A NEW YORK TIMES BESTSELLER

Goodreads Choice Award Winner in History & Biography

One of Time's 100 Must-Read Books of 2024

A spirited defense of this important, odd and odds-defying American retail category. --The New York Times

It is a delight to wander through the bookstores of American history in this warm, generous book. --Emma Straub, New York Times bestselling author and owner of Books Are Magic

An affectionate and engaging history of the American bookstore and its central place in American cultural life, from department stores to indies, from highbrow dealers trading in first editions to sidewalk vendors, and from chains to special-interest community destinations

Bookstores have always been unlike any other kind of store, shaping readers and writers, and influencing our tastes, thoughts, and politics. They nurture local communities while creating new ones of their own. Bookshops are powerful spaces, but they are also endangered ones. In The Bookshop, we see the stakes: what has been, and what might be lost.

Evan Friss's history of the bookshop draws on oral histories, archival collections, municipal records, diaries, letters, and interviews with leading booksellers to offer a fascinating look at this institution beloved by so many. The story begins with Benjamin Franklin's first bookstore in Philadelphia and takes us to a range of booksellers including the Strand, Chicago's Marshall Field & Company, the Gotham Book Mart, specialty stores like Oscar Wilde and Drum and Spear, sidewalk sellers of used books, Barnes & Noble, Amazon Books, and Parnassus. The Bookshop is also a history of the leading figures in American bookselling, often impassioned eccentrics, and a history of how books have been marketed and sold over the course of more than two centuries--including, for example, a 3,000-pound elephant who signed books at Marshall Field's in 1944.

The Bookshop is a love letter to bookstores, a charming chronicle for anyone who cherishes these sanctuaries of literature, and essential reading to understand how these vital institutions have shaped American life--and why we still need them.

NEW YORK TIMES BESTSELLER * NAACP IMAGE AWARD NOMINEE * AMAZON'S TOP 20 HISTORY BOOKS OF 2023 * B&N BEST OF EDUCATIONAL HISTORY * THE ROOT'S BEST BOOKS OF 2023 * CHICAGO PUBLIC LIBRARY FAVORITE BOOKS OF 2023

From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans.

America's backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington's cherry tree and Abraham Lincoln's log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story.

It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights--after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie.

In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America's first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that American history is white history. Not this one. This history is Black AF.

This is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn't expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to make his own songs. That kid was Questlove.

Now, in this landmark book, Questlove traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits-and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story and a sweeping theory of the evolution of the great artistic movement of our time. Questlove approaches it with both the encyclopedic fluency of an obsessive fan and the unique expertise of an innovative participant. Hip-hop is history, and also his history.

National Bestseller
A New Yorker Best Book of 2024

A thought-provoking and timely (The Times, London) global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history.

This inventive and compelling (The Times Literary Supplement, London) work of social history travels through thirteen witch trials across history, some famous--like the Salem witch trials--and some lesser-known: on Vard island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country's last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft is a well-rounded insight into some of the strangest and cruelest moments in history (Buzz Magazine), giving voice to those who have been silenced by history.

Named One of the Year's Best Books by VULTURE - THE NEW REPUBLIC - DAZED - WIRED - BLOOMBERG - ESQUIRE - SALON - THE NEXT BIG IDEA CLUB

The history of Silicon Valley, from railroads to microchips, is an extraordinary story of disruption and destruction, told for the first time in this comprehensive, jaw-dropping narrative (Greg Grandin, Pulitzer Prize-winning author of The End of the Myth).

Palo Alto's weather is temperate, its people are educated and enterprising, its corporations are spiritually and materially ambitious and demonstrably world-changing. Palo Alto is also a haunted toxic waste dump built on stolen Indian burial grounds, and an integral part of the capitalist world system.

In PALO ALTO, the first comprehensive, global history of Silicon Valley, Malcolm Harris examines how and why Northern California evolved in the particular, consequential way it did, tracing the ideologies, technologies, and policies that have been engineered there over the course of 150 years of Anglo settler colonialism, from IQ tests to the tragedy of the commons, racial genetics, and broken windows theory. The Internet and computers, too. It's a story about how a small American suburb became a powerful engine for economic growth and war, and how it came to lead the world into a surprisingly disastrous 21st century. PALO ALTO is an urgent and visionary history of the way we live now, one that ends with a clear-eyed, radical proposition for how we might begin to change course.

Ian Frazier's magnum opus: a love song to New York City's most heterogeneous and alive borough.

For the past fifteen years, Ian Frazier has been walking the Bronx. Paradise Bronx reveals the amazingly rich and tumultuous history of this amazingly various piece of our greatest city. From Jonas Bronck, who bought land from the local Native Americans, to the formerly gang-wracked South Bronx that gave birth to hip-hop, Frazier's loving exploration is a moving tour de force about the polyglot culture that is America today.

During the Revolution, when the Bronx was unclaimed territory known as the Neutral Ground, some of the war's decisive battles were fought here by George Washington's troops. Gouverneur Morris, one of the most colorful Founding Fathers, owned a huge swath of the Bronx, where he lived when he was not in Paris during the French Revolution or helping write the US Constitution.

Frazier shows us how the coming of the railroads and the subways drove the settling of the Bronx by various waves of immigration-- Irish, Italian, Jewish (think the Grand Concourse), African American, Caribbean, Puerto Rican (J.Lo is one of the borough's most famous citizens). The romance of the Yankees, the disaster of the Cross Bronx Expressway, the invention of rap and hip-hop, the resurgence of community as the borough's communities learn mutual aid--all are investigated, recounted, and celebrated in Frazier's inimitable voice.

This is a book like no other about a quintessential American city and the resilience and beauty of its citizens.

NEW YORK TIMES BESTSELLER - A symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia, from Svetlana Alexievich, winner of the Nobel Prize in Literature

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY - LOS ANGELES TIMES BOOK PRIZE WINNER

One of the New York Times's 100 Best Books of the 21st Century

When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing a new kind of literary genre, describing her work as a history of emotions--a history of the soul. Alexievich's distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation.

In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it's like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres--but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world.

A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. Through the voices of those who confided in her, The Nation writes, Alexievich tells us about human nature, about our dreams, our choices, about good and evil--in a word, about ourselves.

A BEST BOOK OF THE YEAR: The New York Times, The Boston Globe, The Wall Street Journal, NPR, Financial Times, Kirkus Reviews

A sweeping look back at the protest movements that changed America from activist and NBA legend Kareem Abdul-Jabbar, with personal and historical insights into lessons they can teach us today

For many, it can feel like change takes too long, and it might seem that we have not moved very far. But political activist Kareem Abdul-Jabbar believes that public protest is a vital part of affecting change, even if that change doesn't come right now.

In We All Want to Change the World, he examines the activism of people of all ages, ethnicities, and socio-economic backgrounds that helped change America, documenting events from the Free Speech Movement through the movement for civil rights, the fight for women's and LGBTQ rights, and, of course, the protests against the Vietnam War. At a time in our history when we are witnessing protests across campuses, within the labor movement, and following the killing of George Floyd, Abdul-Jabbar reminds us that protests are a lifeblood of our history:

Protest movements, even peaceful ones, are never popular at first. . . . But there is a reason protest gatherings have been so frequent throughout history: They are effective. The United States exists because of them.

Part history lesson and part personal reminiscences of his own activism, We All Want to Change the World will resonate with anyone who recognizes the need for social change and is willing to do the work to make it happen.

A cello has no language, yet it possesses a vocabulary wide enough to tell, bear witness, and make connections across time and continents--a feat brought to life in this brilliant new book.

In this luminous narrative, Kate Kennedy, a writer and cellist herself, weaves together the story of four cellists who suffered various forms of persecution, injury, and misfortune. The stories are those of the forgotten Jewish cellist Pál Hermann, who is likely to have been murdered by the Nazis in Lithuania during the Holocaust; Lise Cristiani, another forgotten performer, who is considered to be the first female professional cello soloist and who embarked on an epic concert tour of Siberia in the 1850s taking with her a Stradivarius cello that can be seen to this day in a museum in Cremona in northern Italy; Anita Lasker-Wallfisch, who played in the orchestra at Auschwitz and survived spells in both that camp and in Bergen-Belsen; and Amedeo Baldovino of the Trieste piano trio, whose 'Mara' Stradivarius was lost in a shipwreck in the River Plate between Buenos Aires and Uruguay but later recovered from the water and repaired.

Interwoven with these remarkable and often moving stories are a series of 'detours' that offer a foil to these remarkable lives. Cello examines the themes explored in the narratives from different perspectives, drawing together historical research, personal experience, and interviews and encounters with contemporary cellists in this unique book that will resonate long after the final page.

Our era is one of sexual upheaval. Roe v. Wade was overturned in the summer of 2022, school systems across the country are banning books with LGBTQ+ themes, and the notion of a tradwife is gaining adherents on the right while polyamory wins converts on the left. It may seem as though debates over sex are more intense than ever, but as acclaimed historian Rebecca L. Davis demonstrates in Fierce Desires, we should not be too surprised, because Americans have been arguing over which kinds of sex are acceptable--and which are not--since before the founding itself.

From the public floggings of fornicators in early New England to passionate same-sex love affairs in the 1800s and the crackdown on abortion providers in the 1870s, and from the movements for sexual liberation to the recent restrictions on access to gender affirming care, Davis presents a sweeping, engrossing, illuminating four-hundred-year account of this nation's sexual past. Drawing on a wealth of sources, including legal records, erotica, and eighteenth-century romance novels, she recasts important episodes--Anthony Comstock's crusade against smut among them--and, at the same time, unearths stories of little-remembered pioneers and iconoclasts, such as an indentured servant in colonial Virginia named Thomas/Thomasine Hall, Gay Liberation Front cofounder Kiyoshi Kuromiya, and postwar female pleasure activist Betty Dodson.

At the heart of the book is Davis's argument that the concept of sexual identity is relatively novel, first appearing in the nineteenth century. Over the centuries, Americans have shifted from understanding sexual behaviors as reflections of personal preferences or values, such as those rooted in faith or culture, to defining sexuality as an essential part of what makes a person who they are. And at every step, legislators, police, activists, and bureaucrats attempted to regulate new sexual behaviors, transforming government in the process.

The most comprehensive account of America's sexual past since John D'Emilio and Estelle Freedman's 1988 classic, Intimate Matters, Davis's magisterial work seeks to help us understand the turmoil of the present. It demonstrates how fiercely we have always valued our desires, and how far we are willing to go to defend them.

National Bestseller
A New Yorker Best Book of 2024

A thought-provoking and timely (The Times, London) global history of witch trials across Europe, Africa, and the Americas, told through thirteen distinct trials that illuminate a pattern of demonization and conspiratorial thinking that has profoundly shaped human history.

This inventive and compelling (The Times Literary Supplement, London) work of social history travels through thirteen witch trials across history, some famous--like the Salem witch trials--and some lesser-known: on Vard island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country's last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized, and then reimagined as gendered persecution, Witchcraft takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft is a well-rounded insight into some of the strangest and cruelest moments in history (Buzz Magazine), giving voice to those who have been silenced by history.

A NEW YORKER BEST BOOK OF THE YEAR - A sweeping and captivatingly told history of clothing and the stuff it is made of--an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet.

We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years. --The Washington Post

In this panoramic social history, Sofi Thanhauser brilliantly tells five stories--Linen, Cotton, Silk, Synthetics, Wool--about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands.

Thanhauser makes clear how the clothing industry has become one of the planet's worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear.

Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.

When a little dog named Cherry died in 1881, his owners arranged for a grave in a nearby gatekeeper's garden in London. At this time, the idea that a pet, even one that had lived as a family member, might be given a dignified burial was considered comical. But when other pet owners--likewise determined to memorialize their companion animals--followed suit, the world's first urban pet cemetery was born. More soon followed across Europe, the United States, and then the rest of the world, resulting in a revolution in the way we consider animals. Faithful Unto Death tells the stories of people who gave their hearts to a disparate variety of species, yet were all united in one common belief: that the reward at death for a faithful animal companion should reflect the love it offered during life.

Losing a pet has always been a unique kind of pain. No set rituals exist to help provide closure when pets die, there are no readily shared passages from spiritual texts, no community of compassion to surround the mourner and help alleviate grief. And there is a sense of taboo, that it is somehow socially incorrect to mourn an animal as one would a person and feel the pain so intensely. Faithful Unto Death confronts this taboo by telling the stories of people who have memorialized their beloved animals.

The book addresses the moral and spiritual prejudices that have historically surrounded animals, and reveals how, in the face of these prejudices, a movement started in the nineteenth century to treat pets with dignity even in death. It is a fight that is still far from over, but the triumphs that are revealed as the book unfolds, found in burial grounds small to grand and on monuments humble to huge, possess the power to touch everyone who has ever cared for an animal companion. In tracing the historical evolution of pet cemeteries through the stories of the people and pets that have been integral to their development, this book reveals both similarities in the way we mourn animal companions and a stunning cultural diversity. From humble Cherry in London to pets of the rich and powerful, this is a history filled with inspiration, wild eccentricity, and eternal love.

A crucial guide to life before--and after--Tinder, IVF, and robots.

What will happen to our notions of marriage and parenthood as reproductive technologies increasingly allow for newfangled ways of creating babies? What will happen to our understanding of gender as medical advances enable individuals to transition from one set of sexual characteristics to another, or to remain happily perched in between? What will happen to love and sex and romance as our relationships migrate from the real world to the Internet? Can people fall in love with robots? Will they? In short, what will happen to our most basic notions of humanity as we entangle our lives and emotions with the machines we have created?

In Work Mate Marry Love, Harvard Business School professor and former Barnard College president Debora L. Spar offers an incisive and provocative account of how technology has transformed our intimate lives in the past, and how it will do so again in the future. Surveying the course of history, she shows how marriage as we understand it resulted from the rise of agriculture, and that the nuclear family emerged with the industrial revolution. In their day, the street light, the car, and later the pill all upended courtship and sex. Now, as we enter an era of artificial intelligence and robots, how will our deepest feelings and attachments evolve?

In the past, the prevailing modes of production produced a world dominated by heterosexual, mostly-monogamous, two-parent families. In the future, however, these patterns are almost certain to be reshaped, creating entirely new norms for sex and romance, and for the construction of families and the raising of children. Steering clear of both techno-euphoria and alarmism, Spar offers a bold and inclusive vision of how our lives might be changed for the better.

As every amateur toxicologist knows, the difference between a poison and medicine is often simply the dose.

There is no weapon as insidious, as seductive or as mysterious as poison. In this terrifying account of history's silent assassin, discover the gripping tales of users, abusers and victims of these mysterious substances, from Cleopatra and Catherine de' Medici to contemporary secret service agents and terrorists.

Documenting royal scandal, political upheaval and personal tragedies, Poison details a gruesome thread that runs often undetected through human history.

Shortlisted for the J. Anthony Lukas Prize

The story of art collective Gran Fury--which fought back during the AIDS crisis through direct action and community-made propaganda--offers lessons in love and grief.

In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic.

Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the Kissing Doesn't Kill poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis.

Gran Fury and ACT UP's strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.

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What happens when Americans lose faith in their religious institutions--and politicians fill the void? From the Puritans to Donald Trump, this sweeping history will change your understanding of the forces that create leaders and hold their followers captive.

Everyone feels it. Cultural and political life in America has become unrecognizable and strange. Firebrands and would-be sages have taken the place of reasonable and responsible leaders. Nuanced debates have given way to the smug confidence of yard signs. How did we get here?

In Spellbound, historian Molly Worthen argues that we will understand our present moment if we learn the story of charisma in America. From the Puritans and Andrew Jackson to Black nationalists and Donald Trump, the saga of American charisma, Worthen argues, stars figures who possess a dangerous and alluring power to move crowds. They invite followers into a cosmic drama where hopes are fulfilled and grievances are put right--and these charismatic leaders insist that they alone plot the way.

The story of charisma in America reveals that when traditional religious institutions fail to deliver on their promise of a meaningful life, people will get their spiritual needs met in a warped cultural and political landscape dominated by those who appear to have the power to bring order and meaning out of chaos. Charismatic leaders address spiritual needs, offering an alternate reality where people have knowledge, power, and heroic status, whether as divinely chosen instruments of God or those who will restore national glory.

Through Worthen's centuries-spanning historical research, Spellbound places a crucial religious lens on the cultural, economic, and political upheavals facing Americans today.

From the New York Times bestselling author of A Long Strange Trip and the publicist of the Grateful Dead, Dennis McNally, a riveting social history of everything that led up to the 1960s counterculture movement. Few cities represent the countercultural movement of the 1960s more than San Francisco. By that decade, the Haight-Ashbury neighborhood was home to several hundred colorful refugees from the conventional, self-branded freaks (dubbed hippies by the media) who created the world's first psychedelic neighborhood, an alchemical chamber for social transformation. Collectively, these freaks rejected a large part of the mythology underlying the traditional American identity, passing over American exceptionalism, consumerism, misogyny, and militarism in favor of creativity, mind-body connection, peace, and love of all things--humans, animals, and nature alike.

Dennis McNally, author of the New York Times bestseller A Long, Strange Trip: The Inside History of the Grateful Dead, is a consummate historian of the counterculture. He knows the big picture of the American bohemian tradition going back a century with a depth that is unrivaled. In THE LAST GREAT DREAM, his accessible, often riveting scholarship establishes a multi-disciplinary aesthetic, populated by some of the most colorful and trailblazing characters of these times, from Allen Ginsberg to John Cage to Judith Malina and Julian Beck of the Living Theater, to Lenny Bruce, to Ken Kesey, and scores of lesser-known yet key names. It is a who's who of the courageous pioneers who changed America forever without spilling a drop of blood. While all of these various strands have been written about before, none of their stories have been pulled together into a larger, expansive, more connected picture in the manner that McNally accomplishes with this definitive book.

THE LAST GREAT DREAM is a history of everything that led to the 1960s counterculture, when long-simmering resistance to American mainstream values birthed the hippie. It begins with the San Francisco Poetry Renaissance, peaks with the Human Be-in in Golden Gate Park, and ends with the Monterey Pop Festival that introduced Jimi Hendrix and Janis Joplin to the world. It ties everything together into a gripping narrative with a cast of scores of fascinating people, and tells several micro-histories in the process, including beat poetry, visual arts, underground publishing, electronic / contemporary compositional music, experimental theater, psychedelics, and more.

Fascinating, far-reaching, and definitive, THE LAST GREAT DREAM is the ultimate guide to a generation-defining countercultural movement, an Underground 101 course for newcomers and aficionados alike.

In Homo Ludens, Johan Huizinga defines play as the central activity in flourishing societies. He identifies five characteristics of play: it is free; it is not ordinary or real life; it is distinct from ordinary life both as to locality and duration; it creates order; it is connected with no material interest, and from it no profit can be gained.

With cross-cultural examples from the humanities, business, and politics, Huizinga examines play in all its diverse guises--as it relates to language, law, war, knowledge, poetry, myth, philosophy, art, and much more. As he writes, Civilization is, in its earliest phases, played. It does not come from play like a baby detaching itself from the womb: it arises in and as play, and never leaves it.

Starting with Plato, Huizinga traces the contribution of man the player through the Middle Ages, the Renaissance, and early modern world. With an eye for our own times he writes: In American politics play] is even more evident. Long before the two-party system had reduced itself to two gigantic teams whose political differences were hardly discernible to an outsider, electioneering in America had developed into a kind of national sport. With its remarkable historical sweep, Homo Ludens defines play for generations to come.

A fascinating account of 'man the player' and the contribution of play to civilization.--Harper's

A writer with a sharp and powerful intelligence, helped by a gift of expression and exposition which is very rare, Huizinga assembles and interprets one of the most fundamental elements of human culture: the instinct for play. Reading this volume, one suddenly discovers how profoundly the achievements in law, science, poverty, war, philosophy, and in the arts, are nourished by the instinct of play.--Roger Caillois, editor of Diogenes