the dark underbelly of a deeply entrenched issue, shining a spotlight on the various manifestations of misogyny that continue to harm women worldwide. With razor-sharp insight, she navigates the complex web of toxic masculinity, gender biases, and harmful stereotypes that reinforce damaging attitudes toward women.

Through extensive interviews, real-life stories, and compelling statistics, Men Who Hate Women unveils the deeply disturbing prevalence of sexism in everyday life, challenging us to confront uncomfortable truths and reevaluate our collective responsibility in fostering a more equitable world.

This powerful work not only serves as an eye-opener but also as a call to action. Bates thoughtfully explores ways we can all contribute to dismantling the patriarchal structures that enable misogyny to thrive. By empowering readers with knowledge and understanding, she paves the path for meaningful change.

Key Topics Explored:

• Toxic masculinity and its consequences
• Online harassment and cyberbullying
• Sexist tropes in media and entertainment
• Workplace discrimination and the gender pay gap
• Rape culture and victim-blaming
• Intersectionality and its impact on marginalized communities

Men Who Hate Women is an essential read for anyone seeking to comprehend the deep-rooted issues affecting women's lives and striving to build a more inclusive, just and equal future.

Praise for Men Who Hate Women:

Laura Bates is showing us the path to both intimate and global survival.--Gloria Steinem

Well-researched and meticulously documented, Bates's book on the power and danger of masculinity should be required reading for us all.--Library Journal

Men Who Hate Women has the power to spark social change.--Sunday Times

In her most urgent book yet, New York Times bestselling author Jessica Valenti shines a light on the conservative assault on women's freedom, cutting through the misinformation and overwhelm to inform, engage, and enrage. From the attacks Americans know about to the ones anti-abortion lawmakers and groups are trying to hide, Valenti details the tactics and horrors that she's been painstakingly tracking in her acclaimed newsletter, Abortion, Every Day.

Abortion gives voice to women's frustration and outrage in a moment when they're fed up with being talked over and diminished. And in an election year when abortion is dominating the national conversation, Valenti provides the language, facts, and context readers need to feel confident when talking about the attacks on their bodies and freedom.

Abortion is a handbook for the overwhelming majority of Americans who support abortion rights, whether they're seasoned activists or those just starting to learn. With the wit, expertise, and blunt moral clarity that's made her writing popular for decades, Valenti offers an essential manifesto in an urgent moment.

#1 International Bestseller * Winner of the Financial Times and McKinsey Business Book of the Year Award * Winner of the Royal Society Science Book Prize

Data is fundamental to the modern world. From economic development to health care to education and public policy, we rely on numbers to allocate resources and make crucial decisions. But because so much data fails to take into account gender, because it treats men as the default and women as atypical, bias and discrimination are baked into our systems.

And women pay tremendous costs for this insidious bias: in time, in money, and often with their lives.

Celebrated feminist advocate Caroline Criado Perez investigates this shocking root cause of gender inequality in Invisible Women. Examining the home, the workplace, the public square, the doctor's office, and more, Criado Perez unearths a dangerous pattern in data and its consequences on women's lives.

Product designers use a one-size-fits-all approach to everything from pianos to cell phones to voice recognition software, when in fact this approach is designed to fit men. Cities prioritize men's needs when designing public transportation, roads, and even snow removal, neglecting to consider women's safety or unique responsibilities and travel patterns. And in medical research, women have largely been excluded from studies and textbooks, leaving them chronically misunderstood, mistreated, and misdiagnosed.

Built on hundreds of studies in the United States, in the United Kingdom, and around the world, and written with energy, wit, and sparkling intelligence, this is a groundbreaking, highly readable exposé that will change the way you look at the world.

One of the most important books of the current moment.--Time

A rousing call to action... It should be required reading for everyone.--Gabrielle Union, author of We're Going to Need More Wine

A potent and electrifying critique of today's feminist movement announcing a fresh new voice in black feminism

Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?

In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

***A BEST FEMINIST BOOK SELECTION***
Refinery 29, Book Riot, Autostraddle, BITCH

Rage Becomes Her is an utterly eye opening (Bustle) book that gives voice to the causes, expressions, and possibilities of female rage.

As women, we've been urged for so long to bottle up our anger, letting it corrode our bodies and minds in ways we don't even realize. Yet there are so, so many legitimate reasons for us to feel angry, ranging from blatant, horrifying acts of misogyny to the subtle drip, drip drip of daily sexism that reinforces the absurdly damaging gender norms of our society.

In Rage Becomes Her, Soraya Chemaly argues that our anger is not only justified, it is also an active part of the solution. We are so often encouraged to resist our rage or punished for justifiably expressing it, yet how many remarkable achievements would never have gotten off the ground without the kernel of anger that fueled them? Approached with conscious intention, anger is a vital instrument, a radar for injustice and a catalyst for change. On the flip side, the societal and cultural belittlement of our anger is a cunning way of limiting and controlling our power--one we can no longer abide.

A work of great spirit and verve (Time), Rage Becomes Her is a validating, energizing read that will change the way you interact with the world around you.

Angela Davis is herself a woman of undeniable courage. She should be heard.--The New York Times

Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

A Penguin Classic

For Roxane Gay, a feminist canon is subjective and always evolving. A feminist canon represents a long history of feminist scholarship, embraces skepticism, and invites robust discussion and debate. Selected writings by ancient, historic, and more recent feminist voices include Henricus Cornelius Agrippa, Anna Julia Cooper, Kimberlé Crenshaw, Dorothy Allison, Leslie Feinberg, Eileen Myles, Mona Eltahawy, bell hooks, Sara Ahmed, Cherríe Moraga, Audre Lorde, The Guerrilla Girls, and many more. With an introduction, headnotes, and an inspired list of multimedia recommendations, Roxane Gay presents multicultural perspectives, ecofeminism, feminism and disability, feminist labor, gender perspectives, and Black feminism. Through the Portable Feminist Reader, readers explore the state of American feminism, its successes and failures, and what feminism looks like in practice, as a complex, contradictory, personal and political, and ever-growing legacy of feminist thought.

For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and needed to be.

This engaging history traces women's awakening, organizing, and agitating between the years of 1963 and 1973, when a decentralized collection of people and events coalesced to create a spontaneous combustion. From Betty Friedan's The Feminine Mystique, to the underground abortion network the Janes, to Shirley Chisholm's presidential campaign and Billie Jean King's 1973 battle of the sexes, Bingham artfully weaves together the fragments of that explosion person by person, bringing to life the emotions of this personal, cultural, and political revolution. Artists and politicians, athletes and lawyers, Black and white, The Movement brings readers into the rooms where these women insisted on being treated as first class citizens, and in the process, changed the fabric of American life.

A call to action, for all people in the world, to undo the gender hierarchy. --Medium

In this personal, eloquently-argued essay--adapted from the much-admired TEDx talk of the same name--Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now--and an of-the-moment rallying cry for why we should all be feminists.

Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs's Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of vision and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

In her comic, scathing essay Men Explain Things to Me, Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.
She ends on a serious note-- because the ultimate problem is the silencing of women who have something to say, including those saying things like, He's trying to kill me!
This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf 's embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

Mona Chollet's In Defense of Witches is a brilliant, well-documented celebration (Le Monde) by an acclaimed French feminist of the witch as a symbol of female rebellion and independence in the face of misogyny and persecution.

Centuries after the infamous witch hunts that swept through Europe and America, witches continue to hold a unique fascination for many: as fairy tale villains, practitioners of pagan religion, as well as feminist icons. Witches are both the ultimate victim and the stubborn, elusive rebel. But who were the women who were accused and often killed for witchcraft? What types of women have centuries of terror censored, eliminated, and repressed?

Celebrated feminist writer Mona Chollet explores three types of women who were accused of witchcraft and persecuted: the independent woman, since widows and celibates were particularly targeted; the childless woman, since the time of the hunts marked the end of tolerance for those who claimed to control their fertility; and the elderly woman, who has always been an object of at best, pity, and at worst, horror. Examining modern society, Chollet concludes that these women continue to be harrassed and oppressed. Rather than being a brief moment in history, the persecution of witches is an example of society's seemingly eternal misogyny, while women today are direct descendants to those who were hunted down and killed for their thoughts and actions.

With fiery prose and arguments that range from the scholarly to the cultural, In Defense of Witches seeks to unite the mythic image of the witch with modern women who live their lives on their own terms.

As funny as it is informative, this book will have you laughing out loud while you contemplate the revolutionary power of words. --Camille Perri, author of The Assistants and When Katie Met Cassidy

A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.

The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean a female canine, bitch didn't refer to women at all--it originated as a gender-neutral word for genitalia. A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant housewife; and slut, which meant an untidy person and was also used to describe men. These are just a few of history's many English slurs hurled at women.

Amanda Montell, reporter and feminist linguist, deconstructs language--from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns--to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don't? Or where stereotypes of how women and men speak come from in the first place?

Montell effortlessly moves between history, science, and popular culture to explore these questions--and how we can use the answers to affect real social change. Her irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.

From the author of Abolish the Family, an unflinching tour of two hundred years of enemy feminisms, making the case instead for the bold, liberatory feminist politics we need.

In recent years, white feminism and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.

Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist.

At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement's power, focus, and currency threatens decades of progress.

Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and riot grrrl feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren't. Gilbert tracks many of the period's dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness.

Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power worship collided with the culture's reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

In our complex world, facilitation and mediation skills are as important for individuals as they are for organizations. How do we practice them in ways that align with nature, with pleasure, with our best imagining of our future? How do we attend to generating the ease necessary to help us move through the inevitable struggles of life? How do we practice the art of holding others without losing ourselves? Black feminists have answers to those questions that can serve anyone working to create changes in our world, changes great and small; individually, interpersonally, and within our organizations.

Holding Change is about attending to coordination, to conflict, to being humans in right relationship with each other, not as a constant ongoing state, but rather as a magnificent, mysterious, ever-evolving dynamic in which we must involve ourselves, shape ourselves and each other. The majority of the book is sourced from brown's twenty-plus years of facilitation and mediation work with movement groups.

Includes contributions by Autumn Brown, Sage Crump, Malkia Devich-Cyril, Ejeris Dixon, Alexis Pauline Gumbs, Prentis Hemphill, Micky ScottBey Jones, N'Tanya Lee, and Makani Themba

Abolition. Feminism. Now. is a celebration of freedom work, a movement genealogy, a call to action, and a challenge to those who think of abolition and feminism as separate--even incompatible--political projects.

In this remarkable collaborative work, leading scholar-activists Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie surface the often unrecognized genealogies of queer, anti-capitalist, internationalist, grassroots, and women-of-color-led feminist movements, struggles, and organizations that have helped to define abolition and feminism in the twenty-first century.

This pathbreaking book also features illustrations documenting the work of grassroots organizers embodying abolitionist feminist practice.

Amplifying the analysis and the theories of change generated out of vibrant community based organizing, Abolition. Feminism. Now. highlights necessary historical linkages, key internationalist learnings, and everyday practices to imagine a future where we can all thrive.

One of Book Riot's 10 Best New Nonfiction Book Releases of August 2024

A generation-defining exposé of toxic beauty culture--from Botox and Instagram filters to lip flips and editing apps--and the realities of coming of age online

We live in a new age of beauty. With advancements in cosmetic surgery, walk-in treatments, augmented reality face filters, photo editing apps, and exposure to more images than ever, we have the ability to craft the image we want everyone to see. We pinch, pull, squeeze, tweeze, smooth and slice ourselves beyond recognition. But is our beauty culture truly empowering? Are we really in control?

In Pixel Flesh, Ellen Atlanta holds a mirror up to our modern beauty ideal, as well as the pressure to present a perfect image, to live in an age of constant comparison and curated feeds. She weaves in her personal story with others' to reconfigure our obsession with the cult of beauty and explore the reality of living in a world of paradoxes: we know our standards are unhealthy, but understand it's a way to succeed. We resent social media but continue to scroll. We know digital beauty is artificial, but we still strive for it.

From Love Island to lip filler, blackfishing to the beauty tax, Pixel Flesh is a fascinating account of what young women face under a dominant industry. Nuanced, unflinching, and razor sharp, this book unmasks the absurdities of the standards we suddenly find ourselves upholding, and acts as a rallying cry and a refusal to suffer in silence, forming the definitive book about what it truly feels like to exist as a woman today.

Journalist Rebecca Traister's New York Times bestselling exploration of the transformative power of female anger and its ability to transcend into a political movement is a hopeful, maddening compendium of righteous feminine anger, and the good it can do when wielded efficiently--and collectively (Vanity Fair).

Long before Pantsuit Nation, before the Women's March, and before the #MeToo movement, women's anger was not only politically catalytic--but politically problematic. The story of female fury and its cultural significance demonstrates its crucial role in women's slow rise to political power in America, as well as the ways that anger is received when it comes from women as opposed to when it comes from men.

Urgent, enlightened...realistic and compelling...Traister eloquently highlights the challenge of blaming not just forces and systems, but individuals (The Washington Post). In Good and Mad, Traister tracks the history of female anger as political fuel--from suffragettes marching on the White House to office workers vacating their buildings after Clarence Thomas was confirmed to the Supreme Court. Traister explores women's anger at both men and other women; anger between ideological allies and foes; the varied ways anger is received based on who's expressing it; and the way women's collective fury has become transformative political fuel. She deconstructs society's (and the media's) condemnation of female emotion (especially rage) and the impact of their resulting repercussions.

Highlighting a double standard perpetuated against women by all sexes, and its disastrous, stultifying effect, Good and Mad is perfectly timed and inspiring (People, Book of the Week). This admirably rousing narrative (The Atlantic) offers a glimpse into the galvanizing force of women's collective anger, which, when harnessed, can change history.