The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the New Negro movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics.

In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as Mother to Son, Harlem Shadows, and Cane. In examining the New Negro, she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.

From Hughes's The Negro Speaks of Rivers to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.

Ngugi describes this book as 'a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism and in teaching of literature. North America: Heinemann; Kenya: EAEP

The first novel written in the Yoruba language and one of the first to be written in any African language.

As Fagunwa himself would have put it, 'onisango di kiriyo, o l'oun o jo bata, ijo o gbo duru, ejika ni kõtu fa ya.' [The Christian convert swore never again to dance to Sango drums; when he heard the church organ, his jacket soon burst at the seams.] The essential Fagunwa, as with all truly valid literature, survives the inhibitions of strange tongues and bashful idioms. But enough. 'Enu ko la nfi pe olowo ilu.' [Good drumming requires no advertisement.] Let the story-teller himself persuade us. - From the Translator's Note, by Wole Soyinka

Hello Queen is a poetic portrayal of what a Queen represents - beauty, intelligence, determination and more. It is an affirmation and reminder that there is a Queen in each of us regardless of your age or profession. Through beautiful paintings and graphic illustrations, readers are able to learn about African culture. Young girls and women will be able to boldly say, I am a Queen

In What's Your Move? Nicolette Mashile, founder of Financial Bunnies and a champion of personal-finance education across the African content, shares stories from her own life and journey with money in order to redefine personal-finance management.

An intimate and deeply personal book, in What's Your Move? Nicolette talks openly about her experiences with money and the way she was brought up. She shares her beliefs about how our everyday behaviour influences how we manage our finances, and how, in spite of knowing better, we sometimes make the wrong financial decisions.

What's Your Move? is a challenge: a challenge to you to make a move that will be financially rewarding. A promise to yourself that you are more than capable of managing your money.

Rudyard Kipling's Verse: Inclusive Edition, 1885-1918 (1919) is a comprehensive collection of the renowned author's poetry spanning over three decades of his literary career. The book includes all of Kipling's poems published between 1885 and 1918, providing readers with a comprehensive overview of his poetic output during this period. The collection features some of Kipling's most famous works, including If-, Gunga Din, and The Ballad of East and West, as well as lesser-known pieces that showcase the author's versatility and range as a poet. In addition to the poems themselves, the book includes a detailed introduction by Kipling himself, in which he reflects on his life and work as a poet. The introduction offers valuable insight into Kipling's creative process, as well as the themes and motifs that run throughout his poetry. Overall, Rudyard Kipling's Verse: Inclusive Edition, 1885-1918 (1919) is an essential resource for anyone interested in the work of one of the most celebrated poets of the 20th century. Whether you are a longtime fan of Kipling's work or a newcomer to his poetry, this collection is sure to provide you with a deeper understanding and appreciation of his artistry.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.

'Proposition 23' by Efe Okogu nominated for the 2013 BSFA Awards.

A ground-breaking anthology. I could not recommend it enough. - Lavie Tidhar, World Fantasy Award winning author of Osama.

AfroSF will serve as an admirable antidote for all those who have to be reminded that Africa is a continent, not a country. Both the stories and the authors are as diverse as any reader could wish...Looking over this broad assortment...it's clear that this anthology has lived up to its ambition...highly readable and enjoyable stories that take the raw materials of science fiction and give them a different spin...Although it is coming from a small press, it would be lovely if this anthology were to get some of the wider attention it deserves. - Karen Burnham, Locus December 2012.

Africa is in our future and AfroSF demonstrates that the same can be said of its authors. These stories have an energy and a vitality that is missing from much western science fiction today, and they're as varied as the continent itself. Read them and you'll find your new favourite authors. Recommended. - Jim Steel, Interzone's Book Reviews editor and widely published short-story writer.

The stories in AfroSF feature all the things fans of science fiction expect: deep space travel, dystopian landscapes, alien species, totalitarian bureaucracy, military adventure, neuro-enhanced nightlife, artificial intelligence, futures both to be feared and longed for. At once familiar and disarmingly original, these stories are fascinating for the diversity of voices at play and for the unique perspective each author brings to the genre. This is SF for the Twenty-first Century. - David Anthony Durham, Campbell Award winning author of The Acacia Trilogy.

I'd like the repurpose the title of an old anthropological study to describe this fine new anthology: 'African Genesis.' The stories in this unprecedented, full-spectrum collection of tales by African writers must surely represent, by virtue of their wit, vigor, daring, and passion, the genesis of a bright new day for Afrocentric science fiction. The contributors here are utterly conversant with all SF subgenres, and employ a full suite of up-to-date concepts and tools to convey their continent-wide, multiplex, idiosyncratic sense of wonder. With the publication of this book, the global web of science fiction is strengthened and invigorated by the inclusion of some hitherto neglected voices. - Paul Di Filippo, co-author of Science Fiction: The 101 Best Novels 1985-2010.

This is a book of subtle refractions and phantasmic resonances. The accumulated reading effect is one of deep admiration at the exuberance of the twenty-first century human imagination. - A. Igoni Barrett, author of Love is Power, Or Something Like That.

AfroSF is an intense and varied anthology of fresh work. Readers and writers who like to explore new viewpoints will enjoy this book. - Brenda Cooper, author of The Creative Fire.

It's never too early to start learning about college or the career of your dreams. Follow Uche and BJ as they explore what college is. These two students share dialogue on how to prepare for college. This book aims to help elementary students see the big picture.WWW.40GPA.COM

This 'fabulous noir poem' has been simply described as 'the reflections of an old recluse in busy downtown Cairo neighbourhood of Bab El-Louk' by Egyptian artist, Ganzeer. Cairo-based writer Donia Maher was first published in Arabic by Dar Merit in 2014, and then received the Kahil Award 2015 for the Graphic Novel Prize.

Welcome to Our Hillbrow is an exhilarating and disturbingride through the chaotic and hyper-real zone of Hillbrow-microcosm of all that is contradictory, alluring, and painful in the postapartheid South African psyche. Everythingis there: the shattered dreams of youth, sexuality and its unpredictable costs, AIDS, xenophobia, suicide, the omnipotent violence that often cuts short the promise of young people's lives, and the Africanist understanding of the life continuum that does not end with death but flows on into an ancestral realm. Infused with the rhythms of the inner-city pulsebeat, this courageous novel is compelling in its honesty and its broad vision, which links Hillbrow, rural Tiragalong, and Oxford. It spills out the guts of Hillbrow-living with the same energy and intimate knowledge with which the Drum writers wrote Sophiatown into being.

The First and Second Book of Esdras is a religious text from the Apocrypha, originally printed in 1611. This edition, published by The Nonesuch Edition, features the complete text of the book, which tells the story of the Jewish exiles returning to Jerusalem after the Babylonian captivity. The book includes accounts of the rebuilding of the Temple and the walls of Jerusalem, as well as the struggles and challenges faced by the Jewish people during this time. The Nonesuch Edition is known for its high-quality printing and binding, making this book a beautiful addition to any collection of religious texts or historical literature.THIS 58 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Apocrypha, by The Nonesuch Edition . To purchase the entire book, please order ISBN 1564595676.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Dear Black King is for the Black Man centering on how far he has come, not how far he has to go. Dear Black King implores the King to rise above the dissonance. It is a tome that speaks to men with love through twenty-one days of affirmations. These affirmations empower, uplift, and reassure the Black Kings on a transformative journey amid their day-to-day struggles. Dear Black King aims to feed the Black man's soul with expressions of insight from real-world narratives and valuable methods to re-instill confidence in their lives as they take on the world and its unrealistic expectations. Dear Black King articulates to the Black Man their authority to step into their role and flourish. It is a call to empower and uplift the black man with encouragement and twenty-one days of daily verbal exercises. Dear Black King aspires that Black Men will continue to thrive and pour into others through this journey.

Superb...a series of masterly drawn glimpses into the storymaking art of one of Africa's great modern literary geniuses. -Alan Cheuse, NPR

A selection of short stories written to date by Nobel Laureate Nadine Gordimer, Life Times reveals her acute understanding of human nature and paints a fascinatingly original portrait of South Africa. Whether focusing on politics, sexuality, race, love, or loss, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. Complex and multifaceted, her stories challenge us, time and again, to examine the conflict between our actions and our unspoken desires. This powerful collection, which includes two new stories, is a testament to Gordimer's literary genius and the ongoing power and relevance of her vision.

Tariq Tour is Baltimore's Black revolutionary voice. In the tradition of Amiri Baraka and James Baldwin, Tour masterfully uses his pen to attack white supremacy, expose systemic racism, and highlight the beauty that is the Black community. Tour doesn't hide behind his own articles, academia, social media or fake non profits-- no, Toure is one of the few real ones, he's in the street fighting for us, living what he pens and using a cocktail of activism and art to make the world a better place for all of us. Tariq Tour is our revolutionary voice and we are beyond proud of the way that he is representing us. D. Watkins, Author of The Beastside: Living and Dying while Black in America Tariq Tour has combined remnants of a childhood in West Baltimore, maturation and rhythm in a concisely riveting collection of poems. Along with the photography of Shannon Wallace and Kyle Pompey Tour grabs takes the reader on a walk through Baltimore and his deepest experiences.

Ngugi advocates a cultural shift to redress the last 400 years of domination by a handful of western nations.

In this collection Ngugi is concerned with moving the centre in two senses - between nations and within nations - in order to contribute to the freeing of world cultures from the restrictive walls of nationalism, class, race and gender

Between nations the need is to move the centre from its assumed location in the West to a multiplicity of spheres in all the cultures of the world. Within nations the move should be away from all minority class establishments to the real creative centre among working people in conditions of racial, religious and gender equality.

Kenya: EAEP

Theatrum Chemicum Brittannicum is a book that contains a collection of poetic works written by famous English philosophers who have explored the mysteries of alchemy. The book is authored by Elias Ashmole, a renowned scholar and collector of rare manuscripts, who has compiled these works from various sources. The poems in the book explore the secrets of alchemy, a medieval science that aimed to transform base metals into gold and discover the elixir of life. The authors of the poems include John Dee, George Ripley, and Thomas Norton, who were all prominent alchemists of their time. The book also contains illustrations and engravings that depict the alchemical symbols and processes. Theatrum Chemicum Brittannicum is a valuable resource for those interested in the history of alchemy and the mystical beliefs of the medieval era.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Winner - African Studies Association's 2009 Melville J. Herskovits Award

An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.

The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.

In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.

First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.

A captivating collection of original stories and essays by award-winning authors that celebrates the richness and complexity of African mysticism.

African literary scholars struggle to reconcile African mysticism with literary labels. Between Dystopias: The Road to Afropantheology encapsulates the essence of African mysticism and dystopia through original stories.

Afropantheology explores various aspects of African mysticism and dystopia. 'Mother's Love, Father's Place' and '02 Arena' are examples. It acknowledges Africa's journey from its origins to the future.

'The Deification of Igodo' and 'A Dance with the Ancestors' are stories that showcase the complexity of African mysticism. 'Land of the Awaiting Birth' explores the link between the
born and the unborn. .

Between Dystopias: The Road to Afropantheology is a celebration of African mysticism. The collection highlights the richness and complexity of African culture and traditions. It is a must-read for anyone interested in African literature, culture, and history.

No Time to Mourn is a collection of short stories, poems, artwork and photography penned, produced and presented by South Sudanese women. It reflects the lives of the women writers and artists, and at the same time gives voice to the very real lived experiences and lives of every woman of South Sudanese heritage. The ideas and experiences in this book span decades they straddle borders, they cross continents and describe events that are hard to imagine, even with some knowledge of South Sudan's history. It is hard not to be moved as you read what many of these authors have lived through as they strive to achieve those basic of human rights: life, liberty and security. Through this book, we learn more about the cost of war and the value of peace, and how they affect women's abilities to found a home, bear and raise children, stay healthy and safe, secure education for themselves and their children, seek professional fulfilment and even fall in love, all while navigating society's often narrowly defined gender roles.

Analyses the limits to democracy in Botswana.

Is Botswana still 'an African miracle'? Thanks to diamonds the country's growth rate was the highest in the world into the 1990s, and regular parliamentary elections judged free on polling day have been held since 1965. However aduopoly of presidentialism and ruling party preponderance has stimulated arrogance, complacency and corruption among the country's rulers.
What is 'perpetual democracy'? The ruling BDP is kept in perpetual power by the first-past-the post election system. The President in Botswana is empowered to do whatever he pleases. President Mogae has amended the constitution to ensure the automatic succession of the Vice-President General Ian Khama, the son of Seretse and Ruth Khama.A new Directorate of Intelligence Services provides closer control of power.
Why are the Khoisan confined to 'a gulag of special settlements'? The expulsion of the San from Central Kalahari Game Reservewas relentlessly enforced in 1997 and 2002. A multi-cultural coalition asserts that the government is implementing 'a philosophy of cultural genocide on the non-Tswana tribes'.
How can the gift of diamonds be turned to reform? Professor Good asserts the need to strengthen and democratise the electoral and voting systems. He sees diversification as essential to reduce the dependency on diamonds. He urges the use of mineral wealth to reduce the gap between rich and poor; half of the population are at present in poverty in a rich country.

KENNETH GOOD was Professor of Politics at the University of Botswana when he was expelled from the country.

South Africa: Jacana