Newly discovered work by one of Canada's favourite writers
The Canadian Shields brings together fifty short writings by Carol Shields (1935-2003), including more than two dozen previously unpublished short stories and essays and two dozen essays previously published but never before collected. Invaluable to scholars and admirers of Shields's work, the writings discovered in the National Library Archives by Nora Foster Stovel and presented to the public here for the first time reflect Shields's interest in the relationships between reality and fiction, mothers and daughters, and gender and genre. They also reveal her love of Canada, especially Winnipeg, her home for twenty years. Originally written for women's magazines, travel journals, convocation addresses, and even graduate school term papers, Shields's imaginative essays explore ideas about home, Canadian literature, contemporary women's writing, and the future of fiction. Whether autobiographical, cultural, or feminist in focus, these works vividly illuminate the multiple chapters of Shields's writing life.
Margaret Atwood and Lorna Crozier frame Shields's texts with tributes to her work and impact. An introduction by Stovel situates Shields as a Canadian author and subversive feminist writer, demonstrating how American-born-and-raised Carol Anne Warner became the Canadian Shields--a quintessential and beloved Canadian writer and the only author to win both the Pulitzer Prize and the Governor General's Gold Medal for Fiction.
Newly discovered work by one of Canada's favourite writers
The Canadian Shields brings together fifty short writings by Carol Shields (1935-2003), including more than two dozen previously unpublished short stories and essays and two dozen essays previously published but never before collected. Invaluable to scholars and admirers of Shields's work, the writings discovered in the National Library Archives by Nora Foster Stovel and presented to the public here for the first time reflect Shields's interest in the relationships between reality and fiction, mothers and daughters, and gender and genre. They also reveal her love of Canada, especially Winnipeg, her home for twenty years. Originally written for women's magazines, travel journals, convocation addresses, and even graduate school term papers, Shields's imaginative essays explore ideas about home, Canadian literature, contemporary women's writing, and the future of fiction. Whether autobiographical, cultural, or feminist in focus, these works vividly illuminate the multiple chapters of Shields's writing life.
Margaret Atwood and Lorna Crozier frame Shields's texts with tributes to her work and impact. An introduction by Stovel situates Shields as a Canadian author and subversive feminist writer, demonstrating how American-born-and-raised Carol Anne Warner became the Canadian Shields--a quintessential and beloved Canadian writer and the only author to win both the Pulitzer Prize and the Governor General's Gold Medal for Fiction.
As Jennifer Bowering Delisle was on her path through infertility towards motherhood, she was simultaneously losing her own mother to a rare degenerative neurological disease and an approaching medically-assisted death. The lyric essays in Micrographia explore how losses can collide and reverberate both within our own lives and in our relationships with the rest of the world. How much do we share of our stories, and how much do we understand of what others are experiencing? Ultimately, this is a book about connection; micrographia is both the term for the diminished handwriting caused by neurological disease, and the narrative fragments offered here.
Canadian Wonder Tales is a collection of classic Canadian folklore stories by Cyrus MacMillan. The tales in this collection have been gathered in various parts of Canada. They have been selected from a larger collection of folk-tales and folk-songs made by the writer for more academic and scientific purposes. They are not the product of the writer's imagination; they are the common possession of the folk. Many of them are still reverently believed by the Canadian Indians, and all are still told with seriousness around camp fires in forests and on plains, upon the sea and by cottage hearths.
This is the book of a soldier-student. Captain Macmillan interrupted his teaching work in Montreal to go overseas with one of our McGill Batteries, and from Somewhere in France he has asked me to stand sponsor for his volume.
The author's method resembles that followed by the brothers Grimm a century ago. He has taken down from the lips of living people, pretty much as they were given to him, a series of stories which obviously contain many elements that have been handed down by oral tradition from some far-off past. They are mostly animal stories, with all the usual features of magic and transformation, articulate speech on the part of the animals, and interchange of more or less kindly offices between man and beast.
The result is a collection of fables which--especially as illustrated by an eminent artist--will prove a very acceptable Christmas book for children, and will give their elders also some food for reflection. Not that there is, so far as I have been able to discover, any moral about some at least of the tales. They are not stories with a purpose. But they suggest to the adult reader the essential identity of many of the methods by which in a more or less remote antiquity the human race expressed itself in various parts of the world.
This is a book, writes guest editor Souvankham Thammavongsa, about what I saw and read and loved, and want you to see and read and love. Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year's worth of reading, and draws together voices that got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud ... the voices that barely ever survive to make it onto the page. From new work by Canadian icons to thrilling emerging talents, this year's anthology offers fifty poems for you to fall in love with as well.
Featuring:
Margaret Atwood
Ken Babstock Manahil Bandukwala Courtney Bates-Hardy Roxanna Bennett Ronna Bloom Louise Carson Kate Cayley Kitty Cheung Dani Couture Kayla Czaga Sari Dale Unnati Desai Tina Do Andrew DuBois Paola Ferrante Beth Goobie Nina Philomena Honorat Liz Howard Maureen Hynes George K Ilsley Eve Joseph Ian Keteku Judith Krause M Travis Lane Mary Dean Lee Canisia Lubrin Randy Lundy David Ly Yohani Mendis Pamela Mosher Susan Musgrave Téa Mutonji Barbara Nickel Ottavia Paluch Kirsten Pendreigh Emily Pohl-Weary David Romanda Matthew Rooney Zoe Imani Sharpe Sue Sinclair John Steffler Sarah Yi-Mei Tsiang Arielle Twist David Ezra Wang Phoebe Wang Hayden Ward Elana Wolff Eugenia Zuroski Jan Zwicky
First published by Oxford University Press in 1993, Exploration Literature is a groundbreaking collection of early writing inspired by the opening of a continent.With maps, notes, and thumbnail biographies of these early writers, Exploration Literature is an entry point for both the casual reader and the student of Canadian literature into the beginnings of a literate response to the awe and wonder inspired by an unfolding geography and the literary fundamentals of new nationhood.
The writings of John Milton and William Blake were central to Northrop Frye's concept of the imaginative structure of Western literature and thought. He considered them the two most important poet-prophets in the English tradition.
This volume brings together all of Frye's writings on Milton and Blake from 1947 to 1987 - published and unpublished essays, reviews, commentaries, and public lectures - with the exception of Fearful Symmetry (published as Volume 14 of the Collected Works of Northrop Frye). During this time, Frye's engagement with Milton moved outward from the university into conferences, publications, and public lectures. His engagement with Blake, meanwhile, was a personal, intellectual, and spiritual quest, leading him to became the world authority on Blake in the mid-twentieth century.
Angela Esterhammer, a student of Frye's in the 1980s, has provided annotation and an introduction that demonstrates the poets' importance for Frye's literary and cultural criticism and provides a twenty-first-century perspective on the legacy of his work. This key volume of the Collected Works will be important to scholars interested in Frye as well as those of Milton and Blake.