Fascinating. -- The Wall Street Journal
An enlightening portrait of the medieval mindset. -- Publishers Weekly
The authors of The Bright Ages return with a real-life Game of Thrones (New York Times Book Review)--the story of the Carolingian Civil War, a bloody, protracted battle pitting brother against brother, father against son, that would end an empire, upend a continent, and redefine the future of Europe
By the early ninth century, the Carolingian empire was at the height of its power. The Franks, led by Charlemagne, had built the largest European domain since Rome in its heyday. Though they jockeyed for power, prestige, and profit, the Frankish elites enjoyed political and cultural consensus. But just two generations later, their world was in shambles. Civil war, once an unthinkable threat, had erupted after Louis the Pious's sons tried to overthrow him--and then placed their knives at the other's neck. Families who had once charged into battle together now drew each other's blood.
The Carolingian Civil War would rage for years as kings fought kings, brother faced off against brother, and sons challenged fathers. Oathbreakers is the dramatic history of this brutal, turbulent time. Medieval historians David M. Perry and Matthew Gabriele illuminate what happens when a once unshakeable political and cultural order breaks down and long suppressed tensions flare into deadly violence. Drawn from rich primary sources, featuring a wide cast of characters, packed with dramatic twists and turns, this is history that rivals the greatest fictional epics--with consequences that continue to shape our own world.
Oathbreakers offers lessons of what deep cracks in a once-stable social and political fabric might reveal, and the bloody consequences of disagreeing on facts and reality. The Civil War at the heart of this tale asks: who is in and who is out? And what happens when things fall apart?
Rich and lively.--New York Times Book Review
A vibrant look at an unsettled and strangely familiar time that overturns our assumptions about the history of magic. Imagine: it's the year 1600 and you've lost your precious silver spoons, or maybe they've been stolen. Perhaps your child has a fever. Or you're facing a trial. Maybe you're looking for love or escaping a husband. What do you do? In medieval and early modern Europe, your first port of call might have been cunning folk: practitioners of service magic. Neither feared (like witches), nor venerated (like saints), they were essential to daily life. For people across ages, genders, and social ranks, practical magic was a cherished resource for navigating life's many challenges. In historian Tabitha Stanmore's beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I's astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today. Charming in every sense, Cunning Folk is at once an immersive reconstruction of a bygone era and a thought-provoking commentary on the beauty and bafflement of being human.The beauty and levity that Perry and Gabriele have captured in this book are what I think will help it to become a standard text for general audiences for years to come....The Bright Ages is a rare thing--a nuanced historical work that almost anyone can enjoy reading.--Slate
Incandescent and ultimately intoxicating. --The Boston Globe
A lively and magisterial popular history that refutes common misperceptions of the European Middle Ages, showing the beauty and communion that flourished alongside the dark brutality--a brilliant reflection of humanity itself.
The word medieval conjures images of the Dark Ages--centuries of ignorance, superstition, stasis, savagery, and poor hygiene. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors.
The Bright Ages takes us through ten centuries and crisscrosses Europe and the Mediterranean, Asia and Africa, revisiting familiar people and events with new light cast upon them. We look with fresh eyes on the Fall of Rome, Charlemagne, the Vikings, the Crusades, and the Black Death, but also to the multi-religious experience of Iberia, the rise of Byzantium, and the genius of Hildegard and the power of queens. We begin under a blanket of golden stars constructed by an empress with Germanic, Roman, Spanish, Byzantine, and Christian bloodlines and end nearly 1,000 years later with the poet Dante--inspired by that same twinkling celestial canopy--writing an epic saga of heaven and hell that endures as a masterpiece of literature today.
The Bright Ages reminds us just how permeable our manmade borders have always been and of what possible worlds the past has always made available to us. The Middle Ages may have been a world lit only by fire but it was one whose torches illuminated the magnificent rose windows of cathedrals, even as they stoked the pyres of accused heretics.
The Bright Ages contains an 8-page color insert.
Since its first appearance in 2004, The Crusades: A Reader has been the go-to sourcebook in the field. S.J. Allen and Emilie Amt cover the entire crusading movement, from its origins to its modern afterlife, using key primary source documents.
The third edition features a new introduction that includes a guide for students on how to use the book. The editors have also added more content on women, material culture, Jewish and Byzantine perspectives, Muslim-Crusader interactions, and modern use of Crusade imagery and rhetoric by the Far Right. The geographic range is broad, covering not only Crusades in the Middle East, but also in Spain and in northern Europe and against European heretics.
While scholarship, courses, and textbooks on the Crusades have proliferated over the past twenty years, The Crusades: A Reader remains the only comprehensive, up-to-date, and in-print sourcebook available on the subject.
Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us. -- Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb
The Great Plague is one of the most compelling events in human history--even more so now, when the notion of plague has never loomed larger as a contemporary public concern.
The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story: how many people died; how farm output and trade declined. But statistics can't convey what it was like to sit in Siena or Avignon and hear that a thousand people a day are dying two towns away. Or to have to chose between your own life and your duty to a mortally ill child or spouse. Or to live in a society where the bonds of blood and sentiment and law have lost all meaning, where anyone can murder or rape or plunder anyone else without fear of consequence.
In The Great Mortality, author John Kelly lends an air of immediacy and intimacy to his telling of the journey of the plague as it traveled from the steppes of Russia, across Europe, and into England, killing 75 million people--one third of the known population--before it vanished.
I send you this little book written down in my name, that you may read it for your education, as a kind of mirror.
So wrote the Frankish noblewoman Dhuoda to her young son William in the middle of the ninth century. Intended as a guide to right conduct, the book was to be shared in time with William's younger brother. Dhuoda's situation was poignant. Her husband, Bernard, the count of Septimania, was away and she was separated from her children. William was by Charles the Bald as a guarantee of his father's loyalty, and the younger son's whereabouts were unknown. As war raged in the crumbling Carolingian Empire, the grieving mother, fearing for the spiritual and physical welfare of her absent sons, began in 841 to write her loving counsel in a handbook. Two years later she sent it to William.
Handbook for William memorably expresses Dhuoda's maternal feelings, religious fervor, and learning. In teaching her children how they might flourish in God's eyes, as well as humanity's, Dhuoda reveals the authority of Carolingian women in aristocratic households. She dwells on family relations, social order, the connection between religious and military responsibility, and, always, the central place of Christian devotion in a noble life.
One of the few surviving texts written by a woman in the Middle Ages, Dhuoda's Liber manualis was available in only two faulty Latin manuscripts until a third, superior one was discovered in the 1950s. This English translation is based on the 1975 critical edition and French translation by Pierre Rich . Now available for the first time in paperback, it includes an afterword written by Carol Neel that takes into account recent scholarship and the 1991 revised edition of Rich 's text.
An Economist and Sunday Times Best Book of the Year
Deserves to be hailed as a magnum opus.