A New York Times 100 Best Books of the 21st Century Readers Pick

#1 New York Times Bestseller

A Washington Post and Los Angeles Times Bestseller

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

REESE'S BOOK CLUB PICK * NEW YORK TIMES BESTSELLER

A beautiful love letter to nature and the world around us.--Reese Witherspoon (Reese's Book Club September '24 Pick)

THE PERFECT GIFT FOR NATURE LOVERS, BIRDERS, AND GARDENERS, WITH ORIGINAL COLOR ART THROUGHOUT * USA TODAY BESTSELLER * NATIONAL BESTSELLER * INDIE NEXT PICK

From the beloved New York Times opinion writer: a luminous book that traces the passing of seasons, both personal and natural.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons--from a crow spied on New Year's Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring--what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.

Along the way, we also glimpse the changing rhythms of a human life. Grown children, unexpectedly home during the pandemic, prepare to depart once more. Birdsong and night-blooming flowers evoke generations past. The city and the country where Renkl raised her family transform a little more with each passing day. And the natural world, now in visible flux, requires every ounce of hope and commitment from the author--and from us. For, as Renkl writes, radiant things are bursting forth in the darkest places, in the smallest nooks and deepest cracks of the hidden world.

With fifty-two original color artworks by the author's brother, Billy Renkl, The Comfort of Crows is a lovely and deeply moving book from a cherished observer of the natural world.

An inspiring blend of nature writing and memoir that explores nature's crucial role in our emotional and mental health

Bats can hear shapes, plants can eat light, and bees can dance maps. When his life took him to a painfully dark place, the poet behind The CryptoNaturalist, Jarod K. Anderson, found comfort and redemption in these facts and the shift in perspective that comes from paying a new kind of attention to nature.

Something in the Woods Loves You tells the story of the darkest stretch of a young person's life, and how deliberate and meditative encounters with plants and animals helped him see the light at every turn. Ranging from optimistic contemplations of mortality to appreciations of a single mushroom, Anderson has written a lyrical love letter to the natural world and given us the tools to see it all anew.

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages.

Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a deckled edge and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book--gentle, simple, tactile, beautiful, even sacred--and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In a rich braid of reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater understanding of her own place in the world.

Intrigued by the snail's molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and courtship activities, Bailey becomes an astute and amused observer, offering a candid and engaging look into the curious life of this underappreciated small animal.

The Sound of a Wild Snail Eating is a remarkable journey of survival and resilience, showing us how a small part of the natural world can illuminate our own human existence, while providing an appreciation of what it means to be fully alive.

Winner of the Pulitzer Prize

The book is a form of meditation, written with headlong urgency, about seeing. . . . There is an ambition about [Dillard's] book that I like. . . . It is the ambition to feel. -- Eudora Welty, New York Times Book Review

Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley, where Annie Dillard set out to chronicle incidents of beauty tangled in a rapture with violence.

Dillard's personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, she stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons.

We can place this book on the shelf that holds the writings of Thoreau and John Muir.--San Francisco Chronicle

These astonishing portraits of the natural world explore the breathtaking diversity of the unspoiled American landscape--the mountains and the prairies, the deserts and the coastlines. Conjuring up one extraordinary vision after another, Aldo Leopold takes readers with him on the road and through the seasons on a fantastic tour of our priceless natural resources, explaining the destructive effects humankind has had on the land and issuing a bold challenge to protect the world we love.

A spellbinding scientific and cultural study of snakes, the fascination and fear they inspire, and how surprising new science is indelibly changing our perception of these stunning and frightening creatures.

For millennia, depictions of snakes as alternatively beautiful and menacing creatures have appeared in religious texts, mythology, poetry, and beyond. From the foundational deities of ancient Egypt to the reactions of squeamish schoolchildren today, it is a historically commonplace belief that snakes are devious, dangerous, and even evil. But where there is hatred and fear, there is also fascination and reverence. How is it that creatures so despised and sinister, so foreign of movement and ostensibly devoid of sociality and emotion, have fired the imaginations of poets, prophets, and painters across time and cultures?

In SLITHER, science writer Stephen S. Hall presents a naturalistic, cultural, ecological, and scientific meditation on these loathed yet magnetic creatures. In each chapter, he explores a biological aspect of The Snake, such as their cold blooded metabolism and venomous nature, alongside their mythology, artistic depictions, and cultural veneration. In doing so, he explores not only what neurologically triggers our wary fascination with these limbless creatures, but also how the current generation of snake scientists is using cutting-edge technologies to discover new truths about these evolutionarily ancient creatures--truths that may ultimately affect and enhance human health.

Nature is capable of extraordinary phenomena. Standing in awe of those phenomena, we experience a feeling of connection to the cosmos. For acclaimed physicist and novelist Alan Lightman, just as remarkable is that all of what we see around us--soap bubbles, scarlet ibises, shooting stars--are made out of the same material stuff and obey the same rules and laws. This is what Lightman calls spiritual materialism, the belief that we can embrace spiritual experiences without letting go of our scientific worldview.

Pairing 36 beautiful, full-color photos evoking some of nature's most awe-inspiring phenomena with accessible and lyrical personal essays, The Miraculous from the Material explores the fascinating science underlying the natural world. Why do rainbows make an arc? Why does a particular waterfall at Yosemite National Park sometimes glow like it's on fire? How does a hummingbird fly? The world has so many things to marvel at--and the science is just as fascinating.

Lightman's imagination travels from the world of atoms and molecules to the animal kingdom, from places like Ha Long Bay, Vietnam and the Grand Canyon out to the solar system and beyond, illuminating the majesty of the cosmos and the remarkable science behind it. The Miraculous from the Material is a stunning, soaring ode to the beauty and wonder around us, and the perfect holiday gift for photography aficionados, life-long learners, and admirers of the natural world.

In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities.

The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home.

With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy―the natural world will not allow it.

Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.

In the bitter winds of autumn 1963, Tove Jansson, helped by Brunström, a maverick fisherman, raced to build a cabin on a treeless island in the Gulf of Finland. The island was Klovharun, where for thirty summers Tove and her beloved partner, the visual artist, Tuulikki Tooti Pietilä, lived, painted, and wrote, energized by the solitude and shifting seascapes. The island's flora, fauna, and weather patterns provided deep inspiration which can be seen reflected in all of Jansson's work, most famously in her bestselling novel The Summer Book and her longstanding comic strip and novels for children, Moomin. Tove's signature spare, quirky prose, and Tooti's subtle ink washes and aquatints combine to form a work of meditative beauty, a chronicle of living peacefully in nature and observing the island's ecology and character. Notes from an Island is both a work of artistic collaboration and an homage to the deep love the two women shared. One feels as if Jansson's journal, with Tooti's sketches tucked inside, has been unearthed like a treasure from under a pile of old quilts in the back of their rustic cabin.

Praise for the essay, The Island

At once a short story, an essay, and a prose poem, 'The Island' reads both like a sketch for The Summer Book and a vignette of Klovharun ... the text seems to change following mysterious tides from a timeless present to an urgent past. --Hernan Diaz, finalist for the Pulitzer Prize

Praise for Tove Jansson

It could be said that everything she wrote is, in one way or another, about the creative interactions between art and reality or art and nature.--The Guardian

Her style is not at all 'poetic'--quite the contrary. It is prose of the very highest order; it is pure prose. Through its quiet clarity we see unreachable depths, threatening darkness, promised treasures.--Ursula K. LeGuin, The Guardian

Tove Jansson was a genius, a woman of profound wisdom and great artistry.--Philip Pullman

It's hard to describe the astonishing achievement of Jansson's artistry.--Ali Smith

This extraordinary, poetic portrait of two peregrine falcons is one of the most beloved works of nature writing ever published.

From fall to spring, J.A. Baker set out to track the daily comings and goings of a pair of peregrine falcons across the flat fen lands of eastern England. He followed the birds obsessively, observing them in the air and on the ground, in pursuit of their prey, making a kill, eating, and at rest, activities he describes with an extraordinary fusion of precision and poetry. And as he continued his mysterious private quest, his sense of human self slowly dissolved, to be replaced with the alien and implacable consciousness of a hawk.

It is this extraordinary metamorphosis, magical and terrifying, that these beautifully written pages record.

From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature's positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas--and the answers they yield--are more urgent than ever.

This is not primarily a book about the desert, writes Edward Abbey in his introduction. In recording my impressions of the natural scene I have striven above all for accuracy, since I believe that there is a kind of poetry, even a kind of truth, in simple fact. But the desertis a vast world, an oceanic world, as deep in its way and complex and various as the sea. Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite. If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument. What I have tried to do then is something a bit different. Since you cannot get the desert into a book any more than a fisherman can haul up the sea with his nets, I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal.

In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you adopt such a lifestyle--and only then can you reenter society, as an enlightened being.

These simple but profound musings--as well as Civil Disobedience, his protest against the government's interference with civil liberty--have inspired many to embrace his philosophy of individualism and love of nature. More than a century and a half later, his message is more timely than ever.

With an Introduction by W.S. Merwin
and an Afterword by Will Howarth