I don't see my writing as chronological or classically narrative, but as spatial--a kind of architecture. I keep adding rooms, and readers can take different paths through the rooms, writes Ariane Koch of Overstaying, her anarchically comic debut. Koch's narrator is an impudent young woman, a contemporary Bartleby living alone in her parents' old house in the small hometown she hates but can't bring herself to leave.

When a visitor turns up, promisingly new, she takes him in, and instantly her life revolves around him. Yet it is hard to tell what, exactly, this visitor is. A mooch, a lover, an absence, a presence--possibly a pet? Mostly, he is a set of contradictions, an occasion for Koch's wild imagination to take readers in brilliant and unexpected directions.

One of the few laugh-out-loud novels I've read. --Conan O'Brien

Lamar Jimmerson is the leader of the Gnomon Society, the international fraternal order dedicated to preserving the arcane wisdom of the lost city of Atlantis. Stationed in France in 1917, Jimmerson comes across a little book crammed with Atlantean puzzles, Egyptian riddles, and extended alchemical metaphors. It's the Codex Pappus: the sacred Gnomon text. Soon he is basking in the lore of lost Atlantis, convinced that his mission on Earth is to administer to and extend the ranks of the noble brotherhood.

Charles Portis wrote five novels, and this is his penultimate. Portis is often compared to Mark Twain because, like Twain, Portis focuses on and plays with the wide range of expression found in American speech. Every character in this novel has a unique way of expressing himself, and it's clear to the reader that Portis genuinely loves each and every one of these characters and creating for them a unique vernacular.

For fans of True Grit or other Charles Portis novels and for readers who have yet to discover his work, a trip with Portis and Lamar Jimmerson will be great fun and full of rewards.

A wonderful talent--original, quirky, exciting. --Larry McMurtry, author of The Last Picture Show and Terms of Endearment

I've loved his work all my life--The Dog of the South is a family favorite, as is Masters of Atlantis. . . . The books are so funny that they cry to be read aloud. --Donna Tartt, author of The Goldfinch and The Secret History, in the New York Times

Etgar Keret is the world's most famous living Israeli writer, known for writing short stories that are lean and accessible in style, and whimsical, surrealist, and darkly funny in subject. His work explores life's smallest, most unremarkable interactions in ways that are profound and unusual. The characters populating his fiction have relatable work and relationship problems. They live in a world of ever-advancing technology, but it is always degraded by the baseness of human passions and brutality: a character's partner is a reality show contestant from a parallel dimension; another finds the asteroid they paid to have named after their wife is scheduled to collide with earth; and an elderly widow convinces a popular AI program to commit suicide.

These stories speak to our current moment in time: the uncertainty and fragility--full of misunderstandings and miscommunications--while looking for reasons and the strength to find hope. His stories reveal the fault lines and uncomfortable truths in our society in a style that is memorably his own.

Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller's life, a diabolical nun, and the story of a girl with a missing left thumb. The tale is also the precursor to a meeting between the writer and the infernal miracle worker, Lucia--a meeting that ultimately forces the writer to make a fateful decision about her own inner essence.

Carnality is a novel about the universal need for spirituality and truth--not to mention a good story--set in the seemingly unspiritual grimy underbelly of society.

Bonnie Lincoln just wants to be left alone. To come home from work, shut out the ghosts of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company.

When Bonnie wins the lottery, a more grandiose vision--to completely shuck off her own troublesome identity--takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters: no-nonsense Janet Wood, pleasantly airheaded Chrissy Snow, and confident Jack Tripper. While her best friend, Krystal, tries to drag her back to her old life, Bonnie is determined to transcend pain, trauma, and the baggage of her past by immersing herself in the ultimate binge-watch.

In a pre-apocalyptic world not unlike our own, a young Instagram poet starts an affair with a California billionaire who's promised a time machine that will make everything normal again--whatever that means.

Everyone knows something's off, but nobody can agree on just what it is. Maybe it's the weather; maybe everyone's just so damn sensitive these days. Or maybe it's because the animals of the world have finally had enough, besieging towns and cities and terrorizing their human residents.

Jenlena and her best friend Daphne are two humanities grads in their early 20s, trying to find their way in a society that has just eradicated all animals for the safety of humanity. In the post-fauna world, Jenlena transforms from an aspiring poet to a gig worker, capitalizing on other people's grief by selling house plants that have come to replace pets and cosplaying as dogs for pay. Meanwhile Daphne, a once-promising student, flounders in a deep depression, smoking weed and ditching work to hang out with her once famous, now canceled boyfriend. When Jenlena meets the California billionaire Roderick Maeve, and the two become romantically entangled, she is exposed to a new understanding of wealth, power, and the gender economy--just as the world hurtles toward its alleged salvation.

Marked with Frankie Barnet's poignant intelligence and sly sense of humor, Mood Swings is a stand-out debut novel that imagines with pitch-perfect absurdity what comes after life as we know it.

Steven Wright is one of the most significant and influential stand-up comedians in history. Rolling Stone ranked him fifteenth on their 50 Best Stand-ups of All Time list, while the New York Times has written of his enduring legacy: If you made a family tree of modern stand-up, he would top one of the few major and expanding branches. The children of Mr. Wright pack the comedy scene today. Now comes his first novel, which is sure to be unlike anything you've ever read.

From the outside, Harold is an average seven-year-old third grader growing up in the 1960s. Bored by school. Crushing on a girl. Likes movies and baseball--especially the hometown Boston Red Sox. Enjoys spending time with his grandfather. But inside Harold's mind, things are a lot more complex and unusual. His thoughts come to him as birds flying through a small rectangle in the middle of his brain. He visits an outdoor cafe on the moon and is invited aboard a spaceship by famed astronomer Carl Sagan. He envisions his own funeral procession and wonders if the driver of the hearse has even been born yet.

Harold documents the meandering, surreal, often hilarious, and always thought-provoking stream-of-consciousness ruminations of the title character during a single day in class. Saturated with the witticisms and profundities for which Wright's groundbreaking stand-up has long been venerated, this novel will change the way you perceive your daily existence. To quote one of its many memorable lines: Everything doesn't have to make sense. Just look at the world and your life.

One of The Millions Most Anticipated Books for Spring !

Set in the uncanny valley between Bugs Bunny and Franz Kafka, Cartoons is an explosive series of outrageous, absurdist tales.

The true surrealist is unblinking, convulsive, and cheerfully open to the mysterious flow, into their texts, of mythic and archetypal elements operating beyond their conscious control. In Cartoons, Kit Schluter vaults into the zone of Julio Cortázar, Richard Brautigan, and late Giorgio di Chirico, where the reader breaths the air of pure freedom attained rattling inside the chains of self.--Jonathan Lethem, author of Motherless Brooklyn

More than simply a book, Cartoons proposes itself as a genre of imaginary writing in opposition to the realism of most contemporary U.S. fiction, aligning itself with the French symbolism and Latin American fabulism its author is known to translate. A giant cricket with a tiny Kit Schluter in a jar, The Girl Who Is a Piece of Paper, an umbrella who confuses the words porpoise and purpose in its quest for self-fulfillment, these are just a few denizens of its pages, suffused with a fairy tale-like animism. A pair of slugs go on a bender. A microwave oven decries microaggressions. A beer bottle is filled with regret. An escalator mechanic's shoe conceals a terrible secret.

As befits its title, Cartoons defies the laws of physics and fiction alike, eschewing tonal consistency in favor of a simultaneity of joy and horror, ecstasy and disgust, wrapped in an extravagant layer of black humor. The stories blur the boundary between microfiction and poet's prose, featuring impossible transformations and surrealistic events, even as they wrestle with urgent psychic and moral dilemmas. Heightening the atmosphere of pervasive unreality are a number of drawings by the author, which don't so much illustrate as parallel the tales with their own fantastic scenarios.

After his mother's suicide attempt and two other deaths, T. finds himself increasingly estranged from his latest project: a retirement community in the middle of the California desert. As he juggles family, business, and social responsibilities, T. begins to nurture a curious obsession with vanishing species. Soon he's living a double life, building sprawling subdivisions by day and breaking into zoos at night to be near the animals. A series of calamities forces T. to a tropical island, where he takes a Conrad-esque journey up a river into the remote jungle. Millet's devastating wit, psychological acuity, and remarkable empathy for flawed humankind contend with her vision of a world slowly murdering itself.

The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

ONE OF BOOK RIOT'S 20 MUST-READ HORROR BOOKS YOU'VE NEVER HEARD OF

[Plastic] deserves applause....Raises urgent questions about climate change, political violence, and spirituality with high intelligence....Wondrous. - The New York Times Book Review

Erin is a plastic girl living in a plastic world. Every day she eats a breakfast of boiled chicken, then conveys her articulated body to Tablet Town, where she sells other figurines Smartbodies: wearable tech that allows full, physical immersion in a virtual world, a refuge from real life's brutal wars, oppressive governmental monitoring, and omnipresent eco-terrorist insurgency. If you cut her, she will not bleed--but she and her fellow figurines can still be cracked or blown apart by gunfire or bombs, or crumble away from nuclear fallout. Erin, who's lost her father, sister, and the love of her life, certainly knows plenty about death.

An attack at her place of work brings Erin another too-intimate experience, but it also brings her Jacob: a blind figurine whom she comforts in the aftermath, and with whom she feels an almost instant connection. For the first time in years, Erin begins to experience hope--hope that until now she's only gleaned from watching her favorite TV show, the surrealist retro sitcom Nuclear Family. Exploring the wild wonders of the virtual reality landscape together, it seems that possibly, slowly, Erin and Jacob may have a chance at healing from their trauma. But then secrets from Erin's family's past begin to invade her carefully constructed reality, and cracks in the facade she's constructed around her life threaten to reveal everything vulnerable beneath.

Both a crypto-comedic dystopian fantasy and a deadly serious dissection of our own farcical pre-apocalypse, Scott Guild's debut novel is an achingly beautiful, disarmingly welcoming, and fabulously inventive look at the hollow core of modern American society--and a guide to how we might reanimate all its broken plastic pieces.

[Plastic] deserves applause....Raises urgent questions about climate change, political violence, and spirituality with high intelligence....Wondrous. - The New York Times Book Review

Erin is a plastic girl living in a plastic world. Every day she eats a breakfast of boiled chicken, then conveys her articulated body to Tablet Town, where she sells other figurines Smartbodies: wearable tech that allows full, physical immersion in a virtual world, a refuge from real life's brutal wars, oppressive governmental monitoring, and omnipresent eco-terrorist insurgency. If you cut her, she will not bleed--but she and her fellow figurines can still be cracked or blown apart by gunfire or bombs, or crumble away from nuclear fallout. Erin, who's lost her father, sister, and the love of her life, certainly knows plenty about death.

An attack at her place of work brings Erin another too-intimate experience, but it also brings her Jacob: a blind figurine whom she comforts in the aftermath, and with whom she feels an almost instant connection. For the first time in years, Erin begins to experience hope--hope that until now she's only gleaned from watching her favorite TV show, the surrealist retro sitcom Nuclear Family. Exploring the wild wonders of the virtual reality landscape together, it seems that possibly, slowly, Erin and Jacob may have a chance at healing from their trauma. But then secrets from Erin's family's past begin to invade her carefully constructed reality, and cracks in the facade she's constructed around her life threaten to reveal everything vulnerable beneath.

Both a crypto-comedic dystopian fantasy and a deadly serious dissection of our own farcical pre-apocalypse, Scott Guild's debut novel is an achingly beautiful, disarmingly welcoming, and fabulously inventive look at the hollow core of modern American society--and a guide to how we might reanimate all its broken plastic pieces.

In the tradition of Rabelais, Swift, and Fran Ross--the tradition of biting satire that joyfully embraces the strange and fantastical--and drawing upon documentary strategies from Sheila Heti, Caren Beilin offers a tale of familial trauma that is also a broadly inclusive skewering of academia, the medical industry, and the contemporary art scene.

One day Iris, an adjunct at a city arts college, receives a terrible package: recently unearthed letters that her father had written to her in her teens, in which he blames her for their family's crises. Driven by the raw fact of receiving these devastating letters not once but twice in a lifetime, and in a panic of chronic pain brought on by rheumatoid arthritis, Iris escapes to the countryside--or some absurdist version of it. Nazi cows, Picassos used as tampons, and a pair of arthritic feet that speak in the voices of Flaubert's Bouvard and Pécuchet are standard fare in this beguiling novel of odd characters, surprising circumstances, and intuitive leaps, all brought together in profoundly serious ways.

Abe's superpower is to transform everything he touches into exciting literature. -- Kotaru Isaka, author of Bullet Train

This surreal, twisty novel presents a provocative portrayal of sibling competition and the exploitation of social outcasts.

Shiori knows at heart that she's a troubadour. She may be completely tone-deaf, but she won't let that stop her living a life dedicated to music. Even when her dominant older sister, Nozomi, forces Shiori to accept that her wild singing provokes only revulsion, she decides to forge a career as a lyricist instead.

At eighteen, she moves to Tokyo to pursue her dream. Isolated and struggling in this unfamiliar city, Shiori seeks connection online, where her trusting outlook leaves her vulnerable to exploitation - with potentially explosive results.

This page-turning literary fiction from a Japanese star is perfect for fans of the wild worlds and unforgettable creations of Mieko Kawakami and Sayaka Murata.

Our narrator and his accidental companion, K. Sohail, find themselves on an island wellness retreat impersonating the Dhaliwals, who have probably been killed in a helicopter crash. After being welcomed by Jerome the robot, the intrepid imposters eagerly partake of the all-you-stomach buffet, the motivational speechifyings of self-help guru Brad Beard, and Professor Sayer's uncomfortably erotic couples counselling.

But things quickly take an ominous turn when an excursion to a nearby deserted village reveals a guillotine and a haunted chapel. And then one of the retreaters is murdered and the real Dhaliwals show up. Accusations, counter-accusations, and counter-counter-accusations are made, until the whole retreat is caught up in a bizarre trial.

In All You Can Kill, Pasha Malla, with his inimitable absurdist style, collides horror and humour into an utterly unforgettable satire.

Smart, hilarious, original, All You Can Kill is a feverish, one-of-a-kind, unhinged journey into the absurd shams of modern life. No one writes satire, or anything else, like Pasha Malla. - Iain Reid, author of We Spread

Malla is a fabulously gifted writer. - Publishers Weekly

I don't really know how Malla gets away with what he does ... but it is astounding to watch him do it. - The Rumpus

The Skin of Dreams is a novel of waking dreams. Even as he lives his life, Jacques L'Aumône, its hero, daydreams a hundred other possible lives. A few lines on a page, a chance encounter, a remark overheard in passing, any of these are enough to kick things into gear and send him off outside of himself to become a boxer, a general, a bishop, or a lord. He lives alongside his life with diligence and steadfastness; and the passage from real to dream is so natural for him that he no longer knows precisely which him he is. Eventually he becomes an actor in Hollywood, and the basis of countless dreams for others. This Jacques L'Aumône, like the characters who surround him, has the same sort of haunting and fluid consistency as someone that we might dream of in our beds at night. And reverie, here, is born through the tale's humor, which is as gentle as it is cruel, as well as by way of a writing technique that is itself drawn from one of Queneau's great loves, the cinema.