On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its
journey across decades and continents.
Absorbing . . . Picasso's War is a fetching and well-crafted account of Pablo Picasso's huge and astounding painting, Guernica.
--Los Angeles Times
Refreshingly original . . . Martin is above all a first-rate investigator [who] deftly weaves together world and art history.
--The Boston Globe
A fascinating and lively read.
--The Denver Post
An engrossing story of a landmark work of art . . . Martin is, first and foremost, a consummate storyteller.
--Kirkus Reviews
A deeply researched, pathbreaking collection of original and newly translated essays on slavery in Spain, Hispaniola, and Puerto Rico.
This groundbreaking volume addresses the enslavement and experiences of Black Africans in Spain and the Spanish Caribbean, particularly La Española (or Hispaniola) and Puerto Rico, two of the earliest colonies. Spanning nearly four hundred years and rooted in extensive archival research, Transatlantic Bondage sheds light on a number of relatively underexamined topics in these locales, including the development and application of slavery laws, disobedience and its consequences, migration, gender, family, lifestyle, and community building among the free Black population and white allies. In bringing together new and recent work by leading scholars, including two essays translated into English here for the first time, the book is also a call for further study of slavery in the Spanish Caribbean and its impact on the region.
Reprint Edition of the 1938 Edition. Homage to Catalonia is George Orwell's personal account of his experiences and observations fighting in the Spanish Civil War for the Republican army. Published in 1938 (about a year before the war ended) with little commercial success, it gained more attention in the 1950s following the success of Orwell's better-known works Animal Farm (1945) and Nineteen Eighty-Four (1949). Covering the period between December 1936 and June 1937, Orwell recounts Catalonia's revolutionary fervor during his training in Barcelona, his boredom on the front lines in Aragon, his involvement in the May Days conflict back in Barcelona on leave, his getting shot in the throat back on the front lines, and his escape to France after the Republican Army was declared an illegal organization.
The war was one of the defining events of his political outlook and a significant part of what led him to write in 1946, Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.
First published in 1886, this classic work offers a sweeping, scholarly tale of the Moors in Spain, blending splendor and tragedy into a wonderfully readable narrative that endures through time.
We hear of how the Moors arrived and conquered the Iberian peninsula, remaining for some 800 years. Tariq ibn-Ziyad, arriving in 711 AD, began an upheaval never before seen in the European continent. The Moorish brought industriousness and commerce, a sophisticated code of laws, beautiful architecture, and outstanding scholarly achievements in astronomy and mathematics - together, these would forever shape the culture of Spain and Portugal.
To this day, the Moorish culture is readily evident in Spain. Lane-Poole charts the various turning points in Moorish rule; their lengthy stay in Europe was punctuated with battles. In the later Middle Ages, the ascendant forces of Christendom would prove increasingly powerful - the fall of Grenada in 1492 marked the effective end of their presence. However, their many mosques and beautiful constructions such as the Palace of Alhambra are extant testimony to the Moor's splendor.
Stanley Lane-Poole was a historian and archaeologist who worked in partnership with the British Museum for eighteen years. Specializing in Middle Eastern and North African culture and architecture, it was through years of painstaking study and compilation of existing documents that the author was able to compose this, and other histories.
The first book-length study to address the impact of the legacies of slavery on Spanish cultural representations and institutions.
This groundbreaking volume explores how culture produced in Spain, from the nineteenth century to the present, both reflects and shapes ways of understanding the history and heritage of a nation sustained by colonialism and slavery. Akiko Tsuchiya and Aurélie Vialette bring together an outstanding group of scholars, artists, cultural producers, and activists in a range of fields-from history to literary studies, anthropology to journalism, and flamenco to film. Drawing on interdisciplinary and comparative methodologies, contributors address the legacies of slavery in the archive; in cultural memory sites; and in literature, music, and visual arts. How, they ask, do different cultural forms and institutions represent and reckon with this past and push for justice in the face of persistent racial discrimination? In its focus on collective memory and the cultural afterlives of slavery and antislavery, Cultural Legacies of Slavery in Modern Spain will appeal not only to Iberian and Latin American specialists but also readers across Afro-Hispanic, postcolonial, transatlantic, and critical race studies.
The Spanish Civil War was one of the most passionate idealogical conflicts of modern times. It was the greatest and last struggle between traditional Catholicism and liberal secularism. To many, religion became the most divisive issue of the war, the single problem that distinguished one fraction from another.
The Spanish Civil War as a Religious Tragedy is the first full-length comprehensive study of the religious dimension of the Spanish conflict. Drawing on memoirs, eye-witness accounts, the religious press of the period, and a thorough reading of secondary literature, José M. Sánchez objectively examines the events, issues, attitudes, and effects of the war and corrects the mythology that has grown up around the topic.
Especially vivid is Sánchez's account of the anticlerical fury in which nearly 7,000 clerics were killed, thousands of churches burned and destroyed, countless lay-persons assassinated, and the entire cultural ethic of Spanish Catholicism set upon an iconoclastic bloodletting worse than any other in the history of Christianity. The clergy's offering of pastoral and idealogical support to Franco's Nationalists as a response to the fury is also examined. Sánchez then focuses on the complexities of the Basques - an intensely Catholic people who made common cause with the anticlerical Republicans. He explores the Vatican's policy toward both sides, and analyzes the theological and moral controversy over the justice of the war as fought in the journals and the press, both in Spain and abroad. Finally, he investigates the controversies as they affected Catholics in France, England, and the United States, and concludes with an evaluation of the war's impact upon the religious consciousness of Spain, the Church, and the western world.
A book of rich detail.--The Wall Street Journal
Bestselling author of Ghosts of Spain Giles Tremlett traverses the rich and varied history of Spain, from prehistoric times to today, in a brief, accessible primer with color illustrations throughout. Spain's position on Europe's southwestern corner has exposed the country to cultural, political, and literal winds blowing from all quadrants throughout the country's ancient history. Africa lies a mere nine miles to the south, separated by the Strait of Gibraltar-a mountain range struck, Spaniards believe, by Hercules, in an immaculate and divine display of strength. The Mediterranean connects Spain to the civilizational currents of Phoenicians, Romans, Carthaginians, and Byzantines as well as the Arabic lands of the near east. Hordes from the Russian steppes were amongst the first to arrive. They would be followed by Visigoths, Arabs, and Napoleonic armies and many more invaders and immigrants. Circular winds and currents extended its borders to the American continent, allowing it to conquer and colonize much of the New World as the first ever global empire. Spain, as we know it today, was made by generations-worth of changing peoples, worshipping Christian, Jewish, and Muslim gods over time. The foundation of its story has been drawn and debated, celebrated and reproached. Whenever it has tried to deny its heterogeneity and create a pure national identity, the narrative has proved impossible to maintain. In España, Giles Tremlett, who has lived in and written about Spain for over thirty years, swiftly traces every stretch of Spain's history to argue that a lack of a homogenous identity is Spain's defining trait. With gorgeous color images, España is perfect for lovers of Spain and fans of international history.This is a comprehensive history of Portugal that covers the whole span, from the Stone Age to today. An introduction provides an understanding of geographical and climatic issues, before an examination of Portugal's prehistory and classical Portugal, from the Stone Age to the end of the the Roman era.
Portugal's history from ad420 to the thirteenth century takes in the Suevi, Visigoths and Moors. Then, a look at medieval Portugal, covers the development of Christian Portugal culminating with the expulsion of the Moors, with a focus on key sites. A subsequent section on Spanish rule, between 1580 and 1640, explains why Spain took over and why Spanish rule collapsed. There is a significant focus on Portugal's global role, particularly during the age of exploration, or expansion, in the fifteenth century to 1580: Manueline Portugal, Henry the Navigator, Vasco da Gama and Bel m. Portugal was the first of the Atlantic empires, with territory in the Azores, Madeira, West Africa and Brazil, and it remained a major empire until the 1820s, retaining an African empire until the 1970s. It's empire in Asia - in Malacca, Macao, Goa and Timor - continued even longer, until the 1990s. Black shows how Portugal had a global impact, but the world, too, had an impact on Portugal. Baroque Portugal, between 1640 and 1800, is explored through palaces in Mafra, Pombal and elsewhere and the wealth of Brazil. The nineteenth century brought turmoil in the form of a French invasion, the Peninsular War, Brazilian independence, successive revolutions, economic issues and the end of the monarchy. Republican Portugal brought further chaos in the early years of the twentieth century, then the dictatorship of Salazar and its end in the Carnation Revolution of 1974. Portugal's role in both world wars is examined, also its wars in Africa. From the overthrow of autocracy to a new constitution and the leadership of Soares, contemporary, democratic Portugal is explored, including the fiscal crisis of recent years. Throughout Black introduces the history and character of the country's principal regions, including the Azores, Madeira and the Cape Verde Islands. He looks at key national sites, at Portuguese food and wine and the arts, with special sections devoted to port, Portugal's famous tiles and the university established at Coimbra in 1290.