#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in The Harlem Ghetto to a sobering Journey to Atlanta.

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.

Novelist, essayist, and public intellectual James Baldwin is widely regarded as one of the greatest writers of the twentieth century. This Everyman's Library collection includes his bestselling, galvanizing essay The Fire Next Time--which gave voice to the emerging civil rights movement of the 1960s and still lights the way to understanding race in America today--along with three additional brilliant works of nonfiction by this seminal chronicler and analyst of culture. From No Name In the Street's extraordinary history of the turbulent sixties and early seventies to the passionate, probing, controversial (The Atlantic) Nobody Knows My Name and the incisive criticism of American movies in The Devil Finds Work, Baldwin's stunning prose over and over proves relevant to our contemporary struggle for equality, justice, and social change.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

With letters from: Akili King - Reverend Al Sharpton - Alexandra Elle - Allisa Charles-Findley - Barbara Edelin - Belinda Walker - Ben Crump - Bill Whitaker - Bilquisu Abdullah - Brianna Holt - Brontez Purnell - Cole Brown - Danez Smith - Dick Parsons - Deborah Willis - Doug Jones - Douglas Kearney - Imani Perry - Jamila Woods - Jan Menafee - Jayne Allen - Jeh Charles Johnson - Jenna Wortham - Jonathan Capehart - John Legend - Joel Castón - Joy-Ann Reid - Justus Cornelius Pugh - Kwame Dawes - Lynae Vanee Bogues - Mahogany Browne - Malachi Elijah - Michael Eric Dyson - Morgan Jerkins - Nadia Owusu - Natalie Johnson - Raka Reynolds - Rhianna Jones - Chef Rōze Traore - Sojourner Brown - Tarana Burke - Tembe Denton-Hurst - Topaz Jones - Tracey Michae'l Lewis-Giggetts - VJ Jenkins

Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks--especially the Black ones--a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves.

Curated from the perspective of Black writers with connections to the world of punk, the collection mixes media as well as generations, creating a new reference point for music-lovers, readers, and historians by capturing the present and looking towards the future. With strong visual elements integrated throughout, this smart, intimate collection is demonstrative of punk by being punk itself: underground, rebellious, aesthetic but not static--working to decenter whiteness by prioritizing other perspectives.

Edited by graphic novelist and filmmaker James Spooner, and author Chris L. Terry, contributors to the collection include critic Hanif Abdurraqib and Mars Dixon, conversations with Brontez Purnell, and a roundtable of all femme festival organizers.

Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology)

Whether it's learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation. As she has done with her book club-turned-online community Well-Read Black Girl, in this anthology Glory Edim has created a space in which black women's writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

Praise for Well-Read Black Girl

Each essay can be read as a dispatch from the vast and wonderfully complex location that is black girlhood and womanhood. . . . They present literary encounters that may at times seem private and ordinary--hours spent in the children's section of a public library or in a college classroom--but are no less monumental in their impact.--The Washington Post

A wonderful collection of essays.--Essence

A Ms. Magazine Most Anticipated Book of 2023

A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

Erin Sharkey considers Benjamin Banneker's 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on--with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy--unearthing evidence of the ways Black people's relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.

A scrapbook, a family chest, a quilt--and an astounding work of historical engagement and literary accomplishment--A Darker Wilderness is a collection brimming with abundance and insight.

An absorbing portrait of Baldwin's time--and of him. --New York Review of Books

James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society.

Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.

When it was first published in 1970, The Black Woman introduced readers to an astonishing new wave of voices that demanded to be heard. In this groundbreaking volume of original essays, poems, and stories, a chorus of outspoken women--many who would become leaders in their fields, such as bestselling novelist Alice Walker, poets Audre Lorde and Nikki Giovanni, writer Paule Marshall, activist Grace Lee Boggs, and musician Abbey Lincoln among them-- tackled issues surrounding race and sex, body image, the economy, politics, labor, and much more. Their words still resonate with truth, relevance, and insight today as the fight for racial and gender equality continues to rage on.

The end of my marriage was the beginning of my happily ever after.

What happens when you hear your husband putting dents in your mattress with another woman?

Leave and never look back!

Easier said than done when you're a stay-at-home mom, share two kids with the no-good cheater, and have a savings account that laughs in your face on the daily.

I want out and agree to an outrageous separation agreement to avoid a showdown in court with a man standing on his wallet, waiting for me to fall. The mission is next to impossible, but I would rather attempt a full split on a hibachi grill after a Brazilian wax than stay in a marriage I should've ended years ago.

Morgan, my best friend, offers a gorgeous townhouse her family owns to get me back on my feet. Eight months rent-free equals one step closer to Divorced AF.

I didn't expect moms gone wild at my divorce party, but one fruity cocktail led to me staying out past my bedtime and the steamiest dream with a man straight from fantasies.

Every kiss, every caress, made me feel worshipped. Adored.

When Morgan offered this Georgetown home, she failed to mention it belongs to her younger brother, one of DC's most eligible bachelors. He's very fine, not a dream, and back early from time away in London.

Now, we're staring at each other, dumbfounded and turned on.

Ella Gets the D is a standalone divorce romantic comedy perfect for lovers of cinnamon roll heroes, a tired mom getting her groove back, tacos, and lots of spice (we kick the door wide open). This isn't your fluffy rom-com. Somebody might catch a case.

With the novel Go Tell It on the Mountain (1953), a distillation of his own experiences as a preacher's son in 1930s Harlem, and the essay collection Notes of a Native Son (1955), James Baldwin established himself as a prophetic voice of his era. Some such voices may grow fainter with the passage of time, but Baldwin remains an inescapable presence, not only a chronicler of his epoch but a thinker who helped shape it. One of the great modern prose stylists, he applied his passion, wit, and relentlessly probing intelligence to the fault lines and false fronts of American society while remaining true to his early credo: One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.

THE JAMES BALDWIN COLLECTION includes:

Collected Essays (LOA #98)
Notes of a Native Son
Nobody Knows My Name
The Fire Next Time
No Name in the Street
The Devil Finds Work
other essays

Early Novels & Stories (LOA #97)
Go Tell It on the Mountain
Giovanni's Room
Another Country
Going to Meet the Man (including Sonny's Blues)

Later Novels (LOA #272)
Tell Me How Long the Train's Been Gone
If Beale Street Could Talk
Just Above My Head

Edited by Toni Morrison (#97 & 98) and Darrly Pinckney (#272), each volume contains a textual essay, a chronology of Baldwin's life and career, and detailed notes.

Complete African-American Classic Three Book Set, includes The Souls of Black Folk, Up From Slavery, and Narrative of the Life of Frederick Douglass. The foundational civil rights works on race relations in America, the slave narratives, in their own voices. This is their story in one volume.

From The Souls of Black Folk: Herein lie buried many things which if read with patience may show the strange meaning of being black here at the dawning of the Twentieth Century.... I have sought here to sketch, in vague, uncertain outline, the spiritual world in which ten thousand thousand Americans live and strive.

From Up From Slavery: I have begun everything with the idea that I could succeed, and I never had much patience with the multitudes of people who are always ready to explain why one cannot succeed.

From the 1845 text Narrative of the Life of Frederick Douglass: My mother was named Harriet Bailey. My father was a white man. I have had two masters. ...my escape from slavery.

All students of thought should get this historic set. This edition is provided in a slim volume with full text at an affordable price.

TABLE OF CONTENTS

THE SOULS OF BLACK FOLK 3

UP FROM SLAVERY 91

NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS 181

A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives--and upended them. Now Penguin brings you a new set of the acclaimed Great Ideas, a curated library of selections from the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.

WINNER OF THE LA TIMES BOOK PRIZE FOR BIOGRAPHY

AMERICAN BOOK AWARD WINNER

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR BIOGRAPHY

A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.

In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman's Narrative, was first published in 2002 to great acclaim, but the author's identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author's name and, in The Life and Times of Hannah Crafts, he finally tells her story.

In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond Crafts. She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity--as Hannah Crafts--to make sense of a life fractured by slavery.

Hecimovich establishes the case for authorship of The Bondwoman's Narrative by examining the lives of Hannah Crafts's friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.

At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America's slide into Civil War.

Draw your own conclusions in this collection of short stories and poetry born from the life experiences of a Boston police officer.

Life has always been an inspiration for art. And after thirty-six years working for the Boston Police Department, Robert Tinker Sr. found himself free to pursue writing as a hobby in retirement. In his book debut, he expresses his feelings on various topics and events that mean something to him.

In Short Stories and Poetry by R.E. Tinker Sr., Tinker reflects on his relationships as well as his career experiences. Conceived at different times throughout his life, each entry is inspired by real life moments. While this unique compilation of lessons and musings represents the experience of a black man in law enforcement, it has something to glean for readers from all walks of life.

One of the most important and controversial figures in the history of race relations in America and the world at large, Marcus Garvey was the first great black orator of the twentieth century. The Jamaican-born African-American rights advocated dismayed his enemies as much as he dazzled his admirers. Of him, Martin Luther King, Jr., said, He was the first man, on a mass scale and level, to give millions of Negroes a sense of dignity and destiny, and make the Negro feel that he was somebody.
A printer and newspaper editor in his youth, Garvey furthered his education in England and eventually traveled to the United States, where he impressed thousands with his speeches and millions more through his newspaper articles. His message of black pride resonated in all his efforts. This anthology contains some of his most noted writings, among them The Negro's Greatest Enemy, Declaration of the Rights of the Negro Peoples of the World, and Africa for the Africans, as well as powerful speeches on unemployment, leadership, and emancipation.
Essential reading for students of African-American history, this volume will also serve as a useful reference for anyone interested in the history of the civil rights movement.

Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset's Negro Folk Tales from the South (1927), Zora Neale Hurston's Mules and Men (1935), and Virginia Hamilton's The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.

Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like The Talking Skull and Witches Who Ride, as well as out-of-print tales from the 1890s' Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation--a spider who plots and weaves in scandalous ways--The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of Negro folklore that Booker T. Washington proclaimed had emanated from a grapevine that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar's volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris's volumes by creating cartoon characters drawn from this African American lore.

Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.

The Annotated African American Folktales includes:

• Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background
• The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s' Southern Workman
• An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon
• Approximately 200 full-color, museum-quality images

With stunning works by seminal black voices such as Zora Neale Hurston, Countee Cullen, and W.E.B. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was 1920s America. With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God--one of the greatest writers of our time--and made her work widely available for a new generation of readers (Toni Morrison).

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press.

I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition--newly reissued for the Feminist Press's fiftieth anniversary--features a new preface by Walker.

Through Hurston, the soul of the black South gained one of its most articulate interpreters. --The New York Times

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in The Harlem Ghetto to a sobering Journey to Atlanta.

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.