Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is still here, to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim's legacy has only grown.

How Sondheim Can Change Your Life makes the case that Sondheim's greatness--beyond the clever lyrics and adventurous music--rests in his ability to tell stories that relate to us all. From Louise's desire for freedom as Gypsy Rose Lee to Sweeney Todd's thirst for revenge, we as an audience relate easily to Sondheim's characters. His works understand us as much as we understand them.

With clarity and accessibility (Ben Brantley, former theater critic, The New York Times), How Sondheim Can Change Your Life is rich with stories about productions and iconic performers, deep readings of his music and lyrics, and insights into his creative process. But more than that, it reveals how Sondheim's works can enrich our own lives.

Antony and Cleopatra dramatizes a major event in world history: the founding of the Roman Empire. The future first emperor, Octavius Caesar (later called Augustus Caesar), cold-bloodedly manipulates other characters and exercises iron control over himself.

At first, he shares power with Mark Antony, Rome's preeminent military leader, and the weaker Lepidus. Caesar needs Antony to fend off other Roman strongmen like Pompey; he even offers his sister Octavia to him as a bride, despite Antony's reputation as a libertine and his past rivalry with Caesar. Once Caesar defeats Pompey, however, he needs no allies. He brings charges against Lepidus, denies Antony his spoils from Pompey's defeat, and seizes cities in the eastern Roman colonies that Antony rules.

The play's emphasis, however, is on those whom Caesar defeats: Antony and his wealthy Egyptian ally, Queen Cleopatra. The play does not sugarcoat Antony and Cleopatra's famous love affair, including her calculated attempts to seduce Antony from his duties and his rage when he thinks she has betrayed him to Caesar. Nonetheless, the lovers find such sensual and emotional satisfaction that Caesar's world conquest seems smaller than what they find in each other.

This edition includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading

Essay by Cynthia Marshall

The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

In this seminal and iconoclastic book, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Along the way, Brook provides theatre-makers with an indispensable guide to creating exhilarating and fresh performances.

Passionate, unconventional, and fascinating, The Empty Space shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

One of Shakespeare's later plays, best described as a tragi-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the lost daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione.

John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre.

A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare.

Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

This new Student Edition, featuring the classic John Willett translation of the play, includes an introduction by Katherine Hollander, which explores the following:

* Contexts (Thirty Years War, 1618-1648; World War II and exile; sources; influential figures such as Brecht, Margarete Steffin, Helene Weigel and Karin Michaelis)
* Themes (war; nature; capitalism)
* Dramatic devices (epic theatre)
* Production history and critical reception
* Academic debate (Marxist, feminist and postmodernist)
* Further study

Widely regarded as Brecht's best work, Mother Courage and her Children was written in 1938-9 and received its premiere in Zurich in 1941. Mother Courage - a canteen woman serving with the Swedish Army during the Thirty Years War (1618-48) - follows the armies, selling provisions and liquor to the troops. Both her sons die in the war and her dumb daughter, Kattrin, is mortally wounded as she beats a drum to warn the town of Halle of an impending attack. Yet, all the while, Mother Courage continues her travels with her wagon, indomitably businesslike, calculating how she can make material profit from the war and turn conflict into capital.

Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today's most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare's theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare's life and times; and black-and-white illustrations.

Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

Unsettling Difference challenges the major-minor pattern that has framed discussions of German Jewish difference, focusing on instances that fall outside traditional understandings of minority culture. Exploring expressions of Jewish identity and difference in biblical-themed musical dramas and their literary sources, Adi Nester argues that the issue of Jewish difference should be treated as an aesthetic question in the first half of the twentieth century, even amid the rise of pseudoscientific theories about race and blood.

Drawing on the fraught, parallel histories of opera and the modern reception of the Hebrew Bible in Germany, both significant in debates at the time about the nature of Jewish separateness, Unsettling Difference shows how this discourse troubles concepts of Jewish marginality and (non-Jewish) German dominance. Through innovative readings of key works in this tradition--Rudolf Borchardt's poem, Das Buch Joram; Paul Ben-Haim's oratorio, Joram; Arnold Schoenberg's opera, Moses und Aron; Joseph Roth's novel, Hiob; and Eric Zeisl's opera, Hiob--Nester shows how these biblical adaptations foreground alternative notions of difference that rely on confusion, ambiguity, radical heterogeneity, excess, and repetition.

This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is A Short Organum for the Theatre, Brecht's most complete exposition of his revolutionary philosophy of drama.

Translated and edited by John Willett, Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.

The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern drama: Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters as if to see, hear and feel their genius for the first time. (William H. Gass)

Over-all.AfterLife lays out the difficulty we face in the coexistence of both a good God and evil. The book explores the problem in storylines on Earth and in Paradise. An angel is the main character who travels between Paradise and Earth to witness the various storylines play out. AfterLife is a series of three books.

Book 1, There Will Be Trouble. In E. Vince's narrative, trouble is not a malevolent force but a catalyst for growth-an incubator where the essence of the soul is refined. Characters, diverse as the cosmos itself, grapple with earthly tribulations, while celestial beings navigate the delicate balance between duty and compassion. The result is a cosmic symphony that transcends the mundane, painting a portrait of an everlasting journey.

The subtitle, There Will Be Trouble, serves as both a harbinger and an invitation. Trouble challenges characters to confront their deepest fears, question beliefs, and ultimately transcend the limitations of existence. As you turn the pages, be prepared to encounter uncertainty and revelation, where the boundaries between the known and unknown blur.

Philosophy and creativity converge in this literary pilgrimage, guiding readers through a labyrinth of metaphysical inquiry. E. Vince's narrative prowess turns the afterlife into a stage, with characters as players in a cosmic drama exploring fundamental questions of purpose, redemption, and the interconnectedness of all souls.

In honor of this book's 100-year anniversary in the English language, The Book Tree presents this special 2016 edition. It has become essential reading for serious writers and those involved in the dramatic arts by providing a more complete understanding of the story structures involved in books and dramatic performance. Writers and storytellers of all kinds have been able to expand creative boundaries, remove writer's block, and increase their power to deliver a compelling story. These 36 dramatic situations are not plots, but the foundational building blocks for thousands of creative plots that one can produce. Many successful writers have thanked this book for helping them bypass writer's block--to the point of releasing their genius within. It is also useful to actors and directors, providing a new perspective of the added dimensions found in a story or script. This increases an actor's sense of the dramatic situation at hand and its relationship to the other features connected to the overall plot. Few instructional books have stood the test of time like this one has--because in this case there is nothing more timeless than the art of storytelling. To have clearly identified 36 dramatic situations with few other alternatives was pure genius and gave this book its credibility as being, arguably, the main reference work for the entire field of storytelling. In an effort to continue the work of Carlo Gozzi, who also found 36 dramatic situations, the author studied classical Greek texts and various works from China, India, Judea, and the modern and classic works available throughout Europe at the time. In so doing, he concluded that indeed, there are 36 dramatic situations, and no more. He presents them here, with details of their workings and the emotional context with which they should be displayed. This book should be in the library of every serious student or creative purveyor of the dramatic arts.

Shakespeare: The Basics is a lively and accessible introduction to reading and studying Shakespeare. Exploring all aspects of Shakespeare's plays, Sean McEvoy considers the language, cultural contexts and modern interpretations.

This essential guide to a range of contemporary Shakespearean criticism explores and unpacks the different dramatic genres in which he wrote - comedy, history, tragedy and romance. It also provides a wealth of relevant and concise information on the historical, social and political contexts in which the plays were produced and have been understood. Extensively updated throughout, the fourth edition provides:

• A comprehensive account of Shakespearean tragedy for students
• An introduction to ecocritical, ethical and queer readings of the plays
• Analysis of notable recent Shakespeare films and productions
• Enhanced contextual material on race and empire, gender roles and the theatre in politics

With fully updated further reading throughout and a wide range of case studies and examples, Shakespeare: The Basics is an indispensable introduction for college and university students of literature and theatre, but also for anyone with an interest in the world's most influential dramatist.

Volpone, Or, The Fox is Ben Jonson's great parable of greed, self-interest and inheritance. Using animal fable to satirize the wealthy and the greedy, it remains one of his most distinctive and compelling dramatic works.

Jonson wrote the play for performance in 1606, and orchestrated its publication the following year. In it, the wealthy Venetian Volpone pretends to be on his deathbed, encouraging Voltore, Corbaccio and Corvino-the vulture, raven and crow-to compete for his fortune. With unflinching harshness and biting humour, Jonson portrays a society damningly hollowed out by over-monetization.

This edition has been prepared by leading textual expert, John Jowett. With incisive scholarship, he explores the play's craftsmanship and examines how theatre practitioners and critics engage with it. Detailed notes explicate an authoritative text and breathe new life into it for readers today.

Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play.

This edition provides:
A clear and authoritative text
Detailed on-page commentary notes
A comprehensive, illustrated introduction to the play's
historical, cultural and performance contexts
A bibliography of references and further reading