Inspired, seminal translations of one of the greatest poets of all time by Edna St. Vincent Millay and George Dillon, now available in a sleek new edition.

Charles Baudelaire invented modern poetry, and Flowers of Evil has been a bible for poets from Arthur Rimbaud to T. S. Eliot to Edna St. Vincent Millay, who, with George Dillon, composed an inspired rhymed version of the book published in 1936 and reprinted here, with the French originals, for the first time in many years.

Millay and Dillon, while respectful of the spirit of the originals, lay claim to them as to a rightful inheritance, setting Baudelaire's flowing lines to the music of English. The result is one of the most persuasive renditions of the French poet's opulence, his tortured consciousness, and his troubling sensuality, as well as an impressive reimagining of his rhymes and rhythms on a par with Marianne Moore's La Fontaine or Richard Wilbur's Molière.

This bilingual edition includes the original French versions of each poem.

New Directions is pleased to announce the relaunch of the long-celebrated bilingual edition of Rimbaud's A Season In Hell & The Drunken Boat -- a personal poem of damnation as well as a plea to be released from the examination of his own depths.

Rimbaud originally distributed A Season In Hell to friends as a self-published booklet, and soon afterward, at the age of nineteen, quit poetry altogether. New Directions's edition was among the first to be published in the U.S., and it quickly became a classic. Rimbaud's famous poem The Drunken Boat was subsequently added to the first paperbook printing. Allen Ginsberg proclaimed Arthur Rimbaud as the first punk -- a visionary mentor to the Beats for both his recklessness and his fiery poetry.

This new edition proudly dons the original Alvin Lustig-designed cover, and a introduction by another famous rebel -- and now National Book Award-winner -- Patti Smith.

Upon its original publication in 1857 Charles Baudelaire's Les Fleurs du Mal or The Flowers of Evil was embroiled in controversy. Within a month of its publication the French authorities brought an action against the author and the book's publisher claiming that the work was an insult to public decency. Eventually the French courts would acknowledge the literary merit of Baudelaire's work but ordered that six poems in particular should be banned from subsequent publication. The notoriety caused by this scandal would ultimately work in the author's favor causing the initial publication to sell out, thus prompting the publication of another edition. The second edition was published in 1861, it included an additional thirty-five poems, with the exclusion of the six poems censored by the French government. Finally in 1868 a third edition was published posthumously. This collection added an additional fourteen poems selected by two of Baudelaire's friends yet again excluded the six censored poems. Literary scholars generally agree that, while well-meaning, the addition of these poems in the third edition disrupt the structure intended by Baudelaire and thus the 1861 edition should be considered as the definitive edition. In this volume we reproduce that 1861 edition along with the six censored poems in the original French and in an English translation by William Aggeler. Rich with symbolism, The Flowers of Evil is rightly considered a classic of the modernist literary movement. Its themes of decadence and eroticism seek to exhibit Baudelaire's criticism of the Parisian society of his time.

The Flowers of Evil, which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its unremitting irony, and its unflinching celebration of the seamy side of urban life. Including the French texts and comprehensive explanatory notes to the poems, this extraordinary body of love poems restores the six poems originally banned in 1857, revealing the richness and variety of the collection.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Charles Baudelaire, a Parisian bohemian, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life.

First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation--earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire's untimely death). Subsequent editions expanded on the original, including new poems that have since been recognized as Baudelaire's masterpieces, producing a body of work that stands as the most consequential, controversial, and influential book of poetry from the nineteenth century.

Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire's lyrical innovations--rendering them in an assertive blend of full and slant rhymes and fluent iambs (A. E. Stallings)--and an intuitive feel for the work's dark and brooding mood. Poochigian's version captures the incantatory, almost magical, effect of the original--reanimating for today's reader Baudelaire's unfailing vision that trumpeted the space and light of the future (Patti Smith).

An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire's masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.

Born to a Belgian family in the year 1906, Léon Joseph Marie Ignace Degrelle rose to prominence as a newspaper editor and head of the militant monarchist, Catholic, and anticommunist Parti Rexiste.

Following the German occupation of Belgium, Degrelle and his party loyalists enlisted in the Wehrmacht-organized Walloon Legion to aid in the liberation of the peoples of the Soviet Republics. He raised approximately 6,000 volunteers over the course of the war, both for the Wehrmacht and, later, for the Waffen-SS. Barely a third of these volunteers would survive. Degrelle and his men were noted for extreme bravery, brutal ferocity in close quarters fighting, and an indomitable spirit of self-sacrifice, with Degrelle himself earning the Knight's Cross of the Iron Cross with Oak Leaves.

After the fall of Berlin, Degrelle made a daring escape from the crumbling Third Reich. He managed to reach Spain, where he was safeguarded by Franco's government. His native Belgium later sentenced him to death in absentia for collaboration with the Germans.

Degrelle expressed no regrets for joining the war on the side of the Axis Powers, defending both his own actions and those of his superiors and comrades. He lived in Spain until his death of natural causes in 1994, and remained active in anticommunist and pan-European causes despite several attempts at his extradition, kidnapping, or assassination.

The Burning Souls is Degrelle's reflection on his experiences and on the soul - part poetry, part memoir. In it, he traces his journey, from his idyllic childhood to the frozen steppes of Russia, not just as a physical journey but as a great spiritual trial. He instructs us that to give oneself completely, to be willing to weather all hardships in service of a transcendent ideal, is what is required to overcome the spiritual malaise of our day.

The Burning Souls is now being made available for the first time in English by Antelope Hill Publishing.

Charles the king, our emperor great,
Has been a full seven years in Spain.
As far as the sea he conquered this haughty land.
Not a single castle remains standing in his path

Charlemagne (768-814) was crowned Holy Roman Emperor in 800 and presided over a huge empire. He frequently appears in literature as a great warlord and pious crusading figure. In 778, the rearguard of Charlemagne's retreating army was ambushed and defeated at the battle of Roncevaux. This became the inspiration for songs and poems celebrating deeds of valour in the face of overwhelming odds, through the character of Charlemagne's nephew (the imaginary) Roland. The Song of Roland is the most stirring and moving epic poem of the European Middle Ages, offering a particularly heady mixture of history, legend, and poetry.

Presented here in a lively and idiomatic new translation, the Song of Roland offers fascinating insights into medieval ideas about heroism, manhood, religion, race, and nationhood which were foundational for modern European culture. The Song of Roland is accompanied here by two other medieval French epics about Charlemagne, both of which show him to be a far more equivocal figure than that portrayed by the Roland: the Occitan Daurel and Beton, in which he is a corrupt and avaricious monarch; and the Journey of Charlemagne to Jerusalem and Constantinople, which gives the heroes of the Roland a comic makeover.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'In the end you're tired of this antiquated world'

Guillaume Apollinaire (1880-1918) is the most significant French poet of early modernism, and the most colourful. His exuberant, adventurous poetry matched the eventful times through which he lived, and his experimentalism heralded a new artistic order. In the Paris of the belle epoque, Apollinaire's prolific writing - poems, short stories, erotic novels, art criticism - as well as his magnetic personality brought him fame and even some notoriety. His two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism', and he led the literary and artistic avant-garde right up to his death two days before the Armistice, weakened by injuries received earlier in the War.

This new selection by Martin Sorrell covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The modernist masterpiece that is Arthur Rimbaud's Illuminations has been given new life with the publication of John Ashbery's dazzling (The Economist) new translation, widely hailed as one of the literary events of the year. Presented with French text in parallel and a preface by its translator, Ashbery's rendering powerfully evokes the glittering, kaleidoscopic beauty of the original

Wonderful . . . and full of life. This is a book for discovery, for pleasure and delight. - George Szirtes, author of The Photographer at Sixteen

A revelatory volume of 2 of the 20th century's great poetic innovators, Guillaume Apollinaire and Velimir Khlebnikov, in vibrant new translations by Robert Chandler

Offering a fresh angle on two of the most innovative poets of the 20th century, and grouping poems by theme, celebrated translator and poet Robert Chandler finds surprising connections between Apollinaire and Khlebnikov, from their interest in animal poems and bestiaries to their distinctive approaches to war poetry.

Although Apollinaire and Khlebnikov never met, their restless innovations in poetic form shared much in common. Both pushed poetry to its limit, and their experiments proved fertile for generations of poets to come. Khlebnikov became associated with Futurism, though his inventiveness with language moved him far beyond it, while Apollinaire influenced a dizzying array of avant-garde movements, including Surrealism, Dadaism and Cubism.

Chandler offers a stimulating selection from both poets' work in beautifully vivid new translations. Showcasing these poets' exhilarating capacity for innovation as well as their more direct, heartfelt verse, this work offers a surprising journey into the world of two great Modernist poets.

Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world's greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov.

The poetry of Charles Péguy (1873- 1914) emerges from a world deeply embedded in supernatural realities and the hidden activities of grace. Nevertheless, it lacks any trace of the other-worldliness that frequently characterizes religious poetry. For, though he enters unabashedly into the mysteries of providence and the longings of God's own heart, he proceeds by means of the most ordinary experiences of human life, yielding insights that are all the more striking for having been drawn from familiar images.

Speaking thus with the voice of the people, his universal appeal has made him one of France's best-loved poets; as a true adventurer of the spirit, Péguy has also caused a gentle but unmistakable shift in twentieth-century Catholic thought, leaving a legacy that continues in such writers as Bernanos, Marcel, Guardini, de Lubac, and Balthasar.

In The Portal of the Mystery of Hope, Péguy offers a comprehensive theology ordered around the often-neglected second theological virtue, incarnated in his image of the little girl Hope. Her playful confidence and unshakeable joy -- even within the dark mystery of human suffering -- are described in the simple language and light humor that characterize Péguy's unconventional style, and are carried in the prayerful rhythm of the ancient litanies.

This first ever critical edition of Péguy's poetry to appear in English contains a preface, biographical chronology, bibliography, and a host of notes that situate the poem in the context of Péguy's life.

For most of his life, Victor Hugo (1802-1885) was the most famous writer in the world. His legacy includes the nineteenth century's most celebrated works of drama, fiction, memoir, and criticism. But in his day Hugo was know foremost as a poet-indeed the greatest French poet of the age. He wrote with passion about history, erotic experience, familial love, philosophy, nature, social justice, art, and mysticism.

In this new bicentennial edition, acclaimed poet and translator Brooks Haxton offers an exquisite selection of Hugo's finest work: love poems, historical tableaux, elegy, and idyll, including his incomparable Boaz Asleep, which Marcel Proust praised as the most beautiful poem of the nineteenth century.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A long lost poem purportedly by Rimbaud is finally made available in English.

Referenced only in a few letters of Paul Verlaine, The Spiritual Hunt is Arthur Rimbaud's forgotten masterwork, a poem in five parts that explored the mystic philosophy that guided the young poet's heart and hand. Considered lost for years, a typewritten manuscript appeared in Paris in the late 1920s, circulating around a close-knit group of booksellers, poets, and playwrights. Yet it wasn't until 1949 that Mercure de France took the initiative to publish the unauthenticated galley and unleashed a literary controversy that shook France. Sides were drawn, with Andre Breton leading the charge of forgery, calling the work an utter hoax, and others defending it as legitimate and an essential key to understanding Rimbaud and his work. Bookstores were raided for copies, critics were skewered in journals, and tempers flared on radio and in print, but no conclusive judgement could be drawn and Mercure de France withdrew the work from publication and pulped all the copies they could find.

Now, seventy-five years after its initial imbroglio, The Spiritual Hunt is available in English for the first time with a facsimile letterpress edition of the original. Featuring Pascal Pia's original introduction along with an edifying afterword by translator Emine Ersoy.

The bilingual, illustrated, and National Book Award-winning edition of Charles Baudelaire's masterpiece. The complete French text is accompanied with an English translation by Richard Howard.

Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time.

In Spleen et idéal, Baudelaire dramatizes the erotic cycle of ecstacy and anguish--of sexual and romantic love. Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

The voice of Baudelaire lives in this award-winning edition that includes monotypes by artist, Michael Mazur. Howard's achievement is such that we can be confident that this Fleurs du Mal will long stand as definitive, a superb guide to France's greatest poet.--The Nation

On 15 August 778, Charlemagne's army was returning from a successful expedition against Saracen Spain when its rearguard was ambushed in a remote Pyrenean pass. Out of this skirmish arose a stirring tale of war, which was recorded in the oldest extant epic poem in French. The Song of Roland, written by an unknown poet, tells of Charlemagne's warrior nephew, Lord of the Breton Marches, who valiantly leads his men into battle against the Saracens, but dies in the massacre, defiant to the end. In majestic verses, the battle becomes a symbolic struggle between Christianity and paganism, while Roland's last stand is the ultimate expression of honour and feudal values of twelfth-century France.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The celebrated, National Book Award-winning, translation of Baudelaire's masterpiece. It is the English edition to acquire.--Washington Post

Pulitzer Prize winning poet and translator, Richard Howard, gives readers the true voice of Baudelaire in this masterful translation. Charles Baudelaire's 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time.

In Spleen et idéal, Baudelaire dramatizes the erotic cycle of ecstasy and anguish--of sexual and romantic love. Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

Howard's achievement is such that we can be confident that his Flowers of Evil will long stand as definitive, a superb guide to France's greatest poet.--The Nation

Born to a Belgian family in the year 1906, L on Joseph Marie Ignace Degrelle rose to prominence as a newspaper editor and head of the militant monarchist, Catholic, and anticommunist Parti Rexiste.

Following the German occupation of Belgium, Degrelle and his party loyalists enlisted in the Wehrmacht-organized Walloon Legion to aid in the liberation of the peoples of the Soviet Republics. He raised approximately 6,000 volunteers over the course of the war, both for the Wehrmacht and, later, for the Waffen-SS. Barely a third of these volunteers would survive. Degrelle and his men were noted for extreme bravery, brutal ferocity in close quarters fighting, and an indomitable spirit of self-sacrifice, with Degrelle himself earning the Knight's Cross of the Iron Cross with Oak Leaves.

After the fall of Berlin, Degrelle made a daring escape from the crumbling Third Reich. He managed to reach Spain, where he was safeguarded by Franco's government. His native Belgium later sentenced him to death in absentia for collaboration with the Germans.

Degrelle expressed no regrets for joining the war on the side of the Axis Powers, defending both his own actions and those of his superiors and comrades. He lived in Spain until his death of natural causes in 1994, and remained active in anticommunist and pan-European causes despite several attempts at his extradition, kidnapping, or assassination.

The Burning Souls is Degrelle's reflection on his experiences and on the soul - part poetry, part memoir. In it, he traces his journey, from his idyllic childhood to the frozen steppes of Russia, not just as a physical journey but as a great spiritual trial. He instructs us that to give oneself completely, to be willing to weather all hardships in service of a transcendent ideal, is what is required to overcome the spiritual malaise of our day.

The Burning Souls is now being made available for the first time in English by Antelope Hill Publishing.

Through translations by two major contemporary poets and a scholar intimate with the Ponge canon, this volume offers selections of mostly earlier poetry --Le parti pris des choses, Pi ces, Pro mes, and Nouveau nouveau recueil--as representative of the strongest work of this modern French master.

One of the earliest and most astonishing examples of surrealist writing

Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a master of disguises pursued by the police as the incarnation of evil, as he makes his way through a nightmarish realm of angels and gravediggers, hermaphrodites and prostitutes, lunatics and strange children. Delirious, erotic, blasphemous and grandiose by turns, this hallucinatory novel captured the imagination of artists and writers as diverse as Modigliani, Verlaine, André Gide and André Breton; it was hailed by the twentieth-century Surrealist movement as a formative and revelatory masterpiece.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Enduring icon of creativity, authenticity, and rebellion, and the subject of numerous new biographies, Arthur Rimbaud is one of the most repeatedly scrutinized literary figures of the last half-century. Yet almost thirty years have elapsed without a major new translation of his writings. Remedying this state of affairs is Rimbaud Complete, the first and only truly complete edition of Rimbaud's work in English, translated, edited, and introduced by Wyatt Mason.

Mason draws on a century of Rimbaud scholarship to choreograph a superbly clear-eyed presentation of the poet's works. He arranges Rimbaud's writing chronologically, based on the latest manuscript evidence, so readers can experience the famously teenaged poet's rapid evolution, from the lyricism of Sensation to the groundbreaking early modernism of A Season in Hell.

In fifty pages of previously untranslated material, including award-winning early verses, all the fragmentary poems, a fascinating early draft of A Season in Hell, a school notebook, and multiple manuscript versions of the important poem O saisons, chateaux, Rimbaud Complete displays facets of the poet unknown to American readers. And in his Introduction, Mason revisits the Rimbaud myth, addresses the state of disarray in which the poet left his work, and illuminates the intricacies of the translator's art.

Mason has harnessed the precision and power of the poet's rapidly changing voice: from the delicate music of a poem such as Crows to the mature dissonance of the Illuminations, Rimbaud Complete unveils this essential poet for a new generation of readers.