In his stunning essay Coldness and Cruelty Gilles Deleuze provides a rigorous and informed philosophical examination of the work of late nineteenth-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity. He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism: their worlds do not communicate, just as the genius of those who created them -- Masoch and Sade -- lie stylistically, philosophically, and politically poles apart.

Venus in Furs, the most famous of Masoch's novels, belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes, including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here -- fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness -- these received associations do not eclipse the truly singular and surprising power of Masoch's eroticism.

The vibrant Old Norse poems in this collection, which may have been brought together as early as the thirteenth century, authentically capture the ancient oral traditions of the Norsemen. In addition, their images of a mythical world profoundly influenced latter-day storytellers as Richard Wagner and J. R. R. Tolkien.
Known as the Lays of the Gods, these mythological poems include the Voluspo, one of the broadest conceptions of the world's creation and ultimate destruction ever crystallized in literary form; the Hovamol, a compilation of sagacious counsels reminiscent of the biblical book of Proverbs; the Lokasenna, a comedy bursting with vivid characterizations; and the Thrymskvitha, a ballad of enduring loveliness.
The Poetic Edda is not only of the highest interest to students of antiquity; in the exceptionally detailed and complete translations included here, it offers lovers of poetry and myth some of the most remarkable surviving specimens from a distant age of poet-singers and oral traditions.

During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died--a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany's cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.

Each volume has been critically chosen, lucidly translated and excellently introduced by internationally acknowledged scholars. (The publisher) must be praised for its selectivity, overall book format, original cover designs by contemporary artists, and indexes for each volume. Theological Studies Hadewijch: The Complete Works translation and introduction by Mother Columbia Hart, O.S.B., preface by Paul Mummers, S.J. May God give us a renewed mind For noble and free love, To make us so new in our life That Love may bless us And renew, with new taste, Those to whom she can give new fullness; Love is the new and powerful recompense Of those whose life renews itself for Love alone. Hadewijch (A Beguine of the 13th Century) Belonging to the early thirteenth century, Hadewijch brings us a spiritual message of extraordinary power. She was endowed in no less degree than St. Teresa of Avila with the gifts of visionary mysticism and literary genius. She felt herself strongly a woman, as can be seen from her choosing to join the women's movement of her day, that of the Beguines, who dedicated themselves to a life of true spirituality without taking the veil. Hadewijch understood that she was called to communicate to others the profound knowledge of the things of God granted to her in her mystical life. She directed her apostolate to some younger Beguines, and nearly all her writings, both prose and poetry, were intended for them. She mentions other spiritual friends, some in distant countries. Her experiences and her message, however, however, remained hidden; she attained to no celebrity among her contemporaries. The way of immediate fame was for other women mystics. St. Hildegard (1098-1179), the visionary and writer, enjoyed high reputation Clairvaux, and crowned heads. Hadewijch's contemporary, St. Lutgard (1183-1246), was widely known for her visions of the Sacred Heart, which won her the friendship of persons like the Master General of the Dominican Order and Duchess Marie of Brabant (daughter of King Louis VIII of France), and after her death made her tomb a place of pilgrimage. Where Hadewijch was buried, however, no one knows and her writings, after passing through the hands of John of Ruusbroec and his circle, were lost to sight until the nineteenth century. Since the rediscovery of Hadewijch, her importance has been progressively appreciated, and the hidden dimension of her life is now open so that we may share it according to the particular needs of our own day. +

After Nature, W. G. Sebald's first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind's place in the natural world. From the efforts of each, an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance. The first figure is the great German Re-naissance painter Matthias Gr newald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages.

After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author's position as one of the most profound and original writers of our time.

The White Rose was a student resistance group organized in Nazi Germany, for the purpose of resisting the Hitler regime. They engaged in passive resistance by distributing anonymous pamphlets denouncing Hitler and his works. The group was organized by Hans Scholl, Sophie Scholl, and Christoph Probst. Hans and Sophie were brother and sister, children of Robert Scholl, a successful local politician and staunch opponent of Hitler. He encouraged his children to think for themselves. The group successfully distributed six pamphlets and were in the process of preparing a seventh, when they were caught by Gestapo, tried, and executed.

A splendid new translation of an extraordinary work of modern literature--featuring facing-page commentary by Kafka's acclaimed biographer

In 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zürau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka's writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka's mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.

The most complex of Kafka's writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka's characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still.

Above all, this volume reveals that these multifaceted gems aren't far removed from Kafka's novels and stories but are instead situated squarely within his cosmos--arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here.

German literature in all genres and from all historical periods has exerted an enormous influence on the history of western thought. From Martin Luther, Frederick Schiller, and Johann Wolfgang von Goethe to Karl Marx, Sigmund Freud, Thomas Mann, Bertolt Brecht, and Gunter Grass, Germany has produced an impressive number of great writers and great works. In German Literature: A Very Short Introduction, Nicholas Boyle illuminates the particular character and power of German literature and explores its impact on the larger cultural world. Boyle presents an engrossing tour of German literature from the Middle Ages to the 20th century, focussing especially on the last 250 years. He examines key themes like idealism, modernism, materialism, trauma and memory, showing how they have imbued the great German writers with such distinctive voices. Indeed, this brief introduction offers broad coverage of German literature, revealing the links between German literature and the German nation, examining the literary and philosophical responses of German writers to social, political, and economic change, and seeking out the connections between Germany's intellectual traditions and its often violent and tragic history.

About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Don Carlos and Mary Stuart, two of German literature's greatest historical dramas, deal with the timeless issues of power, freedom, and justice. Dating from 1787 and 1800 respectively, one play was written immediately before the French Revolution, the other in its aftermath. These new translations into blank verse are accurate, elegant, and playable. The Introduction, Notes, and Chronology set the plays in their cultural and intellectual background, while a family tree explains the historical relationship between Don Carlos and Mary Stuart.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Shows, contrary to the traditional view, that the major authors of German literary realism not only thematized environmental transformation but that it was central to their aesthetics.

In nineteenth-century Europe, and particularly in Germany, the industrial revolution led to air and water pollution, urban and industrial sprawl, and the physical reconstitution of natural landscapes. This book investigates the relationship between environmental degradation and German Realist aesthetics, challenging a longstanding argument in the scholarship that German Realism largely occluded urban and industrial realities by demonstrating that its major authors-Adalbert Stifter, Wilhelm Raabe, Theodor Storm, and Theodor Fontane-not only thematized environmental matters, but that environmental transformation became the very condition for their texts' reflections on the aesthetic representation of reality.

German Realist aesthetics in this sense are thus inseparable from environmental aesthetics. Environmental aesthetics, in turn, are inseparable from environmental politics, connected as they are to problems such as the loss of individual livelihoods, displacement of communities, and the legal and ethical standing of animals, plants and landscapes. By exploring how these problems appear in the fiction of the period, Alexander Phillips's book situates the literature in a longer genealogy of environmentalism and ecological aesthetics beyond Germany. That genealogy includes the early twentieth-century Nature Fakers debate in the United States, twentieth-century nature writing and contemporary ecocritical theory.

Brings to light an important and unconventional teacher of literature whose way of thinking and method are relevant both in and beyond German Studies, particularly in view of the present crisis of the humanities.

At a time when enrollment in the humanities is said to be in free fall (Nathan Heller, The New Yorker, 2/27/2023), the figure of Andrew Jaszi offers an alternative vision of what a literary education might look like. Jaszi was a Hungarian-born philosopher and literary scholar in the German Department at the University of California, Berkeley, from 1948 to 1985. His accessible, jargon-free approach, a method he developed through analogy with Goethe's unique way of doing science, attracted students of diverse backgrounds and majors to his classes, while also winning acclaim from colleagues who compared him to Wittgenstein and Buber.

Drawing on a set of previously unknown tape recordings of Jaszi's seminars, this book offers readers the opportunity to witness this legendary teacher in action. The book's immediate benefit is the illumination provided by Jaszi's original interpretations of Goethe's Faust and Kafka's The Judgment. More broadly, it illustrates the transformative, whole-self education Jaszi advocated and himself embodied, one that runs counter to the technocratic imperatives of our time. Ultimately, the book's goal is to make better known an important literary thinker and an unconventional teacher of German Studies, the value of whose work extends beyond a single discipline to humanities education in general, with special bearing on its present crisis and potential future.

Argues that German national identity was fostered, and even invented, in and through travelogues and other travel writing.

Far into the nineteenth century, Germany remained a collection of separate principalities. Scholars have long debated the causes and implications of this belatedness relative to other European nations like England and France. This book offers a fresh perspective by arguing that travel literature helped shape a distinct and cohesive German identity well before political unification in 1871. Beginning in the eighteenth century, foreign travelers' accounts depicted Germany as a distinct place despite its political divisions, thus allowing German readers to imagine their fragmented nation as a conceptual whole. Ethnographic descriptions from distant places further aided this process as Germans learned to view themselves through this particular lens. Around 1800, Germans, too, began to explore their homeland and describe their experiences, creating travelogues that solidified the nascent sense of national identity.

Drawing on a vast collection of German, British, and French travelogues, travel handbooks, and popular geographic texts, Karin Baumgartner examines how travel writing reflects shifts in geographic paradigms and national identity in eighteenth- and nineteenth-century Germany. Incorporating discourses of nationalism and geography, including Edward Soja's influential concept of Thirdspace, Baumgartner illuminates how these texts encapsulated evolving perceptions of space that forged a specific German national identity.

Volume offering a guide to and reassessment of Thomas Mann's famous novel.

Thomas Mann was the first writer since Goethe to attract a large international audience to stories written in German, bringing German fiction into the mainstream of European literature. His second major work, The Magic Mountain (1924), explores the heady intellectual culture of the chaotic and broken Germany that emerged from the First World War, and, along with the earlier Buddenbrooks, earned him a Nobel Prize for literature in 1929. Mann himself considered The Magic Mountain to be his greatest novel, and few in his own day doubted the preeminence of this modernist classic; however, many have argued that the age of literary modernism has passed. If this is so, how might we best understand Mann's masterpiece now? Topics covered in this volume, which aims to provide both a survey of and new research into important aspects of the work, include Mann's comic vision, his homosexuality, his fraught attitude toward Jews, the place of his novel in the landscape of postmodern life, the theme of solitude, music in the novel, and technology.

Stephen D. Dowden is Professor of German at Brandeis University. Contributors: David Blumberg, Michael Brenner, Stephen Dowden, Edward Engelberg, Ulker Gökberk, Eugene Goodheart, Joseph P. Lawrence, Karla Schultz, Susan Sontag, Kenneth Weisinger.

Stephen D. Dowden is Professor of German at Brandeis University.

Adorno's Gamble offers a startling reinterpretation of the evolution of Theodor W. Adorno's thought, usually seen as a mix of critical Marxism, Freudian psychoanalysis, aesthetic modernism, and Jewish tradition. Mikko Immanen argues for another, previously unacknowledged source of Adorno's thinking on instrumental reason, dialectic of enlightenment, and frailty of democracy: the intellectual underpinnings of Germany's conservative revolutionary movement of the 1920s.

In a dramatic reappraisal of the leading light of the Frankfurt School, Immanen follows Adorno's path of philosophical development from the late Weimar era through years in exile to the postwar period, establishing his debt to thinkers of radical conservative bent. In particular, he focuses on Adorno's enduring, and daring, effort to harness two of the most infamous works from this tradition--Oswald Spengler's Decline of the West and Ludwig Klages's The Spirit as Adversary of the Soul--and to repurpose their reactionary teachings for emancipatory ends.

These three superb novellas by the internationally celebrated Chaim Grade reaffirm his reputation as one of the greatest, if not the greatest, Yiddish writers of our time. Combining the richness of character and the moral concern that have consistently marked Grade's work, these stories offer a luminous picture of Jewish life in Lithuania between the two world wars, with its everyday problems and its spiritual yearnings.

'People do not understand German, but I will not write for them in journalese ...'

Karl Kraus (1874-1936) ranks as one the greatest twentieth-century satirists. His inventive, subversive and acutely insightful work remains as relevant today as it was a century ago. In 1899, Kraus established his own journal, Die Fackel (The Torch), and began 'to drain the marsh of empty phrase-making', aiming at targets such as the press, Zionism and psychoanalysis.

In Kraus' view, much of Vienna's social and political divide - where the issue of immigration created mounting tensions and a virulent rise in anti-Semitism - was caused by the mass-circulation of the press and its manipulation of public opinion. This view dominates his most outstanding creative achievement, the apocalyptic drama written in response to the outbreak of WWI, The Last Days of Mankind.

Alongside key essays such as 'A Crown for Zion', 'Salom ' and 'In These Great Times', this collection features a crucial scene from The Last Days of Mankind, as well as a selection of aphorisms culled from Die Fackel.

Praise for Patrick Healy's translation of The Last Days of Mankind:

'Healy conveys the communal bewilderment and rage in a dazzling vernacular as a chorus of voices reacts to the outbreak of the Great War and the hell it created. ...] It sizzles and flares.' - Eileen Battersby in The Irish Times

The most comprehensive one-volume collection of Goethe's writings ever published in English

The Essential Goethe is the most comprehensive and representative one-volume collection of Goethe's writings ever published in English. It provides English-language readers easier access than ever before to the widest range of work by one of the greatest writers in world history. Goethe's work as playwright, poet, novelist, and autobiographer is fully represented. In addition to the works for which he is most famous, including Faust Part I and the lyric poems, the volume features important literary works that are rarely published in English--including the dramas Egmont, Iphigenia in Tauris, and Torquato Tasso and the bildungsroman Wilhelm Meister's Apprenticeship, a foundational work in the history of the novel. The volume also offers a selection of Goethe's essays on the arts, philosophy, and science, which give access to the thought of a polymath unrivalled in the modern world. Primarily drawn from Princeton's authoritative twelve-volume Goethe edition, the translations are highly readable and reliable modern versions by scholars of Goethe. The volume also features an extensive introduction to Goethe's life and works by volume editor Matthew Bell.

Includes:

• Selected poems
• Four complete dramas: Faust Part I, Egmont, Iphigenia in Tauris, and Torquato Tasso
• The complete novel Wilhelm Meister's Apprenticeship
• A selection from the travel journal Italian Journey
• Selected essays on art and literature
• Selected essays on philosophy and science
• An extensive introduction to Goethe's life and works
• A chronology of Goethe's life and times
• A note on the texts and translations

Explores the recent proliferation of cultural representations of Weimar Berlin in the German-speaking world, probing the connections between historical and contemporary texts, their contexts, and their creators.

More than a century after its founding, there can be little doubt that Weimar is back. The recent proliferation of references to and portrayals of the Weimar Republic - Germany's first democracy, born out of the aftermath of the First World War and characterized by economic and political crisis - is not surprising given our crisis-filled present. That said, the Weimar era has been a consistent focus of scholarly work in both the German-speaking and the Anglo-American academic worlds since the 1970s, and yet depictions of this period in German literature and visual culture were few and far between until the beginning of the 21st century. This book traces this renewed fascination with Weimar - specifically its capital, Berlin - in contemporary German-language culture, providing both wide-angle and close-up views. While discussions of the time period in mainstream media and historiography tend to focus on Weimar as a warning against the dangers of economic and political instability, the novels and visual works produced by contemporary German writers and filmmakers in the last 15 years revive and reshape the cultural legacy of Weimar Berlin. The Afterlives of Weimar Berlin explores the creative interplay between contemporary and historical texts, their contexts, and their creators, tracing a cultural legacy that has the work of German Jews and women as its foundation.

This book retrieves the narrative and social context of Brazilian historical performances and artistic movements to restore, with the support of a vast literature review, aesthetic analysis and the debate around engagement, the due complexity to the multifaceted concept of political theatre. Broadening the perspective, it addresses one of the most significant contemporary resonances of such an itinerary: Augusto Boal's Theatre of the Oppressed, challenging canons of the role of performers and spectators. The research also seeks, by refusing pamphleteering or professorial responses, to shed light on the contested actuality of theatre's social function, especially after the extreme right wave that has been testing the usefulness of traditional institutions.

Egil's Saga is the 10th-century Nordic equivalent of The Iliad and The Odyssey. Translated from the Icelandic with
an introduction, notes and an essay, this is the first time Eddison's version of this epic heroic saga has been published in paperback.

The saga of Egil, son of Grim the Bald, tells the exciting tale of a medieval warrior-poet and his many Viking adventures. Challenged by his ugly appearance and haunted by rumours that his grandfather was a werewolf, Egil devotes himself to Odin, god of kings, warriors and poets, and determines to avenge his father's exile from Norway. With action ranging across Iceland and Scandinavia down to Scotland and England, Egil's thrilling encounters include kings, sorcerers, berserkers and outlaws, as the story follows his transformation from youthful savagery to mature wisdom.

Sometimes considered the greatest of the Icelandic sagas, Egil's Saga is the 10th-century Nordic equivalent of The Iliad and The Odyssey. Eddison's acclaimed translation, published in 1930, has been long unavailable, and demonstrates the author's amazing capacity for evocative and erudite language. It reflects the swift dramatic terseness and vivid character-drawing which made the saga style in prose narrative such an enduring model for modern historical and fantasy literature, and his meticulous translation includes elaborate notes and annotations.