In Anima, Kapka Kassabova introduces us to the pastiri people--the shepherds struggling to hold on to an ancient way of life in which humans and animals exist in profound interdependence. Following her three previous books set in the Balkans, and with an increasinging interest in the degraded state of our planet and culture, Kassabova reaches further into the spirit of place than she ever has before. In this extraordinary portrayal of pastoral life, she investigates the heroic efforts to sustain the oldest surviving breeds of our domesticated animals, and she shows us the epic, orchestrated activity of transhumance--the seasonal movement, on foot, of a vast herd of sheep, working in tandem with dogs. She also becomes more and more attuned to the isolation and sacrifices inherent in the lives shaped by this work.

Weaving together lyrical writing about place with a sweeping sense of the traumatic histories that have shaped this mountainous region of Bulgaria, Kassabova shows how environmental change and industrial capitalism are endangering older, sustainable ways of living, and by extension she reveals the limited nature of so much of modern life. But shining through Kassabova's passionate, intimate response to the monoculture that is Anthropos is her indelible portrait of a circulating interdependence of people and animals that might point to a healthier way to live.

Hiding from the Nazis in the Secret Annex of an old office building in Amsterdam, a thirteen-year-old girl named Anne Frank became a writer. The now famous diary of her private life and thoughts reveals only part of Anne's story, however. This book rounds out the portrait of this remarkable and talented young author.

Newly translated, complete, and restored to the original order in which Anne herself wrote them in her notebook, Tales from the Secret Annex is a collection of Anne Frank's lesser-known writings: short stories, fables, personal reminiscences, and an unfinished novel, Cady's Life.

Humanist, skeptic, acute observer of himself and others, Michel de Montaigne (1533-92) was the first to use the term essay to refer to the form he pioneered, and he has remained one of its most famous practitioners. He reflected on the great themes of existence in his wise and engaging writings, his subjects ranging from proper conversation and good reading, to the raising of children and the endurance of pain, from solitude, destiny, time, and custom, to truth, consciousness, and death. Having stood the test of time, his essays continue to influence writers nearly five hundred years later.

Also included in this complete edition of his works are Montaigne's letters and his travel journal, fascinating records of the experiences and contemplations that would shape and infuse his essays. Montaigne speaks to us always in a personal voice in which his virtues of tolerance, moderation, and understanding are dazzlingly manifest.

Donald M. Frame's masterful translation is widely acknowledged to be the classic English version.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman's Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Unquestionably one of the great living European poets. She's accessible and deeply human and a joy--though it is a dark kind of joy--to read. . . . She is a poet to live with. --Robert Hass, The Washington Post Book World

Wislawa Szymborska's poems are admired around the world, and her unsparing vision, tireless wit, and deep sense of humanity are cherished by countless readers. Unknown to most of them, however, Szymborska, winner of the Nobel Prize for Literature, also worked for several decades as a columnist, reviewing a wide variety of books under the unassuming title Nonrequired Reading.

As readers of her poems would expect, the short prose pieces collected here are anything but ordinary. Reflecting the author's own eclectic tastes and interests, the pretexts for these ruminations range from books on wallpapering, cooking, gardening, and yoga, to more lofty volumes on opera and world literature. Unpretentious yet incisive, these charming pieces are on a par with Szymborska's finest lyrics, tackling the same large and small questions with a wonderful curiosity.

In his brief but distinguished life, Anton Chekhov was a doctor, a documentary essayist, an admired dramatist, and a humanitarian. He remains a nineteenth-century Russian literary giant whose prose continues to offer moral insight and to resonate with readers across the world.

Chekhov experienced no conflict between art and science or art and medicine. He believed that knowledge of one complemented the other. Chekhov brought medical knowledge and sensitivity to his creative writing--he had an intimate knowledge of the world of medicine and the skills of doctoring, and he utilized this information in his approach to his characters. His sensibility as a medical insider gave special poignancy to his physician characters. The doctors in his engaging tales demonstrate a wide spectrum of behavior, personality, and character. At their best, they demonstrate courage, altruism, and tenderness, qualities that lie at the heart of good medical practice. At their worst, they display insensitivity and incompetency.

The stories in Chekhov's Doctors are powerful portraits of doctors in their everyday lives, struggling with their own personal problems as well as trying to serve their patients. The fifth volume in the acclaimed Literature and Medicine Series, Chekhov's Doctors will serve as a rich text for professional health care educators as well as for general readers.

A brilliant selection . . . Canetti's range astonishes. --Claire Messud, Harper's

A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen.

He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought.

Here, in his own words, is one of the twentieth century's foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti's life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti's landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fé, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti's remarkable achievement.

Edited and introduced by Pulitzer Prize winner Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti's polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti's formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti's restless fascination with the instability of identity as one of the keys to his thought--as he reminds us, It all depends on this: with whom we confuse ourselves.

Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know the state of blessed souls after death. As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy.

This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.

A search for a cure to what ails us in the Anthropocene by the award-winning author of Border

In Elixir, in a wild river valley and amid the three mountains that define it, Kapka Kassabova seeks out the deep connection between people, plants, and place. The Mesta is one of the oldest rivers in Europe and the surrounding forests and mountains of the southern Balkans are an extraordinarily rich nexus for plant gatherers.

Over several seasons, Kassabova spends time with the people of this magical region. She meets women and men who work in a long lineage of foragers, healers, and mystics. She learns about wild plants and the ancient practice of herbalism that makes use of them, and she experiences a symbiotic system where nature and culture have blended for thousands of years. Through her captivating encounters we come to feel the devastating weight of the ecological and cultural disinheritance that the people of this valley have suffered. And Kassabova reflects on what being disconnected from place can do to our souls and our bodies. Yet, in her search for elixir, she also finds reasons for hope. The people of the valley are keepers of a rare knowledge, not only of mountain plants and their properties, but also of how to transform collective suffering into healing.

Immersive and enthralling, Elixir is an urgent and unforgettable call to rethink how we live--in relation to one another, to Earth, and to the cosmos.

I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog. --Road-Side Dog