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Discover dozens of underappreciated landmarks and the stories behind them in this unique history on New York City, written and photographed by Landmarks of NY creator, Tommy Silk.
New York is a city of landmarks - more than 37,000 of them. Visitors and New Yorkers walk by hundreds of these landmarks daily, often never knowing the rich history behind each of these buildings. One of these New Yorkers, Tommy Silk, has been photographing and chronicling a landmarked building every day for the last five years on his Instagram account, Landmarks of NY. In Hidden Landmarks of New York, Silk uncovers 120 of the city's oldest, most unique, and often relatively unknown landmarks and the hidden history behind them. Whether it's an African Graveyard a stone's throw from City Hall; the Truman Capote house in Brooklyn Heights that he claimed to own (but actually just rented a room there for years); or 4 Gramercy Park West, the Greek Revival-style townhouse that is rumored to be the home of Stuart Little; each entry includes a picture of the landmark with a short, informative description of its history and its past (often well-known) inhabitants. With 120 photographs beautifully designed in a portable book, it's perfect for armchair perusal or to stash in your backpack while wandering around the city.
On October 1, 1958, the world's first civilian space agency opened for business as an emergency response to the Soviet Union's launch of Sputnik a year earlier. Within a decade, the National Aeronautics and Space Administration, universally known as NASA, had evolved from modest research teams experimenting with small converted rockets into one of the greatest technological and managerial enterprises ever known, capable of sending people to the Moon aboard gigantic rockets and of dispatching robot explorers to Venus, Mars, and worlds far beyond. In spite of occasional, tragic setbacks in NASA's history, the Apollo lunar landing project remains a byword for American ingenuity; the winged space shuttles spearheaded the International Space Station and a dazzling array of astronomical satellites and robotic landers, and Earth observation programs have transformed our understanding of the cosmos and our home world's fragile place within it.
Throughout NASA's 60-year history, images have played a central role. Who today is not familiar with the Hubble Space Telescope's mesmerizing views of the universe or the pin-sharp panoramas of Mars from NASA's surface rovers? And who could forget the photographs of the first men walking on the Moon?
This compact edition is derived from our XL edition, which was researched in collaboration with NASA, and gathers hundreds of historic photographs and rare concept renderings, scanned and remastered using the latest technology. Texts by science and technology journalist Piers Bizony, former NASA chief historian Roger Launius, and best-selling Apollo historian Andrew Chaikin round out this comprehensive exploration of NASA, from its earliest days to its current development of new space systems for the future.
The NASA Archives is more than just a fascinating pictorial history of the U.S. space program. It is also a profound meditation on why we choose to explore space and how we will carry on this grandest of all adventures in the years to come.
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a member of the citizenry of photography.
The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay's leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
For more than 38 years, HARRY GIGLIO has been creating internationally recognized, award-winning photography.
His experiences have taken him from the jungles of South America to the vastness of Alaska, from the coal mines of West Virginia to the streets of Europe. Harry has photographed an endless variety of people: chief executives of Fortune 500 companies and chiefs of Lakota tribes, school children and the elderly, steel workers and foreign bankers.
Harry Giglio's passion for photography began soon after he graduated from Carnegie-Mellon University with a bachelor's degree in fine arts.
Since that time, his work has garnered not only national, but worldwide awards. His imagery has appeared in a myriad of publications such as Photographer's Forum, National Geographic, Communication Arts and The Black Book. Harry's photographs have been seen by millions in countless magazines, annual reports and billboards as well as exhibitions in New York, LA, Chicago, Italy and Japan.
Much of Harry's success can be attributed to his ability to work in any setting, in the studio or on location, and his intuitive sense to establish an immediate and enduring rapport with his subjects.
Over the past several years he has explored the art of street photography seeking to explore unique and creative aspects of people in their environments.
A complete portfolio of Harry's work is available online at www.harrygiglio.com.
Photographs, even the most iconic, often have something seemingly obvious about them. They appear to represent the real world and our first instinct is that they can be easily interpreted, which is not always the case with paintings. But this sense of familiarity with photography can lead to ambiguities. Looking at Photographs outlines key approaches to help us understand why a photograph captures our attention and moves us. This introductory reference is structured to help you develop new and more in-depth ways of looking at images, whether as a viewer or practitioner--or just out snapping with your smartphone.
Everything counts in a good photograph, even down to the smallest details. Across seven chapters, visual culture expert Laurent Jullier discusses themes and concepts that are essential to understanding the medium, including photography as a reflection of reality; manipulation and defamiliarization; focus, perspective, and space; time and the moment; identity, portraits, and selfies; and the power of images.
With examples drawn from across the world and throughout the history of photography, from Louis Daguerre to Julia Margaret Cameron, László Moholy-Nagy, Dorothea Lange, Andreas Gursky, Hiroshi Sugimoto, Dayanita Singh, Eva Woolridge, and many others; in addition to a helpful glossary of terms, Looking at Photographs is not just about learning how to read photographs, it is about knowing how to ask the right questions when you look at images.
Following her success with Lost Charleston, local author and city tour guide Leigh Jones Handal brings a fresh approach to one of the key titles in Pavilion Books' trademark series.
Charleston, South Carolina is one of the most popular East Coast tourist destinations. The flashpoint of the Civil War, what remains of Fort Sumter in Charleston is still a much-visited attraction, and despite bombardment by the Federal Navy, earthquakes and many hurricanes, the South Carolina city has retained its 19th-century charm.
City guide Leigh Jones Handal tells the story of the Charleston she loves through archive photos matched with their modern viewpoint, including the Jenkins Orphanage whose band were the likely originators of the Charleston dance. There are vintage photos of the great plantation houses, plus the grand buildings on Meeting Street, and the soaring spires of Charleston's many churches.
Downtown many of the classic mansions, such as the Miles Brewton House, have been retained, along with the Market Hall and the Customs House, and though the trolleys no longer run along Broad Street, it is still recognizable from a century before.
Leigh Jones Handal has uncovered a treasury of vintages images which have been matched with modern photos to show new aspects of this enduringly fascinating city.
In 1952, after becoming one of the first-ever recipients of a Master of Science degree in Photography at Chicago's Institute of Design, native New Yorker Marvin E. Newman returned to his hometown. Like many artists before, he set about chronicling the city. Unlike his predecessors, Newman chose color photography as the preeminent medium for capturing the people and energy of New York, and its emergence in the 1950s as the self-proclaimed Greatest City in the World.
Lauded by the likes of Eastman House, MoMA, and the International Center of Photography, Newman's images remained, up until now, largely undiscovered beyond a prestigious collector and gallery circle. After featuring Newman in New York: Portrait of a City, TASCHEN now presents the artist's first career monograph including some 170 pictures from the late 1940s through the early 1980s, previously available in a Collector's Edition. Newman passed away in 2023 at the age of 95.
From Times Square to Wall Street, from Broadway to Little Italy, Newman's vivid, original tableaux offer fresh perspectives on familiar New York landmarks but, above all, a unique sense for life in the city and for the drama and extremities that weld New York to so many hearts. Beyond New York, Newman applies the same flawless technique and humanist sensibility to other locations across the United States including Chicago, Kansas, a vintage 1950s circus; a legalized brothel in Reno, Nevada; Las Vegas; Alaska; and groovy 1960s California; as well as top shots from his sports photography portfolio featuring icons such as Cassius Clay and Pele .
Newman, who is represented by the prestigious Howard Greenberg Gallery, was long overdue a monograph. With an essay by critic and scholar Lyle Rexer, this first chronological retrospective offers due recognition to an outstanding talent, providing memorable images that leave their mark on the eye and the soul.
This is the first book-length exploration of nineteenth-century photography in Washington State. Each chapter features intriguing facts, stories, and images that bring to life this rich part of photographic history from the territory's earliest days to the state's emergence as an economic power in the twentieth century.
The book features:
In addition to tracing the development of Washington photography in a direct chronological timeline, the author explores key themes that illuminate the social, economic, and physical aspects of the state's growth as seen through dozens of rarely seen photographs.
As a latecomer to the Union, Washington and photography matured together. Photographers captured nearly every aspect of the state's social, economic, and physical growth. They also reflected the challenges of bringing the new medium of photography to the remoteness of the Pacific Northwest.
Unlike books about Washington's history that are illustrated with photographs, the author writes about how the accomplishments of individual photographers reflected the evolution of the state. As photography evolved from a scientific tool into a communications medium, it turned into a mirror of humanity, reflecting its unique ability to capture an instant in time that ultimately becomes timeless.
Collaboration is a groundbreaking publication, by five great thinkers and practitioners in photography, in collaboration with hundreds of photographers, writers, critics, artists, and academics. This collection uses the lens of collaboration to challenge dominant narratives around photographic history and authorship. Working with an accumulation of more than six hundred photographs, each entry breaks apart photography's single creator tradition by bringing to light tangible traces of collaboration--the various relationships, exchanges, and interactions that occur in the making of any photograph and in the shaping, undoing and transforming archives.
The book explores themes such as coercion and cooperation, friendship and exploitation, shared interests and competition, and rivalry or antagonistic partnership. Collaboration foregrounds key issues facing photography, including gender, race, and societal hierarchies/divisions--and their role in shaping and reshaping identities and communities, and provoking resistance or conformity.
The photographs are presented alongside quotes, testimonies, and short texts offering perspectives on the array of themes, geographies, contexts, and events. The editors introduce each cluster of projects by providing a framework to understand and decode the complex politics, temporalities, and potentialities of photography. Collaboration reconstructs the infrastructure of photography as a collaborative practice and offers a pedagogical tool for practitioners and scholars of photography.
An entertaining and comprehensive compendium packed with fascinating trivia, delightful oddities, and compelling stories that will captivate photographers of all levels and interests!
Dive into photography's rich heritage with A Brief History of Photography, an engaging almanac-style book that offers far more than just the typical and dry historical accounts of the genre. With more than 400 fascinating trivia entries and delightfully odd anecdotes, this book breathes life into the background details, stories, and personalities behind the cameras and processes we know and love.
Meticulously researched and written over two decades, this thoroughly entertaining and highly readable book provides an understanding of photography's evolution, from its beginnings going as far back as the 16th century all the way up to the modern day. Whether you're dipping into the book for just a few minutes or sitting down for an afternoon of reading, you'll explore the seminal cameras, lenses, and chemical processes that paved the way, as well as the visionary inventors, influential magazines, and significant photographers who made photography what it is today.
Profusely illustrated with both photographs and line drawings, A Brief History of Photography is an essential addition to any photographer's library. Whether you're a seasoned professional, an avid enthusiast, or simply someone who appreciates the magic of capturing images with your smartphone, this book offers an entertaining and educational look into the genre's rich history. The perfect gift--for either yourself or the photographer on your list--A Brief History of Photography is a must-have for anyone seeking to deepen their understanding and appreciation of this extraordinary art form.
Table of Contents Preface Introduction The Early Years 1800-1849 1850-1899 1900-1949 1950-1974 1975-1999 2000-Now Further Reading Glossary Image Credits Index
Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.
Included on these pages are many of the great Texas universities, tourist draws in Austin and Galveston, the historic oil strike at Spindletop, the old stockyards of Fort Worth, the Texas State Capitol in Austin, and the state fairgrounds in Dallas. This collection of Texas landmarks provides a vivid portrait of a dynamic and expanding state--but one that has not forgotten its rich and enduring history.
Featruring sites in: Austin, San Antonio, Corpus Christi, Goliad, Houston, Galveston, Beaumont, Washington-on-the-Brazos, College Station, Waco, Hillsboro, Dallas, Fort Worth, Amarillo and El Paso.
The first major history of photography from coastal East Africa
The ports of the Swahili coast--Zanzibar and Mombasa among them--have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africa's port cities, Prita Meier demonstrates how photographs are not static images but mobile objects with remarkable shape-shifting qualities. Beginning with the earliest photographs introduced through seaborne commerce, the medium's integration into the cultural landscape was swift. Photographs functioned as objects of decoration, good taste, and cosmopolitanism, but were also used by local elites and foreigners to coerce and objectify enslaved people. Meier uncovers the oppressive agenda behind postcards and other popular images while describing African strategies of subversion and rebellion, revealing the performative authority that individuals exerted over their photographic likenesses. Featuring more than two hundred images published here for the first time, The Surface of Things repositions the continent's islands and archipelagos at the center of global photographic histories and shows how the people of the African Indian Ocean world experienced photography as a force of both oppression and freedom.