A young Vietnamese woman living in Paris travels back to Saigon for her estranged mother's funeral. Her brother had recently built a new house in Saigon, including what was rumored to be the first elevator in a private home in the country, but days after moving in, their mother mysteriously fell down the elevator shaft, dying in an instant.

After the funeral, the daughter becomes increasingly fascinated with her family's history and learns of an enigmatic figure, Paul Polotsky, from her mother's notebook. Like an amateur sleuth, she trails Polotsky through the streets of Paris. Meanwhile, she tries to find clues about her mother's past, which zigzags through Hà N?i, Sài Gòn, Paris, Pyongyang, and Seoul. Combining elements of the detective thriller, a historical romance, and the immigrant experience, Elevator in Sài Gòn is a scathing satire of life in a communist state and a heartbreaking postcolonial ghost story.

A courageous and bold achievement by a bright new voice. Ocean Vuong

A young woman, torn between two cultures, belonging to neither. A family, torn apart by a war they had no choice about.

Kiều calls herself Kim because it's easier for Europeans to pronounce. She knows little about her Vietnamese family's history until she receives a Facebook message from her estranged uncle in America, telling her that her grandmother is dying. Her father and uncle haven't spoken since the end of the Vietnam War. One brother supported the Viet Cong, while the other sided with the Americans.

When Kiều and her parents travel to America to join the rest of the family in California for the funeral, questions relating to their past--to what has been suppressed--resurface and demand to be addressed.

Longlisted for the International Booker Prize, Happy Stories, Mostly introduces one of the most important Indonesian writers today (Litro Magazine). These twelve short stories ask what it means to be almost happy--to nearly find joy, to sort-of be accepted, but to never fully grasp one's desire. Joy shimmers on the horizon, just out of reach.

An employee navigates their new workplace, a department of Heaven devoted to archiving unanswered prayers; a tourist in Vietnam seeks solace following her son's suicide; a young student befriends a classmate obsessed with verifying the existence of a mythical hundred-foot-tall man. A tragicomic collection that probes the miraculous, melancholy nature of survival amid loneliness, Happy Stories, Mostly considers an oblique approach to human life: In the words of one of the stories' narrators, I work in the dark. Like mushrooms. I don't need light to thrive.

The peak of the hot season, 1942: The wars in Europe and Asia and the Japanese occupation have upset the uneasy balance of French Indochina. In the Vietnamese fishing village of Phan Thiet, Tuyet ekes out a living at a small storefront with her aunt Coi, her cousin Ha, and her two-year-old daughter, Anh. She can hardly remember her luxurious life in the city of Saigon, which she left just two years ago.

The day Tuyet meets Japanese major Yamazaki Takeshi is inauspicious and stifling, with no relief from the sand-stirring wind. But to her surprise, she feels not fear or wariness, but a strange kinship. Tuyet is guarded, knowing how the townspeople might whisper, yet is drawn to Takeshi's warmth all the same. A wounded veteran with a good heart, Takeshi grows to resent the Empire for what it has taken--and the promises it has failed to keep. As the Viet Minh begin to battle the French and Takeshi risks his life for the Resistance, Tuyet and her family are drawn into the conflict, with devastating consequences.

A lushly panoramic novel, by turns gritty and profoundly moving, Twilight Territory is at once a war story and a love story that offers a fascinating perspective on Vietnam's struggles to break free of its French colonial past. At its heart is one woman's struggle for independence and her country's liberation.

A novel of man's relationship with nature, faith, and the vitality of storytelling, from celebrated Thai author Saneh Sangsuk.

The lovable, yarnspinning monk Luang Paw Tien, now in his nineties, was the last person in his village to bear witness to the power and plenitude of the jungle before agrarian and then capitalist life took over his community. Now he entertains the children of his village nightly with tales from his younger years: his long pilgrimage to India, his mother's dreams of a more stable life through agriculture, his proud huntsman father who resisted those dreams, and his love, who led him to pursue those dreams all over again.

Thoroughly entertaining and already beloved, Sangsuk's first novel available in the U.S. is a celebration of the oral tradition of storytelling and that tradition's power to preserve (and embellish) cultural memory.

So yes, this were a necessary piece for me to write.

Not to take control of the narrative: for, I neither believe in there being only one version of any story, despite what dictators would prefer; nor in control, another fiction people who give themselves titles aplenty like to hold on to.

But in order to respond to violence with art.

With all the risks of being accused - ah, hello again, old friend - of being accused of artem, of artifice.

So I shall write, with my kind of writing.

At the risk of being accused of writing itself - that taking down, inscribing, recording, taking note, is nothing more than a deferral, a refusal to remember me.

So, a writing to forget.

Perhaps.

Though it is not as if one can decide what one forgets, that one can will forgetting: if we could, we might all finally be happy. But we might just have to leave that to happenstance, chance, maybe even to Tykhe herself.

In the meantime, all I can say is: quod scripsi, scripsi.

Light Out and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit.

The eighteen short stories included in this book thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

i'm not ghosting you is a bricolage of poetry, prose, and photography that attempts to explore the notion of ghosts in our lives in its various permutations, some of which manifest more clearly (when someone ghosts you by disappearing from your life) and others much less so (how even when someone has ghosted you, their ghosts remain to haunt you, often in ways that you might not even realise, that only occasionally flicker, often at the most unexpected of moments ... as traces to be read).

It is also an attempt to meditate through fiction; for, one can never approach ghosts directly. And, where a medium is usually what is needed.

Which also means we are always attempting to reach what is innermost in us through translation, and in translation. Where what we consider our most familiar, our haunts at which we hang out with friends, might also be what is most unfamiliar, and un-familial, to us, what occasionally even spooks us, is uncanny in its familiar-unfamiliarity; but also something - a place, a space, a memory - from which we can never really get away.

I'm not ghosting you is a collection where the me and the I telling it are not only not necessarily always the same, but sometimes appear strange to, estranged from, each other. This is quite possibly why song lyrics play such a crucial role in this tale, even as they seem to be 'mere asides'. For, songs and music often make their way into us in ways we remain blind to; where we discover (sometimes as a shock, even as a rude awakening) that we know the lyrics to a tune we never thought we'd like, that we never even really knew we know ... they inscribe themselves into us in white ink, occasionally allowing us to catch a glimpse of them, but perhaps always playing on our B-sides - maybe haunting, maybe even nurturing us - in the background of ourselves.

Rajmohan's Wife and Sultana's Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan's Wife, Chattopadhyay's only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana's Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana's Dream helped establish Rokeya's reputation as a leading figure in Bengali arts and culture.

Rajmohan's Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves-who happens to be her own sister's husband-she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband's wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will.

Sultana's Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana's Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come.

With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain's Rajmohan's Wife and Sultana's Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers.

State of Emergency is a compelling, important piece of work from one of Singapore's finest living authors. --The Straits Times

Siew Li leaves her husband and young children to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency, while Siew Li's son uncovers the truth of his family's past. Informed by years of painstaking research, Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region.
State of Emergency questions whether we can grasp the truth after the fact. And yet, in the very telling of its interlocking stories, it reaffirms the importance of trying.

Light Out and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit.

The eighteen short stories included in this book thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

The Emergency rumbles through the jungle, the kampongs, and towns as the communist uprising in 1950's Malaya adds poignancy to the salutation, 'have you eaten rice today? when hunger drives some terrorists to surrender.

Simon Frampton returns to Malaya as a rubber planter after failing to settle into civilian life in England after the War. His knowledge of the jungle is again put to use when a war-time covert force is reformed and renamed, Ferret Force, made up of Malays, Chinese and Europeans.

Dee Cunningham, an Australian nurse longing to escape the confines of Townsville, Queensland, joins the British Red Cross to help set up and run rural clinics in Malaya.

The violence of guerrilla warfare becomes the backdrop to their love story but miscommunication leads to sadness and it is not until sixty years later, when Max stays with Simon, his grandfather, at his Dorset farm and finds a box filled with envelopes with Australian stamps, that misunderstandings are explained.

Have You Eaten Rice Today? is a story about a violent period in Malaya's history leading to independence, merdeka, and how love is found in unexpected places.

Govinda Samanta: Or the History of a Bengal Raiyat (1874) is a novel by Lal Behari Dey. Inspired by a lifetime dedicated to serving the poor and oppressed, Lal Behari Dey wrote Govinda Samanta in order to portray the life of Bengali peasants in a positive, human light. Praised by Charles Darwin, awarded a substantial prize by a prominent Bengali zamindar, Lal Behari's novel is a masterpiece of Bengali literature. It was considerably past midnight one morning in the sultry month of April, when a human figure was seen moving in a street of Kánchanpur, a village about six miles to the north-east of the town of Vardahamána, or Burdwán. There was no moon in the heavens, as she had already disappeared behind the trees on the western skirts of the village... After introducing his novel with a brief warning to readers, Lal Behari opens his story with a beautiful description of village life in Bengal. In episodic fashion, he follows one human figure after another, each of them enriching his description of his native land. Centered on the raiyat boy Govinda, the story follows the journey from innocence to experience of a youth shaped by the stories and traditions of his village. Opposed to flowery language and romanticism, he hopes to tell a plain and unvarnished tale of a plain peasant, living in this plain country of Bengal. Praised upon publication, Govinda Samanta: Or the History of a Bengal Raiyat is a compelling and understated narrative of working-class life from an author who dedicated his own life to serving the poor. With a beautifully designed cover and professionally typeset manuscript, this edition of Lal Behari Dey's Govinda Samanta: Or the History of a Bengal Raiyat is a classic work of Bengali literature reimagined for modern readers.

Rajmohan's Wife and Sultana's Dream (1864/1908) features the debut novel of Indian writer Bankim Chandra Chatterjee and a story by Bengali writer, feminist, and educator Rokeya Sakhawat Hossain. Rajmohan's Wife, Chattopadhyay's only work in English, launched his career as a leading Bengali intellectual and political figure. Written in English, Sultana's Dream originated as a way of passing time for its young author while her husband was away on work. Initially published in The Indian Ladies Magazine, Sultana's Dream helped establish Rokeya's reputation as a leading figure in Bengali arts and culture.

Rajmohan's Wife is the story of Matangini, a beautiful woman married to a violent, jealous man. Unable to marry the man she loves-who happens to be her own sister's husband-she settles for the villainous Rajmohan, an abusive man who rules his middle-class Bengali household with an iron fist. With the help of her friend Kanak, Matangini does her best to avoid her husband's wrath, illuminating the importance of solidarity among women faced with oppression. Vindictive and cruel, Rajmohan secretly enacts a plan to rob Madhav, his brother-in-law, in order to obtain and invalidate a will.

Sultana's Dream is set in Ladyland is a feminist utopia ruled by women, a perfect civilization with no need for men, who remain secluded and without power. Free to develop their own society, women have invented flying cars, perfected farming to the point where no one must work, and harnessed the energy of the sun. With men under control, there is no longer fear, crime, or violence. Ultimately, Ladyland is a world made to mirror our own, a satirical exploration of the absolute power wielded by men over women, and a political critique of Bengali society at large. Sultana's Dream is more than a science fiction story; it is an act of resistance made by a woman who would shape the lives of her people through advocacy, education, and activism for generations to come.

This edition of Bankim Chandra Chatterjee and Rokeya Sakhawat Hossain's Rajmohan's Wife and Sultana's Dream is a classic of Bengali literature and utopian science fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Govinda Samanta: Or the History of a Bengal Raiyat (1874) is a novel by Lal Behari Dey. Inspired by a lifetime dedicated to serving the poor and oppressed, Lal Behari Dey wrote Govinda Samanta in order to portray the life of Bengali peasants in a positive, human light. Praised by Charles Darwin, awarded a substantial prize by a prominent Bengali zamindar, Lal Behari's novel is a masterpiece of Bengali literature. It was considerably past midnight one morning in the sultry month of April, when a human figure was seen moving in a street of Kánchanpur, a village about six miles to the north-east of the town of Vardahamána, or Burdwán. There was no moon in the heavens, as she had already disappeared behind the trees on the western skirts of the village... After introducing his novel with a brief warning to readers, Lal Behari opens his story with a beautiful description of village life in Bengal. In episodic fashion, he follows one human figure after another, each of them enriching his description of his native land. Centered on the raiyat boy Govinda, the story follows the journey from innocence to experience of a youth shaped by the stories and traditions of his village. Opposed to flowery language and romanticism, he hopes to tell a plain and unvarnished tale of a plain peasant, living in this plain country of Bengal. Praised upon publication, Govinda Samanta: Or the History of a Bengal Raiyat is a compelling and understated narrative of working-class life from an author who dedicated his own life to serving the poor. This edition of Lal Behari Dey's Govinda Samanta: Or the History of a Bengal Raiyat is a classic work of Bengali literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A profoundly original exploration of racism, misogyny, and ageism--three monsters that plague the world--this novel from a beloved and prize-winning author is made up of two narratives, each told by a South Asian migrant to Australia

When my family emigrated it felt as if we'd been stood on our heads.

Michelle de Kretser's electrifying take on scary monsters turns the novel upside down, just as migration has upended her characters' lives.

Lili's family migrated to Australia from Asia when she was a teenager.
Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants, and is creeped out by her downstairs neighbor. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.

Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces Australian values. He's also preoccupied by his ambitious wife, his wayward children, and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.

Three scary monsters--racism, misogyny, and ageism--roam through this mesmerizing novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the stories of their lives. With this suspenseful, funny, and profound book, Michelle de Kretser has made something thrilling and new.

Which comes first, the future or the past?

By the author of the international bestseller Evening Is The Whole Day, this novel set in Malaysia will appeal to readers of Arundhati Roy and Kiran Desai

In what was once a Scottish tea planter's mansion in the highlands of Peninsular Malaysia, all religions are one and race is unheard of. That is, until the occupants of what is now known as the Muhibbah Centre for World Peace are joined by Salmah, a Malay Muslim woman. All are welcome here, they are reminded by their spiritual leader, Cyril Dragon, who is ignoring news of the changing political climate with its increasing religious intolerance. He is still trying to forget May 13, 1969, when ethnic tensions boiled over into bloodshed. Tale of the Dreamer's Son guides us from that fateful incident in Malaysian history to the present day. Throughout, Samarasan's polyphonic, rambunctious prose brilliantly navigates the tug-of-war between ideals and reality.

Gunfire Lullabies-written by former diplomat, political advisor and press secretary, Nore Hoogstad-is a riveting and gut-wrenching account of two women caught in a war inspired by real life events.

Jakarta, 1998. Junior Australian diplomat Ava Vuyk is on her first overseas posting when she's assigned the conflict-ridden issue of East Timor with its long independence struggle. The new Indonesian regime announces a vote in which the East Timorese will choose their future, but the military and local militia oppose it, launching a brutal campaign of terror and destruction. Amid the turmoil, her collapsing marriage and the hint of new love, Ava must decide whether she'll gloss over the spiralling violence as her domineering ambassador demands, or report the truth in the hope the Australian government will intervene.

In East Timor, teenage farmer Isabel is kidnapped by militia leader Gabriel as his sex slave after her brother evades joining his militia group. Alone but hopeful, she waits to be rescued. When a human rights group asks her to spy on Gabriel, she's seduced by the promise of being reunited with her family.

Highly recommended. Nore guides us through the conflict in East Timor, and a clash between official duties in service of the state, versus human convictions and emotions. Each of us has a choice to make, whether to fulfil our contractual duty or our higher moral one - the dictates of the state versus those of the soul. -J. Ramos-Horta, President of Timor-Leste, 2007-2012.