Maya Angelou's debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS's American Masters.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou's debut memoir is a modern American classic beloved worldwide.

Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local powhitetrash. At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age--and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (I met and fell in love with William Shakespeare) will allow her to be free instead of imprisoned.

Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.

I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.--James Baldwin

The first novel by master of mystery (The New York Times) Walter Mosley, featuring Easy Rawlins, the most iconic African American detective in all of fiction. Named one of the best 100 mystery novels of all time by the Mystery Writers of America, this special thirtieth anniversary edition features an all new introduction from the author.

The year is 1948, the town is Los Angeles.

Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend's bar, he's wondering how he'll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs.

Easy has no idea that by taking this job, his life is about to change forever.

More than simply a detective novel...[Mosley is] a talented author with something vital to say about the distance between the black and white worlds, and with a dramatic way to say it (The New York Times).

This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868-1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression.
Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

I am completely indebted to Jimmy Baldwin's prose. It liberated me as a writer.--Toni Morrison

This collectible edition celebrates James Baldwin's 100th-year anniversary, probing the shortcomings of the American protest novel and the harmful representations of Black identity in film and fiction

Originally published in Notes of a Native Son, the essays Autobiographical Notes, Everybody's Protest Novel, Many Thousands Gone, and Carmen Jones: The Dark is Light Enough, showcase Baldwin's incisive voice as a social and literary critic.

Autobiographical Notes outlines Baldwin's journey as a Black writer and his hesitant transition from fiction to nonfiction. In the following essays, Baldwin explores the Black experience through the lens of popular media, critiquing the ways in which Black characters--in Harriet Beecher Stowe's novel Uncle Tom's Cabin, Richard Wright's novel Native Son, and the 1950s film Carmen Jones--are reduced to digestible caricatures.

Everybody's Protest Novel: Essays is the first of 3 special editions in the James Baldwin centennial anniversary series. Through this collection, Baldwin examines the façade of progress present in the novels of Black oppression. These essays showcase Baldwin's profound ability to reveal the truth of the Black experience, exposing the failure of the protest novel, and the state of racial reckoning at the dawn of the Civil Rights Movement.

James Baldwin was born for truth. It called upon him to tell it on the mountains, to preach it in Harlem, to sing it on the Left Bank in Paris. . . . He was a giant. -- Maya Angelou

This collectible edition celebrates James Baldwin's 100th-year anniversary, delving into his years in France and Switzerland

Originally published in Notes of a Native Son, the essays, Encounter on the Seine: Black Meets Brown, A Question of Identity, Equal in Paris, and Stranger in the Village will appeal to readers interested in Baldwin's observations as a Black man overseas.

During his transformative time in Europe, Baldwin uncovers what it means to be American, immersing the reader in his life as a foreigner, his troubling encounter with a Parisian prison, and his unprecedented arrival to a tiny Swiss village.

This final collection in the Baldwin centennial anniversary series raises issues of identity, belonging, nationhood, and race within a global context. Encounter on the Seine: Essays showcases Baldwin's strengths as a storyteller, revealing how his years in Paris transformed his understanding of American identity.

The landmark book about being black in America, now in an expanded edition commemorating the 150th anniversary of W. E. B. Du Bois's birth and featuring a new introduction by Ibram X. Kendi, the #1 New York Times bestselling author of How to Be an Antiracist, and cover art by Kadir Nelson

The problem of the Twentieth Century is the problem of the color-line.

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America--and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the soul of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.

This edition of Du Bois's visionary masterpiece includes two additional essays that have become essential reading: The Souls of White Folk, from his 1920 book Darkwater, and The Talented Tenth.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This collectible edition celebrates James Baldwin's 100th-year anniversary, revealing and critiquing the realities of Black life in mid-century US

Originally published in Notes of a Native Son, the essays The Harlem Ghetto, Journey to Atlanta, and Notes of a Native Son will appeal to those interested in the personal and political turmoil of Baldwin's life.

The Harlem Ghetto introduces readers to the extremities of life in Baldwin's native city. Journey to Atlanta depicts the faulty relationship between the Black community and the politician, following a quartet called The Melodeers on a trip to Atlanta under the auspices of the Progressive Party. Baldwin concludes this collection with Notes of A Native Son, a powerful autobiographical essay about his fractured relationship with his father.

The Harlem Ghetto: Essays explores the American condition through a mix of analytic and autobiographical essays. This second collection in the Baldwin centennial anniversary series is Baldwin's most personal as he grapples with his childhood and his own affinity with Blackness.

An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race--and promises to change the way we read American literature--from the acclaimed Nobel Prize winner

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison reimagines and remaps the possibility of America. Her brilliant discussions of the Africanist presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.

Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.

A critical collection of conversations with Toni Morrison, Alice Walker, Gayl Jones and other Black women writers that changed the scope of Black literature in the 20th century and beyond.

Honorable Mention, 2024 William Sanders Scarborough Prize, Modern Language Association

One Sunday afternoon in February 1977, Toni Morrison, Alice Walker, Ntozake Shange, and several other Black women writers met at June Jordan's Brooklyn apartment to eat gumbo, drink champagne, and talk about their work. Calling themselves The Sisterhood, the group--which also came to include Audre Lorde, Paule Marshall, Margo Jefferson, and others--would get together once a month over the next two years, creating a vital space for Black women to discuss literature and liberation.

The Sisterhood tells the story of how this remarkable community transformed American writing and cultural institutions. Drawing on original interviews with Sisterhood members as well as correspondence, meeting minutes, and readings of their works, Courtney Thorsson explores the group's everyday collaboration and profound legacy. The Sisterhood advocated for Black women writers at trade publishers and magazines such as Random House, Ms., and Essence, and eventually in academic departments as well--often in the face of sexist, racist, and homophobic backlash. Thorsson traces the personal, professional, and political ties that brought the group together as well as the reasons for its dissolution. She considers the popular and critical success of Sisterhood members in the 1980s, the uneasy absorption of Black feminism into the academy, and how younger writers built on the foundations the group laid. Highlighting the organizing, networking, and community building that nurtured Black women's writing, this book demonstrates that The Sisterhood offers an enduring model for Black feminist collaboration.

A deluxe hardcover edition of one of James Baldwin's most admired works, exploring what it means to be Black in America and his own search for identity

Part of the Beacon Classics series

Originally published in 1955, James Baldwin's timeless and moving essays on life in Harlem, the protest novel, movies, and African Americans abroad inaugurated him as one of the leading interpreters of the dramatic social changes erupting in the United States in the 20th century. Through a mix of autobiographical and analytical essays, Baldwin delivers honest and raw revelations about what it means to be Black in America, specifically pre-Civil Rights Movement, and how, he himself, came to understand the nation.

Writing as an artist, activist, and social critic, Baldwin examines everything from the significance of the protest novel to the motives and circumstances of the many Black expatriates of the time, from his home in The Harlem Ghetto to a sobering Journey to Atlanta. He was one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against Black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses.

For fans of Baldwin's well-known works or those new to Baldwin altogether, this celebrated essay collection showcases his extraordinary writing, revolutionary analyses, and prophetic insight into American culture and politics.

In a q&a after a reading I gave at George Mason University in the spring of 2023, I paraphrased a conversation I had with my brother earlier that year. We were on the stoop of his home in Bed-Stuy, talking about technology, about AI and ChatGPT in particular. He uses it for coding, I have used it for writing. I don't remember, not exactly, the details of the conversation but I said something about training GPT on all the emails and texts our mother had written. After all, I said (and thought), what else is it good for? Why else have we built such a strange and challenging tool if not to return to us that which will always be taken? What better use is there?

The New York Times recently ran an article called Using A.I. To Talk to the Dead: Some people are using artificial intelligence chatbots to create avatars of departed loved ones. It's a source of comfort for some, but it makes others a little squeamish. People have always longed for some sort of direct line to the dead. Along with purpose-made devices (like a séance trumpet), people have claimed to hear the voices of dead loved ones through the static of everyday radio waves, giving rise to the ghosts in the machine. Even Thomas Edison tried to invent a spirit phone, a means of using technology to commune with the dead.

In this way technology has always been haunted and seen as a gateway to other worlds outside of our perception. In the spirit plane lurk our loved ones, anxiously waiting for the right technology to close the circuit, to connect. Even knowing that the psychic is likely a hoax or the Ouija board unreliable, it is still tantalizing to invest any purported otherworldly connection with a crumb of what if?

My own work fine-tuning large language models is influenced by this kind of haunting, the what if, and inquires into how these models model voices that no longer exist, voices of writers we don't often get to hear, such as Gwendolyn Brooks. (No offense, Shakespeare, but you've been dead a while and we hear you all the time.) It is perhaps wrong to say that these models model voices: some machine learning models do generate audible voices, but large language models use wizardry called deep learning to generate new text by analyzing textual data for its patterns.

The text in this manuscript has been generated using the large Generative Pre-trained Transformer text-generating neural network known as GPT3. A large language model, or LLM, is a machine learning model that algorithmically processes, understands, and predicts language in a variety of language tasks-such as question and answer chatbots, machine translation, document summary, and more. ChatGPT is a question-and-answer program that uses LLMs as its base architecture and it can perform language tasks quite well, such as writing a book report or term paper for Rhetoric 101. These models have been pre-trained, meaning they're already trained on the task of text generation. Fine-tuning is the process of further training a pre-trained language model, like GPT, on domain-specific data so that it performs better on specific language tasks. The predictions given are more adapted to the new data set, which is usually orders of magnitude smaller than the original training set. For example, an LLM fine-tuned on all of Shakespeare should theoretically perform better on a task related to Shakespearean-style writing than the standard model. I am not a machine learning researcher so I cannot speak to exactly how fine-tuning works or why even a small corpus of text is successful in shifting the model's tone and approach.

Omeros is the grand epic poem told in multiple chapters from Nobel Prize-winning poet and playwright Derek Walcott.

With circular narrative design, titled with the Greek name for Homer, Omeros simultaneously charts two currents of history: the visible history charted in events--the tribal losses of the American Indian, the tragedy of African enslavement--and the interior, unwritten epic fashioned from the suffering of the individual in exile.

One of the great poems of our time. --John Lucas, New Statesman

Farah Jasmine Griffin has taken to her heart the phrase read until you understand, a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life.

Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students.

Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden, and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy, and mercy allows her to move from her aunt's love of yellow roses to Gil Scott-Heron's Winter in America.

Griffin entwines memoir, history, and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation's inhabitants and our responsibilities to all humanity.

Winner, 2024 Arline Custer Memorial Book Award, Mid-Atlantic Regional Archives Conference

Finalist, 2025 ASALH Book Prize for Best New Book in African American History and Culture, Association for the Study of African American Life and History (ASALH)

During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.

Scattered and Fugitive Things tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Laura E. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.

The Origin of Others combines Toni Morrison's accustomed eloquence with meaning for our times as citizens of the world. --Nell Irvin Painter, New Republic

America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid?

Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books--Beloved, Paradise, and A Mercy.

If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

In light of accumulating significant debts, Arthur Shelby, a farmer from Kentucky, finds himself on the verge of losing his entire estate. Despite his and his wife's compassionate treatment of their slaves, Shelby is compelled to sell two of them to Mr. Haley, a rugged slave trader, to raise the necessary funds. Uncle Tom's Cabin is a timeless masterpiece that showcases the harsh realities of slavery. Published in 1852, it served as a catalyst for social change, igniting the abolitionist movement and leaving an indelible mark on history. This influential novel, with its emotionally charged narrative, remains an essential read for its powerful storytelling and unwavering commitment to justice.

What man has nerve to do, man has not nerve to hear.

Features a diverse set of characters showcasing their strengths, vulnerabilities, and the complexities of their relationships.
Explores profound questions on humanity, compassion, and injustice's consequences.
Features themes such as systemic racism, human rights, and the power of activism.
A vital read for understanding both historical and contemporary issues.
Serves as a powerful tool for advocating social change and highlighting the injustices of the past.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the militancy that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man's reaction to ruling-class hypocrisy in ways that make the novel autobiographical and personal. As a tale of a reaction to the forces of oppression, this book is universal.

Dan Freeman, the spook who sat by the door, is enlisted in the CIA's elitist espionage program. Upon mastering agency tactics, however, he drops out to train young Black Chicagoans to combat racism as Freedom Fighters in this explosive novel.

A collectible hardcover edition of the landmark book about being black in America, featuring an introduction by Ibram X. Kendi, the #1 New York Times bestselling author of How to Be an Antiracist

A Penguin Vitae Edition

When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America--and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the soul of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.

Penguin Vitae--loosely translated as Penguin of one's life--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

How early Black prison writing shaped Black intellectual movements



In
this book, Andrea Stone recovers critical, understudied writings from
early archives to call into question the idea that the Black prison
intellectual movement began in the twentieth century. In fact, nearly
two centuries before Angela Davis and Eldridge Cleaver, Black prisoners
were serving as thought leaders and contributing to political movements.
By illuminating their pathbreaking voices, Stone shows that prison
writing from this era was a foundational part of Black American
intellectualism.

Grounding her work in a history of
the disproportionately high incarceration of Black Americans, Stone
traces the arc of Black prison writing from 1795 to 1901. She analyzes
gallows literature, court records, newspaper coverage, and parole
request letters, arguing that parole requests represent an undervalued,
vital literary genre. Most of the writers featured in this book were
effectively treated as enemies of the state, leading Stone to a question
that continues to resonate in America today: what is the distinction
between criminal and enemy, and how are those categories intertwined
with Blackness in the United States?



Black Prison Intellectuals
sheds light on the roots of issues like structural racism and mass
incarceration. Looking at an important literary tradition that
contributed to the Black American intellectual movement, this book helps
readers better understand the present as a moment in the long journey
toward a racially just society.



Publication
of this work made possible by a Sustaining the Humanities through the
American Rescue Plan grant from the National Endowment for the
Humanities.