The calendar. The Senate. The university. The piano, the heliocentric model, and the pizzeria. It's hard to imagine a world without Italian influence--and easy to assume that inventions like these could only come from a strong, stable peninsula, sure of its place in the world. In this breakneck history, bestselling author Ross King dismantles this assumption, uncovering the story of a land rife with inner uncertainty even as its influence spread.

As the Italian tale unfolds, prosperity and power fluctuate like the elevation in the Dolomites. If Rome's seven hills could talk, they might speak of the glorious time of Trajan--or bemoan the era of conquest and the Bubonic Plague that decimated Rome's population. Episodes of wealth like the First Triumvirate and the time of the Medicis are given fresh life alongside descriptions of the Middle Ages, the early days of Venice, the invasion of Napoleon, and the long struggle for unification.

Highlighting key events and personalities, King paints a vibrant portrait of a country whose political and cultural legacies enrich our lives today.

1343: there is famine in Naples. After nightfall, a Genoese ship loaded with wheat is attacked by members of two local clans who brutally kill several sailors and their captain. The attackers returned to the city, greeted by the cheers of their countrymen, and the blind eye of the authorities. The Republic of Genoa presented the Kingdom of Naples with a formal protest against the incident. But, in a historical document of great importance today, King Charles I of Anjou admitted he did not control his own city, that the true rulers of Naples were the family.

The purpose of this book is not to retrace the birth of the Camorra through the traditional roads of ethnology, anthropology, sociology, or even folklore for the umpteenth time. Amedeo Feniello takes a new route through a number of previously unstudied elements and makes a unique observation: that these families of Naples were in power at the time of the birth of the Angevin Kingdom of Naples--one of the first European nation states. They would have been leaders of the new state, actively participating in the business of the royal family and serving as a new class of directors, officers, and bureaucrats.

A powerful church. An acquiescent government. In The Price of Children, investigative journalist Maria Laurino details the shocking story of mothers and children deceived and exploited as directed by the highest levels of the Vatican.

Between 1950 and 1970, the Vatican and the American Catholic Church sent nearly four thousand Italian children to the United States for adoption into good Catholic homes. With the religious stigma of unwed motherhood turning families against daughters and a Church and State wanting illegitimate children sent abroad, mothers were lied to, given forms to sign that they didn't understand, or even told their baby had died, all to further supply this international adoption pipeline.

Maria Laurino uncovers archival correspondence among priests who ran this program; provides testimonies from birth mothers and their adopted children; and with passion and insight, considers how the intersection of Catholicism, women, sex, and sin shaped private lives. The Price of Children is a moving and brilliant account about the tenacity of people searching for their origins and trying to answer long-buried questions. It is a chilling lesson for post-Dobbs America as the author describes the danger of a powerful church and acquiescent government dictating the shape of a woman's life.

I could not put this book down. An amazing read. Laurino eloquently unfolds the nefarious history of the Italian 'war adoptions' in a manner that is entirely readable and clear as a bell, her research precise and well rendered. --Elizabeth Strout, Pulitzer Prize-winning author

An extraordinary work of investigative journalism. --Corriere della Sera

By shedding light on the mistreatment suffered by single mothers of that time, [The Price of Children] invites all women to defend those civil rights which, today, are questioned in many parts of the world. --Vanity Fair Italia

[An] astonishing investigative work. . . . Maria Laurino's painful, very rich and very human book. . . . Helps us ask fundamental questions about the present and the future. --Doppiozero

No city stirs the imagination more than Venice. From the richly ornamented palaces emerging from the waters of the Grand Canal to the dazzling sites of Piazza San Marco, visitors and residents alike sense they are entering, as fourteenth-century poet Petrarch remarked, another world. During the Middle Ages and Renaissance, Venice was celebrated as a model republic in an age of monarchs. In the seventeenth and eighteenth centuries, it became famous for its freewheeling lifestyle characterized by courtesans, casinos, and Carnival. When the city fell on hard times following the collapse of the Republic in 1797, a darker vision of Venice as a place of decay, disease, and death took hold. Today tourists from around the globe flock to the world heritage site as rising sea levels threaten its very foundations.

This comprehensive account reveals the adaptations to its geographic setting that have been a constant feature of living on water from Venice's origins to the present. It examines the lives of the women and men, noble and common, rich and poor, Christian, Jew, and Muslim, who built not only the city but also its vast empire that stretched from Northern Italy to the eastern Mediterranean. It details the urban transformations that Venice underwent in response to environmental vulnerability, industrialization, and mass tourism. Alongside the city's commercial prominence has been its dramatically changing political role, including its power as a city-state, regional stronghold, and overseas empire, as well as its impact on the development of fascism. Throughout, Dennis Romano highlights the city's cultural achievements in architecture, painting, and music, particularly opera.

This richly illustrated volume offers a stunning portrait of this most singular of cities.

In the autumn of 1550, a thick volume containing a wealth of geographical information new to Europeans, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi et Viaggi (Journeys and Navigations). The editor of this remarkable collection of travelogues, journals and classified government reports remained anonymous. Two additional volumes delivered the most accurate information on Asia and the New World available at the time. The three volumes together constituted an unparalleled release of geographical data into the public domain. It was, Andrea di Robilant writes, the biggest Wikileak of the Renaissance.

In This Earthly Globe, di Robilant brings to life the palace intrigues, editorial wheedling, delicate alliances and vibrant curiosity that resulted in this coup by the editor Giovambattista Ramusio. Learned and self-effacing, he gathered a vast array of both popular and closely guarded narratives, from the journals of Marco Polo (he fact-checked them!) to detailed reports on Northern African cultures from the Muslim scholar and diplomat al-Hasan ibn Mohammad al-Wazzan (later known as Leo Africanus). Diverse voices spill out from these chapters as di Robilant recounts how Ramusio pursued the sources, and how he understood both the darker episodes of exploration involving colonial violence and the voyage stories which included accounts of people from African and Asian lands, who had a great deal to share about their cultures. The result is a far-flung and delightful homage to one of the founding fathers of modern geography.

Ryan Murdock had visions of living a slow-paced island life on the Mediterranean while writing about his experiences, so in 2011 he moved from Canada to Malta. To the casual visitor, Malta is a sleepy place with sun-soaked shorelines and ancient fortified harbors. Murdock imagined it to be an archipelago island of warm weather, gorgeous views, busy cafes, and grilled fish dinners. On the surface, it was.

The six years Murdock spent in Malta revealed an insular culture whose fundamental baseline is amoral familism, a worldview in which any action taken to benefit one's family or oneself is justifiable, regardless of whether it is legal or ethical. In such a place murder may or may not be wrong, depending on what one thinks of another's politics. This pervasive perspective created a culture of corruption that rose all the way to the top of the island nation. The office of the prime minister was implicated in Caruana Galizia's murder, and the investigation continues to reveal a government mired in money laundering, human trafficking, fuel smuggling, and the sale of EU passports to Russian and Middle Eastern oligarchs.

Interspersed with personal narrative, Murdock delves into Malta's unique geopolitical, cultural, ethnic, and religious history--one that transformed it from a hub of prehistoric rule into a modern society where a powerful cabal of political and business leaders nearly got away with murder.

The lion cannot guard himself from the toils, nor the fox from wolves. A Prince must therefore be a fox to discern toils, and a lion to drive off wolves.

The modern-day term Machiavellian is used to describe deception, dishonesty, and cruelty to meet a goal. The Prince by Niccolò Machiavelli was written as a guide for autocrats on how to govern using means that were meant to deceive and manipulate a government's constituency-to the extent of advocating the use of evil for political expediency.

In this classic work, the end justifies the means reigns paramount to Machiavelli's system of government.

1742: the famous dome atop Saint Peter's Basilica, designed by Michelangelo, is fractured and threatened with collapse. The dome is the pride of Italy and the largest of its kind anywhere in the world. And no one knows how to fix it.

This engaging and colorful narrative tells the overlooked story of how Michelangelo's Dome was saved from disaster by three mathematicians and Pope Benedict XIV, who had asked them for help. It is a gripping story of decisive leadership, crisis management, and scientific innovation, and the resistance that was faced when sailing into the headwinds of conventional thought.

In Saving Michelangelo's Dome, Stanford-trained engineer Wayne Kalayjian illustrates how new ideas in science and mathematics established an entirely new way of looking at the world--as well as solving its complex problems. In the end, readers will appreciate that in saving Michelangelo's Dome from collapse, these three mathematicians and one determined pope unknowingly invented the profession of engineering as we practice it today. With it, they transformed the architectural world and ushered in generations of future buildings and structures that, otherwise, would never have been built.

It takes victims, blood, and years to rid a country of tyranny.

Those are words of a Jewish Italian woman who lived during Fascism and the Holocaust.

Italian Fascism was thuggish and promised order during the chaotic post World War I period. But in its rise, it did not signal what it eventually would aim to destroy, including the lives and livelihoods of Jews. Early on, Italian Fascism was not explicitly anti-Semitic. But 11 years after Mussolini cemented his dictatorship, he began to dismantle the professional and personal lives of Jews in Italy. Then, during the German occupation, in 1943, these Italians experienced the threat of deportation and genocide.

Judith Monachina listened to individual stories, often in the homes of those she interviewed. She also met historians and others dedicated to meticulously documenting and communicating this history. Her journey through this project took years to trace, with one Fulbright period to conduct intensive research and live in the place of memory. Now, the individual accounts in Days of Memory bear witness to how people coped with the collapse of civil society, carried on with their lives as well as they could, and made life-or-death decisions. These stories show us their resilience.

The rebirth of Italy after the Second World War is one of the most impressive political transformations in modern European history. In 1945, post-fascist Italy was devastated by war, and its reputation in the international arena was nil. Yet by December 1955, when Italy was admitted to the United Nations, the nation had contested three acrimonious but free general elections, had a flourishing press, and was a leader in the rebuilding of Europe.

This is the dramatic story told by Italy Reborn. It charts the descent of Italy into Fascism, the scale of the wartime disaster, the Italian resistance to Nazi occupation, the horrors of civil war, and the establishment of the Republic in 1946. The Cold War divided, in 1947, the coalition of parties that had led the resistance to Fascism and Nazism.

The book's final chapters deal with the consolidation of Italian democracy and with the statesmanship of Alcide De Gasperi, the premier from December 1945 to August 1953. The book persuasively argues that De Gasperi deserves more credit than he has typically been accorded for Italy's postwar democratization and shows how Italian democracy was constructed on a sound foundation--which is why it has been able to survive its many postwar crises.

Largely based on contemporary Italian sources, Italy Reborn is both an original account of this crucial period in Italian history and a remarkable example of how democracies are made.

In this revelatory history of gourmet Italy from antiquity to today (Publishers Weekly), the fascinating story of how one vast country comprised of uniquely distinct regions came to produce some of the most delicious and beloved foods of all time is expertly revealed.

If you want to understand Italian food, it's important to recognize one central insight: Italian food is city food. It's not coincidental that so many Italian foods and dishes are named after cities: bistecca alla fiorentina, prosciutto di Parma, pizza napoletana. Italy has the world's longest unbroken tradition of urban living, and food has played an integral role in that tradition.

Delizia explores this dynamic history by focusing on one great food per city per era, beginning, of course, with the introduction of pasta by Muslims to Sicily in the Middle Ages. Each chapter relates a key moment in a single city's gastronomic past and, together, these slices of life build into a single narrative that spans the centuries and evokes the look, the atmosphere, and the taste of past and present. Celebratory and compelling, Delizia proves that if we are what we eat, who wouldn't want to be Italian (The Times, London).

A rich and fascinating cultural history of the Mediterranean's enigmatic heart Sicily is at the crossroads of the Mediterranean, and for over 2000 years has been the gateway between Europe, Africa and the East. It has long been seen as the frontier between Western Civilization and the rest, but never definitively part of either. Despite being conquered by empires--Romans, Byzantines, Arabs, Normans, Hapsburg Spain--it remains uniquely apart. The island's story maps a mosaic that mixes the story of myth and wars, maritime empires and reckless crusades, and a people who refuse to be ruled.

In this riveting, rich history Jamie Mackay peels away the layers of this most mysterious of islands. This story finds its origins in ancient myth but has been reinventing itself across centuries: in conquest and resistance. Inseparable from these political and social developments are the artefacts of the nation's cultural patrimony--ancient amphitheaters, Arab gardens, Baroque Cathedrals, as well as great literature such as Giuseppe di Lampedusa's masterpiece The Leopard, and the novels and plays of Luigi Pirandello. In its modern era, Sicily has been the site of revolution, Cosa Nostra and, in the twenty-first century, the epicenter of the refugee crisis.

Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto, and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.

Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.

In this elegant volume, Gayford--who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions--takes us on a visual journey through the past five centuries of the city known La Serenissima, the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.

The magnificent and definitive history of The Eternal City, narrated by a master historian.

Why does Rome continue to exert a hold on our imagination? How did the Caput mundi come to play such a critical role in the development of Western civilization?

Ferdinand Addis addresses these questions by tracing the history of the Eternal City told through the dramatic key moments in its history: from the mythic founding of Rome in 753 BC, via such landmarks as the murder of Caesar in 44 BC, the coronation of Charlemagne in AD 800 and the reinvention of the imperial ideal, the painting of the Sistine chapel, the trial of Galileo, Mussolini's March on Rome of 1922, the release of Fellini's La Dolce Vita in 1960, and the Occupy riots of 2011.

City of the Seven Hills, spiritual home of Catholic Christianity, city of the artistic imagination, enduring symbol of our common European heritage-Rome has inspired, charmed, and tempted empire-builders, dreamers, writers, and travelers across the twenty-seven centuries of its existence. Ferdinand Addis tells this rich story in a grand narrative style for a new generation of readers.

Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From there, he goes back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries. He explores in rich detail the formation of empire, the rise of early Christianity, the Crusades, the Renaissance, and takes us up to the present, through the rise and fall of Mussolini's fascism. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

In 1459 a Venetian monk named Fra Mauro completed an astonishing map of the world. Seven feet in diameter, Fra Mauro's mappamundi is the oldest and most complete Medieval map to survive into modernity. And in its time, this groundbreaking mappamundi provided the most detailed description of the known world, incorporating accurate observation, and geographic reality, urging viewers to see water and land as they really existed. Fra Mauro's map was the first in history to show that a ship could circumnavigate Africa, and that the Indian Sea was in fact an ocean, enabling international trade to expand across the globe. Acclaimed anthropologist Meredith F. Small reveals how Fra Mauro's mappamundi made cartography into a science rather than a practice based on religion and ancient myths.

Here Begins the Dark Sea brings Fra Mauro's masterpiece to life as a work of art and a window into Venetian society and culture. In telling the story of this cornerstone of modern cartography, Small takes the reader on a fascinating journey as she explores the human urge to find our way. Here Begins the Dark Sea is a riveting testament to the undeniable impact Fra Mauro and his mappamundi have had over the past five centuries and still holds relevance today.

One of The Economist's Books of the Year

A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present

Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance--and weakness--of Italy today.

David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past--from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era.

Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.

The thrilling story of the Jews in Venice - and the truth behind one of Shakespeare's most famous characters.

Millions of visitors flood to Venice every year. Yet many are unaware of its history - one of dramatic expansion but also of rapid decline. And essential to any history of Venice during its glory days is the story of its Jewish population. Venice gave the world the word ghetto. Astonishingly, the ghetto prison turned out to be as remarkable a place as the city of Venice itself.

With sound scholarship and a narrator's skill, Harry Freedman tells the story of Venice's Jews. From the founding of the ghetto in 1516, to the capture of Venice by Napoleon in 1797, he describes the remarkable cultural renaissance that took place in the Venice ghetto. Gates and walls notwithstanding, for the first time in European history Jews and Christians mingled intellectually, learned from each other, shared ideas and entered modernity together. When it came to culture, the ghetto walls were porous.

Any history of Venice and its Jews also can't avoid the story of Shakespeare's Shylock. The cultural and political revival in the Venice ghetto is often obscured from history by this fictional character. Who, we wonder, was Shylock? Would the people of Venice have recognized him and what did Shakespeare really think of him? Shakespeare's ambivalent anti-Semitism reflects attitudes to Jews in Elizabethan England - but as Freedman demonstrates, Shakespeare's myth is wholly ignorant of the literary, cultural and interfaith revival that Shylock would have experienced.

A rich and fascinating cultural history of the Mediterranean's enigmatic heart Sicily is at the crossroads of the Mediterranean, and for over 2000 years has been the gateway between Europe, Africa and the East. It has long been seen as the frontier between Western Civilization and the rest, but never definitively part of either. Despite being conquered by empires--Romans, Byzantines, Arabs, Normans, Hapsburg Spain--it remains uniquely apart. The island's story maps a mosaic that mixes the story of myth and wars, maritime empires and reckless crusades, and a people who refuse to be ruled.

In this riveting, rich history Jamie Mackay peels away the layers of this most mysterious of islands. This story finds its origins in ancient myth but has been reinventing itself across centuries: in conquest and resistance. Inseparable from these political and social developments are the artefacts of the nation's cultural patrimony--ancient amphitheaters, Arab gardens, Baroque Cathedrals, as well as great literature such as Giuseppe di Lampedusa's masterpiece The Leopard, and the novels and plays of Luigi Pirandello. In its modern era, Sicily has been the site of revolution, Cosa Nostra and, in the twenty-first century, the epicenter of the refugee crisis.