Activist, teacher, author and icon of the Black Power movement Angela Davis talks Ferguson, Palestine, and prison abolition.

White Women, Get Ready is more than just a book-it's a tool for anti-racism.

White ladies are everywhere. We are running nonprofits and teaching your kids. We are sitting on school boards and diagnosing your illnesses. Even when we are not at the tip-top of the institutional ladder, we are the ones the majority of legislators, CEOs, and officers roll into bed with at night. All too often, our fight for gender equality has been seen as separate from the fight for racial justice. But as we navigate powerful social spaces and the everyday moments that shape our lives, we must confront our complicity in upholding racist systems.

Part historical analysis, part memoir, and part call to action, White Women, Get Ready tells the story of how we white ladies have been groomed to uphold overlapping systems of oppression and how we can use our unique positioning to help upend these violent structures.

With a combination of thorough research, astute analysis, and illuminating personal narrative, Amanda K Gross challenges us to face the uncomfortable truths of white womanhood in order to dismantle its legacies, all while providing embodied tools to engage with the complexities of our identities, traumas, and harms.

White Women, Get Ready is essential reading for those who contend with white womanhood, seek to take action, and understand that the health and well-being for us is not separate from the health and well-being of all.

The book Hebrews to Negroes: Wake Up Black America touches on subjects too controversial for most authors to reveal to the people. This book will expose the truths that have been hidden by the powers that be in America. Since the European and Arab slave traders stepped foot into Africa, blacks have been told lies about their heritage. This was all by Satan's design for he is the father of lies. There is an old stereotypical expression that says If you want to hide something from a Black person, put it in a book. Well, this is THE BOOK that ALL Black people must read Since biblical times, there has been a satanic agenda to destroy God's Chosen People. This agenda still exists today and is carried on by man in many forms. Satan knows who God's Chosen People are, but for centuries we have been blind to this knowledge even though it's been right in front of our face. After many years of research, the time has finally come for ALL Black people to know the truth. Inside Hebrews To Negroes you will find the answers to all the burning questions you have wanted ask your parents, teachers and pastors for years. It has been said that the mind has a strong drive to correct itself over a period of time if it can touch some substantial ORIGINAL historical base about itself. This time period is ending and the truth is being exposed Is this signs of the End Times? The bible says in the last days that knowledge will increase. It also says In the last days, saith God, I will pour out of my Spirit upon all flesh: and your sons and your daughters shall prophesy, and your young men shall see visions, and your old men shall dream dreams: Knowledge is the TRUTH and Satan's time is running out. Don't be left behind. Find out what's really going on behind the scenes as it relates to BLACK AMERICA then and now. Afterwards you be the judge as to who God's Chosen People really are and who Satan's army is really after. AT THE END OF READING THIS BOOK, I GUARANTEE YOU WON'T REGRET IT.

First published in 1962, Negroes with Guns is the story of a southern black community's struggle to arm itself in self-defense against the Ku Klux Klan and other racist groups. Frustrated and angered by violence condoned or abetted by the local authorities against blacks, the small community of Monroe, North Carolina, brought the issue of armed self-defense to the forefront of the civil rights movement. The single most important intellectual influence on Huey P. Newton, the founder of the Black Panther Party, Negroes with Guns is a classic story of a man who risked his life for democracy and freedom.

During the height of the Civil Rights Movement, Robert Williams organized armed self-defense against the racist violence of the Ku Klux Klan. This is the story of his movement, first established in Monroe, N.C. A southern black community's struggle to defend itself against racism and racist groups. No matter what your race, this is a universal story of risking one's life for freedom and equality.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association

Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association

How the female body has been racialized for over two hundred years

There is an obesity epidemic in this country and poor Black women are particularly stigmatized as diseased and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago.

Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals--where fat bodies were once praised--showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of savagery and racial inferiority.

The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

NAACP Image Award Finalist for Outstanding Debut Author

Featuring 117 full-color photos and eight breathtaking essays on a force that fuels Black life all around the globe, this is Humans of New York meets The Black Book

A patchwork quilt of visually stunning images, captured moments of triumph, antidotes to trauma narratives and rich, ebullient emotional and verbal spice for the soul. - Michael W. Twitty, culinary and cultural historian, and author of The Cooking Gene and Koshersoul

In literature, there are some books that transcend mere pages and ink, becoming essential pieces of cultural expression. One such book poised to make its mark is The Black Joy Project.... This ambitious work breaks new ground. - Essence

Black Joy is everywhere. From the bustling streets of Lagos to hip-hop blasting through apartment windows in the Bronx. From the wide-open coastal desert of Namibia to the lush slopes of Jamaica's Blue Mountains. From the thriving tradition of Candomblé in Bahia to the innovative and trendsetting styles of Soweto, and beyond, Black Joy is present in every place that Black people exist. Now--at last--is a one-of-a-kind celebration of this truth and a life-giving testament to one of the most essential forces that fuels Black life: The Black Joy Project.

International in the scale, fist-raising in the prose, and chockfull of gorgeous works by dozens of acclaimed artists, The Black Joy Project does what no other book has ever done. In words and art, it puts joy on the same track as protest and resistance ... because that is how life is actually lived. Uprisings in the street, with music as accompaniment. Heartbreaking funerals followed by second line parades. Microaggressions in the office, then coming home to a warm hug and a garden of lilacs. The list goes on.

Black Joy is always held in tension with broader systemic wounds. It is a powerful, historically important salve that allows us to keep going and reimagine new ways of being. The Black Joy Project captures these dual realities to incredible, unforgettable effect.

The brainchild of educator and activist Kleaver Cruz, The Black Joy Project is an extension of a real-world initiative of the same name. It has become a source of healing and regeneration for Black people of all backgrounds and identities. Long overdue and somehow still worth the wait, The Black Joy Project is a necessary addition for any book lover, art enthusiast, or freedom fighter. And begs the question, What does Black Joy mean to you?

A vital path home. Employing African epistemologies and an embodied African beingness, this book embraces the revelation and miracle of Blackness.

Creating a world worthy of our children requires recalling the dignity and distinction of the African way of life.

This book is not written for settler consumption. Kindred Creation is a call and response to dream and design better worlds rooted in African lifeways: a path to Black freedom, a love letter to Black futures, and a blueprint to intergenerational Black joy and dignity--all (and always) on Black terms.

Author, organizer, and designer Aida Mariam Davis explores the historical and ongoing impacts of settler colonialism, making explicit the ways that extraction, oppression, and enslavement serve the goals of empire--not least by severing ancestral connections and disrupting profound and ancient relationships to self, nature, and community.

Structured in three parts--Remember, Refuse, and Reclaim--Kindred Creation is a philosophical guidebook and a vital invitation to power and reconnection. Davis employs parable, poetry, theory, memory, narrative, and prophecy to help readers:

• Remember By unforgetting the unending and cascading violence of settler colonialism and other forms of domination and exploring the ways that African land, language, lifestyle, and labor are stolen, distorted, and repackaged for colonial consumption to extract capital and sever ties to ancestral knowledge, lifeways, and dignity
  
• Refuse By rejecting and interrupting death-making institutions and relationships and choosing kinship and self-determination in the face of settler colonial violence
  
• Reclaim By revealing that freedom is within us--and within reach. Davis shares how the reader can birth new worlds and relationships and offers strategies for reclaiming land, language, lifestyle, and labor.
  

The colonial violence and dispossession of African land, language, and labor is inflicted intentionally--and by design. Reclaiming African lifeways and remembering what was forcibly forgotten must be by creation a re-membering of our interconnectedness and kinship.

Now in its 30th printing, this classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. Luxury slaves tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000, Miller explains how black people became arbiters of style and how they have historically used the dandy's signature tools--clothing, gesture, and wit--to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois's reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil

Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.--Literary Hub, Most Anticipated Books of 2024

In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of speaking place. A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking.

Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies different from those we've inherited, and to speak a more humane world into being.

An Unabridged Printing of the Second Edition, to include the First, Second, Third, and Fourth Day, with opening quote by Schopenhauer - A novel ahead of its time in its understanding of biology, race and the history of oppression.

2020 Reprint of 1962 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Contains two essays by Martin Luther King Jr. concerning the role of violence in the civil rights movement. During the height of the Civil Rights Movement, Robert Williams organized armed self-defense against the racist violence of the Ku Klux Klan. This is the story of his movement, first established in Monroe, N.C. As prologue, the issues raised by events in Monroe are weighted by Truman Nelson and Martin Luther King Jr. Illustrated.

The book, The Great Awakening of the Black Hebrew Israelites... in these last days takes a Biblical journey through the Holy Scriptures that reveals beyond doubt the truth regarding God's Chosen People- who they were and who they still are today. The book further reveals the God-given biblical and scriptural identifiers of these people; the archeological, historical, scholarly evidence and genetic research that support the true identification of God's Chosen people and how prophecies have been and continue to be fulfilled in these people. The book also reveals the biblical and scriptural conditions set forth by God Himself that His People must meet to hail the Final Change and Complete Deliverance they currently seek. So come, take the journey into Biblical Truth and Self-Discovery in this very enlightening book.

Beautiful... A gift to ourselves and to the world.-- Mikki Kendall, New York Times bestselling author of Hood Feminism

From gender adviser to the UN Catherine Joy White comes This Thread of Gold, a lyrical celebration of the history of Black women who challenged stereotypes through film, politics, activism, and beyond.

This immersive and empowering read blends history, reporting, and personal stories to weave a gorgeous tapestry from the resilience of Black women. As White writes, Black women are not victims. Black women are alchemists, spinning gold from a life of hardship. . . . This book is dedicated solely to Black women surviving, thriving, and glowing.

White's book features revolutionary women from across time and space, liberating them from reductive stereotypes like the strong Black woman, and allowing space for emotional nuance, individual motivation, and richness of expression. White offers fresh insights into the work of Beyoncé and Nina Simone, Shirley Chisholm and Meghan Markle, as well as the work of those who resisted in secret--in kitchens, in churches, and through trusted networks. By weaving these women together, White reveals new ways to understand Black womanhood and she is sure to inspire new generations of readers.

This book brings together chapters authored by leading African American Studies/Black Studies scholars in the USA and the UK. It focuses on the roots of the discipline, reaching back to early brilliant Black intellectuals, discusses the historical and epistemological development of formal Black Studies, setting these in their socio-political contexts, and presents research methodologies and guidelines that are appropriate and valid for people of African descent. A number of chapters direct attention to the discipline's longstanding commitment to social responsibility with chapters that focus on arts and activism, service learning and civic engagement, and present tangible examples for students. The book concludes with chapters on diverse research topics inclusive of history and gender, literature, sport, music, representation in comic books, afrofuturism, and the Black Studies Movement in the UK.

Throughout their award-winning careers, visual artist and filmmaker Titus Kaphar and poet, memoirist, and attorney Reginald Dwayne Betts have shed light on the violences of incarceration and the underexplored contradictions of American history. In Redaction, they unite their different mediums to expose the ways the legal system exploits and erases the poor and incarcerated from public consciousness.

First exhibited at MoMA PS1, the fifty Redaction prints layer Kaphar's etched portraits of incarcerated individuals with Betts's poetry, which uses the legal strategy of redaction to craft verse out of legal documents. Three prints are broken apart into their distinct layers, illuminating how the pair manipulated traditional engraving, printing, poetic, and redaction processes to reveal what is often concealed. This beautifully designed volume also includes additional artwork, poetry, and an introduction by MoMA associate director Sarah Suzuki. The result is an astonishing, powerful exploration of history, incarceration, and race in America.

Charts the changing dynamics of religion and spirituality among African Americans

Recent decades have ushered in a profound transformation within the American religious landscape, characterized by an explosion of religious diversification and individualism as well as a rising number of nones. The Contemporary Black Church makes the case that the story of this changing religious landscape needs to be told incorporating more data as it applies specifically to African Americans.

Jason E. Shelton draws from survey data as well as interviews with individuals from a wide variety of religious backgrounds to argue that social reforms and the resulting freedoms have paved the way for a pronounced diversification among African Americans in matters of faith. Many African Americans have switched denominational affiliations within the Black Church, others now adhere to historically White traditions, and a record number of African Americans have left organized religion altogether in recent decades. These changing demographics and affiliations are having a real and measurable effect on American politics, particularly as members of the historic Black Church are much more likely than those of other faiths to vote and to strongly support government policies aimed at bridging the racial divide.

Though not the first work to note that African Americans are not monolithic in their religious affiliation, or to argue that there is a trend toward secularism in Black America, this book is the first to substantiate these claims with extensive empirical data, charting these changing dynamics and their ramifications for American society and politics.

Given the current political conditions, these lectures on race, ethnicity, and nation, delivered by Stuart Hall almost a quarter of a century ago, may be even more timely today.
--Angela Y. Davis

In this defining statement one of the founding figures of cultural studies reflects on the divisive, often deadly consequences of our contemporary politics of race and identity. As he untangles the power relations that permeate categories of race, ethnicity, and nationhood, Stuart Hall shows how old hierarchies of human identity were forcefully broken apart when oppressed groups introduced new meanings to the representation of difference.

Hall challenges us to find more sustainable ways of living with difference, redefining nation, race, and identity.

Stuart Hall bracingly confronts the persistence of race--and its confounding liberal surrogates, ethnicity and nation...This is a profoundly humane work that...finds room for hope and change.
--Orlando Patterson

Stuart Hall's written words were ardent, discerning, recondite, and provocative, his spoken voice lyrical, euphonious, passionate, at times rhapsodic and he changed the way an entire generation of critics and commentators debated issues of race and cultural difference.
--Henry Louis Gates, Jr.

Essential reading for those seeking to understand Hall's tremendous impact on scholars, artists, and filmmakers on both sides of the Atlantic.
--Artforum

Activist, teacher, author and icon of the Black Power movement Angela Davis talks Ferguson, Palestine, and prison abolition.

A Kirkus Best Book of the Year

Stamped from the Beginning meets You Can't Touch My Hair in this timely and resonant essay collection from Guardian contributor and prominent BBC race correspondent Emma Dabiri, exploring the ways in which black hair has been appropriated and stigmatized throughout history, with ruminations on body politics, race, pop culture, and Dabiri's own journey to loving her hair.

Emma Dabiri can tell you the first time she chemically straightened her hair. She can describe the smell, the atmosphere of the salon, and her mix of emotions when she saw her normally kinky tresses fall down her shoulders. For as long as Emma can remember, her hair has been a source of insecurity, shame, and--from strangers and family alike--discrimination. And she is not alone.

Despite increasingly liberal world views, black hair continues to be erased, appropriated, and stigmatized to the point of taboo. Through her personal and historical journey, Dabiri gleans insights into the way racism is coded in society's perception of black hair--and how it is often used as an avenue for discrimination. Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, and into today's Natural Hair Movement, exploring everything from women's solidarity and friendship, to the criminalization of dreadlocks, to the dubious provenance of Kim Kardashian's braids.

Through the lens of hair texture, Dabiri leads us on a historical and cultural investigation of the global history of racism--and her own personal journey of self-love and finally, acceptance.

Deeply researched and powerfully resonant, Twisted proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.