Dedicated to mastering photography as a visual language, this book helps you explore what to shoot and how to understand your own work. With 21 detailed chapters on photography techniques and practices, Forbes teaches you not only to establish yourself as a photographer, but how to create a legacy.

Ted Forbes produces The Art of Photography, the most popular YouTube channel on photography, providing a 360-degree look into the world of image making. Forbes' passion is to help amateurs, artists, and professionals alike gain new skills. Forbes calls on his expertise to instruct you on how to take pictures, and carefully walks readers through composition, lighting, exposure, contrast, color, alignment, balance, repetition, cameras, lenses, and more. Rising above a simple photography skills handbook, Forbes also offers advice on commitment, integrity, what it means to be an artist, and navigating the social media landscape.

Ted Forbes' award-winning work centers around photography education. He has worked with many of the most renowned photographers of our generation as part of his Artist Series project, including Keith Carter, Harold Feinstein, Laura Wilson, Alexey Titarenko, Graciela Iturbide, Lourdes Grobet, William Wegman, David Brookover, and Pedro Meyer. He has also collaborated with companies including Apple, Leica, Hasselblad, Sony, Nikon, Canon, and Fujifilm.

Tails of the World(TM) is an international collective of professional pet photographers, united in our mission to make a difference for animals in need.

Each year we raise thousands for animal charities by photographing local dogs for our annual Tails of the World book. 2024 was our biggest year yet, raising over $75k, with 855 dogs, 80 photographers and 16 countries.

This is a celebration of dog. The adventurous dogs. The cuddly dogs. The goofy dogs. The old dogs. The shy dogs. The head-tilting, tail-wagging, tongue-lolling dogs.

We love them all.

- Featuring over 100 color and black-and-white photographs, including some newly discovered and restored

- Includes a new introduction by Michael Arnold, Eve's grandson and one of the trustees of the Arnold estate and archive

- Foreword by Anjelica Huston

- Biography of Marilyn Monroe by Eve Arnold

When they met at a party in the early 1950s, Marilyn Monroe remarked to Eve Arnold that she'd seen the photographer's images of Marlene Dietrich. 'If you could do that well with Marlene, ' Monroe said, 'can you imagine what you could do with me?' A star in her day and one that continues to captivate the world, Monroe's multifaceted persona is brilliantly captured through Arnold's lens in this revised and redesigned edition of the 1987 publication, Marilyn Monroe: An Appreciation. Including newly discovered and restored photographs in color and in black and white, alongside insightful commentary, Eve Arnold takes us on a photographic journey of Monroe's life. A detailed biography in Arnold's own words allows a rare glimpse into the stories behind the photographs and her unique relationship with Monroe. As these two female artists come together in the creation of this stunning photographic collection, an important historical testimonial has been actualized, showing women striving in a male-oriented world and succeeding in reaching the top of their game.

• Exceptional fine art photography - several years in the making - of the American cowboy/cowgirl and rodeo communities, the horse and cattle ranches, and the remarkable landscape of America's Wild West, by celebrated and award-winning photographer, Anouk Masson Krantz
• Photography of a society that honors historical traditions and practices a set of values that includes honesty, integrity, loyalty, work ethic, and dedication to family
• A lavish tome filled with rich and awe-inspiring photography of mysterious and inspiring elements of American culture, accompanied by the author/photographer's unique storytelling

The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America's pioneering spirit. Set out in a stunning large-format book, and with heartfelt contributions from Jon Pardi, Red Steagall and others, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy's ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them.

Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller.

A critical and celebratory counternarrative to what we know of Japanese photography today.

I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography--and an indispensable resource for anyone interested in a more robust history of Japanese photography.

Made possible in partnership with the Rencontres d'Arles and Kering.

'The first thing I always tell anyone who asks me for advice is: Get outside.' - Daido Moriyama

Take an inspiring walk with legendary Japanese street photographer Daido Moriyama as he explains his groundbreaking approach to street photography.

For over half a century, Moriyama has provided a distinct vision of Japan and its people. In Daido Moriyama: How I Take Photographs, he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.

The definitive photographic celebration of 70 years of Ferrari's production cars, by the world's foremost Ferrari photography archive. Also including the key stats and story behind more than 150 cars.

Celebrate the performance, design and beauty of the prancing horse in these breathtaking photographs, captured by specialist Ferrari photographers, Maggi & Maggi. More than 300 jaw-dropping images covering over 150 cars from across Ferrari's history - from the 125 S of 1947 and the era-defining 250 GTO to the notorious F40 and the Enzo - sit alongside detailed technical specifications and fascinating text telling the story behind each model by renowned Ferrari expert Stuart Codling.

With some of the most beautiful, powerful and expensive cars in the world, this elegant collection is a stunning reminder of the enduring appeal of Ferrari.

The MAGGI & MAGGI archive is the world's foremost collection of Ferrari photography. The culmination of a forty-year project to photograph every Ferrari model, it houses close to 100,000 images. This book showcases the very best of the archive.

Annie Leibovitz, our most celebrated living photographer, explains how her pictures are made, in this updated edition of her classic text

In this newly revised edition of her seminal work, Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon.

The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras.

Originally published in 2008 and then updated and reissued in 2018, this revised and updated edition brings Leibovitz's bestselling book up to date, showcasing some of her most recent work.

The photographs discussed include: portraits of the Rolling Stones, John Lennon and Yoko Ono, Meryl Streep, Keith Haring, Joan Didion, Mikhail Baryshnikov, Patti Smith, William S. Burroughs, Rihanna, Agnes Martin, HRH Queen Elizabeth II, and Barack Obama.

Dead & Company: Rainbow Full of Sound - 2015-2023- The Touring Years is a captivating hard cover coffee table book that encapsulates the journey of this iconic band during the years it was actively touring beginning in 2015. Through the lens of Grateful Dead photographer Jay Blakesberg, the book vividly portrays the dynamic synergy among original Grateful Dead members Bobby Weir, Mickey Hart, Bill Kreutzmann, with the addition of John Mayer, Oteil Burbridge, Jeff Chimenti, and Jay Lane. The images capture the electrifying on and offstage band camaraderie along with the psychedelic swirl of the entire Grateful Dead experience. Additionally, there is a wonderful selection of photographs of the Deadheads who have been on this Journey beginning many decades ago and right up to the final touring dates in San Francisco in July 2023. The images seen in this book capture the essence of Dead & Company and their fans mission to keep the Grateful Dead's music and legacy alive. It features 100's of images that showcase each member's unique contribution to the band's timeless songbook and help tell the story of this band beyond description. The book includes a foreword written by original Grateful Dead drummer Mickey Hart along with short captions and a closing essay by the photographer (Jay Blakesberg) who has been documenting the Grateful Dead experience for over 45 years. Rainbow Full of Sound is a visual celebration of the band's journey, offering viewers a glimpse into the ongoing Grateful Dead magic that has kept this multigenerational cosmic family together throughout the years.

Remarkable revelations of nature s diversity, revealed in hundreds of snowflake images taken by American photographer W .A. Bentley during a 50-year period. Over 850 illustrations of snow crystals, with no two designs exactly alike, will inspire artists, designers, and craftspeople in search o

• Exceptional fine art photography 12 years in the making of the landscape and wild horses of Cumberland Island by a celebrated and award-winning photographer, Anouk Masson Krantz
• An insider's exploration of a remote getaway off the coast of Georgia (site of the wedding of John F. Kennedy Jr. and Carolyn Bessette) once owned by the Carnegies and now owned and operated by the National Park Service
• A book focused on the world of wild horses, photography, island life, and capturing a past time in the modern day
• A beautiful tome for collectors and design enthusiasts for its rich and awe-inspiring imagery with a narrative story to match

A longtime favorite getaway for America's most influential families, Cumberland Island, off the Atlantic coast of Georgia, offers breathtaking white-sand beaches, rolling dunes, old-growth oak forests, and salt marsh tidal estuaries. At the center of it all is a population of horses that has thrived, untouched for generations, within this serene sanctuary. In Wild Horses of Cumberland Island, photographer Anouk Masson Krantz has captured the dramatic scenery and majestic horses as they have never been seen before. Her images show the remarkable animals in their naturally diverse ecosystems. A lone horse on a distant beach; four creatures peacefully grazing; a shy animal peering over its shoulder from a brushy thicket - Krantz's portfolio, built over the last decade, is an intimate reflection not only of Cumberland Island's exceptional beauty and spirited horses, but of the history and the safekeeping that have allowed both to flourish.

This second edition includes many new images and showcases Krantz's expansive body of work that reflects the remarkable majesty of these horses as they continue to roam across this remote island landscape.

During his six-year journey across the United States creating the project that became American Geography, Matt Black collected objects in the locations he visited. Each location is designated as an area of concentrated poverty--a US Census definition for places with poverty rates of 20% or higher. Over time, the objects he found and collected began to take on symbolic significance.

As Black crisscrossed the United States, his collection grew into the thousands: plastic spoons and forks, lottery tickets, liquor bottles, lighters, and matchbooks. Some items were important, like job applications, medical paperwork, driver's licenses; some were lost personal effects, like family photographs, bracelets, eyeglasses, notes, and letters. And there was the detritus of labor: work gloves, broken tools and supplies, wire, bolts, padlocks, and bent nails.

This new monograph, presented as a companion volume to Black's seminal photobook, American Geography, presents photographs of these objects, assemblages, and collages, as well as previously unpublished images from American Geography, and the voices of those who are cut off from the American Dream.

These humble, discarded objects form a portrait of America assembled from its roadways and sidewalks, an archaeology of dispossession. For those who follow Black's photographic work and his unflinching critique of inequality in the United States, this book is an essential volume.

Winner of the Thomas Wolfe Award

2023 Phillip D. Reed Environmental Writing Award Finalist

George Masa's Wild Vision recounts the incredible, overlooked life of the photographer George Masa.
Self-taught photographer George Masa (born Masahara Iizuka in Osaka, Japan), arrived in Asheville, North Carolina at the turn of the twentieth century amid a period of great transition in the southern Appalachians.
Masa's photographs from the 1920s and early 1930s are stunning windows into an era where railroads hauled out the remaining old-growth timber with impunity, new roads were blasted into hillsides, and an activist community emerged to fight for a new national park. Masa began photographing the nearby mountains and helping to map the Appalachian Trail, capturing this transition like no other photographer of his time. His images, along with his knowledge of the landscape, became a critical piece of the argument for the Great Smoky Mountains National Park, compelling John D. Rockefeller to donate $5 million for initial land purchases. Despite being hailed as the Ansel Adams of the Smokies, Masa died, destitute and unknown, in 1933.
In George Masa's Wild Vision: A Japanese Immigrant Imagines Western North Carolina, poet and environmental organizer Brent Martin explores the locations Masa visited, using first-person narratives to contrast, lament, and exalt the condition of the landscape the photographer so loved and worked to interpret and protect. The book includes seventy-five of Masa's photographs, accompanied by Martin's reflections on Masa's life and work.

With a booming economy and stable democracy, things are going well in Namibia. Tourism plays a huge role in the country, with some 1.5 million travelers visiting each year to explore and enjoy the country's phenomenal landscapes, wildlife, natural history, and its immense sense of space. This breathtaking Namibia book by New York Times-acclaimed photographer Michael Poliza captures some of the country's most spectacular scenery, from the highest star dunes in the world around Sossusvlei to the NamibRand Nature Reserve, the Kalahari Desert, and the granite peaks of the Spitzkoppe. Taken from both the ground and the air, more than 100 photographs present the country's nature and wildlife, as well as its indigenous peoples and their ways of life as cattle breeders and smallholder farmers. Poliza's photographs also reveal the astonishing life of the desert, especially after rare rain fall. Oryx antelopes, jackals and meerkats, ostriches and springboks are there, where incredible plants also sprout up and in turn attract their predators; Namibia is also home to the Big Five lions, leopards, elephants, buffalo, and rhino, all sharing what little there is to go around in this arid, extraordinary, and delicate ecosystem. Text in English, German and French.

- Reveals the story of New York as the nineties unfolded

- Captures the city at its most extravagant and its most vulnerable

- Features Donald and Ivana Trump, Michael Milken, Johnny Depp, Robert Mapplethorpe and more

- Follow-up to the critically acclaimed Oxford: The Last Hurrah and England: The Last Hurrah

'In England, I'd become too well-known as a Tatler photographer. It was wonderful to be invisible again.' At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about parties in the city and soon found himself descending into a world of human tableaux, ladies who lunch, princesses in powder rooms and dachshunds scrapping over canapés. Camera at the ready, Jones quickly filled the society pages of the illustrious magazine, snapping the likes of Leona Helmsley, Donald Trump, Jeffrey Epstein, Ghislaine Maxwell and Imelda Marcos as they celebrated, mourned and unravelled in the bright lights. During the day, he captured the city streets and the ordinary citizens grounded in the real world. In these pages, the author of England: The Last Hurrah reveals the story of New York, the highs and the lows, as the '90s unfolded in front of his expert lens. 'Mr. Jones goes about his business with cheery zest and a wicked eye.' - New York Times, 1993

In June 1964, Neshoba County, Mississippi, provided the setting for one of the most notorious crimes of the civil rights era: the Klan-orchestrated murder of three young voting-rights workers, James Chaney, Michael Schwerner, and Andrew Goodman. Captured on the road between the towns of Philadelphia and Meridian, the three were driven to a remote country crossroads, shot, and buried in an earthen dam, from which their bodies were recovered after a forty-four-day search.

The crime transfixed the nation. As federal investigators and an aroused national press corps descended on Neshoba County, white Mississippians closed ranks, dismissing the men's disappearance as a hoax perpetrated by civil rights activists to pave the way for a federal invasion of the state. In this climate of furious conformity, only a handful of white Mississippians spoke out. Few did so more openly or courageously than Florence Mars. A fourth-generation Neshoban, Mars braved social ostracism and threats of violence to denounce the murders and decry the climate of fear and intimidation that had overtaken her community. She later recounted her experiences in Witness in Philadelphia, one of the classic memoirs of the civil rights era.

Though few remember today, Mars was also a photographer. Shocked by the ferocity of white Mississippians' reaction to the Supreme Court's 1954 ruling against racial segregation, she bought a camera, built a homemade darkroom, and began to take pictures, determined to document a racial order she knew was dying. Mississippi Witness features over one hundred of these photographs, most taken in the decade between 1954 and 1964, almost all published here for the first time. While a few depict public events--Mars photographed the 1955 trial of the murderers of Emmett Till--most feature private moments, illuminating the separate and unequal worlds of black and white Mississippians in the final days of Jim Crow.

Powerful and evocative, the photographs in Mississippi Witness testify to the abiding dignity of human life even in conditions of cruelty and deprivation, as well as to the singular vision of one of Mississippi's--and the nation's--most extraordinary photographers.

Expanded from an earlier catalogue of the same title, Still Time accompanied a traveling exhibition featuring more than 20 years of Sally Mann's photography.Still Time celebrates an artist whose acute perceptions and imagination embrace not only the photographs of children for which she is renowned, but also earlier landscapes, and the unexpected, compelling forays into color and abstract photography. The 60 images include abstract platinum prints, Cibachromes and Polaroids, landscapes, portraits of women and twelve-year-olds, and her celebrated family pictures.

When you first view Rose-Lynn Fisher's photographs, you might think you're looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you're looking at her tears. . . . There's] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher's images are the only remaining trace of these places, which exist during a moment of intense feeling--and then vanish. --NPR

A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion. --Boston Globe

Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives.

Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper's, New Yorker, Time, Wired, Reader's Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.

This fascinating collection of Robert Mapplethorpe's photographs contains over 250 striking images -- from florals to portraits from nudes to still lifes, as well as images from his controversial X Portfolio

...an indispensable publication of lasting significance...--ARTFIXdaily

Authoritative and indispensable.--Bay Area Reporter

The legacy of Robert Mapplethorpe (1946 -1989) is rich and complicated, triggering controversy, polarizing critics, and providing inspiration for many artists who followed him. Mapplethorpe taught himself about the history of art, how to run a studio, how to network, and how to keep the public interested in him. At the same time, he honed a distinctive individual vision based on craftsmanship and an aesthetic of classical grace. One of the most influential figures of his time, today Mapplethorpe stands as an example to emerging photographers who continue to test boundaries and concepts of the beautiful.

Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence. Drawing from the extraordinary collection jointly acquired by the J. Paul Getty Museum and the Los Angeles County Museum of Art from The Robert Mapplethorpe Foundation, as well as the Mapplethorpe Archive housed at the Getty Research Institute, the authors were given the unique opportunity to explore new resources and present fresh perspectives. The result is a fascinating exploration of Mapplethorpe's career and legacy, with in-depth essays on sexuality and identity, all accompanied by more than 250 striking images covering the remarkable range of his photographic work - from florals to portraits from nudes to still lifes, as well as the controversial X Portfolio. All of these beautifully integrated elements contribute to what is an essential point of access to Mapplethorpe's work and practice.