The New York Times bestselling author returns with a biography examining the dramatic life and unparalleled leadership of England's greatest medieval king

Henry V reigned over England for only nine years and four months and died at the age of just thirty-five, but he looms over the landscape of the late Middle Ages and beyond. The victor of Agincourt, he is remembered as the acme of kingship, a model to be closely imitated by his successors. William Shakespeare deployed Henry V as a study in youthful folly redirected to sober statesmanship. For one modern medievalist, Henry was, quite simply, the greatest man who ever ruled England.

For Dan Jones, Henry V is one of the most intriguing characters in all medieval history, but one of the hardest to pin down. He was a hardened, sometimes brutal warrior, yet he was also creative and artistic, with a bookish temperament. He was a leader who made many mistakes, who misjudged his friends and family, but he always seemed to triumph when it mattered. As king, he saved a shattered country from economic ruin, put down rebellions, and secured England's borders; in foreign diplomacy, he made England a serious player once more. Yet through his conquests in northern France, he sowed the seeds for three generations of calamity at home, in the form of the Wars of the Roses.

Henry V is a historical titan whose legacy has become a complicated one. To understand the man behind the legend, Jones first examines Henry's years of apprenticeship, when he saw the downfall of one king and the turbulent reign of another. Upon his accession in 1413, he had already been politically and militarily active for years, and his extraordinary achievements as king would come shortly after, earning him an unparalleled historical reputation. Writing with his characteristic wit and style, Jones delivers a thrilling and unmissable life of England's greatest king.

Richard of Bordeaux and Henry of Bolingbroke, cousins born just three months apart, were ten years old when Richard became king of England. They were thirty-two when Henry deposed him and became king in his place. Now, the story behind one of the strangest and most fateful events in English history (and the inspiration behind Shakespeare's most celebrated history plays) is brought to vivid life by the acclaimed author of Blood and Roses, Helen Castor.

Castor showcases the enigmatic Richard II, a king who clung to his divine right to rule but lacked the leadership to sustain his throne. His reign, marred by narcissism and disdain for constitutional principles, spiraled into chaos, ultimately leading to his downfall at the hands of his cousin. Enter Henry IV--a stark contrast. Castor portrays him as a chivalric hero, a leader who inspired loyalty and camaraderie. Yet, his journey to the throne was anything but smooth, plagued by rebellion and political turmoil. What makes Castor's account so compelling is her ability to weave these personal stories into the bigger picture. She explores the turbulent themes of masculinity, identity, and the fragile nature of power, offering a timely reminder of the perils of self-obsessed rulers--and the challenges faced by those who follow in their wake.

Richly researched and beautifully written, The Eagle and the Hart isn't just a history book--it's a gripping tale of leadership, legacy, and the timeless struggle for power. For anyone fascinated by medieval England or the universal dynamics of power and ambition, this is not to be missed.

From the New York Times bestselling author of The Plantagenets, a lively, action-packed history of how the Magna Carta came to be--by the author of Powers and Thrones.

The Magna Carta is revered around the world as the founding document of Western liberty. Its principles--even its language--can be found in our Bill of Rights and in the Constitution. But what was this strange document and how did it gain such legendary status?

Dan Jones takes us back to the turbulent year of 1215, when, beset by foreign crises and cornered by a growing domestic rebellion, King John reluctantly agreed to fix his seal to a document that would change the course of history. At the time of its creation the Magna Carta was just a peace treaty drafted by a group of rebel barons who were tired of the king's high taxes, arbitrary justice, and endless foreign wars. The fragile peace it established would last only two months, but its principles have reverberated over the centuries.

Jones's riveting narrative follows the story of the Magna Carta's creation, its failure, and the war that subsequently engulfed England, and charts the high points in its unexpected afterlife. Reissued by King John's successors it protected the Church, banned unlawful imprisonment, and set limits to the exercise of royal power. It established the principle that taxation must be tied to representation and paved the way for the creation of Parliament.

In 1776 American patriots, inspired by that long-ago defiance, dared to pick up arms against another English king and to demand even more far-reaching rights. We think of the Declaration of Independence as our founding document but those who drafted it had their eye on the Magna Carta.

Winters in the World is a beautifully observed journey through the cycle of the year in Anglo-Saxon England, exploring the festivals, customs, and traditions linked to the different seasons. Drawing on a wide variety of source material, including poetry, histories, and religious literature, Eleanor Parker investigates how Anglo-Saxons felt about the annual passing of the seasons and the profound relationship they saw between human life and the rhythms of nature. Many of the festivals celebrated in the United Kingdom today have their roots in the Anglo-Saxon period, and this book traces their surprising history while unearthing traditions now long forgotten. It celebrates some of the finest treasures of medieval literature and provides an imaginative connection to the Anglo-Saxon world.

A lively, new and sweeping history of the rise of the state in Plantagenet England.

Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting - including civil war, deposition, the murder of kings and the ruthless execution of rebel lords - as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history.

Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England's emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself.

Composing songs of love and war in medieval Western and Southern Europe, troubadours spanned the social spectrum from powerful nobles to penniless minstrels. This book delves into the everyday worlds of these remarkable poet-musicians, famed for their innovative use of language and music as well as the lasting impact of their work on audiences then and now. The troubadours' songs explored ideas about courtly love as well as medieval perceptions of gender, class, war, and chivalry. Linda M. Paterson examines the troubadours' music, performance, and legacy, pairing fresh translations with the original texts to highlight the enduring beauty of their songs and poetry.

Medieval falconry was not just about hunting; the practice also signified sovereignty, power, and diplomacy. In The Art of Medieval Falconry, Yannis Hadjinicolaou describes the visual culture that sprang up around these practices, tracking how imagery, equipment, and even the birds themselves moved through the medieval world. Indeed, Hadjinicolaou shows that falconry has been a global phenomenon since at least the thirteenth century.

This beautifully illustrated book offers a unique glimpse at how cultures across the globe adopted and adapted the visual culture of medieval falconry.

A highly illustrated history of the Wars of the Roses based on the medieval art of Graham Turner.

The period of civil strife in the second half of the 15th century now known as the Wars of the Roses was one of the most dramatic and tumultuous in English history.

Since first being inspired by a visit to Bosworth battlefield nearly 30 years ago, renowned historical artist Graham Turner has built a worldwide reputation for his depictions of this colourful and troubled era, his paintings and prints prized by historians and collectors for their attention to detail and dramatic and atmospheric compositions.

This new study contains a detailed history of the wars alongside a unique and comprehensive collection of over 120 of his paintings and drawings, many created especially for this book. It provides meticulously researched details of arms, armour, settings and countless other aspects of the period, while bringing to life the human stories behind the turbulent events.

Considers the clerical friends of Ermengarde of Brittany, showing how these men enabled Ermengarde to fulfil both her duty and her desire to live an intensely pious life. Explores the ways in which grief was represented in the Histoire de Guillaume le Maréchal. Two thirteenth-century Evesham forgeries demonstrate that early thirteenth-century people, even so-called experts at the papal chancery, seem to have been ignorant of the physical form taken by early papal bulls. Explores the world of the scribes who composed Exon Domesday, demonstrating their working methods as well as giving us further insights into the composition of Great Domesday, completed by 1088. Looks at the involvement of Bernard, abbot of Le Mont Saint-Michel, 1131-49, in the development of the abbey in peril of the sea. Examines how the introduction of musical notation into Normandy around the millennium made it possible for people to understand melodies without aid from a master. Offers insights into the career of Ranulf Flambard, the most infamous tax collector of the late eleventh century in England. Investigates the annals of the Anglo-Saxon Chronicle for the years 1062 to 1066, showing that they were written largely in retrospect after the events of 1066 had played out. Looks at the case for the evidence relating to the foundation of Kirkstead Abbey, Lincolnshire. Finally, presents evidence for spying and espionage in the Anglo-Norman World.

The popular perception of the medieval Crusades is of conflicts spanning from the Holy Land to the Baltic, with huge armies of religious zealots led by knights wearing crosses. However, the reality is far more nuanced. The vast majority of those living in western Europe did not go on crusade at all. But that does not mean that crusading was not on their minds, or that they could not influence the movement. They urged others to take up the cross, provided financial support, and prayed for the campaigns in the Holy Land; for them, this was crusade.

This book investigates how English laywomen were encouraged to support crusades and identify with holy war during the Middle Ages, challenging preconceptions of what crusade meant, and bringing out the diverse ways of their participation. It draws on detailed analysis of cartularies, judicial records, chronicles and lyrical sources; it also examines the rich material culture of commemoration that celebrated the endeavour, alongside the papal propaganda which idealised women's sponsorship of crusade. This study therefore sheds new light not only on the role of women in crusade, but on their influence and piety more generally.

The pig was a common sight in the Middle Ages. They might be eating under an oak tree, or out in a field. They might be in the street, with the swineherd close behind at their heels. They might be dismembered, for sale by a butcher. They might be represented on misericords, in a church or cathedral, dancing, playing the bagpipes, or suckling people. Pigs were in all these places. But what was the pig's place?

This book considers pigs in medieval Europe from a number of angles: whether part of the countryside, the cityscape, on the plate or in the mind. Drawing on a rich wealth of sources, both textual and material, it examines in particular the paradoxes that the pig presented: both good and bad, fecund/fornicator, noble/filthy. It uncovers the pig's numerous roles in medieval society, how pigs shaped human life, and how humans shaped theirs.

Alle Thyng Hath Tyme recreates medieval people's experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity. Medieval people measured time by natural phenomena such as sunrise and sunset, the motion of the stars, or the progress of the seasons, even as the late-medieval invention of the mechanical clock made time-reckoning more precise. Negotiating these mixed and competing systems, Gillian Adler and Paul Strohm show how medieval people gained a nuanced and expansive sense of time that rewards attention today.

A dazzling history of the Tower of London, one of the world's busiest tourist attractions, and the people who populated it.

Castle, royal palace, prison, torture chamber, execution site, zoo, mint, home to the crown jewels, armory, record office, observatory, and the most visited tourist attraction in the UK: The Tower of London has been all these things and more. No building in Britain has been more intimately involved in the island's story than this mighty, brooding stronghold in the very heart of the capital, a place which has stood at the epicenter of dramatic, bloody and frequently cruel events for almost a thousand years.

Now historian Nigel Jones sets this dramatic story firmly in the context of national--and international--events. In a gripping account drawn from primary sources and lavishly illustrated with sixteen pages of stunning photographs, he captures the Tower in its many changing moods and its many diverse functions.

Here, for the first time, is a thematic portrayal of the Tower of london not just as an ancient structure, but as a living symbol of the nation of Great Britain.

This history will endure; not only because Sir Winston has written it, but also because of its own inherent virtues - its narrative power, its fine judgment of war and politics, of soldiers and statesmen, and even more because it reflects a tradition of what Englishmen in the hey-day of their empire thought and felt about their country's past. The Daily Telegraph

Spanning four volumes and many centuries of history, from Caesar's invasion of Britain to the start of World War I, A History of the English-Speaking Peoples stands as one of Winston S. Churchill's most magnificent literary works. Begun during Churchill's 'wilderness years' when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history and completed when Churchill was in his 80s, it remains to this day a compelling and vivid history.

The first volume - The Birth of Britain - tells the story of the formation of the British state, from the arrival of Julius Caesar and the Roman Empire through the invasions of the Vikings and the Normans, the signing of the Magna Carta and establishment of the mother of parliaments to the War of the Roses.

The Norman Conquest brought about great change in England: new customs, a new language, and new political and ecclesiastical hierarchies. It also saw the emergence of an Anglo-Norman intellectual culture, with an innate curiosity in the past. For the pre-eminent twelfth-century English historians - such as Eadmer of Canterbury, William of Malmesbury and Henry of Huntingdon - the pre-Conquest past was of abiding interest. While they recognised the disruptions of the Conquest, this was accompanied by an awareness that it was but one part of a longer story, stretching back to sub-Roman Britain. This concept of a continuum of English history that traversed the events of 1066 would prove enduring, being transmitted into and by the works of successive generations of medieval English historians.

This collection sheds new light on the perceptions and uses of the pre-Conquest past in post-Conquest historiography, drawing on a variety of approaches, from historical and literary studies, to codicology, historiography, memory theory and life writing. Its essays are arranged around two main interlinked themes: post-Conquest historiographical practice and how identities - institutional, regional and personal - could be constructed in reference to this past. Alongside their analyses of the works of Eadmer, William and Henry, contributors offer engaging studies of the works of such authors as Aelred of Rievaulx, Orderic Vitalis, Gervase of Canterbury, John of Worcester, Richard of Devizes, and Walter Map, as well as numerous anonymous hagiographies and histories.

Salisbury is renowned for its superb medieval cathedral and planned city centred on its market. Traces of timber-framed buildings, which served as homes for countless generations of Salisbury occupants, still remain. The lives of these former residents can now start to be reconstructed from the archaeological evidence as parts of the city have been redeveloped. Foundations of former houses can be matched with upstanding buildings to reconstruct the appearance of medieval Salisbury. The everyday lives, health, diet, occupations and social status of the residents can be illustrated using pottery, animal bones and food remains referencing how the urban population integrated with communities in rural areas. This volume attempts to bring these diverse strands of archaeological evidence together for the first time to tell the story of this cathedral city and its residents through its engaging past.

This collection brings into dialogue scholarship on social, religious, economic, military and political history, offering exciting new insights into a range of topics, based upon meticulous research into published and unpublished archival records. Two studies reveal the influence of gendered norms and expectations at different ends of the social spectrum, one focussing on peasant women charged with extramarital sex known as leyrwite, the other on the martial achievements and expectations of Edward III. Several essays examine patronage, property investment and the built environment, with actors ranging from the papacy to religious guilds and members of the gentry. Further contributions provide new perspectives on conflict and violence: a re-examination of how the Peasants' Revolt was recorded in the Anonimalle Chronicle, a consideration of how armies were recruited at the time of civil war in 1321-22, and an investigation of the life and career of Henry Crystede, an Englishman fighting in Ireland.

Discover the castles of Scotland, from early motte and bailey earthworks and impressive walled enclosures to the many tower houses that dot the landscape. Castles were built in increasing numbers from the 14th to the 17th century, as residences for the Scottish nobility. Some are still proudly occupied; others are well-maintained ruins; many others slowly decay in fields and farmyards.

Here, Adrian Pettifer provides a brief account of every Scottish castle to survive in a reasonable state of preservation, including such iconic sites as Edinburgh, Glamis and Cawdor. Each of the more than five hundred main entries provides a brief history and description of a castle, followed by advice on accessibility, sources for further reading and cross-references to related sites. An introduction supplies the historical background, while a glossary covers all aspects of Scottish castles in some detail. Ordnance Survey references are given in the index.