You are alive
for a moment
when living people
run after you.

Barely thirty years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives.

Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid; here are lyrics about the poet's wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather's oranges, his daughter's joy in eating them.

Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination--even as it is watched live. Abu Toha's poems introduce readers to his extended family, some of them no longer with us. This is an urgent, extraordinary, and arrestingly whimsical book. Searing and beautiful, it brings us indelible art in a time of terrible suffering.

It's nearly impossible to write poetry that holds the human desire for joy and the insistent agitations of protest at the same time, but Lena Khalaf Tuffaha's gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine's historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha's elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed.

This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. Let the plural be a return of us the speaker of On the Thirtieth Friday We Consider Plurals says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems, Khalaf Tuffaha reminds us that love isn't an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first. --Adrian Matejka, author of Somebody Else Sold the World

This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems of Rumi.

Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever. The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.

Winner of the American Book Award, the Palestine Book Award and Arrowsmith Press's 2023 Derek Walcott Poetry Prize

National Book Critics Circle Award for Poetry Finalist

Written from his native Gaza, Abu Toha's accomplished debut contrasts scenes of political violence with natural beauty.-The New York Times

In this poetry debut Mosab Abu Toha writes about his life under siege in Gaza, first as a child, and then as a young father. A survivor of four brutal military attacks, he bears witness to a grinding cycle of destruction and assault, and yet, his poetry is inspired by a profound humanity.

These poems emerge directly from the experience of growing up and living in constant lockdown, and often under direct attack. Like Gaza itself, they are filled with rubble and the ever-present menace of surveillance drones policing a people unwelcome in their own land, and they are also suffused with the smell of tea, roses in bloom, and the view of the sea at sunset. Children are born, families continue traditions, students attend university, and libraries rise from the ruins as Palestinians go on about their lives, creating beauty and finding new ways to survive.

Accompanied by an in-depth interview (conducted by Ammiel Alcalay) in which Abu Toha discusses life in Gaza, his family origins, and how he came to poetry.

Praise for Things You May Find Hidden in My Ear:

Mosab Abu Toha is an astonishingly gifted young poet from Gaza, almost a seer with his eloquent lyrical vernacular ... His poems break my heart and awaken it, at the same time. I feel I have been waiting for his work all my life.--Naomi Shihab Nye

Though forged in the bleak landscape of Gaza, he conjures a radiance that echoes Milosz and Kabir. These poems are like flowers that grow out of bomb craters and Mosab Abu Toha is an astonishing talent to celebrate.--Mary Karr

Mosab Abu Toha's Things You May Find Hidden in My Ear arrives with such refreshing clarity and voice amidst a sea of immobilizing self-consciousness. It is no great feat to say a complicated thing in a complicated way, but here is a poet who says it plain: 'In Gaza, some of us cannot completely die.' Later, 'This is how we survived.' It's remarkable. This is poetry of the highest order.--Kaveh Akbar

From the author of The Arsonists' City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family-past, present, future-in the face of displacement and war.

A diaspora of memories runs through this poetry collection--a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form--small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

These poems take stock of who and what can displace you from home and from your own body--and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

A Penguin Classics Hardcover

The most famous work of spiritual fiction of the twentieth century, The Prophet is rooted in Kahlil Gibran's own experience as an immigrant and provides inspiration to anyone feeling adrift in a world in flux. As a prophet named Almustafa is about to board a ship to travel back to his homeland after twelve years in exile, he is stopped by a group of people who ask him to share his wisdom before he leaves. In twenty-eight poetic essays, he does so, offering profound and timeless insights on many aspects of life, including love, pain, friendship, family, beauty, religion, joy, sorrow, and death.

An immediate success when first published in 1923, The Prophet is a modern classic, having been translated into more than forty languages and sold more than ten million copies in the United States alone. The message it imparts, of finding divinity through love, made it the bible of 1960s culture and continues to touch hearts and minds across generations and national borders. This edition is illustrated with twelve of Gibran's famous visionary paintings and features a foreword by Rupi Kaur.

In the sweetness of friendship let there be laughter, and sharing of pleasures.
For in the dew of little things the heart finds its morning and is refreshed.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Joseph Rudyard Kipling (1865-1936) was an English novelist, journalist, poet, and short-story writer most famous for his stories set in and related to colonial India. He innovated the art of short story writing and was one of the most popular writers in the U.K. during the nineteenth and twentieth centuries. A brand new collection of Kipling's best poetry, including Gunga Din, If-, Recessional, The Gods of the Copybook Headings, The White Man's Burden, Mesopotamia, The Female of the Species, The Ballad of East and West, Epitaphs of the War, The Way Through the Woods, Mother O' Mine, and many more. A fantastic collection not to be missed by poetry lovers and fans of Kipling's seminal work. Other notable works by this author include: The Jungle Book (1894), Kim (1901), and The Man Who Would be King (1888).

An unvarnished view of war and its repercussions: fear, dread, devastation, and exile.--Elisabeth Egan, New York Times Book Review

Born in Jerusalem in 1978, Najwan Darwish is one of the most important poets of the Arabic-speaking world. This definitive collection, which draws from five volumes published in Arabic as well as new unpublished work, brings to English-language readers a sweeping trove of Darwish's most powerful and urgent poetry of the last decade.

In spare lyric verse, Darwish testifies to the brutal and intimate traumas of war, the anguished fatigue of waking up each morning in an occupied land, and the immeasurable toll of the Israeli-Palestinian conflict. While anchored in the geography of Palestine, his poetry also explores the rich artistic inheritance of the Arabic-speaking world, moving between regions, landscapes, and eras, from the glories of medieval Granada to the rippling shores of contemporary Haifa. In dialogue with poets, philosophers, and seekers from many different traditions, Darwish's verse pulses with spiritual longing and a sense of battered, disoriented wonder--a witness to both the atrocities we visit upon one another and the miracle that we are here at all.

No One Will Know You Tomorrow is a tribute to the indomitability of the human spirit: its sensitive attunement to beauty and its endurance in the face of unspeakable tragedy.

Rumi's poems were meant to induce a sense of ecstatic illumination and liberation in his audience, bringing its members to a condition of serenity, compassion, and oneness with the divine. They remain masterpieces of world literature to which readers in many languages continually return for inspiration and succor, as wellas aesthetic delight. This new translation by Haleh Liza Gafori preserves the intelligence and the drama of the poems, which are as full of individual character as they are of visionary wisdom.

Marilyn Hacker praises Gafori's new translations of Rumi as the work of someone who is at once an acute and enamored reader of the original Farsi text, a dedicated miner of context and backstory, and, best of all, a marvelous poet in English.

The poetry of the medieval Persian sage Rumi combines lyrical beauty with spiritual profundity, a sense of rapture, and acute awareness of human suffering in ways that speak directly to contemporary audiences.

Trained in Sufism--a mystic tradition within Islam--Rumi founded the Sufi order known to us as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. Many of Rumi's poems speak of a yearning for ecstatic union with the divine Beloved. But his images bring the sacred and the earthy together in startling ways, describing divine love in vividly human terms.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Blood Orange is a highly emotional, important and timely poetry collection by Mx. Yaffa (They/She), a trans Muslim displaced Indigenous Palestinian. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of indigenous Palestinians.

The collection came quickly and relentlessly, drawn from the depths of the author's soul during a movement for a free Palestine and aligned with a solar eclipse. It beckons readers to re-evaluate what is perceived as immutable and to imagine pathways toward Utopia.

Blood Orange- the title an homage to the Yaffa Oranges (which were appropriated first by the British and subsequently by Israel) refers to the author themselves, their homeland and blood spilled in the name of settler colonialism.

This highly charged and cathartic body of work confronts the anguish and loss inflicted by genocide but also embraces a vision of a world free of it. The poems within Blood Orange were a means of working through and processing the grief caused by recent events and serve as an act of protest and defiance against settler colonialism as a whole.

For more than eight centuries, Jalaluddin Muhammad Balkhi Rumi--commonly referred to simply as Rumi--has enchanted and enthralled readers from every faith and background with his universal themes of love, friendship, and spirituality, which he seamlessly wove into resplendent poetry.

The verses herein perfectly express and are centered on the theme of love, along with the quest, desire, and deeper meanings of love for not only ourselves, but also of our fellow humankind.

The Sweetheart
the sweetheart
who is blocking my sleep
demands tears on my knees
throwing me silently
into the waves
changing the water
to liquid sweet

With intricately designed and richly colored covers that mirror the beauty of the words within, the Timeless Rumi series presents themed collections of poems from the great Sufi mystic Jalaluddin Muhammad Balkhi Rumi that serve as cherished tools for self-reflection.

Poetry from former national poet of Palestine, illustrated by original drawings by John Berger

Mahmoud Darwish was the Palestinian national poet. One of the greatest poets of the last half century, his work evokes the loss of his homeland and is suffused with the pain of dispossession and exile. His poems display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish's later works. Illustrated with original drawings by John Berger, Mural is a testimony to one of the most important and powerful poets of our age.

Almond Blossoms and Beyond is one of the last collections of poetry that Mahmoud Darwish left to the world. Composed of brief lyric poems and the magnificent sustained Exile cycle, Almond Blossoms holds an important place in Darwish's unparalleled oeuvre. It distills his late style, in which, though the specter of death looms and weddings turn to funerals, he threads the pulses and fragilities and beauties of life into the lines of his poems. Their liveliness is his own response to the collection's final call to bid Farewell / Farewell, to the poetry of pain.

Considered by Rumi to be the master of Sufi mystic poetry, Attar is best known for this epic poem, a magnificent allegorical tale about the soul's search for meaning. He recounts the perilous journey of the world's birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar's beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul's escape from the mind's rational embrace.

Sholeh Wolp re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

A thoughtful new collection of poems, one that deconstructs the deceptively simple question of what it means to be good--a good person, a good citizen, a good teacher, a good poet, a good father.

With These Trees, Those Leaves, This Flower, That Fruit, Hayan Charara presents readers with a medley of ambitious analyses, written in characteristically wry verse. He takes philosophers to task, jousts with academics, and scrutinizes hollow gestures of empathy, exposing the dangers of thinking ourselves separate / from [our] thoughts and experiences. After all, No work of love / will flourish out of guilt, fear, or hollowness of heart. But how do we act on fullness of heart? How, knowing as we do that genocide is inscribed in our earliest and holiest texts?

Thoughtful but never preachy, Charara sits beside us, granting us access to life's countless unglamorous dilemmas: crushing a spider when we promised we wouldn't, nearing madness from a newborn's weeping, resenting our lovers for what happened in a dream. Good poems demand to be written from inside the poet, we are reminded. And that is where we find ourselves here: inside a lively and ethical mind, entertained by Charara's good company even as goodness challenges us to do more.

Lena Khalaf Tuffaha's Kaan and Her Sisters illuminates the work of grief and survival, the sordid legacies of official historical record and the liberatory practice of intimate narration. Tuffaha writes in the liminal space between languages, personifying Arabic verbs who guide the reader through a history hurtling into the future. Kaan and Her Sisters centers character of the Arabic teacher, Miss Sahar, whose progressive displacements from Palestine and across Arab cities unfold in epistles, refashioned songs, and glimpses into the interiors of her lost home. In these disclosures, a study of time and a record of resistance to erasure emerges, and at its heart, the women who keep intergenerational memory. Our mothers miraculous, persevering./No maps are new to the ancestors.

One of Lit Hub's most Anticipated Poetry Books for Spring!

Like Mandelstam, Akhmatova, and Vallejo, Gazan poet Nasser Rabah embodies the magnificent possibilities of the human spirit and imagination under extreme conditions.

Nasser Rabah is my favorite living poet in Palestine. The musicality of his lines could replace my heartbeats and I would feel more than alive.--Mosab Abu Toha, author of Things You May Find Hidden In My Ear

Born in Gaza in 1963, Rabah spent some of his formative years in Egypt, before returning to Gaza in his early twenties, where he has lived ever since. There, among the generations who built its neighborhoods and populate its villages, in a place of great natural beauty and vibrant cities, living under constant surveillance, military occupation, blockade, siege and regular attack, in a culture steeped in literary and spiritual tradition, Rabah developed his distinctively singular vision and poetics.

This is Rabah's first book in English translation. The poems include a selection from three of his published collections, along with new poems written after October 2023, during the full-scale Israeli assault on Gaza. Throughout, we find a combination of irreverence and fidelity to tradition, a sense of surrealism infusing the depiction of everyday incomprehensibilities, and an unsettling, delicate tenderness always on edge in an atmosphere of sensory inundation and emotional saturation. Rabah's poems can be raw and uninhibited by social or literary conventions, exploring and questioning one's relationship to divinity in absurd circumstances while confronting the sacred cows of his own society, along with the sometimes voyeuristic interest from those on the outside of it. His poetry constantly interrogates--sometimes playfully and sometimes in utter existential despair--the paradoxes and difficulties of expression and of writing itself. Nasser Rabah is a poet we have much to learn from.

This is a bi-lingual edition and includes the original versions in Arabic.