It is easier to imagine the end of the world than the end of capitalism. After 1989, capitalism has successfully presented itself as the only realistic political-economic system - a situation that the bank crisis of 2008, far from ending, actually compounded. The book analyses the development and principal features of this capitalist realism as a lived ideological framework. Using examples from politics, film (Children Of Men, Jason Bourne, Supernanny), fiction (Le Guin and Kafka), work and education, it argues that capitalist realism colors all areas of contemporary experience, is anything but realistic and asks how capitalism and its inconsistencies can be challenged. It is a sharp analysis of the post-ideological malaise that suggests that the economics and politics of free market neo-liberalism are givens rather than constructions.
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A quick and entertaining read. Socialist Standard
A provocative and necessary read...for anyone wanting to talk seriously about the politics of education today. Times Higher Educational Supplement
'The Debordian analysis of modern life resonates more deeply and darkly than perhaps even its creator thought possible...' - The New Yorker
'Never before has Debord's work seemed quite as relevant as it does now' - The Guardian
'Guy Debord is a time bomb, and a difficult one to defuse.' - Michael Löwy
First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle has since acquired a cult status. The Das Kapital of the 20th century. An essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life.
'In Society of the Spectacle, Debord sets out his best-known statement of how the categories of capitalism colonise everyday life to such an extent that we can barely imagine an existence beyond them.' - Sydney Review of Books
'The Society of the Spectacle [is] about not just the clamor of images but also the silence of power, a silence which, since the seventies, has become deafening.' - McKenzie Wark
'Never before has Debord's work seemed quite as relevant as it does now, in the permanent present that he so accurately foretold? Open his book, read it, be amazed, pour yourself a glass of supermarket wine - as he would wish - and then forget all about it, which is what the Spectacle wants.' - Will Self
'In The Society of the Spectacle, Debord made plain that a 'unified critique of culture' implied a critique of the social totality. This was his practico-theoretical method throughout his career as a revolutionary: he saw no distinction between cultural work and political work.' - Bruce Russell
'I read [The Society of the Spectacle] again and I thought, This is a fucking amazing book! I had forgotten how terrific it was, and it was actually quite different to how I remembered it. I insist that the key chapter is not the first one, on the spectacle itself, but the second to last - the chapter on détournement. To me, that concept is the great gift of the Situationists. [They] realized that one can exploit this critically - one can copy and correct in the direction of hope.' - Los Angeles Review of Books
About the author
Guy Debord (1931-1994) was a Marxist theorist, writer, poet, filmmaker, hypergraphist, cultural revolutionary and a founding member of the Lettrist International and Situationist International - groups that fused avant-garde art and politics as an anti-capitalist weapon. Few works of political and cultural theory have been as enduringly provocative as Debord's Society of the Spectacle, which decisively transformed debates on the shape of modernity, capitalism and contemporary life.
A renowned political philosopher updates his classic book on the American political tradition to address the perils democracy confronts today.
The 1990s were a heady time. The Cold War had ended, and America's version of liberal capitalism seemed triumphant. And yet, amid the peace and prosperity, anxieties about the project of self-government could be glimpsed beneath the surface. So argued Michael Sandel, in his influential and widely debated book Democracy's Discontent, published in 1996. The market faith was eroding the common life. A rising sense of disempowerment was likely to provoke backlash, he wrote, from those who would shore up borders, harden the distinction between insiders and outsiders, and promise a politics to 'take back our culture and take back our country, ' to 'restore our sovereignty' with a vengeance. Now, a quarter century later, Sandel updates his classic work for an age when democracy's discontent has hardened into a country divided against itself. In this new edition, he extends his account of America's civic struggles from the 1990s to the present. He shows how Democrats and Republicans alike embraced a version of finance-driven globalization that created a society of winners and losers and fueled the toxic politics of our time. In a work celebrated when first published as a remarkable fusion of philosophical and historical scholarship (Alan Brinkley), Sandel recalls moments in the American past when the country found ways to hold economic power to democratic account. To reinvigorate democracy, Sandel argues in a stirring new epilogue, we need to reconfigure the economy and empower citizens as participants in a shared public life.A renowned Harvard professor's brilliant, sweeping, inspiring account of the role of justice in our society--and of the moral dilemmas we face as citizens
For Michael Sandel, justice is not a spectator sport, The Nation's reviewer of Justice remarked. In his acclaimed book--based on his legendary Harvard course--Sandel offers a rare education in thinking through the complicated issues and controversies we face in public life today. It has emerged as a most lucid and engaging guide for those who yearn for a more robust and thoughtful public discourse. In terms we can all understand, wrote Jonathan Rauch in The New York Times, Justice confronts us with the concepts that lurk . . . beneath our conflicts. Affirmative action, same-sex marriage, physician-assisted suicide, abortion, national service, the moral limits of markets--Sandel relates the big questions of political philosophy to the most vexing issues of the day, and shows how a surer grasp of philosophy can help us make sense of politics, morality, and our own convictions as well. Justice is lively, thought-provoking, and wise--an essential new addition to the small shelf of books that speak convincingly to the hard questions of our civic life.Now featuring a new chapter on the rise of illiberalism worldwide.
As featured in the viral video Rules for Rulers, which has been viewed over fifteen million times. Bruce Bueno de Mesquita and Alastair Smith's canonical book on political science turned conventional wisdom on its head. They started from a single assertion: leaders do whatever keeps them in power. They don't care about the national interest--or even their subjects--unless they must. Newly updated to reflect the global rise of authoritarianism, this clever and accessible book illustrates how leaders amass and retain power. As Bueno de Mesquita and Smith show, democracy is essentially just a convenient fiction. Governments do not differ in kind, but only in the number of essential supporters or backs that need scratching. The size of this group determines almost everything about politics: what leaders can get away with, and the quality of life or misery under them. And it is also the key to returning power to the people.A New Yorker Best Book of the Year
It is a radiantly original contribution to a conversation gravely in need of new thinking.The Long Transition Towards Socialism and the End of Capitalism is the latest work from renowned revolutionary Torkil Lauesen, whose decades of activism and scholarship have made him a leading voice in global anti-imperialist movements. Drawing on his deep involvement in revolutionary struggles, Lauesen offers a comprehensive analysis of socialism's long, unfolding transition. By examining pivotal moments-from the 1848 revolutions to China's market reforms-Lauesen reframes these struggles not as isolated failures but as integral steps in the global shift away from the capitalist world-system. For those committed to socialist theory and anti-imperialism, The Long Transition provides essential insights into how the decline of capitalism and the rise of a global counter-hegemonies offer new opportunities for socialist transformation.
Its theme is political fanaticism, with which it deals severely and brilliantly. --New Yorker
The famous bestseller with concise insight into what drives the mind of the fanatic and the dynamics of a mass movement (Wall Street Journal) by the legendary San Francisco longshoreman.
A stevedore on the San Francisco docks in the 1940s, Eric Hoffer wrote philosophical treatises in his spare time while living in the railroad yards. The True Believer--the first and most famous of his books--was made into a bestseller when President Eisenhower cited it during one of the earliest television press conferences.
Called a brilliant and original inquiry and a genuine contribution to our social thought by Arthur Schlesinger, Jr., this landmark in the field of social psychology is completely relevant and essential for understanding the world today as it delivers a visionary, highly provocative look into the mind of the fanatic and a penetrating study of how an individual becomes one.
A milestone in political and moral philosophy, as groundbreaking as the theories of Bentham and Kant and arguably the most important and influential piece of contemporary philosophy of the last century. --The Guardian
The principles of justice that Rawls set forth in this book are those that free and rational people would accept in an original position of equality. In this hypothetical situation, which corresponds to the state of nature in social contract theory, no one knows their place in society; their class or social status; their fortune in the distribution of natural assets and abilities--their intelligence, strength, and the like--or even their conception of the good. Deliberating behind this veil of ignorance, people naturally determine their proper rights and duties. Thus, as Rawls writes, each person possesses an inviolability founded on justice that even the welfare of society as a whole cannot override.
One of the foremost Marxist critics of his generation forcefully argues against Marx's irrelevancy
[Eagleton is] a witty, insightful thinker with a penchant for glib asides and wry dashes of humor. It's probably the only book that makes references to Tiger Woods and Mel Gibson along with Charles Fourier and Michel Foucault.--Michael Patrick Brady, PopMatters Reading a book by Terry Eagleton is like watching fireworks.--Dennis O'Brien, Christian Century In this combative, controversial book, Terry Eagleton takes issue with the prejudice that Marxism is dead and done with. Taking ten of the most common objections to Marxism--that it leads to political tyranny, that it reduces everything to the economic, that it is a form of historical determinism, and so on--he demonstrates in each case what a woeful travesty of Marx's own thought these assumptions are. In a world in which capitalism has been shaken to its roots by some major crises, Why Marx Was Right is as urgent and timely as it is brave and candid. Written with Eagleton's familiar wit, humor, and clarity, it will attract an audience far beyond the confines of academia.Man was born free, and he is everywhere in chains
These are the famous opening words of a treatise that has not ceased to stir vigorous debate since its first publication in 1762. Rejecting the view that anyone has a natural right to wield authority over others, Rousseau argues instead for a pact, or 'social contract', that should exist between all the citizens of a state and that should be the source of sovereign power. From this fundamental premise, he goes on to consider issues of liberty and law, freedom and justice, arriving at a view of society that has seemed to some a blueprint for totalitarianism, to others a declaration of democratic principles.