Richard Ayoade's fictional quest to rescue Harauld
Hughes - the almost mythical mid-century playwright -
from obscurity.
The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.
With luscious film stills and superb essays by the director and his admirers, this is the essential Tarkovsky compendium
Between 1962 and 1986, Andrey Tarkovsky (1932-86) directed seven feature-length films, all acclaimed as masterpieces of cinema: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalgia and Sacrifice. Evading censorship and mounting pressure by Soviet authorities, Tarkovsky decided not to return to the Soviet Union after completing Nostalgia in Tuscany, three years before his death; his final film, Sacrifice, was shot in Sweden in 1985.
This new smaller-format edition of a 2012 publication was compiled and edited by Tarkovsky's son Andrey Jr., along with film historian and critic Hans-Joachim Schlegel and Lothar Schirmer. Beautifully designed and printed, Andrey Tarkovsky: Life and Work pays homage to a great visionary who produced poetic and sometimes disturbing images of near biblical intensity through his films. Featuring stills from each of his films, a selection of his influential writings, private photographs from the family album, as well as Polaroids from Russia and Italy, it is buttressed with comments from prominent voices who have commented on Tarkovsky's work and personality, including Jean-Paul Sartre, Ingmar Bergman and Aleksandr Sokurov.
Audrey Hepburn was one of the most admired and emulated women of the twentieth century, an Oscar-winning actress, a model and humanitarian. But Hepburn also had huge sadness in her life: two failed marriages, a broken engagement, and the crushing disappointment that occupied her triumph in My Fair Lady. Chronicling Hepburn's life, from her nearly dying in Hitler's occupied Europe, to her conquering, in just one year, the New York stage and the Hollywood screen, this fascinating tribute illustrates and illuminates all things Audrey Hepburn.
While trapped in the Netherlands at the end of WW2, Audrey and her family received critical food and medical relief from UNICEF - an act of charity she never forgot, as later in life, Hepburn devoted much of her time to UNICEF, becoming a UNICEF Goodwill Ambassador. From her early years as an ingénue to her status as an icon of elegance, in her Oscar-winning performance for Roman Holiday and the career high of Breakfast at Tiffany's, Hepburn's star quality resonates across the globe - even so long after her death. Few stars before or since are as beloved as Audrey Hepburn and The Little Guide to Audrey Hepburn details why. 'My appearance is accessible to everyone. With hair tied in a bun, big sunglasses and black dress, every woman can look like me.'The Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction.
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Why we're all crazy about Keanu.
When even your name is beautiful (Keanu means cool breeze over the mountains), it's no surprise that Keanu Reeves was destined to become one of world's biggest and most enduring film stars. Bursting onto our screens in eighties in River's Edge and Bill and Ted's Excellent Adventure, his run of smash hits continued through the next decade with Point Break, Much Ado About Nothing, Speed, and his groundbreaking role as Neo in The Matrix. Then, in 2014, his sensational comeback in the John Wick films catapulted him right back to the top of the Hollywood A-list. No stranger to tragedy in his personal life - his baby was stillborn and his partner died in a car accident two years later - Keanu is as famous for his kindness, wisdom and philanthropy as he is for his film career. He has secretly donated large sums to children's hospitals, given generous gifts to crew members on set and made headlines for his kindness to fans. Join us in a celebration of the man widely known as the Internet's boyfriend. If you can make a woman laugh, you're seeing the most beautiful thing on God's earth.The very best portrait photography of the film-noir era, with previously unpublished images from beloved gems such as The Night of the Hunter and Sweet Smell of Success
With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. Whitey Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema.
Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture.Sofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Charlotte (Scarlett Johansson), a recent graduate in philosophy, faces an uncertain professional future, while Bob Harris (Bill Murray), an established celebrity, questions his choices at midlife. Both are distant - emotionally and spatially - from their spouses. They are lost until they develop an intimate connection. In the film's poignant, famously ambiguous closing scene, they find each other, only to separate.
In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation's structuring device of travel: her analysis takes the form of a trip, from planning to departure. She details the complexities of filming (a 27-day shoot with no permits in Tokyo), explores Coppola's allusions to fine art, subtle colour palette and use of music over words, and examines the characters' experiences of the Park Hyatt Tokyo and excursions outside, together and alone. She also re-evaluates the film in relation to Coppola's other features, as the product of an established director with a distinctive cinematic signature: 'Coppolism'. Fundamentally, Ferriss argues that Lost in Translation is not only a cinema classic, but classic Coppola too.Discover the Untold Story of Connecticut's Cinematic Legacy!
Join acclaimed actress and film historian Illeana Douglas on an exhilarating journey through the overlooked world of Connecticut cinema! In Connecticut in the Movies, Douglas shines a spotlight on over 200 films that have shaped the perception of this charming state, revealing the rich tapestry of Hollywood's history intertwined with Connecticut's landscapes. From the whimsical charm of classics like Bringing Up Baby and Christmas in Connecticut to the poignant critiques found in Gentleman's Agreement and The Ice Storm, discover how Connecticut has served as both a cinematic paradise and a canvas for darker narratives. With personal anecdotes and behind-the-scenes stories, Douglas's warm and engaging style invites readers to explore the real locations behind these beloved films, making it a perfect companion for film buffs and casual viewers alike. Uncover how the vision of Connecticut has evolved from an idyllic escape to a complex portrayal of suburban life. With insightful commentary and stunning visuals, Connecticut in the Movies is not just a tribute to the state--it's a love letter to the art of filmmaking itself. Whether you're a lifelong resident or a curious visitor, this book promises to change the way you see the movies and the hidden gems of Connecticut. Don't miss this chance to delve into the surprising legacy of Connecticut's film history--get your copy of Connecticut in the Movies today and take your cinematic road trip with Illeana Douglas!