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The woman behind the icon known as the undisputed Queen of Halloween, reveals her full story, filled with intimate bombshells, told by the bombshell herself. The paperback includes 32 new images and an original poem composed by Cassandra when she was 16, perfect for fans to collect.
At only eighteen months old, Cassandra Peterson reached for a pot on the stove and doused herself in boiling water, resulting in third-degree burns over 35 percent of her body. She miraculously survived, but burned and scarred, the impact would stay with her and become an obstacle she was determined to overcome. Cassandra left home at fourteen and supported herself as a go-go dancer. By age seventeen, she was performing as a showgirl in Las Vegas. Then a chance encounter with the King himself, Elvis Presley, inspired her to travel to Europe where she worked in film and toured Italy as lead singer of a band. She eventually made her way to Los Angeles, where she joined the famed comedy improv group, The Groundlings.
In 1981, as a struggling actress considered past her prime, Cassandra auditioned for a local LA station as hostess for their late-night horror movies. She got the job as Elvira, never imagining it would lead to fame and a forty-year career. Yours Cruelly, Elvira is an unforgettably wild memoir. Cassandra doesn't shy away from revealing exactly who she is and how she overcame seemingly insurmountable odds. Always original and sometimes outrageous, her story is loaded with twists, travails, revelry, and downright shocking experiences. It is the candid, often hilarious, and sometimes heartbreaking tale of a Midwest farm girl's long, strange trip to become the world's sexiest, sassiest Halloween icon.
LOST (AND FOUND) IN SPACE2: BLAST OFF INTO THE EXPANDED EDITION - Revised and Expanded Pictorial Memoir by Angela Cartwright and Bill Mumy (TV siblings Penny and Will Robinson from the original Lost in Space science fiction adventure series). The new BLAST OFF Edition is 352 pages filled with over 925 photos, including 160 brand new pages and more than 600 new images. This high-quality collectible book features a vast selection of never-before-seen photos from the Irwin Allen archives and from Bill and Angela's own personal collections. All photographs have been hand selected by the authors, with a primary focus on the 1965-68 three season run, plus bonus nostalgic reunions and adventures from the past 50+ years. Loaded with personal stories and memories from the authors, this edition is the ultimate keepsake for those who love the original 1960s TV show. Danger Will Robinson!
- With 352 pages and over 925 photographs, this Brand New, Expanded pictorial memoir is almost twice the size, with three times the photos of the original, out-of-print book.
- Loaded with personal stories and memories from the authors.
- For the first time, never-before-shared secrets are revealed.
- Expanded to include 600+ newly added series & post-series photos from the past 50+ years
- Includes special bonus treasures from Bill & Angela's personal collections and brand new surprises too.
The supernatural soap opera Dark Shadows maintains a devoted following decades after it left the airwaves. From 1983 to 2016, many cast and crew members attended annual fan conventions called Dark Shadows Festivals on the East and West Coasts. After discovering Dark Shadows in 1998, author Amanda Desiree began to attend the Festivals and other gatherings, including Dark Shadows Weekends, Dark Shadows Halloween parties, film screenings, and author talks featuring the Dark Shadows actors. Further, Desiree documented her experiences at these events to share with fellow fans.
Collected from across the Internet in one place for the first time, here are Desiree's original reports from Dark Shadows-related events spanning 2001 to 2024. These reports summarize actors' question-and-answer sessions, cast reunions, video presentations, and fan tribute performances. They feature anecdotes from such beloved actors as John Karlen, Lara Parker, Christopher Pennock, and Jonathan Frid. This book brings the Dark Shadows convention experience to life and is sure to delight fans of the series, whether they've never attended conventions themselves or whether they personally remember the excitement of these events.
Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses.
First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The initial series used already available conventions, visual resources and narrative tropes typical of anime in general and the mecha (or giant-robot) genre in particular, but at the same time it subverted and reinterpreted them in a highly innovative and as such standard-setting way.
Investigating anime through Neon Genesis Evangelion this volume takes a broadly understood media-aesthetic and media-cultural perspective, which pertains to medium in the narrow sense of technology, techniques, materials, and semiotics, but also mediality and mediations related to practices and institutions of production, circulation, and consumption. In no way intended to be exhaustive, this volume attests to the emergence of anime studies as a field in its own right, including but not prioritizing expertise in film studies and Japanese studies, and with due regard to the most widely shared critical publications in Japanese and English language. Thus, the volume provides an introduction to studies of anime, a field that necessarily interrelates media-specific and transmedial aspects.
In Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion, anime is addressed from a transnational and transdisciplinary stance. The disciplinary and methodological perspectives taken by the individual chapters range from audio-visual culture, narratology, performance and genre theory to fandom studies and gender studies. In its first part, the book focuses on textual analysis and media form in the narrow sense with regard to filmic media, bank footage, voice acting and musical score, and then it broadens the scope to consider subcultural discourse, franchising, manga and video game adaptations, as well as critical and affective user engagement.
So you want to join the Midnight Society, huh?
Remember Zeebo the clown?
How about the Ghastly Grinner?
Ever listen to the Dark Music?
Did you want to eat wild boar with Dr. Vink and buy fake vomit from Sardo?
If the answer is yes to any of these, then you, my friend, are ready to join
Strike up your own campfire, and grab this campfire companion as we relive the children's TV series that made a whole generation afraid of the dark. D.J. MacHale's Are You Afraid of the Dark? was the Twilight Zone for kids and teens growing up in the 90s, and for those who embraced the show's mix of dark chills and out-there scenarios, it has lingered in their memories way past the seven-year run on TV. The series not only constantly pushed the envelope as to what was acceptable for scary TV for children, but also gave future celebrities like Ryan Gosling (Drive, La La Land), Neve Campbell (Scream, Party of Five), Jay Baruchel (How To Train Your Dragon, This Is The End), and Hayden Christensen (Star Wars Episode 1-3) their start
The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative.
Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.