Joe King Oliver's beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She's lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B's pure ask has opened King's heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man--a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he's been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it's in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can't help but want her near.

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

After her life was turned upside down by solving the murder of her best friend, Sister Amity Gay, all Glory Broussard wanted was a little peace and quiet. That included getting back to her Sunday morning routine as a bookie in a coffee shop, and planning the annual Mardi Gras gala for her church. But there's no rest for Glory once the woman who broke up her marriage walks in to CC's Coffee House and asks for help finding her missing husband. It doesn't take long before Glory finds him . . . with a knife impaled in his chest.

No one knew the man--and his dark side--better than Glory Broussard, who would rather let the local authorities take the lead. But Glory's daughter, still reeling from problems of her own, insists on her involvement. Glory's search for the murderer takes her deep inside the seedy world of Louisiana casinos and racetracks, from their high roller VIP rooms with chatty dealers to stables filled with thoroughbred horses and shady dealings.

As if solving a murder and sparring with the woman who had an affair with her ex-husband isn't enough, Glory has to get to the bottom of her daughter's secrets, and there are a few members of her church group who would love to see her fail in her Mardi Gras responsibilities. Walloped with one revelation after another, Glory's no-nonsense, tellit-like-it-is attitude and strength is tested like never before. But it's going to take more than that to keep her down in this charming and gripping new novel in the award-winning and critically acclaimed Glory Broussard mystery series.

I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music. --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch

Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school's brand-new DEI committee.

As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting, when the new principal's plans leave Trisha absolutely furious. Later that night, when Mavis spies Trisha in yellow rubber gloves and booties, lugging cleaning supplies and giant black trash bags to her waiting minivan, it's only natural that her mind jumps to somewhere it surely wouldn't in the light of day.

Except Principal Smith fails to show up for work the next morning, and has been MIA since the meeting. Determined to get to the bottom of things, Mavis, along with the school psychologist with the great forearms (look, it's worth noting), launches an investigation that will challenge her views on parenting, friendship, and elementary school politics.

Brilliantly written, It's Elementary is a quick-witted, escapist romp that perfectly captures just how far parents will go to give their kids the very best, all wrapped in a mystery that will leave you guessing to the very end.

In Bluebird, Bluebird Attica Locke had both mastered the thriller and exceeded it.-Ann Patchett

When it comes to law and order, East Texas plays by its own rules -- a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home.

When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders -- a black lawyer from Chicago and a local white woman -- have stirred up a hornet's nest of resentment. Darren must solve the crimes -- and save himself in the process -- before Lark's long-simmering racial fault lines erupt. From a writer and producer of the Emmy winning Fox TV show Empire, Bluebird, Bluebird is a rural noir suffused with the unique music, color, and nuance of East Texas.

Joe King Oliver's beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She's lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B's pure ask has opened King's heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man--a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he's been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it's in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can't help but want her near.

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

*A New York Times Book Review Best Crime Novel of the Year*
*A Washington Post Best Mystery Novel of the Year*
*Winner of the Mystery Writers of America's Lilian Jackson Braun Memorial Award*

It's a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend--a nun beloved by the community--has been found dead in her apartment.

When police declare the mysterious death a suicide, Glory is convinced that there must be more to the story. With her reluctant daughter--who has troubles of her own--in tow, Glory launches a shadow investigation into Lafayette's oil tycoons, church gossips, a rumored voodoo priestess, nosey neighbors, and longtime ne'er-do wells.

As a Black woman of a certain age who grew up in a segregated Louisiana, Glory is used to being minimized and overlooked. But she's determined to make her presence known as the case leads her deep into a web of intrigue she never realized Lafayette could harbor.

Danielle Arcenaux's riveting debut brings forth an unforgettable character that will charm and delight crime fans everywhere and leave them hungry for her next adventure.

Darren Mathews is trying to emerge from another kind of darkness; after the events of his previous investigation, his marriage is in a precarious state of re-building, and his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his freedom, and she's not above a little maternal blackmail to press her advantage.

An unlikely possibility of rescue arrives in the form of a case down Highway 59, in a small lakeside town where the local economy thrives on nostalgia for ante-bellum Texas - and some of the era's racial attitudes still thrive as well. Levi's disappearance has links to Darren's last case, and to a wealthy businesswoman, the boy's grandmother, who seems more concerned about the fate of her business than that of her grandson.

Darren has to battle centuries-old suspicions and prejudices, as well as threats that have been reignited in the current political climate, as he races to find the boy, and to save himself.

A Best Book of the Year
New York TimesHouston ChronicleNPRWall Street JournalMilwaukee Journal-SentinelBook PageFinancial TimesKirkusSheReadsSunday TimesLitHubGuardianBook RiotSouth Florida Sun SentinelLonglisted for the Orwell Political Fiction Book Prize

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.

A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions. --Steph Cha, Los Angeles Times

It's 1953 in Red-baiting, blacklisting Los Angeles--a moral tar pit ready to swallow Easy Rawlins. Easy is out of the hurting business and into the housing (and favor) business when a racist IRS agent nails him for tax evasion. Special Agent Darryl T. Craxton, FBI, offers to bail him out if he agrees to infiltrate the First American Baptist Church and spy on alleged communist organizer Chaim Wenzler. That's when the murders begin....

The name Easy Rawlins stirs excitement in the hearts of readers and fear in the hearts of his foes. His success has bought him a thriving detective agency, with its first female detective; a remote home, shared with children and pets and lovers, high atop the hills overlooking gritty Los Angeles; and more trouble, more problems, and more threat to those whom he loves. In other words, he's still beset on all sides.

A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman--Lutisha James, though she's gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy's own life, painfully closer to home.

Billionaire Elliott Kantor, who ruled over a mammoth real estate portfolio in Chicago, was a creature of habit. His trainer came to his house three mornings every week for a five-thirty workout. By six-thirty he was in the car and his driver drove him down into the city where he'd get a shave and trim from his barber every morning, then head over to his offices on Wacker. He always ate breakfast at his desk, had two young assistants who tended to his every whim and demand, then spent all day in and out of meetings growing a business that had already made him one of the wealthiest men in the country.

There were few surprises in his world. Or so everyone thought, until Kantor died in his sleep at age 77, leaving behind a vast fortune and grieving wife, son, and five grandchildren.

When Simon Kantor enlists Ashe Cayne to explore his father's death, the probing private investigator learns there was plenty of activities Elliott participated in after hours, including a sex traffic ring. And as Ashe and readers will discover this is only the beginning, and as our hero dives deeper and deeper into Elliott's hidden world, this may be the end for the intrepid Mr. Cayne.

I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music. --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch

Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.

Is a threat to people in her hometown

Forced into early retirement from the Chicago police department for her own safety, Chloe Grant moves back to Maxwell, Arizona. Her podcast about murdered women starts out as a way to keep herself busy in her sleepy hometown. Reconnecting with Troy Miller--now a rookie in the local PD--also promises to make her new life a little more interesting. Then a copycat starts reenacting the cases she covers on her podcast, and they both realize that Chloe didn't leave danger behind when she left the big city...

From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served.

Discover more action-packed stories in the West Coast Crime Story series. All books are stand-alone with uplifting endings but were published in the following order:

Book 1: The Heart-Shaped Murders
Book 2: Danger in the Nevada Desert
Book 3: Homicide at Vincent Vineyard
Book 4: Hometown Homicide
Book 5: Preyed Upon

In this highly anticipated sequel from Edgar Award-winning master of craft and narrative, Walter Mosley, Joe King Oliver is entangled in a dangerous case when he's asked to investigate whether a white nationalist is being unjustly set up (National Book Foundation).

When friend of the family and multi-billionaire Roger Ferris comes to Joe with an assignment, he's got no choice but to accept, even if the case is a tough one to stomach. White nationalist Alfred Xavier Quiller has been accused of murder and the sale of sensitive information to the Russians. Ferris has reason to believe Quiller's been set up and he needs King to see if the charges hold.

This linear assignment becomes a winding quest to uncover the extent of Quiller's dealings, to understand Ferris' skin in the game, and to get to the bottom of who is working for whom. Even with the help of bodyguard and mercenary Oliya Ruez--no regular girl Friday--the machine King's up against proves relentless and unsparing. As King gets closer to exposing the truth, he and his loved ones barrel towards grave danger.

Mosley once again proves himself a master of craft and narrative (National Book Foundation) in this carefully plotted mystery that is at once a classic caper, a family saga and an examination of fealty, pride and how deep debt can go.

A NYTBR Editors' Choice Selection

Denver, 1992. Claudette Cooper and Moses King have been failed by the justice system. Claudette was sexually assaulted and brutally attacked--blinded by the perpetrator, she's not able to identify him until she has a dream about the attack where she sees the face of Moses King. When Claudette testifies that she's identified her attacker from her dream, Moses is wrongfully convicted and sent to prison for the crime.

Lawyer Liza Brown has seen firsthand the failings and shortcomings of the justice system--her father also suffered the injustice of a wrongful conviction. As she's working at a nonprofit to free those who have been wrongfully imprisoned, Moses reaches out to her. Liza sees the obvious cracks in the evidence against Moses, and when he confesses that he knew her father, she's determined to help. Recruiting her old friend Eli Stone to assist, Liza sets out to prove Moses's innocence. But Eli is dealing with demons of his own: corrupt cops are targeting Black residents of Denver, and when his nephew is beaten by the police, Eli doubles down on his efforts to expose them.

Frustrated, Liza turns to Moses's accuser, Claudette, for help. But Claudette is hiding a dark secret, and as tensions in Denver rise, the city erupts in protests and riots. This rich, impactful novel paints a portrait not only of injustice and desperation--but of hope.

Brian Copeland's thrilling debut novel is a revelation from an excitingly fresh voice 'of color' in the arena of crime fiction . . . He manages to take a 'ripped from the headlines' topic, the shooting of unarmed African Americans by police, and turn it into an exciting and entertaining blend of action, mystery, and social commentary. --New York Times bestselling author JONATHAN KELLERMAN

When San Francisco Police Officer Mickey Driscoll is gunned down in the driveway of his suburban Bay Area home in broad daylight, the suspects are numerous. Was the murder committed by someone close to him? An arrestee seeking revenge? Or was it one of the many rioters, activists, and militant groups harassing his family since he accidentally shot and killed an unarmed African American honor student?

TV investigative reporter Topher Davis, the only Black journalist on that beat, has exactly three weeks to do one final story before his position is eliminated due to corporate budget cuts. Enlisting the aid of his sister, SFPD Homicide Detective Lynn Sloan, he decides to investigate what the families of Blacks killed by police--and the families of the cops themselves--go through when tragic events like this occur. Instead, they find themselves involved in an ever-expanding mystery as more officers who've committed the same offense turn up dead. Weaving their way through a world of grieving mothers and widows, African American militias, dirty cops, and drug dealers, they search for the truth that threatens to leave one . . . or both . . . siblings dead.

I loved The Violin Conspiracy for exactly the same reasons I loved The Queen's Gambit a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about--in this case, classical music. --Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch

Growing up Black in rural North Carolina, Ray McMillian's life is already mapped out. But Ray has a gift and a dream--he's determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can't afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition--the Olympics of classical music--the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself--and the world--that no matter the outcome, there has always been a truly great musician within him.