In her first collection of poems, Gabrielle G. depicts different love stories from the initial spark to the last heartbreak and writes in verses the heartache we've all been through.
A poetry book to make your heart smile and weep at the same time.
Barely Amazing: Selected Poems is an anthology of some of Shane's most requested poems on tour. This collection spans decades and includes works from many of his books.
In this collection, Shane skillfully takes the readers on a trek through deserts of loneliness, labyrinths of loss, and meadows of healing. The landscapes of our emotions range from the perilous to the serene, and these poems become a companion, a confidant, a source of
solace, and a survival guide for the reader.
Shane's unique voice weaves humor and storytelling into his verses. With levity as a setup for power, each poem promises to take you on a
zipline of emotions, leaving you both laughing and reflecting on life's miracles. While the freefall through our emotions may at times feel like a hazard, Shane creates a place to land safely without having to sacrifice the impact created by their velocity. These works are flint and tinder, wrestling as a tag team against the cold and dark we sometimes find ourselves lost in. The works contained within do not tell us where to dig for the buried treasure of our hearts... they remind us that the treasure does in fact exist, and they lay bare what is amazing about what our hearts can endure.
**New York Magazine's Top 10 Books of 2013**
**GoodReads Reader's Choice Award Winner**
This poetry collections focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They dazzlingly and fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time - they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. Do not read me as a vanished ndn, they ask, read me as a ghastly one.
full-metal indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story - the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms - if reconciliation is a means of burying the hatchet, Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space - they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, been injured, profoundly. Zoa stands in solidarity with all qpoc folk who exist as ghosts with intergenerational and colonial phantom pains - they sing with Donna Summer, RuPaul, Effie White, and Trixie Mattel. The space made is a post-apocalyptic hub of sex and decolonization - a world where making love is akin to making live.
Ana Dee's highly anticipated debut poetry collection, Untouched, is a testament to the beauty of love and its ability to inspire art and create a language of its own.
Through mesmerizing verses, Ana embraces the reader, carrying them through moments of passion, tenderness, and vulnerability. This captivating poetry collection showcases the boundless capacity of love to both uplift and devastate us.
A must-read for anyone who has ever been touched by the magic and tragedy of love.
Harold Rhenisch's poems balance the settler and Indigenous experiences of land and water in the Pacific Northwest
A collection of shanties (songs) laid out in couplets that move between English and Chinook Wawa, The Salmon Shanties celebrates a poetic tradition deeply rooted on the West Coast. Harold Rhenisch explores memories of people, place, and of returning home, speaking the land's names as a music of its own and creating a series of aural maps.
Imbued with rhythms of Secwepemc grass dances, the colloquial chatter of the Canadian poet Al Purdy, and the voice of poet and historian Charles Lillard, Rhenisch's work sings of roots to the land lifted up by the sea into the sky--as if Ezra Pound had sung of Cascadia instead of Europe.
Do not be in Mareuil and Périgeux tonight; it is 1912 no longer.
We, the land's singers, are walking the star road on the long way home
with the crickets of a July evening above Tuc el Nuit,
the burrowing owls of N'kmp,
and the long memories of the dwarf shrews of Nighthawk.
Breath cannot be denied. Poh cannot be forsaken. Ezra, shantie.
Slow Walk Home by Suzanne Nussey
Slow Walk Home, by Suzanne Nussey is a poignant collection of poetry that masterfully interlaces the threads of the sacred with the fabric of the mundane, creating a rich tapestry of reflective thought and universal appeal. Nussey's poems transcend mere reminiscence, elevating everyday familial and personal memories to engage with themes of God, Time, and the unseen, transforming small, intimate moments into profound reflections on eternity.
The collection is lauded for its seamless transition from the domestic to the divine, embodying a modern yet timeless poetic voice that echoes ancient contemplative traditions. Nussey's skill in this weaving is particularly notable for its lack of pretension. It relies on natural insights rather than complex academic constructs, making it accessible to all readers.
Critics praise Nussey for her use of unique and unexpected metaphors and a tone that confronts the raw realities of life-death, illness, and loss, alongside motherhood, love, faith, and redemption. Through her poems, Nussey invites us into a private world. One that is deeply personal yet universally relatable, illuminated by her clear and evocative language.
The book also reflects on the social and historical contexts that shape personal and collective memory, examining the promises and limitations of mid-century societal norms against today's more enlightened perspectives. The juxtaposition of past and present enriches the collection, providing a window into the evolving dynamics of society and personal identity.
Described as a spiritual autobiography, Slow Walk Home is brave and contemplative. It utilizes poetry to explore and question the spiritual certitudes of its narrator. The collection offers readers a space for meditation and reflection, encouraging a deeper engagement with the text as a form of prayer and discovery.
This extraordinary poetry collection journeys to the place where forgotten ancestors live and monstrous women roam--and where the distinctions between body, land, and language are lost. In these fierce yet tender narrative poems, Thom draws from both memory and mythology to create new maps of gender, race, sexuality, and violence. Descended from the traditions of oral storytelling, spoken word, and queer punk, Thom's debut collection is evocative and unforgettable.
Kai Cheng Thom is a trans writer and performance artist whose work has been published in Buzzfeed, Autostraddle, Asian American Literary Review, and xoJane. She writes regularly for Everyday Feminism.
Words became my bloodletting. I've been bleeding now for years.
At times playful, at times heartbreaking, When One World Ends, Another Begins is a raw, honest window into what it looks like to live. Nathaniel explores the cyclical nature of existence, touching on themes of mental health, body image, faith and fear. Above all, he examines what it means to be human, peeling back all the ugly layers to find the beauty within.