A new edition of the essential chronicle of disco culture

In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews.

As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews.

Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990.

Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.

A global celebration of dance music, taking in the cities responsible for the best DJs, records, and clubs

Travel the world exploring the cities that have influenced dance music and DJ culture and discovering the cutting-edge scenes taking club culture in new directions.

Featuring incredible photography, insider recommendations, and some of the biggest names in dance music, Destination Dancefloor reveals how DJ culture swept the globe and 40 cities where you can immerse yourself in the best electronic music culture has to offer.

Whether you want to know more about the start of house music in Chicago, the club that started Berlin on the road to becoming the global epicenter of club culture, the French Touch scene in Paris that influenced the early years of Daft Punk, why Ibiza became the world's summer party destination of choice, or are looking for new destinations to add to your own clubbing bucket list, this unique book leans on Mixmag's position and expertise as one of the foremost names in club culture to present an overview of global dance music, making it a must-read for all clubbers, past, present, and future. See you on the dancefloor.

Want to DJ like a pro, share the music you love with other people and perform amazing DJ sets you can be proud of?

This second edition of Rock the Dancefloor! is the essential one-stop handbook for new and experienced DJs. Completely updated with the latest developments in DJing and expanded with new chapters on sourcing and organising your music, using subscription services and creating DJ mixes, its proven five-step formula covers everything from getting your gear together to DJing success. Whether you're just starting out, or already know your stuff and are looking to improve your game, this book will help you to:

• Understand modern DJ gear and avoid expensive mistakes
• Assemble the best music collection to please any audience
• Quickly master techniques to make your DJ mixes sound amazing
• Perform like a pro at parties, in bars and clubs or as a mobile DJ
• Get noticed, share your mixes, livestream your sets and more

A pulsating graphic novel on the epic history of electronic music, from the heyday of disco in the 1970s to the rave culture of the 1990s and beyond.

With a foreword from house music legends Daft Punk, The Song of the Machine is a celebration of a musical wave that swept across the world over decades, demographics, and dance styles. Originally published in 2000 in France, and updated through today for this first English edition, the electrifying narrative introduces readers to the harbingers of the genre, such as David Mancuso, Larry Levan, and Frankie Knuckles (known as the Godfather of House Music); the prototypes of modern-day nightclubs and dance venues, like The Loft and Studio 54 in New York City, the Palace in Paris, and the Hacienda in Manchester, England, and of course, the technology and machines that first produced and synthesized the records that galvanized a movement.
Told through exciting illustrations that evolve with the era they describe, and complete with specially curated playlists for each and every decade, The Song of the Machine recounts the influences and inspirations, the people and epic parties that created and defined this revolutionary music.

Mindful Rigor: Holistic Training to Enhance Dance Performance establishes a framework for integrating mindfulness into dance practice and performance. Clarifying the significance of mindfulness for dancers, the book begins by building awareness of this practice, acknowledging its roots in ancient Vedic teachings, yet presenting it through contemporary applications relevant to the dance community.

Structured in eight chapters, the book includes themes of employing breath to inform movement, recognizing internal dialogue without judgment, developing metacognition to manage learning anxiety, embracing the present moment in movement, achieving flow in various environments, and integrating knowledge both within and beyond the dance studio. Notably, the text incorporates Dr. Brendan Murray's deep stabilizer activation video as well as Polyvagal Theory with respect to movement, courtesy of external contributor Amy Tabback. The inclusion of exercises by Alvin Rangel-Alvarado further broadens the book's perspective.

Mindful Rigor is designed to complement dance and performing arts courses and programs that focus on performance enhancement, dancer health and wellness, dance pedagogy, and psychological approaches to dance training. Through its methodical examination of mental conditioning alongside physical training, it is an instrumental text for students seeking a profound and holistic approach to dance.

Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject.

If you have ever dreamed of being a DJ with people dancing to your music and all whilst having the time of your life then this book will show you how.

From the bedroom to the hottest clubs, events and mainstage festivals.

Whether you're a seasoned pro looking to enhance your current skills or a new aspiring DJ looking to get started.

Whatever your level of experience, the wisdom in this book is explosive and it is an absolute must to skyrocketing your success as a DJ.

This easy to understand guide will enable you to master the essentials of DJing.

Including, gear, music, techniques, business, and the industry as a whole. You'll learn how to research and purchase the best DJ equipment, on your budget.

Where to find music, how to smoothly mix music and create solid playlists to rock any dance floor.

Plus you will learn how to get paid gigs at parties, clubs, events and so much more

Anybody can be a DJ and if you've ever wanted a single book that gives you all the secrets to a successful career as a DJ, then this is that book.

Armed with speakers, turntables, light systems, and records, Filipino American mobile DJ crews, such as Ultimate Creations, Spintronix, and Images, Inc., rocked dance floors throughout the San Francisco Bay Area from the late 1970s through the mid-1990s. In Legions of Boom noted music and pop culture writer and scholar Oliver Wang chronicles this remarkable scene that eventually became the cradle for turntablism. These crews, which were instrumental in helping to create and unify the Bay Area's Filipino American community, gave young men opportunities to assert their masculinity and gain social status. While crews regularly spun records for school dances, weddings, birthdays, or garage parties, the scene's centerpieces were showcases--or multi-crew performances--which drew crowds of hundreds, or even thousands. By the mid-1990s the scene was in decline, as single DJs became popular, recruitment to crews fell off, and aspiring scratch DJs branched off into their own scene. As the training ground for a generation of DJs, including DJ Q-Bert, Shortkut, and Mix Master Mike, the mobile scene left an indelible mark on its community that eventually grew to have a global impact.

Armed with speakers, turntables, light systems, and records, Filipino American mobile DJ crews, such as Ultimate Creations, Spintronix, and Images, Inc., rocked dance floors throughout the San Francisco Bay Area from the late 1970s through the mid-1990s. In Legions of Boom noted music and pop culture writer and scholar Oliver Wang chronicles this remarkable scene that eventually became the cradle for turntablism. These crews, which were instrumental in helping to create and unify the Bay Area's Filipino American community, gave young men opportunities to assert their masculinity and gain social status. While crews regularly spun records for school dances, weddings, birthdays, or garage parties, the scene's centerpieces were showcases-or multi-crew performances-which drew crowds of hundreds, or even thousands. By the mid-1990s the scene was in decline, as single DJs became popular, recruitment to crews fell off, and aspiring scratch DJs branched off into their own scene. As the training ground for a generation of DJs, including DJ Q-Bert, Shortkut, and Mix Master Mike, the mobile scene left an indelible mark on its community that eventually grew to have a global impact.

Further Steps 2 brings together New York's foremost choreographers - among them MacArthur 'Genius' award winners Meredith Monk and Bill T. Jones - to discuss the past, present and future of dance in the US. In a series of exclusive and enlightening interviews, this diverse selection of artists discuss the changing roles of race, gender, politics, and the social environment on their work.

Bringing her own experience of the New York dance scene to her study, Constance Kreemer traces the lives and works of the following choreographers:

Lucinda Childs, Douglas Dunn, Molissa Fenley, Rennie Harris, Bill T. Jones, Kenneth King, Nancy Meehan, Meredith Monk, Rosalind Newman, Gus Solomons jr, Doug Varone, Dan Wagoner, Mel Wong and Jawole Zollar.

Bob Fosse is one of the most significant figures in the post-World War II American musical theater. Big Deal: Bob Fosse and Dance in the American Musical is a fascinating look at the evolution of Fosse as choreographer and director. It traces is early dance years, the influence of mentors George Abbott and Jerome Robbins, and the impact of his three marriages-all to dancers-on his career.

Dancer-choreographer-directors Fred Astaire, George Balanchine and Gene Kelly and their colleagues helped to develop a distinctively modern American film-dance style and recurring dance genres for the songs and stories of the American musical. Freely crossing stylistic and class boundaries, their dances were rooted in the diverse dance and music cultures of European immigrants and African-American migrants who mingled in jazz age America. The new technology of sound cinema let them choreograph and fuse camera movement, light, and color with dance and music. Preserved intact for the largest audiences in dance history, their works continue to influence dance and film around the world. This book centers them and their colleagues within the history of dance (where their work has been marginalized) as well as film tracing their development from Broadway to Hollywood (1924-58) and contextualizing them within the American history and culture of their era.

This modern style, like the nation in which it developed, was pluralist and populist. It drew from aspects of the old world and new, high and low, theatrical and social dance forms, creating new sites for dance from the living room to the street. A definitive ingredient was the freer more informal movement and behavior of their jazz-age generation, which fit with song lyrics that poeticized slangy American English. The Gershwins, Rodgers and Hart, and others wrote not only songs but extended dance-driven scores tailored to their choreography, giving a new prominence to the choreographer and dancer-actor. This book discuss how these choreographers collaborated with directors like Vincente Minnelli and Stanley Donen and cinematographers like Gregg Toland, musicians, dancers, designers and technicians to synergize music and moving image in new ways. Eventually, concepts and visual-musical devices derived from dance-making would give entire films the rhythmic flow and feeling of dance. Dancing Americans came to be seen around the world as archetypal embodiments of the free-spirited optimism and energy of America itself.

It's all about the beat in Bjorn Klein's new book about music history's most exciting era of underground dance music culture. Klein digs deep into the sexy code of the DJ's music, and expertly demystifies the sound of New York City's most notorious underground clubs in the 1970s. As strings and synthesizers whirl around frantically, as the bass guitar sends out funky waves of electrifying vibrations and as the beat of the bass drum spurs you on relentlessly, you step by step gain a more profound understanding of the elements of early dance floor music.

Today we take remixing, DJ culture and dance club culture for granted. They have become an inextricable part of the modern urban scene and music's mainstream pop-culture. However, it was only a few decades ago when early DJs broke new territory with what they were doing. Hidden away in obscure underground clubs in New York City back in the late 1960s/early 1970s, dancefloor music and the DJ were regarded nothing more but strange novelties belonging to a thriving subculture that was yet too small to be noticed.

Turn Up The Bass is a book about this new genre of dance floor music that emerged from the DJs' turntable experimentations in underground clubs in New York City between the late 1960s and early 1980s. Exhaustively researched, the author walks us through the pioneering days of a fresh, new musical style. In the first part of the book, Klein examines the complex interaction of music, dancers and DJ, sheds light on how technical developments and new DJing techniques influenced the formation of a new, distinct style, and how the art of remixing, new recording formats and the establishment of record pools all of a sudden turned the DJ into one of the most important figures in the music industry, who had the power to shape the musical taste of millions.

In the second part of Turn Up The Bass, Klein breaks down the sound of New York City's dance clubs into every single element and thus allows us a glimpse into how the DJ makes our bodies move. What musical characteristics define underground dance music recordings? What are the musical roots of underground dance music recordings? What instruments are used? How are they used? What is the formal musical structure of dance floor songs? How do dance floor songs of that time work with the concepts of tension-release and musical spacing? More than 50 transcribed examples of music and references to corresponding audio tracks make it easy for the reader to follow Klein's astute observations. An essential read for students and lovers of popular music.

Few narratives in pop encompass Jimi Hendrix, David Bowie, Roxy Music, Madonna, Duran Duran, Diana Ross, Johnny Mathis and Led Zeppelin. This story is one of them. Chic, led by former Black Panther activist Nile Rodgers and down-home family man Bernard Edwards, are one of the most underrated and pivotal acts in African-American musical history. As artists, they created a discrete R&B sound that just happened to coincide with the disco movement. At the height of their fame, they either released or produced a string of era-defining records but when disco collapsed, so did Chic's popularity. The group quietly called it a day in 1983. However, Rodgers and Edwards individually produced some of the great pop-dance records of the 80s, working with David Bowie, Robert Palmer, Madonna, Duran Duran and ABC, among many others. Everybody Dance puts the rise and fall of Bernard Edwards and Nile Rodgers, the emblematic disco duo behind era-defining records Le Freak, Good Times, and Lost In Music, at the heart of a changing landscape, taking in sociopolitical and cultural events such as the Civil Rights struggle, the Black Panthers, and the U.S. oil crisis. There are drugs, bankruptcy, uptight artists, fights, and Muppets but, most importantly, an in-depth appraisal of a group whose legacy remains hugely underrated.

For some people, at some times, in some places, on some drugs, dance music can be a gateway to transformative, even transcendent experiences. With the help of skilled DJs, dancers can reach euphoric states, discard their egos, and feel social barriers dissolve. Dance floors can be sites of openness, subversion, and even small-scale acts of political resistance. At a minimum, dance music lightens the burdens of contemporary life. At its best, dance music offers glimpses of better worlds.

Yet even where dance music communities are built on principles of resistance and liberation, they nevertheless share the grittier realities of the rest of the world.

Dance Music makes the case that dance music is ordinary and that something exceeding the social and spatiotemporal bounds of the dance floor is required for the transformative promise of dance music to be realized.

Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

How and why was outdated racial content - and specifically blackface minstrelsy - not only permitted, but in fact allowed to thrive during the 1930s and 1940s despite the rigid motion picture censorship laws which were enforced during this time? Introducing a new theory of covert minstrelsy, this book illuminates Hollywood's practice of capitalizing on the Africanist aesthetic at the expense of Black lived experience. Through close examination of the musicals made during this period, this book shows how Hollywood utilized a series of covert guises or subterfuges-complicated and further masked by a film's narrative framing and novel technology to distract both censors and audiences from seeing the ways in which they were being fed a nineteenth-century White narrative of Blackness.

Drawing on the annals of Hollywood's most popular and its extremely rare films, Behind the Screen uncovers a half century of blackface application by delicately removing the individual layers of disguise through close analyses of films which paint tap dance, swing, and other predominantly Africanist forms in a negative light. This book goes beneath the image of recognizable White performers including Al Jolson, Eddie Cantor, Fred Astaire, and Eleanor Powell, exploring the high cost of their onscreen representational politics. The book also recuperates the stories of several of the Black artists whose labor was abused during the choreographic and filming process. Some of the many newly documented stories include those of The Three Chocolateers, The Three Eddies, The Three Gobs, The Peters Sisters, Jeni Le Gon, and Cora La Redd. In stripping away the various disguises involved during Hollywood's Golden Age, Behind the Screen recovers the visibility of Black artists whose names Hollywood omitted from the credits and whose identities America has written out of the national narrative.

The definitive history of the acid house explosion and its reverberations across popular culture, Adventures In Wonderland has been out of print for more than 20 years. This new edition has been updated slightly, with a new introduction and final chapter.

This is the acid house and rave explosion, as told by the people who lived it: door staff, dancers and drug dealers; gangsters, blaggers and promoters. From the real stories behind the huge illegal raves of 1989 to insider accounts from DJs such as Norman Jay, Trevor Nelson, Paul Oakenfold, Danny Rampling, Graeme Park, Mike Pickering, Carl Cox, Sasha and John Digweed.

But this isn't just a book about the music. It's about being up for it. Out of it. And right in the middle of it.

It's about the Paradise Garage in New York, about dancing under the stars in Ibiza or Goa, about the house we built in the UK at Future, Shoom, Spectrum. Clink Street and the Haçienda. It's about Ecstasy and community and a scene that grew with breath-taking speed because we needed to feel that the world was changing.

It's about dodging the police to get the party started, and the joy of dancing all night in the British countryside, with thousands of others on the same high. About Madchester, Blackburn, and a new understanding between rock and dance music. And about what came after, from drum'n'bass to the rise of superclubs such as Ministry of Sound, Renaissance and Cream.

But most of all, it's about having the time of your life. And who wouldn't want that?

Adventures In Wonderland is the ultimate, definitive account of the scene. Precise factually and perfectly articulated, it transports the reader to that unique, life-changing period. Sheryl Garratt was there, reporting from the core energy of the scene that we collectively created. - Danny Rampling

Gripping and vivid.. Garratt writes with the style and attitude of the feistiest club diva... Her personal memories are wedged between layers of insightful comment and thorough research. - The Times

She has spoken to everyone involved - from the Chicago DJs of the 80s to the rave promoters and club moguls of the 90s ¬ and shows that it's possible to write popular culture without insulting our intelligence. - Daily Mirror

The definitive account of contemporary dance culture.. If you weren't at Shoom in '87, then this is the best way to make up for it. - The Face

Long-listed for the 2021 Penderyn Prize for music books.