Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 beats (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.

Wherever you are in your author's journey, this book is like teaming up with a personal writing coach who has more than a quarter century of editorial and publishing advice.

Thousands of writers--from first-time authors to #1 New York Times best-selling authors--have learned from Lisa Mangum's masterful literary advice and inspiration. Now she's collected the best of her writing and editing tips in this helpful book that covers the entire writing and querying process, from nurturing a story idea all the way to submitting a polished manuscript.

In the first half of the book, Lisa guides readers through the various steps of the writing process, including starting the story in the right place, developing characters with high-stake goals, mapping character relationships for increased conflict, and introducing tension and plot twists. She also shares tips and tricks for nailing a satisfying ending as well as helping authors discover their own unique voice that can help them break through writer's block.

With her decades of experience, Lisa then takes writers on a behind-the-scenes tour of the many levels of editing, including a handy flowchart that unravels the mystery of where the commas go in a sentence.

Finally, she helps writers prepare to get published by deconstructing what makes a query letter catch an editor's eye and how to answer the all-important question: What's your book about?

Packed with Lisa's own personal stories of encouragement and inspiration, Write Fearless. Edit Smart. Get Published. is a literary adventure that's as fun as it is informative.

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels--inside or outside the classroom.

This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway's tone is personal and nonprescriptive, welcoming learning writers into the community of practiced storytellers. Moving from freewriting to final revision, the book addresses showing not telling, characterization, dialogue, atmosphere, plot, imagery, and point of view. It includes new topics and writing prompts, and each chapter now ends with a list of recommended readings that exemplify the craft elements discussed, allowing for further study. And the examples and quotations throughout the book feature a wide and diverse range of today's best and best-known creators of both novels and short stories.

This book is a master class in creative writing that also calls on us to renew our love of storytelling and celebrate the skill of writing well. There is a very good chance that one of your favorite authors learned the craft with Writing Fiction. And who knows what future favorite will get her start reading this edition?

Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools.

Memoir meets craft master class in this daring, honest, psychologically insightful exploration of how we think and write about intimate experiences--a must read for anybody shoving a pen across paper or staring into a screen or a past (Mary Karr)

In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the questions which run through it.

How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author's way of writing, or living, to be dismissed as navel-gazing--or else hailed as so brave, so raw? And to whom, in the end, do our most intimate stories belong?

Drawing on her own path from aspiring writer to acclaimed author and writing professor--via addiction and recovery, sex work and academia--Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas--and occasional notes of caution--to anyone who has ever hoped to see themselves in a story.

WINNER OF THE 2022 HUGO AWARD FOR BEST RELATED WORK
From Charlie Jane Anders, the award-winning author of novels such as All the Birds in the Sky and The City in the Middle of the Night, this is one of the most practical guides to storytelling that you will ever read.

The world is on fire.
So tell your story.

Things are scary right now. We're all being swept along by a tidal wave of history, and it's easy to feel helpless. But we're not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible.

Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can't Survive is the perfect manual for creativity in unprecedented times.

Unravel the secrets to crafting a masterful magic system from best-selling fantasy author Charlie N. Holmberg.

Whether using magic as flavor or as an essential piece of plot, this book will guide fantasy authors, from new to experienced, through the delicate layers of creating, utilizing, and mastering magic systems.

In this book, we will...

• Discuss the schools, laws, and spectrum of magic
• Learn to build individual pieces of a magic system
• Dig into magic's influence on worldbuilding
• Examine different types and styles of magic
• Develop and polish original magic systems

With workshops, work pages, and reference materials included, this succinct one-and-done guide to crafting the magical elements of the fantasy genre is a must-have for speculative fiction authors.

If you haven't had the fortune of attending one of Charlie's writing classes (which I have), this is the next best thing. Book of Magic contains so much wit, wisdom, and practical suggestions for helping any beginning author, or veteran, make their magic systems rise up and be noticed. She uses expert examples from other authors you know as well as teaching a masterclass on developing magic systems from scratch based on methods she's invented. You just may need this book to help find out what kind of magic-based diseases might be festering in your neighbor's cabbages. -Jeff Wheeler, Wall Street Journal bestselling author of the Kingfountain series

A practical guide to help authors authentically write and edit a character whose identity is different than their own.

Do you have the tools to authentically write and edit a character whose identity is different than your own? It's not a subject that's generally taught in creative writing programs, and there are so few craft books and online resources on the subject. Even if you can take a seminar, class, or workshop, there's nothing like having an easy-to-understand book on hand to provide guidance and insight every time you craft characters with historically marginalized identities.

In Writing an Identity Not Your Own, award-winning author Alex Temblador discusses one of the most contentious topics in creative writing: crafting a character whose identity is historically marginalized. What is identity, and how do unconscious biases and bias blocks impact and influence what we write? What is intersectionality? You'll learn about identity terms, stereotypes, and tropes, and receive genre-specific advice related to various identities to consider when writing different races and ethnicities, sexual and romantic orientations, gender identities, disabilities, nationalities, and more. Through writing strategies, exercises, and literary excerpts, writers will gain a clearer understanding on how misrepresentations and harmful portrayals can appear in storylines, dialogue, and characterization. Alex will guide writers from the brainstorming phase through the editing process so they can gain a full understanding of the complexities of writing other identities and why it's important to get them right.

Hailed as a genius-enchantress (Karen Russell) and winner of the MacArthur Fellowship, the celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past and written acclaimed and prizewinning works of historical fiction. In Dust and Light, the first work of nonfiction of her extraordinary career, Barrett draws from that deep well of experience to explore the mysteries, methods, and delights of the form.

Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible. Barrett writes of lessons gleaned from the classic work of some of her guiding lights (Willa Cather, Henry James, Leo Tolstoy, Virginia Woolf), as well as the work of such contemporary masters as Hilary Mantel, Toni Morrison, Colm Tóibín, and Jesmyn Ward. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre: How does a writer find meaningful subject matter beyond the confines of their life? How are scraps of history found, used, misused, manipulated, and transformed into a fully formed narrative? And what are the perils as well as the potential of this process?

Building on pieces originally published in leading literary magazines and featured in The Best American Essays, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.

In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.

The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing--including plot, character, conflict, structure, and believability--and aspects of workshop--including the silenced writer and the imagined reader--Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?

Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, When we write fiction, we write the world.

In this concisely argued and illuminating book, the PEN/Faulkner Award-winning author Rabih Alameddine takes the subject of politics and art head-on, questioning the very premise of dividing these two pillars of culture into an either/or proposition. He reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic, as we are so often and carelessly taught. But he also ponders what makes art political to begin with: how essential is the artist's conscious political intent, and what does the reader or viewer contribute to the work's political capability or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant, often oblivious culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an other. The book features throughout Alameddine's brilliantly relatable voice--shrewd, humorous, challenging, and as honest about his own limitations as he is about his passions.

The long-awaited guide to writing long-form nonfiction by the legendary author and teacher

Draft No. 4 is a master class on the writer's craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that readers are not supposed to notice the structure. It is meant to be about as visible as someone's bones. The result is a vivid depiction of the writing process, from reporting to drafting to revising--and revising, and revising.

Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.

Writing guides are often full of 'tips' and 'tricks' either too broad to be useful, so specific they don't apply, or frustratingly vague. The On Writing and Worldbuilding series is here to change that. Volume III covers a whole new array of topics with applicable, clear, and practical discussions, be it writing character descriptions, compelling dialogue, or worldbuilding cities and towns for your world. While written with an edge for science fiction and fantasy, the help found in this book applies to all genres. Volume III stands entirely independent of the first two volumes with its own discussions.

With all this and more, On Writing and Worldbuilding is fundamental for anyone developing their skills in the writing craft.

ON WRITING

• Character descriptions
• Death scenes
• Dialogue
• Subtext in dialogue
• Darkest hours
• Plot armour
• Environmental descriptions
• Elemental magic systems
• Antiheroes
• Paragon heroes

ON WORLDBUILDING

• Death and the afterlife
• Cities and towns
• Mountains
• Island civilisations
• Fallen civilisations

While writing about writing is often deadly, Lewis is as delightful as he is wise. --The New York Times

A definitive collection of wisdom on every style of writing and a celebration of the transformative power of the written word from one of the most influential writers and thinkers of the modern age, C. S. Lewis, the beloved author of the Chronicles of Narnia series, Mere Christianity, The Screwtape Letters, and other revered classics.

Featuring over one hundred excerpts--some short and some essay length--drawn from his wide body of letters, books, and essays, On Writing (and Writers) brings together C. S. Lewis's reflections on the power, importance, and joy of a life dedicated to writing.

Writers and devoted readers will be enriched and inspired by Lewis's commentary on a range of genres, including:

On Good WritingOn Writing FictionOn Writing PoetryOn Writing for ChildrenOn Writing Science FictionOn Christian WritingOn Writing PersuasivelyOn Other Writers

Wise and practical, On Writing (and Writers) reveals Lewis's thoughts on both mechanics and style, including choosing adjectives, the art of expression, how to connect with readers, and the core principles of clear, impactful writing.

A window into the mind of one of the greatest public intellectuals of the twentieth century--a gifted writer whose influence and insights remain relevant six decades after his death--this engaging collection reveals not only why Lewis loved the written word, but what it means to gladly teach the art of writing, so that wise readers can gladly learn.

Recipient of the Bram Stoker Award for Superior Achievement in Non-Fiction

In this comprehensive textbook devoted to the craft of writing horror fiction, award-winning author Tim Waggoner draws on thirty years' experience as a writer and teacher. Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written.

Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research.

Writing in the Dark derives from Waggoner's longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique.

Unlock the secrets to powerful storytelling with DELVE, PIVOT, PROPEL, the groundbreaking resource from award-winning novelist Steven James. After decades of teaching fiction writing intensives and addressing countless questions from aspiring authors, James finally distills his insights into this essential guide for novelists at every level.

Packed with practical tips, charts, and time-saving strategies, DELVE, PIVOT, PROPEL tackles the tough questions that writers face, offering fresh perspectives and unorthodox advice that challenges conventional wisdom.

But the advice isn't always what you might expect.

• • How to write a scene even when you don't know where it will lead or what will happen within it.
  • The disadvantages of character arcs and how to overcome them.
  • 6 things-besides hooking readers' attention-that your opening needs to accomplish, no matter the genre.
  • 12 ways to make a villain more formidable (and what to do if he becomes more interesting than your hero).
  • Why conflict does not equal tension, difficulty does not equal dilemma, and structure does not equal story.
  • 5 reasons why readers keep flipping pages (and which one to always avoid!).

With DELVE, PIVOT, PROPEL, you'll find the tools you need to elevate your writing, engage your readers, and unleash your creative potential. Dive in and transform your storytelling approach-because the journey to becoming a great writer starts here.