The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy's Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as The Road Not Taken, Fire and Ice, and Stopping by Woods on a Snowy Evening. This handsome leather-bound volume is an elegant addition to every poetry lover's shelf.

Weaving in letters, innovative forms, and meditations on devotion, sexuality, and self-deceit, We Contain Landscapes introduces a speaker who will not turn away from the ache of this world. For every reader who also harbors a voracious longing to encounter infinite landscapes and ways of being, this incisive collection dreams toward a more expansive idea of kinship--of becoming beloved to one another and ourselves.

Incantation: Love Poems for Battle Sites is a Chicana's witness to the American ethos in a time marked by controversy, division, and transformation. Bermejo delves into the heart of the matter, contemplating the significance of US monuments as both symbols of history and battlegrounds for ideological strife, and imparts a compassionate ear to the marginalized, memorializing the lives of Black and brown individuals whose lives were cut short by state-sanctioned violence.

But Bermejo's poetry also brims with love, passion, and determination to resist the prevailing chaos. Amidst the chaos, she crafts love poems celebrating the bonds of family, the strength of friendships, and the allure of defiance. This collection dances like flames in rituals of resistance and resilience, illuminating paths toward a future unburdened by the shackles of misogyny and white supremacy.

The collection is inspired by writers like bell hooks, Audrey Lorde, and Adrienne Maree Brown. The influence of hooks' All About Love lends a profound sense of introspection to Bermejo's poetry as she examines the complex interplay of love within the context of societal upheaval. Lorde's exploration of the Uses of the Erotic adds layers of empowerment to the collection, breathing life into the transformative potential of embracing the self. And from Brown's Pleasure Activism, Bermejo draws that pleasure can be a vehicle for activism, a means of reshaping a world fractured by discord. She summons love, pleasure, and the human body to reimagine a collective vision of liberation from prejudice and discrimination. Bermejo crafts a literary sanctuary, a space where readers can confront the harsh realities of today's America while kindling the flames of hope.

There's Beauty in the Breakdown is a friendly reminder that behind every fresh manicure and perfect pair of jeans, we are all human and share similar struggles while trying our best in this thing called life. Madison shares personal experiences that shaped her to be authentically vulnerable. discussing topics such as depression, anxiety, toxic relationships, and heartbreak. She gives insight into finding peace, happiness, love, and her voice all while allowing negative emotions to surface and overcoming the dark days. This book of poetry is bound to land in the hands of those who are seeking support as a reminder that we are never alone. You'll be taken on a journey that is so relatable you'll think she wrote it about your life.

Love is a journey full of highs and lows. It's in the moments of awe when your heart races, but also in those when it shatters with pain. In this book, you'll find not only words about love-but also about healing, strength, and hope-that will help you rediscover yourself no matter where you are in your journey. Each page guides you through emotions we all experience, letting you know that you're not alone.

You're really the main character of this movie called life. You experience family, friendships, relationships, jobs, and all that follows. For each step, you get your lesson, you move on to the next challenge, and keep on growing. So if you're struggling right now, it's because you're evolving. There's no point in doubling back or dwelling on the past. Once something has made its course, move ahead accordingly.

The author of this book has touched millions of hearts, with his words inspiring around 5 million people daily on Instagram through the profile @love.quotes.

Now, for the first time, you can hold these quotes in your hands-in one place where you'll always find comfort and inspiration.

Discover a collection of heartfelt prose and poetry that explore the beauty of love, healing, and personal growth. Every page offers a powerful reminder of the strength within us to overcome heartbreak, embrace self-love, and rediscover joy. Whether you're on a journey of healing or looking for daily inspiration, these carefully crafted quotes will speak to your heart and soul, offering comfort and motivation when you need it most.

Perfect for those who seek emotional connection, reflection, and the wisdom of love in all its forms.

Inside, you will find:

• Inspiring quotes on love, self-healing, and emotional growth
• A path to self-discovery through the lens of personal reflection
• Daily motivation to help navigate life's challenges with grace
• A comforting companion during times of heartbreak or transformation
• Perfect gift for loved ones seeking encouragement and strength

Leona Sevick's The Bamboo Wife captures the experiences of an imperfect woman held up against the standard of good wife and mother. Sevick is a master of metaphor and imagery, depicting, for example, a mother as a kraken. In the sea creature's words, It takes a hard-ass woman to raise her young. Every poem is wrought with precise description and emotion. We get nature as well as some location-based poems orienting us in Korea. There is anger and sadness, the animal need to run in all directions at once, and family trauma both past and present. This trauma is inflicted on the speaker as a child and to some degree perpetuated through her own parenting. The collection asks the reader to provide space in poetry for a woman trying to do her best for her own and others' sake, for one who has made bad decisions and lived. Every poem is necessary, and Sevick makes each word count. Honesty carries this collection through her speaker's good, bad, and ugly moments. It takes courage for someone to say, there's no mistake I haven't made.

Through experimental forms, free verse, prose, haiku, sonnets, satire, and a method he calls recycling, Perez has created a diverse collection filled with passion. Habitat Threshold invites us to reflect on the damage done to our world and to look forward, with urgency and imagination, to the possibility of a better future.

Sometimes I wonder if there are others like me. Who feel everything and everything has feeling.

In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.

J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guåhan (Guam), and the culture of his indigenous Chamoru people. Åmot is the Chamoru word for medicine, commonly referring to medicinal plants. Traditional Chamoru healers were known as yo'åmte; they gathered åmot in the jungle and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process.

Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of åmot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders.

Postscripts makes many travels, from the landscapes and cultures of foreign travels, to the long journey through grief. Thrown also into relief is home-for this poet, West Virginia, in the heart of Appalachia-and all the ways it balances the hard-hewn beauty and hardscrabble realities. Like a travel diary or a love letter home, these poems speak to place in all its incarnations: physical, artistic, spiritual, familial, and imagined.

Probing the depths of the modern psyche in a voice at once caustic and vulnerable, melancholic and humorous, Baudelaire's infamous book brings to the surface a new understanding of evil, of eroticism, and of social life through an astonishing variety of poetic forms and styles. This edition adds the poems banned from the original 1857 publication to the expanded collection of 1861 and includes an introduction from the translator, acclaimed poetry scholar Nathan Brown.

In Zebra Lashes, Rikki Santer's thirteenth poetry collection, she demonstrates once again her delight in wordplay as well as her knack to forge elements of surprise, philosophical meditations, and inventive renderings of subject matter. Each cleverly titled section is like a strand of pearls which weaves smoothly into the next section through personal narrative, odes to the real and the imagined, and political verse. Explorations through life's ironies or dire premonitions for the future unfold elegantly as we are left with the challenge to enter mindful examinations of how our thoughts and actions affect others and our planet.

As snappy as a dinner jacket's red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser's robust felicity is a balm in grim times. It's also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new.

The book unfolds like a five-act play, moving from chattier poems to dramatic denouements. In the collection's two Darker sections, we meet folks learning to say goodbye, from a three-year-old's cry I love you so loud (A Young Farewell) to a reckoning with words formed Forty-Five Years On. Time presses in continually. In Abroad and At Home, the author shows us himself, in younger form: sixty-six, then twenty-seven, catapulted back in memory to Tokyo by a single bite of food (The Old Current). Then, eight, and awed to remember the beauty of a lone jet overhead. With Updikean wordplay he recalls: Porch steps, sunset; a warm, gathering gloom. / Behind me, five lives: two parents plus the three / Brothers with whom I share my room (A Single Flight).

As Leithauser takes the measure of a world expanding behind him, he manages to become weightless, freer, wild again. He also refuses to give up second chances. In the Lighter interlude, we chance upon Icarus and His Kid Brother. We're treated to dactyls and lively quatrains, a sloppy kiss that's not quite bliss, musings on sobriety, and what comes to pass when life turns lickerish and liquory (Double Dactyls, Six Quatrains, The Muses, and Kisses After Novocaine). The energies yoked within Leithauser's formalism overflow formality.

Often elegiac and yet packed with humor, contemplative, consoling, and informed by the soul of a storyteller, Brad Leithauser's latest book of poetry is a warming, enrapturing read that returns us to the ebbs and flows of life's shores. I'm sixty-six, the author writes, and could anything / Reliably be more heartening / Than stray hints that life's brightest events. / Are, however far-flung, strung / Along a long old current?

IN MY HEAD Vol. II is the follow up to J.M. Storm's successful debut release IN MY HEAD.

Similarly, Volume II of this poetry series deals with love, loss, life, and the human condition.

For fans of Americana music and a beer after mowing the lawn, The Last Saturday in America confronts the long shadow of Southern masculinity.

The Last Saturday in America is set in a nation on the precipice of great change. Through examinations of suburban neighbors, bullies, gun violence, and vasectomy appointments, Ray McManus draws a portrait of American masculinity in the face of political division, pandemic, and cultural warfare. McManus's speaker is caught between the way he was raised and the future he wants to see for who he is raising. He can no longer rely on what he thought he knew, nor does he know what to do about it. The man rendered in these pages is a father, a son, a Southerner. And he is willing to burn it all down and start something new, only to see that the new start he is looking for has been with him the whole time.