This volume in the MIT Press Essential Knowledge series offers a concise and accessible introduction to phenomenology, a philosophical movement that investigates the experience of experience. Founded by Edmund Husserl (1859-1938) and expounded by Max Scheler, Martin Heidegger, Maurice Merleau-Ponty, and others, phenomenology ventures forth into the field of experience so that truth might be met in the flesh. It investigates everything as experienced. It does not study mere appearance but the true appearances of things, holding that the unfolding of experience allows us to sort true appearances from mere appearance.
The book unpacks a series of terms--world, flesh, speech, life, truth, love, and wonder--all of which are bound up with each other in experience. For example, world is where experience takes place; flesh names the way our experiential exploration is inscribed into the bearings of our bodily being; speech is instituted in bodily presence; truth concerns the way our claims about things are confirmed by our experience. A chapter on the phenomenological method describes it as a means of clarifying the modality of experience that is written into its very fabric; and a chapter on the phenomenological movement bridges its divisions while responding to criticisms from analytic philosophy and postmodernism.
A monumental new biography of a pivotal yet poorly understood pioneer in modern philosophy.
When a painter once told Goethe that he wanted to paint the most celebrated man of the age, Goethe directed him to Georg Wilhelm Friedrich Hegel. Hegel worked from the credo: To philosophize is to learn to live freely. While he was slow and cautious in the development of his philosophy, his intellectual growth was like an odyssey of the mind, and, contrary to popular belief, his life was full of twists and turns, suspense and even danger.
In this landmark biography, the philosopher Klaus Vieweg paints a new picture of the life and work of the most important representative of German idealism. His vivid portrait provides readers an intimate account of Hegel's times and the milieu in which he developed his thought, along with detailed, clear-sighted analyses of Hegel's four major works. What results is a new interpretation of Hegel through the lens of reason and freedom.
Vieweg draws on extensive archival research that has brought to light a wealth of hitherto undiscovered documents and handwritten notes relating to Hegel's work, touching on Hegel's engagement with the leading thinkers and writers of his age: Kant, Fichte, Schelling, Hölderlin, and others. Combatting clichés and misunderstandings about Hegel, Vieweg also offers a sustained defense of the philosopher's more progressive impulses. Highly praised upon its release in Germany as having set the new biographical standard, this monumental work emphasizes Hegel's relevance for today, depicting him as a vital figure in the history of philosophy.
The pandemic compels us to ask fundamental questions about our place in the world: the many ways humans rely on one another, how we vitally and sometimes fatally breathe the same air, share the surfaces of the earth, and exist in proximity to other porous creatures in order to live in a social world. What we require to live can also imperil our lives. How do we think from, and about, this common bind?
Judith Butler shows how COVID-19 and all its consequences--political, social, ecological, economic--have challenged us to reconsider the sense of the world that such disasters bring about. Drawing on the work of Max Scheler, Maurice Merleau-Ponty, and critical feminist phenomenology, Butler illuminates the conditions in which we seek to make sense of our disorientation, precarity, and social bonds. What World Is This? offers a new account of interdependency in which touching and breathing, capacities that amid a viral outbreak can threaten life itself, challenge the boundaries of the body and selfhood. Criticizing notions of unlimited personal liberty and the killing forces of racism, sexism, and classism, this book suggests that the pandemic illuminates the potential of shared vulnerabilities as well as the injustice of pervasive inequalities. Exposing and opposing forms of injustice that deny the essential interrelationship of living creatures, Butler argues for a radical social equality and advocates modes of resistance that seek to establish new conditions of livability and a new sense of a shared world.2017 Reprint of 1931 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Widely regarded as the principal founder of phenomenology, one of the most important movements in twentieth century philosophy, Edmund Husserl's Ideas is one of his most important works and a classic of twentieth century thought. Husserl's early thought conceived of phenomenology - the general study of what appears to conscious experience - in a relatively narrow way, mainly in relation to problems in logic and the theory of knowledge. The publication of Ideas in 1913 witnessed a significant and controversial widening of Husserl's thought, changing the course of phenomenology decisively. Husserl argued that phenomenology was the study of the very nature of what it is to think, the science of the essence of consciousness itself. Husserl's arguments ignited a heated debate regarding the nature of consciousness and experience that has endured throughout the twentieth and continues in the present day. No understanding of twentieth century philosophy is complete without some understanding of Husserl, and his work influenced some of the great philosophers of the twentieth century, such as Martin Heidegger and Jean-Paul Sartre.
Throughout his career, Martin Heidegger read and reinterpreted his own writings. This was part of the entirely self-critical orientation of the journey in the landscape of thought.
On My Own Publications is the first English-language translation of volume 82 of Heidegger's Complete Works. Started a decade after Being and Time (1927), much of this volume presents running commentary, interpretations, and insights of many of Heidegger's fundamental works, illuminating the philosopher's notes and personal thoughts on his own works and offering a rare look inside the mind of an influential thinker.
Focusing on several works including What Is Metaphysics? (1929), The Origin of the Work of Art (1935-36), and The Letter on Humanism (1946), On My Own Publications presents Heidegger reading, interpreting, and confronting some of his own most important and influential publications.
Watching news footage of crumbling ice shelves, one cannot help but ponder the fall of civilization, which these signs portend. So, what were we thinking that brought us to this crisis? Actually, the answer is not what we think, but the way we think-the way mind, or the geometry of thinking, is evolutionarily pre purposed toward self first, with blind consideration of the harm that self itself has caused the planet and the other human and non humans on it. And if you think this indictment does not apply to you and me, then think again. Think
phenomenologically, which means explore, perhaps for the first time in your life, the structures of consciousness, awareness, and experience from the first-person point-of-view.
You will discover that it is only by way of a point-of-view that we apprehend anything at all. And what if that point were indeed merely a point in the geometry
of mind, and not an entity itself?
Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.
In this major new study, the philosopher and cultural theorist Fredric Jameson offers a new reading of Hegel's foundational text Phenomenology of Spirit.
In contrast to those who see the Phenomenology as a closed system ending with Absolute Spirit, Jameson's reading presents an open work in which Hegel has not yet reconstituted himself in terms of a systematic philosophy (Hegelianism) and in which the moments of the dialectic and its levels have not yet been formalized. Hegel's text executes a dazzling variety of changes on conceptual relationships, in terms with are never allowed to freeze over and become reified in purely philosophical named concepts. The ending, on the aftermath of the French Revolution, is interpreted by Jameson, contra Fukuyama's end of history, as a provisional stalemate between the political and the social, which is here extrapolated to our own time.
Jean-Luc Marion has long endeavored to broaden our view of truth. In this illuminating new book-his deepest engagement with theology to date-Marion proposes a rigorous new understanding of human and divine revelation in a deeply phenomenological key.
Although today considered the central theme of theology, the concept of Revelation was almost entirely unknown to the first millennium of Christian thought. In a penetrating historical deconstruction, Marion traces the development of this term to the rise of metaphysics from Aquinas through Suárez, Descartes, and Kant; formalized into an epistemological framework, this understanding of Revelation has restricted philosophical and theological thinking ever since. To break free from these limits, Marion takes hints from theologians including Barth and Balthasar while mobilizing the phenomenology of givenness to provide a rigorous new understanding of revelation as a mode of uncovering. His extensive study of the Jewish and Christian Scriptures unfolds a logic of Trinitarian phenomenality, worked out in conversation with Basil, Augustine, Hegel, Schelling, and others, that ultimately transforms our very notions of being and time.
The result is precisely what we have come to expect from this acclaimed philosopher: masterful historical scholarship working in tandem with daring originality.
When it comes to understanding the ontology of individual existence--that is, the everyday behaviors that we all perform and hardly ever think about--the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms.
Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as the knot of the voice --referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Barthes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
Pathos and Praxis presents a new and original framework for an integrated phenomenology of life. It provides the first comparative study of two influential French philosophers, Paul Ricoeur and Michel Henry, and shows that their debates over the interpretation of Sigmund Freud and Karl Marx signal two rival approaches to the phenomenology of life.
Author Scott Davidson demonstrates that while Henry reveals the phenomenological meaning of life through an inward turn to a pure subjective feeling of being alive, Ricoeur anchors its significance in the reciprocal interaction between the self and the world. But these two alternatives are not necessarily opposed.
Pathos and Praxis proposes an integrated phenomenology of life to which both Henry and Ricoeur make an important contribution. To be a self is to suffer the pathos of having a life but also to be capable of engaging in the praxis of leading a life. By thinking the pathos and praxis of life together, the integrated approach preserves human agency against deterministic conceptions of life and at the same time avoids the meritocratic hubris that depicts one's life solely as the result of one's own doing. This integration of having and leading a life reframes our thinking about human capabilities and vulnerabilities in a way that has important implications for biopolitics and the ethics of life.
Pathos and Praxis presents a new and original framework for an integrated phenomenology of life. It provides the first comparative study of two influential French philosophers, Paul Ricoeur and Michel Henry, and shows that their debates over the interpretation of Sigmund Freud and Karl Marx signal two rival approaches to the phenomenology of life.
Author Scott Davidson demonstrates that while Henry reveals the phenomenological meaning of life through an inward turn to a pure subjective feeling of being alive, Ricoeur anchors its significance in the reciprocal interaction between the self and the world. But these two alternatives are not necessarily opposed.
Pathos and Praxis proposes an integrated phenomenology of life to which both Henry and Ricoeur make an important contribution. To be a self is to suffer the pathos of having a life but also to be capable of engaging in the praxis of leading a life. By thinking the pathos and praxis of life together, the integrated approach preserves human agency against deterministic conceptions of life and at the same time avoids the meritocratic hubris that depicts one's life solely as the result of one's own doing. This integration of having and leading a life reframes our thinking about human capabilities and vulnerabilities in a way that has important implications for biopolitics and the ethics of life.
Written throughout Louis Dupré's life, Thinking the Unknowable explores the relationship between faith and metaphysics, charting the course for an innovative Christian philosophy of religion.
Louis Dupré's Thinking the Unknowable offers a sophisticated response to the subjectivist ills of modern philosophy. Drawing on a diverse host of philosophers, theologians, and phenomenologists, Dupré seeks to open up a space for faith in contemporary philosophy of religion by arguing that metaphysics cannot claim authority in the realm of the transcendent. Instead, Dupré shows that philosophers must learn to accommodate mystery in their metaphysical frameworks.
Edited and introduced by Peter J. Casarella, prominent theologian and student of Dupré, the book unfolds in four parts. Dupré establishes the foundations for a new theology of language, drawing inspiration from two sources: humanist theological hermeneutics and deist biblical spirituality. The second part addresses the idea of God in modern philosophy, taking Hegel's philosophy of religion as its starting point. The third deals with the phenomenology of religion, focusing primarily on the work of Edmund Husserl and Martin Heidegger. In the fourth part, Dupré turns to the concept of mysticism, offering a sophisticated reflection on the possibility of acknowledging a transcendent horizon to human knowing in a secular age. Readers of this volume will be guided across the bridge from philosophy to faith and back again, discovering new worlds of meaning and expressions of truth.