I am trying to learn, with my tongue, sounds that are unfamiliar to me. A foreign-sounding word learned out of curiosity is not imitation per se. All of these things I learn leave traces that slowly grow to coexist with my accent. And that balancing act goes on changing indefinitely.
How perfect that Yoko Tawada's first essay in English dives deep into her lifelong fascination with the possibilities opened up by cross-hybridizing languages.
Tawada famously writes in both Japanese and German, but her interest in language reaches beyond any mere dichotomy. The term exophonic, which she first heard in Senegal, has a special allure for the author: I was already familiar with similar terms, 'immigrant literature, ' or 'creole literature, ' but 'exophonic' had a much broader meaning, referring to the general experience of existing outside of one's mother tongue.
Tawada revels in explorations of cross-cultural and intra-language possibilities (and along the way deals several nice sharp raps to the primacy of English). The accent here, as in her fiction, is the art of drawing closer to the world through defamiliarization. Never entertaining a received thought, Tawada seeks the still-to-be-discovered truths, as well as what might possibly be invented entirely whole cloth. Exophony opens a new vista into Yoko Tawada's world, and delivers more of her signature erudite wit--at once cross-grained and generous, laser-focused and multidimensional, slyly ironic and warmly companionable.
It's 1968. Himiko Hamilton struggles in a graceless marriage in a country that is not her own. Having come from Japan at the end of World War II and landed in a small Kansas town because of her marriage to an American soldier, she is at odds with the culture that she left behind and the one in which she is trying to survive.
In the midst of this turmoil is her beautiful mixed race teenage daughter Mieko Hamilton who is caught between her mother's Japanese world and that of her American father, walking a tightrope between a lissome old world and a new society that does not know what to make of her.
Four Japanese women - Setsuko Banks, Teruko MacKenzie, Atsuko Yamamoto, and Chizuye Juarez - come together to clean Himiko's house after her tragic suicide upsets the balance of life in their small Japanese immigrant community in the middle of the Kansas heartland. It is a ritual of honor for them as they share tea together for the very first time and try to purify Himiko's journey, and, in so doing, their own and that of Mieko as well.
The spirit of the dead woman returns as a ghostly ringmaster to force the women to come to terms with the disquieting tension of their lives and find common ground so that Himiko can escape from the limbo between life and death, and move on to the next world in peace--and indeed carve a pathway for their future passage.
The novel is based on Velina Hasu Houston's critically acclaimed play, Tea, which was the inspiration for The Joy Luck Club. Written seven years before the latter novel, Tea premiered Off-Broadway at Manhattan Theatre Club in 1987, two years prior to the The Joy Luck Club's publication. Take a journey into the lives of a group of Asian immigrant women that built transnational lives for them and their children.
Kyokutei Bakin's Nansō Satomi Hakkenden is one of the monuments of Japanese literature. This multigenerational samurai saga was one of the most popular and influential books of the nineteenth century and has been adapted many times into film, television, fiction, and comics.
His Master's Blade, the second part of Hakkenden, begins the story of the eight Dog Warriors created from the mystic union between Princess Fuse and the dog Yatsufusa and born into eight different samurai families in fifteenth-century Japan. The first is Inuzuka Shino, orphaned descendent of proud warriors. Left with nothing save a magical sword and the bead that marks him as a Dog Warrior, young Shino escapes his evil aunt and uncle and sets out to restore his family name. Unaware of their karmic bond, Shino and the other Dog Warriors are drawn into a world of vendettas and quests, gallants, and rogues, as each strives to learn his true nature and find his place in the eight-man fraternity.
Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan.
These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative--court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples--joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, Monsters, Warriors, and Journeys to Other Worlds, Buddhist Tales, and Interspecies Affairs. Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.Roger Pulvers' translations - with detailed notes and commentary - of Japan's greatest tanka poet, Takuboku Ishikawa, is now available here for the first time in this volume. Each tanka - a poem that in Japanese has thirty-one syllables - is a microcosm of the human psyche, revealing astounding insights into human behaviors, love (and hate) relationships, as well as social and political circumstances that presage our own times.
In his short life (1886-1912) Takuboku experienced many loves, a tumultuous marriage, fatherhood of three children, one of whom died shortly after birth, a brilliant career as a journalist and wildly popular poet, not to mention a political awakening that was leading him onto the path of the revolutionary.
In Old Love Letters, he writes ...
There are so many spelling mistakes
In those old love letters.
I never noticed until now.
In The New Year ...
Will this year be like all others
With my mind conjuring only things
That the world will not accept?
And in The Patient ...
One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.
Pulvers writes in The Illusions of Self ...
Takuboku puts every aspect of his character on the line for us to judge. Japan today craves writers who have the integrity of self-expression and the clarity of vision on their society that Takuboku expresses to us. In the mirror of his works, we are compelled to see our own face in a clear and honest light.
Of these translations, distinguished author and translator of American literature Motoyuki Shibata has written: These masterful translations will be a revelation for lovers of Takuboku's poetry while, at the same time, comprising a stylish introduction to those who wish to know it.
Women authors have played an important role in Japanese literature for centuries, for example Murasaki Shikibu who wrote The Tale of Genji over 1000 years ago, which is considered to be the world's first novel. The last few decades have seen compelling works by authors such as Banana Yoshimoto, Yoko Ogawa, and Mieko Kawakami.
A few decades earlier we find another group of influential women authors, with Hayashi Fumiko--said to be one of the most important twentieth-century Japanese woman authors--a key representative of this group. Living a life of poverty until her breakthrough as an author, Hayashi Fumiko was known for her realistic depictions of urban working-class life, especially impoverished women. Her works typically address themes such as fate, troubled relationships, and the repercussions of war.
These nine stories are all connected in some way by the overarching theme of human relationships. Stories from a variety of genres are included: a tale of a woman's gradual downfall in the big city, a couple's struggle to find happiness, a fairy tale about an estranged crane family, a comical look at a traveler enamored by a maid, and a man wandering through the remnants of post-war Tokyo.
Japanese mythology is an affluent culture that encapsulates the Shinto and Buddhist traditions. In addition to some core beliefs that influence society, it also contains spiritual and religious folklore that not only shapes Japanese culture, but also guides the community on how to approach the dynamics of life.
Through this comprehensive guide, not only will you travel back to ancient worlds and legendary characters, but you'll also uncover various creatures that encircle this unique world filled with stories about love, and sometimes betrayals, that remind us of our human nature, and even some extraordinary endings that will give you some more hope. By the time you come back to reality, you will be deeply intrigued but, most importantly, fulfilled. So, are you ready to embark on this adventure?
Inside Uncovering Japanese Mythology, you'll discover:
The interaction between modernization, important Japanese concepts, and the Japanese reverence for the sun, is everything you've been yearning to understand. Each chapter in this book will bring you a step closer to a fascinating and mysterious world and culture that has been in existence for over 2,000 years!
Are you ready to embrace a better understanding of life under the rising sun? Then read Uncovering Japanese Mythology now!