ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR
NAMED A BEST BOOK OF THE YEAR BY The Wall Street Journal and NPR

The epic story of how the East India Company took over large swaths of Asia, and the devastating results of the corporation running a country.

In August 1765, the East India Company defeated the young Mughal emperor and set up, in his stead, a government run by English traders who collected taxes through means of a private army. Over the course of the next 47 years, the company's reach grew until almost all of India south of Delhi was essentially ruled from a boardroom in the city of London.

The Anarchy tells one of history's most remarkable stories: how the Mughal Empire-which dominated world trade and manufacturing and possessed almost unlimited resources-fell apart and was replaced by a multinational corporation answerable only to shareholders, most of whom had never even seen India and had no idea about the country whose wealth provided their dividends. Using previously untapped sources, William Dalrymple provides a devastating portrait of the brutality that results when a company becomes a colonial power.

This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; the sartorial elegance of Beau Brummell and the poetic license of Lord Byron; Britain's military triumphs at Trafalgar and Waterloo; the threat of revolution and the Peterloo massacre. In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency, or Georgian England.

A time of exuberance, thrills, frills and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition that reflected unprecedented social, economic, and political change. And like all periods in history, it was an age of many contradictions--where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion.

Once more, Ian Mortimer takes us on a thrilling journey to the past, revealing what people ate, drank, and wore; where they shopped and how they amused themselves; what they believed in, and what they feared. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting, physical, visceral--the past not as something to be studied but as lived experience.

Finalist for the Cundill History Prize

ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR

NAMED A BEST BOOK OF THE YEAR BY The Wall Street Journal and NPR

Superb ... A vivid and richly detailed story ... worth reading by everyone. -The New York Times Book Review

From the bestselling author of Return of a King, the story of how the East India Company took over large swaths of Asia, and the devastating results of the corporation running a country.

In August 1765, the East India Company defeated the young Mughal emperor and set up, in his place, a government run by English traders who collected taxes through means of a private army.

The creation of this new government marked the moment that the East India Company ceased to be a conventional company and became something much more unusual: an international corporation transformed into an aggressive colonial power. Over the course of the next 47 years, the company's reach grew until almost all of India south of Delhi was effectively ruled from a boardroom in the city of London.

The Anarchy tells one of history's most remarkable stories: how the Mughal Empire-which dominated world trade and manufacturing and possessed almost unlimited resources-fell apart and was replaced by a multinational corporation based thousands of miles overseas, and answerable to shareholders, most of whom had never even seen India and no idea about the country whose wealth was providing their dividends. Using previously untapped sources, Dalrymple tells the story of the East India Company as it has never been told before and provides a portrait of the devastating results from the abuse of corporate power.

Bronze Medal in the 2020 Arthur Ross Book Award

A fascinating account of two eighteenth-century princes from East Africa, their travels, and their encounters with the British Empire and slavery

In 1716 two princes from Mpfumo--what is today Maputo, the capital of Mozambique--boarded a ship licensed by the East India Company bound for England. Instead, their perfidious captain sold them into slavery in Jamaica. After two years of pleading their case, the princes--known in the historical record as Prince James and Prince John--convinced a lawyer to purchase them, free them, and travel with them to London. The lawyer perished when a hurricane wrecked their ship, but the princes survived and arrived in England in 1720. Even though the East India Company had initially thought that the princes might assist in their aspirations to develop a trade for gold in East Africa and for enslaved labor in Madagascar, its interest waned. The princes would need to look elsewhere to return home. It was at this point that members of the Royal African Company and the Society for Promoting Christian Knowledge took up their cause, in the hope that profit and perhaps Christian souls would follow. John would make it home, but tragically, James would end his own life just before the ship sailed for Africa.

In The Two Princes of Mpfumo, Lindsay O'Neill brings to life individuals caught up in the eighteenth-century slave trade. O'Neill also shows how the princes' experiences reflect the fragmented, chaotic, and often deadly realities of the early British empire. A fascinating and deeply researched historical narrative, The Two Princes of Mpfumo blurs the boundaries between the Atlantic and Indian ocean worlds; reveals the intertwined networks, powerful individuals, and unstable knowledge that guided British attempts at imperial expansion; and illuminates the power of African polities, which decided who lived and who died on their coasts.

**A brilliant new history of Georgian Britain through the eyes of the artists who immortalized it, by one of the UK's most exciting young historians**

'Alice Loxton is the star of her generation ... the next big thing in history' DAN SNOW, author, Listening to Stone

'Vivid, pacey and endlessly engaging, this brilliant debut brings the late Georgian period dazzlingly to life. Irresistible stuff' TRACY BORMAN, author, Crown & Sceptre

London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power.

Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power, from the Prince Regent to Georgiana, Duchess of Devonshire. Their prints and illustrations deconstruct the political and social landscape with surreal and razor-sharp wit, as the three men vie with each other to create the most iconic images of the day.

Alice Loxton's writing fizzes with energy on every page, and never fails to convince us that Gillray and his gang profoundly altered British humor, setting the stage for everything from Gilbert and Sullivan to Private Eye and Spitting Image today. This is a book that will cause readers to reappraise everything they think they know about genteel Georgian London, and see it for what it was - a time of UPROAR!

A new assessment of the West's colonial record

In the wake of the dissolution of the Soviet empire in 1989, many believed that we had arrived at the 'End of History' - that the global dominance of liberal democracy had been secured forever.

Now however, with Russia rattling its sabre on the borders of Europe and China rising to challenge the post-1945 world order, the liberal West faces major threats.

These threats are not only external. Especially in the Anglosphere, the 'decolonisation' movement corrodes the West's self-confidence by retelling the history of European and American colonial dominance as a litany of racism, exploitation, and massively murderous violence.

Nigel Biggar tests this indictment, addressing the crucial questions in eight chapters: Was the British Empire driven primarily by greed and the lust to dominate? Should we speak of 'colonialism and slavery' in the same breath, as if they were identical? Was the Empire essentially racist? How far was it based on the theft of land? Did it involve genocide? Was it driven fundamentally by the motive of economic exploitation? Was undemocratic colonial government necessarily illegitimate? and, Was the Empire essentially violent, and its violence pervasively racist and terroristic?

Biggar makes clear that, like any other long-standing state, the British Empire involved elements of injustice, sometimes appalling. On occasions it was culpably incompetent and presided over moments of dreadful tragedy.

Nevertheless, from the early 1800s the Empire was committed to abolishing the slave trade in the name of a Christian conviction of the basic equality of all human beings. It ended endemic inter-tribal warfare, opened local economies to the opportunities of global trade, moderated the impact of inescapable modernisation, established the rule of law and liberal institutions such as a free press, and spent itself in defeating the murderously racist Nazi and Japanese empires in the Second World War.

As encyclopaedic in historical breadth as it is penetrating in analytical depth, Colonialism offers a moral inquest into the colonial past, forensically contesting damaging falsehoods and thereby helping to rejuvenate faith in the West's future.

Marriage is at the centre of Jane Austen's novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England?

Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all.

This is a richly textured account of how love and marriage felt for people at the time--revealing their unspoken assumptions, fears, pleasures, and delights.

Marriage is at the centre of Jane Austen's novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England?

Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all.

This is a richly textured account of how love and marriage felt for people at the time--revealing their unspoken assumptions, fears, pleasures, and delights.

Climate change, global disruption, and labor scarcity are forcing us to rethink the underlying principles of industrial society. In The New Lunar Society, David Mindell envisions this new industrialism from the fundamentals, drawing on the eighteenth century when first principles were formed at the founding of the Industrial Revolution. While outlining the new industrialism, he tells the story of the Lunar Society, a group of engineers, scientists, and industrialists who came together to apply the principles of the Enlightenment to industrial processes. Those principles were collaboration, the marriage of practical and scientific knowledge, and the belief that the world could progress through making things.

The Lunar Society included pioneers like James Watt, Benjamin Franklin, and Josiah Wedgwood, and their conversations no less than ignited the Industrial Revolution and shaped the founding of the United States. Telling the stories of these makers in parallel with those of our current moment of crisis on multiple fronts, Mindell argues for a new industrialism. He asks: What does industry look like when it strives to optimize for the lowest carbon footprint as well as the greatest profit? When it values resilience as much as efficiency? When it upholds dignified, inclusive, sustainable work? Optimistic but not utopian about our ability to build the world, The New Lunar Society shines a light on how a new generation can reanimate the best ideas of our thinking doer forebears and begin to build a future that is both realistic and human-centered.

**A brilliant new history of Georgian Britain through the eyes of the artists who immortalised it, by one of the UK's most exciting young historians**

'Alice Loxton is the star of her generation ... the next big thing in history' DAN SNOW

'Vivid, pacey and endlessly engaging, this brilliant debut brings the late Georgian period dazzlingly to life. Irresistible stuff' TRACY BORMAN

London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power.

Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power, from the Prince Regent to Georgiana, Duchess of Devonshire. Their prints and illustrations deconstruct the political and social landscape with surreal and razor-sharp wit, as the three men vie with each other to create the most iconic images of the day.

Alice Loxton's writing fizzes with energy on every page, and never fails to convince us that Gillray and his gang profoundly altered British humour, setting the stage for everything from Gilbert and Sullivan to Private Eye and Spitting Image today. This is a book that will cause readers to reappraise everything they think they know about genteel Georgian London, and see it for what it was - a time of UPROAR!

Endlessly fascinating.--Pratinav Anil, Times (UK)

Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature.

John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.

This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; the sartorial elegance of Beau Brummell and the poetic license of Lord Byron; Britain's military triumphs at Trafalgar and Waterloo; the threat of revolution and the Peterloo massacre. In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency, or Georgian England.

A time of exuberance, thrills, frills and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition that reflected unprecedented social, economic, and political change. And like all periods in history, it was an age of many contradictions--where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion.

Once more, Ian Mortimer takes us on a thrilling journey to the past, revealing what people ate, drank, and wore; where they shopped and how they amused themselves; what they believed in, and what they feared. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting, physical, visceral--the past not as something to be studied but as lived experience.

George Matcham, dubbed the most unsettled man alive,

was born in East India Company controlled Bombay and undertook three epic overland treks between Asia and England before marrying the favourite sister of the not yet famous Horatio Nelson. Intimate details about George's life have been preserved because of his close relationship with Nelson and his famous paramour Emma Hamilton, whose rises and falls he observed first-hand.

Packed with period press clippings and eyewitness accounts, A Most Unsettled Man provides an unprecedented glimpse into the private life of a modest 18th century English gentleman, as well retelling the enduring love story of Nelson and Emma from an entirely new perspective.

*****

Lily Style is the direct descendant of famed lovers Admiral Lord Nelson and Emma Hamilton and also Nelson's brother-in-law, George Matcham (because their grandchildren married).

Lily is the founder of Emma Hamilton Society and writes regularly for Nelson-related publications. She is also a keen genealogist with an interest in piecing together real human stories lying behind dry facts. One of these stories is of her 4th great-grandfather, George Matcham, whose story she's traced from his mid eighteenth century birth in East India Company controlled Bombay through to his intimate involvement with Nelson and Emma's rise and fall.

Amazing Grace is the surprising true story of John Newton, author of the song that has touched millions. A biography that reads like a novel, it reveals Newton's dramatic story of sin and salvation as a slave trader before his ultimate transformation to speaking out against the horror of slavery. His story speaks to the brokenness within us all and our need for God's amazing grace--and reveals the truth behind his song.

Amazing Grace is based on years of research on the life and writings of John Newton. It tells of a prodigal who returns home, and a young love that defies the odds; of a young man whose life is torn by grief and wounded by the cruelty of others, following his descent into deeper suffering and finally into the brutal world of the slave trade. Newton rejects God repeatedly but is rescued by a divine mercy that reaches deeper than he could ever have imagined as he ultimately faces his past and repents.

Newton's story is shocking, and Amazing Grace does not try to airbrush or excuse his faults. There are glaring contradictions in the life of a ship's Captain who retreats to his cabin to study his Bible and write tender love letters to his wife while hundreds of slaves lie in chains in the hold below.

The profound lessons from his life are applicable to us today, helping us to:

• Discover that the need for grace is universal and offers the deepest hope for overcoming hatred
• Be honest about our lives even when we are ashamed and face seemingly unresolvable problems
• Look for grace when life is far from perfect and doesn't match up to our expectations
• Trust that our mistakes and regrets, no matter how deep, can be redeemed in the end

Since the first public singing of Amazing Grace almost 250 years ago, every generation has been profoundly moved by the song, and now readers can connect with John Newton's story like never before. In these days of extreme polarization when beliefs about race, church, and politics have all become deeply divisive in society, we need grace more than ever. We need stories like this one that talk honestly about the human condition but even more about the relentless love of God and his forgiveness of sins.

Discover the true Regency history behind the TV phenomenon.

In Inside the World of Bridgerton, author and Regency period expert Catherine Curzon explores the historical inspirations behind the hit series, and illuminates the fascinating details of real life in Regency high society.

Examining a range of key topics, this revealing guide covers everything from the class structure of the era and the crucial role played by marriage to the stunning fashion, culture and social events of the time that have enchanted audiences and history fanatics for centuries. With further chapters dedicated to sex, race, the media and more, this is a window into the real history that has helped make Bridgerton into such a global phenomenon.

Offering insightful advice on what to - and what not to - wear, how to see and be seen, the reality of 'coming out' into the public arena, and decoding the real-life scandal sheets on which the beloved TV show is largely based, Inside the World of Bridgerton highlights how the real ladies and gentlemen of Regency England lived and loved.

She was a spirited young heiress. He was a handsome baronet with a promising career in government. The marriage of Lady Seymour Dorothy Fleming and Sir Richard Worsley had the makings of a fairy tale--but ended as one of the most scandalous and highly publicized divorces in history.

In February 1782, England opened its newspapers to read the details of a criminal conversation trial in which the handsome baronet Sir Richard Worsley attempted to sue his wife's lover for an astronomical sum in damages. In the course of the proceedings, the Worsleys' scandalous sexual arrangements, voyeuristic tendencies, and bed-hopping antics were laid bare. The trial and its verdict stunned society, but not as much as the unrepentant behavior of Lady Worsley.

Sir Joshua Reynolds captured the brazen character of his subject when he created his celebrated portrait of Lady Worsley in a fashionable red riding habit, but it was her shocking affairs that made her divorce so infamous that even George Washington followed it in the press. Impeccably researched and written with great flair, Hallie Rubenhold's The Lady in Red is a lively and moving true history that presents a rarely seen picture of aristocratic life in the Georgian era.

George Matcham, dubbed the most unsettled man alive,

was born in East India Company controlled Bombay and undertook three epic overland treks between Asia and England before marrying the favourite sister of the not yet famous Horatio Nelson. Intimate details about George's life have been preserved because of his close relationship with Nelson and his famous paramour Emma Hamilton, whose rises and falls he observed first-hand.

Packed with period press clippings and eyewitness accounts, A Most Unsettled Man provides an unprecedented glimpse into the private life of a modest 18th century English gentleman, as well retelling the enduring love story of Nelson and Emma from an entirely new perspective.

*****

Lily Style is the direct descendant of famed lovers Admiral Lord Nelson and Emma Hamilton and also Nelson's brother-in-law, George Matcham (because their grandchildren married).

Lily is the founder of Emma Hamilton Society and writes regularly for Nelson-related publications. She is also a keen genealogist with an interest in piecing together real human stories lying behind dry facts. One of these stories is of her 4th great-grandfather, George Matcham, whose story she's traced from his mid eighteenth century birth in East India Company controlled Bombay through to his intimate involvement with Nelson and Emma's rise and fall.