Learning the art of mixing has never been easier.
For more than two decades, The Mixing Engineer's Handbook has been the best selling and most respected resource on the art of music mixing for seasoned professionals and enthusiastic beginners alike.
Today's home studio is just as powerful as any commercial studio, but it's the techniques that the top mixers use that separates their work from what most musicians, songwriters, producers or artists can produce without that knowledge.
In this fully updated 5th edition of the Handbook, you'll find all the proven fundamental and advanced techniques that the pros use to help you take your music to another level.
Guaranteed to help you get a great mix regardless of your gear, playback environment or the kind of music you work on, you'll find your mixing chops getting better with each chapter.
Here are just a few things you'll learn:
Brand new additions to the 5th edition include:
The book still contains one of its best-loved features from previous versions - 18 interviews with some of the music industry's most successful and celebrated audio mixers from all different music genres. The new edition contains four brand new interviews with some of the industry's biggest hit makers, along with access to a bonus website with 13 additional interviews not found in the book.
Learn the art of mixing from start to finish by using the tips and techniques from the pros, with The Mixing Engineer's Handbook, 5th Edition.
Pick up your copy today by clicking the BUY NOW button on this page.
The Recording Engineer's Handbook by Bobby Owsinski has become a music industry standard found in studios all over the world, and this fully updated fifth edition once again offers the most comprehensive and up-to-date overview of the art of audio recording. Written with today's technology and workflows in mind, The Recording Engineer's Handbook Fifth Edition is a must-have resource for anyone interested in recording either in their home or a commercial studio.
In the book's first section, you'll learn everything from how microphones work to specific techniques for recording drums, individual instruments, vocals and much more. In the second section you'll benefit from the wisdom and down-to-earth practical advice offered by a host recording professionals including all-time greats like Al Schmitt, Eddie Kramer, Sylvia Massy and many others.
Besides the ever-popular sections on recording gear, gain staging and levels, recording techniques for just about any instrument, and interviews with some of the world's most honored recording engineers, this 5th edition contains new topics like:
Learn the art of recording with renowned author, teacher, producer and engineer Bobby Owsinski, and, in the interviews, explore the creative processes behind not only today's hits but the classic cuts we've enjoyed for years. See for yourself why The Recording Engineer's Handbook, Fifth Edition is the book that's a standard text in college music production courses all over the world.
The Fundamentals of Synthesizer Programming provides an introduction on
how to program a synthesizer for creating music in the studio and on stage. Used as a textbook for the
introductory electronic music course at the Department of Recording Industry at Middle Tennessee State
University, it covers the components and controls, of both hardware and software synthesizers, that are
used to create a patch on a typical synth. Concepts are explained thoroughly with block diagramming, and
practical examples are given with Reason Studios Subtractor and a Moog Voyager.
A no-holds-barred narrative history of the iconic label that brought the world Black Flag, HĂĽsker DĂĽ, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage.
Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground. In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, HĂĽsker DĂĽ, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog. Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.Koji Kondo's Super Mario Bros. (1985) score redefined video game music. With under three minutes of music, Kondo put to rest an era of bleeps and bloops-the sterile products of a lab environment-replacing it with one in which game sounds constituted a legitimate form of artistic expression. Andrew Schartmann takes us through the various external factors (e.g., the video game crash of 1983, Nintendo's marketing tactics) that coalesced into a ripe environment in which Kondo's musical experiments could thrive. He then delves into the music itself, searching for reasons why our hearts still dance to the primitive 8-bit tunes of a bygone era.
What musical features are responsible for Kondo's distinct Mario sound? How do the different themes underscore the vastness of Princess Peach's Mushroom Kingdom? And in what ways do the game's sound effects resonate with our physical experience of the world? These and other questions are explored within, through the lens of Kondo's compositional philosophy-one that would influence an entire generation of video game composers. As Kondo himself stated, we at Nintendo] were trying to do something that had never been done before. In this book, Schartmann shows his readers how Kondo and his team not just succeeded, but heralded in a new era of video games.In an easy-to-grasp, holistic manner Mastering Audio: The Art and the Science, Third Edition unravels the technical mysteries that regularly challenge audio engineers. Including practical tips and real world experiences, Bob Katz explains the technical detail of the subject in his informative and humorous style. Completely reorganized to focus on workflow, this third edition details mastering by providing a step-by-step approach to the process. First covering practical techniques and basic theory, this industry classic also addresses advanced theory and practice. The book's new approach is especially suitable to accompany a one- or two-term course in audio and mastering.
Completely rewritten and organized to address changes that will continue to influence the audio world, this third edition includes several new chapters addressing the influence of loudness measurement and assessment and provides explanation of how mastering engineers must integrate loudness measurement and PLR assessment in their mastering techniques.
Mastering Audio: The Art and the Science, Third Edition also includes the newest approaches to equalization, monitor response measurement and correction, the psychoacoustics of clipping, an extended discussion of restoration and noise reduction techniques, an extended set of listening examples, and an updated chapter on surround mastering including coverage of Pure Audio BluRay.
Raised in the cornfields of Oskaloosa, Iowa, Arthur Russell (1951-1992) would become a visionary cellist, singer, composer, and producer in Lower Manhattan's Downtown arts scene during the 1970s and 80s. Russell's enigmatic music blended and transcended genres as disparate as Indian raga, Americana folk, avant-garde composition, and disco. He actively infused popular music into Manhattan's avant-garde art scene, while bringing a Buddhist-inspired experimentalism into American popular music. As poet Allen Ginsberg recalled, His ambition seemed to be to write popular music, or bubblegum music, but Buddhist bubblegum; to transmit the dharma through the most elemental form...
Following Russell's premature death due to AIDS at age 40, composer Philip Glass reflected, Arthur was very, very ahead of his time. And while a few of his dance singles would remain underground classics, Russell's work would be significantly neglected for over a decade. However, through the archival releases of Audika Records, a documentary film (Wild Combination) and a biography (Hold On to Your Dreams), Russell's fearless creativity and radical vulnerability have found an admiring audience in the 21st century. Today, celebrated artists--from Kanye West to RosalĂa and Peter Broderick--as well as emerging musical generations are breathing new life into Russell's music and praising his name. Nevertheless, he has remained as mysterious as he has become accessible.
Buddhist Bubblegum dives deep into the mystery of Arthur Russell and offers an unprecedented exploration into his lifelong Vajrayana Buddhist practice. Author Matt Marble charts Russell's spiritual path, from his early life as a Buddhist monk on a Bay Area commune to his maturing engagement with Japanese Shingon and Indo-Tibetan Vajrayana traditions in Manhattan. Along the way, we learn how Russell creatively adopted traditional methods of mantra, mandala, meditation, astrology, numerology, and more. Through extensive archival research, personal interviews, and musical score analysis, Marble highlights Russell's major works and shows how esotericism and aesthetic theory strategically guided his creative process. The writing is supplemented throughout with numerous archival images, featuring Russell's original scores, notebooks, and photographs. Marble's work is indebted to the Arthur Russell Estate/NYPL, Audika Records/Steve Knutson, Tom Lee, and Russell's friends and collaborators, as well as to the pioneering work of biographers Tim Lawrence and Matt Wolf. Hailed by the New York Times as groundbreaking work, Buddhist Bubblegum reveals how one of America's most visionary artists uniquely fused spiritual and musical disciplines.
This one-stop source for Logic Pro insight helps you spend more time creating music
Every minute you spend trying to figure out how to set up a new track or build a drum loop is a minute you don't spend creating and recording your music. This guide to the recording software favored by Mac users helps you bypass the time needed to search for tech answers and spend more time capturing sounds. Discover the full recording power of Logic Pro, starting with launching a project and recording your audio. Explore the built-in digital instruments and beat makers, augment your recording power with plug-ins, and finalize your song by editing, adding effects, mixing, mastering, and sharing. The final step is music stardom!
For beginning music creators and producers, this Dummies guide makes it simple to get started with Logic Pro.
I wish I had this book when I started producing, it provides a great insight into the fundamentals of sound design and beyond. - Seven (Uprise Audio)
Synthesizers can be challenging.
If you're struggling to recreate a sound you've heard, or you wish to step beyond presets and online tutorials, How To Program Any Synthesizer will help you.
By breaking down each element of synthesizer programming into easy steps and showing you how to build your own, signature sounds from scratch, this book will provide you with a systematic understanding of how all synthesizers work.
Whether you're creating a funky lead on a Minimoog or a huge bassline on Massive, How To Program Any Synthesizer will teach you the method behind the magic. You'll be creating the sounds of your dreams in no time!
Included in the Second Edition:
Music Technology Essentials provides an overview of the vocabulary, techniques, concepts, and devices used in contemporary music production and guides readers through the essential fundamentals of music technology so that they can create their own music productions at home.
This highly accessible book covers sound fundamentals and theory, as well as practical topics like hardware, software, MIDI, digital audio, synthesis, computer notation, and audio-visual applications, to equip the reader with the principles they need to achieve professional-sounding results. Each chapter is accompanied by real-life examples and exercises that can be applied to any digital audio workstation software, to put the lessons into practice. This book will also help readers evaluate their requirements for home music production while working within a sensible budget.
Music Technology Essentials is the ideal textbook for beginners inside and outside of the classroom, including those on music and music production courses, who wish to enter the world of music technology but are unsure where to start or what to purchase.
Sound Foundations offers a holistic and personalized introduction to music technology, songwriting, and entrepreneurship. With a wide variety of prompts, activities, written exercises, and idea-generating sections, this workbook provides quick and accessible entry points into different topics and concepts that form the bedrock of commercial music study. Using highly accessible language, Josh Ottum provide a scaffolding that allows users to take ownership over technological options and creative processes unique to their own aesthetics.
The book contains uniquely curated aspects of the following: