Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as far and away, this country's best selling poet by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

In The Unfolding, Rosemerry Wahtola Trommer startles us with the wonder, beauty, and sacred connection that blossom out of living wholeheartedly. Here the aching heart goes dancing. Written after the deaths of her son and father, these poems embody paradox-simultaneously somber and playful, brokenhearted and uplifting, even solemn and sexy. Trommer wades heart-deep in the broken world and finds in the rubble these honest, surprising invitations to praise.

Among the best poems that [Billy] Collins has ever written.--Maureen Corrigan, NPR

Witty, wry and tender when it hurts, Water, Water is a pleasure to read and easy to give.--The Washington Post

Collins remains the most companionable of poetic companions.--The New York Times

One of People's Best New Books

In this collection of sixty new poems, Billy Collins writes about the beauties and ironies of everyday experience. A poem is best, he feels, when it begins in clarity but ends with a whiff of mystery.

In Water, Water, Collins combines his vigilant attention and respect for the peripheral to create moments of delight. Common and uncommon events are captured here with equal fascination, be it a cat leaning to drink from a swimming pool, a nurse calling a name in a waiting room, or an astronaut reciting Emily Dickinson from outer space. With his trademark lyrical informality, Collins asks us to slow down and glimpse the elevated in the ordinary, the odd in the familiar. It's no surprise that The New York Times and The Wall Street Journal both call Collins one of America's favorite poets.

The Monet Conundrum

Is every one of these poems
different from the others
he asked himself,
as the rain quieted down,

or are they all the same poem,
haystack after haystack
at different times of day,
different shadows and shades of hay?

Mary Oliver's Dog Songs is a celebration of the special bond between human and dog, as understood through the poet's relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it.

Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I'm proud of them, especially because the spirit in which they were written was very authentic. --Lana Del Rey

Lana's breathtaking first book solidifies her further as the essential writer of her times (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana's typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.

Pulitzer Prize winner Sylvia Plath's complete poetic works, edited and introduced by Ted Hughes.

By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn't get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but--after 1956--all she wrote. -- Ted Hughes, from the Introduction

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.

Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to anti poetica and ars america to implicate poetry's collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of America's acceptance of mass shootings. A brilliant long poem--part map, part annotation, part visual argument--offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it.

Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love--those given and made--are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

Finalist for the 2005 National Book Critics Circle Award in Poetry

Siken writes about love, desire, violence, and eroticism with a cinematic brilliance and urgency that makes this one of the best books of contemporary poetry.--Victoria Chang, Huffington Post

Richard Siken's Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.

In her introduction to the book, competition judge Louise Glück hails the cumulative, driving, apocalyptic power, [and] purgatorial recklessness of Siken's poems. She notes, Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.

Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as far and away, this country's best selling poet by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Suppose I were to begin by saying that I had fallen in love with a color . . .

A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

From poet, meditator, and speaker Yung Pueblo, comes the first in series, a collection of poetry and prose that explores the movement from self-love to unconditional love, the power of letting go, and the wisdom that comes when we truly try to know ourselves. It serves as a reminder to the reader that healing, transformation, and freedom are possible.

Dream Work, a collection of forty-five poems originally published in 1986, follows both chronologically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for poetry in 1983. The depth and diversity of perceptual awareness, so steadfast and radiant in American Primitive, continues in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit, to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships.

Although best known for his short stories, Edgar Allan Poe was by nature and choice a poet. From his exquisite lyric To Helen, to his immortal masterpieces, Annabel Lee, The Bells, and The Raven, Poe stands beside the celebrated English romantic poets Shelley, Byron, and Keats, and his haunting, sensuous poetic vision profoundly influenced the Victorian giants Swinburne, Tennyson, and Rossetti.

Today his dark side speaks eloquently to contemporary readers in poems such as The Haunted Palace and The Conqueror Worm, with their powerful images of madness and the macabre. But even at the end of his life, Poe reached out to his art for comfort and courage, giving us in Eldorado a talisman to hold during our darkest moments--a timeless gift from a great American writer.

Includes an Introduction by Jay Parini
and an Afterword by April Bernard

Required reading.--Glennon Doyle, #1 bestselling author of Untamed

A THEM AND AUTOSTRADDLE BEST BOOK OF THE YEAR - FINALIST FOR THE PAT LOWTHER MEMORIAL AWARD

What happens when we imagine loving the people--and the parts of ourselves--that we do not believe are worthy of love?

Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred.

But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she'd built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems--and whether there's a difference--she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one's ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man's philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.

With twelve full-page drawings by Gibran, this beautiful work makes an incredible gift for anyone seeking enlightenment and inspiration.

FINALIST FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY
WINNER OF THE 2024 HEARTLAND BOOKSELLERS AWARD FOR POETRY

Diane Seuss's signature voice--audacious in its honesty, virtuosic in its artistry, outsider in its attitude--has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft--ballad, fugue, aria, refrain, coda--and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? It seems wrong / to curl now within the confines / of a poem, Seuss writes. You can't hide / from what you made / inside what you made. What she finds there, finally, is a surprising but unmistakable love.

In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life's work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

Within these pages you will find hawks, hummingbirds, and herons; kingfishers, catbirds, and crows; swans, swallows and, of course, the snowy owl, among a dozen others-including ten poems that have never before been collected. She adds two beautifully crafted essays, Owls, selected for the Best American Essays series, and Bird, a new essay that will surely take its place among the classics of the genre.

In the words of the poet Stanley Kunitz, Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations.

For anyone who values poetry and essays, for anyone who cares about birds, Owls and Other Fantasies will be a treasured gift; for those who love both, it will be essential reading.

This book was published with two different covers. Customers will be shipped the book with one of the available covers.

FINALIST FOR THE NATIONAL BOOK AWARD

A finalist for both the National Book Award and the National Book Critics Circle Award, Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search to find something that is disorderly, and marvelous, and ours.

A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Ada Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a huge beating genius machine striving to embrace and understand the fullness of the present moment. I am beautiful. I am full of love. I am dying, the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous, accessible, and effortlessly lyrical (New York Times)--though every observed moment feels complexly thought, felt, and lived.