In the gripping first novel in the Daughters of the Empty Throne trilogy, author Margaret Killjoy spins a tale of earth magic, power struggle, and self-invention in an own-voices story of trans witchcraft.

Lorel has always dreamed of becoming a witch: learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There's only one problem: all witches are women, and she was born a boy.

When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend's place, leaving home and her old self behind. She soon discovers the dark powers threatening the kingdom: a magical blight scars the land, and the power-mad Duchess Helte is crushing everything between her and the crown. In spite of these dangers, Lorel makes friends and begins learning magic from the powerful witches in her coven. However, she fears that her new friends and mentors will find out her secret and kick her out of the coven, or worse.

For top-notch drama, this year's medal goes to Rules for Ghosting. . . . Here, actual ghosts haunt the quiet and tender moments, and it's the scenes at family holidays that leave you rattled and gasping.--The New York Times Book Review (One of the Best Romance Novels of 2024)

Ezra Friedman sees ghosts, which made growing up in a funeral home complicated. It might have been easier if his grandfather's ghost didn't give him scathing looks of disapproval as he went through a second, HRT-induced puberty, or if he didn't have the pressure of all those relatives--living and dead--judging every choice he makes. It's no wonder that Ezra runs as far away from the family business as humanly possible.

But when the floor of his dream job drops out from under him and his mother uses the family Passover seder to tell everyone she's running off with the rabbi's wife, Ezra finds himself back in the thick of it. With his parents' marriage imploding and the Friedman Family Memorial Chapel on the brink of financial ruin, Ezra agrees to step into his mother's shoes and help out . . . which means long days surrounded by ghosts that no one else can see.

And then there's his unfortunate crush on Jonathan, the handsome funeral home volunteer . . . who just happens to live downstairs from Ezra's new apartment . . . and the appearance of the ghost of Jonathan's gone-too-soon husband, Ben, who is breaking every spectral rule that Ezra knows.

Because Ben can speak. He can move. And as Ezra tries to keep his family together and his heart from getting broken, he realizes that there's more than one way to be haunted--and more than one way to become a ghost.

A queer, transgender retelling of Peter Pan in which Pan returns to Neverland after a decade in the real world.

The Lost Boys say that Peter Pan went back to England because of Wendy Darling, but Wendy is just an old life he left behind. Neverland is his real home. So when Peter returns to it after ten years in the real world, he's surprised to find a Neverland that no longer seems to need him.

The only person who truly missed Peter is Captain James Hook, who is delighted to have his old rival back. But when a new war ignites between the Lost Boys and Hook's pirates, the ensuing bloodshed becomes all too real - and Peter's rivalry with Hook starts to blur into something far more complicated, sensual, and deadly.

1998: Lilith, Sash, and Abraxa are teenagers, scattered across the country but joined by the Internet as they create Saga of the Sorceress, a video game that will change everything, if only for the three of them.

Eighteen years later, Saga of the Sorceress still exists only on the scattered drives of its creators. Lilith works as a loan underwriter at a rinky-dink bank in Manhattan, a trans woman in a very cis world. Sash is in Brooklyn, working as a part-time webcam dominatrix. Neither knows that the other is in New York, or that Abraxa is just across the Hudson River, sleeping on the floor of a friend's Jersey City home after a disaster at sea. They have never met in person and have been out of touch for years, but none have forgotten the sorceress or her unfinished quest.

Weaving together the technologies of two decades, and a healthy dose of magic, A/S/L is a novel that queers our notions of nostalgia, friendship, and even the possibilities of fiction itself, confirming Jeanne Thornton as one of our best and most ambitious novelists.

Everything in Edith's life is approaching disaster. Her writing career is stagnant. Her love life is a mess. Her ex, Tessa, is marrying a man. Her teeth are rotting in her skull. And her best friend, Val, is dead.

Still Life volleys between the present and recent past, chronicling the lives of three women--one cis, two trans, all forever entwined. Edith was a bumbling boy pre-transition, in love with Tessa, enamored by Val, and drowning in Boston. She and Tessa called each other Joni and Joan, an homage to the musical backdrop of their fledgling adulthood. When Edith decides to leave behind the East Coast for graduate school, she begins a yearslong journey away from the person she loves most and toward a hazy new understanding of who she will become.

In the present, Edith visits Boston feeling like a failure of a writer, a failure of a girl, and wracked with guilt over Val's death. Val, the intrepid wanderer, had drifted in and out of Edith's life, arriving in Texas with estrogen pills and wisdom from a life on the road. A sometimes lover, sometimes trans mentor, Val was everything Tessa wasn't and everything Edith needed. Home alone in Texas, she is left loveless and exhausted as the state slowly chips away at trans rights. Was Val's fatal car crash Edith's fault? Would she have stayed put if Edith had loved her better?

Katherine Packert Burke's debut novel unfolds like a rusty pocketknife, jagged and lacerating. Infused with pop culture, cigarettes, and Sondheim, Still Life traces the lives of three friends, authentic and evolving, loving and cruel, here and gone, to craft a tableau of modern womanhood.

The playful and poignant novel Little Blue Encyclopedia (for Vivian) sifts through a queer trans woman's unrequited love for her straight trans friend who died. A queer love letter steeped in desire, grief, and delight, the story is interspersed with encyclopedia entries about a fictional TV show set on an isolated island.

The experimental form functions at once as a manual for how pop culture can help soothe and mend us and as an exploration of oft-overlooked sources of pleasure, including karaoke, birding, and butt toys. Ultimately, Little Blue Encyclopedia (for Vivian) reveals with glorious detail and emotional nuance the woman the narrator loved, why she loved her, and the depths of what she has lost.

It's the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel's dawning self-awareness. But Sylvia's presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman's tale about finding a community on the margins.

In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila.

Sheltered in Auntie Encarna's fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories--of a mute young woman who transforms into a bird, of a Headless Man who fled his country's wars--as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s.

Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.

A Natural History of Transition is a collection of short stories that disrupts the notion that trans people can only have one transformation. Like the landscape studied over eons, change does not have an expiration date for these trans characters, who grow as tall as buildings, turn into mountains, unravel hometown mysteries, and give birth to cocoons. Portland-based author Callum Angus infuses his work with a mix of alternative history, horror, and a reality heavily dosed with magic.

El desgarrador viaje vital de una niña atrapada en un cuerpo que no sabe habitar. Una novela deslumbrante que no se parece a nada que hayas leído. Un fenómeno literario internacional antes de su publicación.

La mala costumbre nos enseña a volver >a mirarlo todo otra vez y a entenderlo mejor. Bob Pop

Un libro hermosísimo, cruel y redentor sobre el camino que recorremos hasta convertirnos en quienes somos. Elena Medel

> Una escritora en mayúsculas, cruda y brillante. Un debut arrebatador lleno de buenos augurios. Una herida sin nombre que por fin podrá cicatrizar. María Sánchez

Narrada desde una singular y desgarradora voz en primera persona, La mala costumbre recorre la adolescencia de una niña atrapada en un cuerpo que no sabe habitar, que intenta comprenderse a sí misma y al mundo en el que vive, desde su infancia en una familia de clase obrera en el barrio de San Blas, arrasado por la heroína en los años ochenta, hasta las noches clandestinas en el centro de Madrid de los noventa. Como en una versión bastarda del viaje del héroe, yonquis, divas pop y ángeles caídos la acompañan en un viaje vital en el que, al final, serán otras mujeres quienes le ayuden a superar la violencia que encuentra a cada paso.

La mala costumbre es una novela cruda y feroz, pero también poética y conmovedora, en la que los extremos se tocan para mostrarnos por qué el resentimiento y la rabia contra el sistema son completamente válidos para sobrevivir en una sociedad que no acepta a los que son diferentes. Dueña de un universo creativo único en el que conviven el teatro, la historia clásica y el activismo, Alana S. Portero debuta en la ficción con esta novela deslumbrante que se ha convertido en un fenómeno editorial internacional antes de su publicación.

Puedes escuchar la banda sonora de la novela en: https: //open.spotify.com/playlist/0gQEfjdfg1iInLPl5JPoho?si=rirNC6yaRsautEDcBe27GA

ENGLISH DESCRIPTION

The heartbreaking life journey of a girl trapped in a body she doesn't know how to inhabit. A dazzling novel that is unlike anything you've ever read. An international literary phenomenon before its publication.

La mala costumbre (The Bad Habit) teach us to look at everything again and to understand it better. Bob Pop

A beautiful, cruel and redemptive book about the path we take to become who we are. Elena Medel

A writer in capital letters, raw and brilliant. A captivating debut full of good omens. A nameless wound that can finally heal. Maria Sanchez

Narrated from a unique and heartbreaking first-person voice, La mala costumbre covers the adolescence of a girl trapped in a body she does not know how to inhabit, who tries to understand herself and the world in which she lives, from her childhood in a working-class family in the neighborhood of San Blas, devastated by heroin in the eighties, to the clandestine nights in the center of Madrid in the nineties. As in a bastard version of the hero's journey, junkies, pop divas and fallen angels accompany her on a life journey in which, in the end, it will be other women who help her overcome the violence she encounters at every step.

You can listen to the soundtrack of the novel at: https: //open.spotify.com/playlist/0gQEfjdfg1iInLPl5JPoho?si=rirNC6yaRsautEDcBe27GA

La mala costumbre is a raw and fierce novel, but also poetic and moving, in which extremes touch to show us why resentment and rage against the system are completely valid to survive in a society that does not accept those who are different. Owner of a unique creative universe in which theater, classic history and activism coexist, Alana S. Portero makes her fiction debut with this dazzling novel that has become an international publishing phenomenon before its publication.

In this debut collection of body-horror fairy tales and mid-apocalyptic Catholic cyberpunk, memory and myth, loss and age, these are the tools of storyteller Jarboe, a talent in the field of queer fabulism. Bodily autonomy and transformation, the importance of negative emotions, unhealthy relationships, and bad situations amidst the staggering and urgent question of how build and nurture meaning, love, and safety in a larger world/society that might not be fixable. Winner of the 2021 Lambda Literary Award for LGBTQ Science Fiction/Fantasy/Horror.

In 2017, Meanwhile, Elsewhere, a large, strange, and devastatingly touching anthology of science fiction and fantasy from transgender authors was released onto the world. The collection received rave acclaim and won the ALA Stonewall Book Award's Barbara Gittings Literature Award. When its original publisher went out of business, the book fell out of print, and LittlePuss Press is now pleased to bring this title back to life for a new audience of readers.

What is Meanwhile, Elsewhere: Science Fiction and Fantasy From Transgender Writers? It is the #1 post-reality generation device approved for home use. It will prepare you to travel from multiverse to multiverse. No experience is required! Choose from twenty-five preset post-realities! Rejoice at obstacles unquestionably bested and conflicts efficiently resolved. Bring denouement to your drama with THE FOOLPROOF AUGMENTATION DEVICE FOR OUR CONTEMPORARY UTOPIA.

How far would you go to have real freedom? To have true autonomy of both mind and body? The narrator of Failure to Comply wants self-determination at all costs, and they want you to know what it did, in fact, cost them. Their story is just a little hard to convey, as they're not entirely sure where, or even when, they are.

Set in a dystopian, post-apocalyptic future, this literary sci-fi novel presents a world where humans have been unshackled from disease and their basest desires thanks to the genetic engineering and societal supervision of RSCH--an inscrutable entity with unimaginable power (including the ability to literally shape reality). In RSCH's march toward perfecting the species, however, there are deviants (including LGBTQ+ people and people with disabilities) who are fighting for a different vision of humanity. But where can they find hope when horror abounds, projected into their own bodies and minds by RSCH?

Outrageously funny.
--Paul Harding

There is nobody doing it like Anton.
--Tuck Woodstock

Finally, a book for men!

Have you ever engaged in totally normal male behavior like:

Stealing porn magazines?
Hooking up with guys on Grindr?
Attempting to work in an open-pit mine despite having no relevant job experience?
Crossdressing as a woman?
Attending Gnostic Mass?
Running for government office?

Then this is a book for you!

It is definitely not a deeply felt collection of transsexual short stories, engaged in dissident metaphysical investigation of the normative tenets of gender in our society! Bro, how could you say that? It is very dramatic and exciting, yes, but it is not metaphysical at all. In fact, it is Realistic Fiction.

As if Charlie Chaplin re-wrote the works of Kafka, and he was a Russian trans man, Anton Solomonik brings a funny, heartbreaking, and startlingly unique new voice to contemporary short fiction.

Perhaps some hearts are so big they must constantly burst and break.

Through playful poetic prose, sharp social commentary and self-deprecating gallows humor Love the World or Get Killed Trying dives into the mind of Alvina, a trans woman on the eve of turning 30. The reader is invited to follow her journey through the breathtaking wilderness of Iceland and busy city boulevards of Berlin and Paris as she probes questions of eternity, sexuality, longing, death, love, and how hard it is to remain soft when you're a ceaseless target of straight men's secret lust and open disgust. This novel tackles universal issues through a trans woman's specific lens - insisting on these experiences speaking to far more than just issues of sexuality and gender.

Reaching its climax through an urgent wildfire scream-of-consciousness, cry-of-love-manifesto, Love the World or Get Killed Trying is a raw and vulnerable work of magical brutalist autofiction; abstract in the sense of poetically digging beneath the surface, and experimental in the sense of trying to find out new things and express them in new ways, while concretely asserting that if trans women one day collectively outed every man who seeks them out, a full-blown revolution would ensue by nightfall.

When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who's come to donate her wife's papers, there's an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the vampire disease.

Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job. DEAD COLLECTIONS is a wry novel full of heart and empathy, that celebrates the journey, the difficulties and joys, in finding love and comfort within our own bodies.

Dua Lipa's September Book Club Pick!

Included in The Guardian's Best Translated Fiction of 2024

[Bad Habit] shows us that a 'trans novel' can actually be anything it wants to be. -New York Times

A novel that could very well serve as a surrogate mother for future children who grow up lonely and trans. -Washington Post

Combining the raw realism and vulnerability of Shuggie Bain and Detransition, Baby with the poignant sensibility of Pedro Almodóvar, a staggering coming-of-age novel deeply rooted in the struggles of a trans woman growing up in Madrid.

Anchored by the voice of its sweet and defiant narrator, Bad Habit casts a trans woman's trying youth as a heartfelt odyssey. Raised in an animated yet impoverished blue-collar neighborhood, Alana S. Portero's protagonist struggles to find her place. As the city around her changes-the heroin epidemic that ravages Madrid through the '80s and '90s, rallying calls of worker solidarity and the pulsing beat of the city's night scene- she becomes increasingly detached from the world and, most crucially, herself.

Yet through her eyes, the streets and people of Madrid are illuminated by a poetry absent from everyday life. And by this guiding light she begins to plot her own course, from Margarita, the local trans woman whose unspoken kinship both captivates and frightens her, to Jay, her first love and source of an inevitable heartbreak, to the irrepressible diva Caramel. As she forges ahead, she sets her compass to a personal north star: endeavoring to find herself. But with each step forward, she is confronted by a violence she doesn't yet know how to counter; in this exciting, often terrifying, world each choice is truly a matter of life and death.

With her first novel, Alana S. Portero strikingly underscores the ties between gender and class, the search for identity, and the power of sisterhood and community. Gentle but blistering, Bad Habit is a mesmerizing story of self-realization that speaks to the outsider in all of us.

Translated from the Spanish by Mara Faye Lethem