Little Book of Yves Saint Laurent is the pocket-sized and exquisitely illustrated story of 60 years of innovative fashion design.

An enigmatic, daring and astonishingly creative designer, Yves Saint Laurent is credited with the elevation of haute couture to fine art, turning the fashion show into a spectacle of breathtaking proportions, and revolutionizing the gendered norms of womenswear.

Describing Saint Laurent's beginnings in Algeria as a precocious boy making miniature garments from fabric scraps, Little Book of Yves Saint Laurent depicts the designer's ascent from fashion student to the right-hand of Christian Dior. Going on to found his own fashion house in 1961, Saint Laurent created his famous le smoking trouser suit, brought the leather jacket to the mainstream and astounded the fashion world with his blend of elegance and artistic drama.

Little Book of Yves Saint Laurent documents the talent of a visionary creative in a perfect gift for any lover of fashion.

A Barnes & Noble Best Book of 2024

Palace Costume is a behind-the-scenes glimpse into Palace Costume & Prop Co., an exclusive Los Angeles film-industry haven of dresses, gowns, garments, accessories, props, and jewelry featured in countless movies for more than fifty years.

Envisioned and curated by owner Melody Barnett, Palace Costume is a 30,000-square-foot treasure trove of over half a million pieces and a beloved and legendary collection exclusively for costumers, stylists, and designers. Barnett's journey in retro clothing is movie-worthy itself. Her first boutique in Los Angeles in the early 1970s attracted the likes of Diana Ross and Joni Mitchell and many other legends from the era. This inspired her to transition the business into a to-the-trade-only rental service enabling her to hold onto and care for these vintage gems. Since then, hundreds of classic films have featured clothing from Palace over the years, including Bonnie and Clyde, Chinatown, and The Godfather, to name just a few.

Interviews by Mimi Haddon with more than a dozen Academy Award-winning costume designers are featured here with corresponding film stills that highlight the clothing and accessories they selected from Palace. Acclaimed designers such as Sandy Powell (Carol, The Aviator, Shakespeare in Love), Ruth E. Carter (Black Panther, Malcolm X, Frankie and Alice), Arianne Phillips (Once upon a Time in Hollywood, A Single Man, W.E.), Shirley Kurata (Everything Everywhere All at Once), and Mary Zophres (La La Land, Babylon, True Grit) and Mark Bridges (Boogie Nights, Licorice Pizza) each share insightful anecdotes about the importance of Palace Costume as their go-to creative resource, especially for historic period films.

Los Angeles-based photographer Mimi Haddon has been artfully photographing the vintage gems at Palace Costume for many years. Over 300 of her stunning, stylized, and saturated images are featured in this visually comprehensive and delightful celebration of this one-of-a-kind archive. This inspirational look-book is sure to delight a wide audience, including vintage-clothing enthusiasts, fashionistas, costume designers, stylists, and cinephiles.

The Texture of Change examines historical change across a broad region of western Africa--from Saint Louis, Senegal, to Freetown, Sierra Leone--through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas.

Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters.

Use This Complete Guide as Your Resource for Costuming

Jean Hunnisett's three-volume Period Costumes for the Stage & Screen is the ultimate resource for the accurate costuming of women. Spanning fashionable and common dress from medieval times to the early 1900s, these guides detail the patterns of the ages.

Reflecting knowledge gained from 25 years of making costumes for theater, film, and television, Hunnisett provides scaled patterns, step-by-step instructions, and working drawings. Mindful of purpose, the designs not only provide the right look for the times but are also fashioned using modern fabrics and sewing methods to fit the modern female figure.

In this most comprehensive of her three volumes, Jean Hunnisett describes and illustrates in detail the dress of the 19^th century in seven parts, clearly demonstrating how individual pieces changed through the decades. In these chapters she provides a summary of the period and expands upon that with illustrations and descriptions of each part of the fashion of the day, which she completes with a look at dress created by accomplished costumers for contemporary television series.

With hundreds of illustrations and photographs, this guide provides all the essential information for creating authentic-looking costumes for the period.

This book is also available from Echo Point Books as a hardcover (ISBN 1648374255).

What People Wore When combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.

With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

Use This Complete Guide as Your Resource for Costuming

Jean Hunnisett's three-volume Period Costumes for the Stage & Screen is the ultimate resource for the accurate costuming of women. Spanning fashionable and common dress from medieval times to the early 1900s, these guides detail the patterns of the ages.

Reflecting knowledge gained from 25 years of making costumes for theater, film, and television, Hunnisett provides scaled patterns, step-by-step instructions, and working drawings. Mindful of purpose, the designs not only provide the right look for the times but are also fashioned using modern fabrics and sewing methods to fit the modern female figure.

This second volume covers the 16^th through 18^th centuries. Part one provides instruction on technique: choosing fabric, taking measurements, fitting and finishing. The remaining three sections cover the three centuries, with special attention given to corsets, ruffs, surcoats, collars, cuffs, and petticoats. An appendix provides information on equipment and supplies.

With hundreds of illustrations and photographs, this guide provides all the essential information for creating authentic-looking costumes for the period.

This book is also available from Echo Point Books as a hardcover (ISBN 1648374271).

[This] sumptuous book offers exuberant post-pandemic eye candy in its many photos and illustrations.--Ann Landi, Wall Street Journal

Published on the 70th anniversary of the Marimekko brand, this book surveys the classic design collaborations, patterns, and vibrant textiles from the much-loved Finnish lifestyle design house

Marimekko held its first fashion show in 1951, where the clean lines and bright patterns made waves on the Scandinavian fashion scene. By 1960, Jacqueline Kennedy was wearing Marimekko, and the brand established itself as a global presence, frequently being featured in Vogue, Elle, and Harper's Bazaar. Over the past seventy years, Marimekko has created some of the most distinctive patterns in the design industry. Drawing on the wealth of Marimekko's archives, this volume showcases over one hundred iconic patterns and includes never-before-seen imagery.

Four distinct sections guide the reader from the Marimekko philosophy and lifestyle; to its printing factory in Herttoniemi, Finland; on to a rich sourcebook of pattern; and finally to the brand's ultra-sustainable, super-creative future. In-depth case studies are included throughout, showing how Marimekko collaborates with designers to bring their patterns from sketchbook to final print, and the means by which they are manufactured, from sketchbook to screenprinted fabric. This fully illustrated brand history and design resource is essential reading for any lover of print and pattern.

The first major publication devoted to weaver and designer Dorothy Liebes, reinstating her as one of the most influential American designers of the twentieth century

At the time of her death, Dorothy Liebes (1897-1972) was called the greatest modern weaver and the mother of the twentieth-century palette. As a weaver, she developed a distinctive combination of unusual materials, lavish textures, and brilliant colors that came to be known as the Liebes Look. Yet despite her prolific career and recognition during her lifetime, Liebes is today considerably less well known than the men with whom she often collaborated, including Frank Lloyd Wright, Henry Dreyfuss, and Edward Durrell Stone. Her legacy also suffered due to the inability of the black-and-white photography of the period to represent her richly colored and textured works.

Extensively researched and illustrated with full-color, accurate reproductions, this important publication examines Liebes's widespread impact on twentieth-century design. Essays explore major milestones of her career, including her close collaborations with major interior designers and architects to create custom textiles, the innovative and experimental design studio where she explored new and unusual materials, her use of fabrics to enhance interior lighting, and her collaborations with fashion designers, including Clare Potter and Bonnie Cashin. Ultimately, this book reinstates Liebes at the pinnacle of modern textile design alongside such recognized figures as Anni Albers and Florence Knoll.

Beautifully designed by Estudio Herrera, the book offers the reader a tactile experience. The real cloth cover with silkscreened typography and inset photograph opens to reveal an exposed spine and colored threads that tie together the page signatures and echo Liebes's own craft.

Published in association with Cooper Hewitt, Smithsonian Design Museum

Exhibition Schedule:

Cooper Hewitt, Smithsonian Design Museum
(July 7, 2023-February 4, 2024)

Discover the rich creative possibilities of fragmentation and repair in textile art.

Fragmentation and repair are two of the biggest buzzwords in textile and mixed-media art. In this fascinating book, renowned artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas and practical advice.

Drawing on her own practice, Shelley explains how she reconstructs and reassembles cloth, paper and other materials to create new pieces, often incorporating found objects and items she has collected over the years to add depth and emotional resonance. From piercing and devoré to patching and darning, techniques include:

• Fragmentation of materials, text and image.
• Repair using darning and patching along with pins, tape, adhesive and plaster.
• The Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap).
• Using salvaged and recycled materials, and repurposing household items.
• Methods of distressing and manipulating surfaces including weathering, abrasion, burning, piercing, staining and burying.
• Collage, working in a series and collecting fragments.

Beautifully illustrated with Shelley's own pieces alongside those of other leading artists, this fascinating book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.

First published in the early 1900s, The Tailors Classical and Infallible Text Book is a timeless volume containing a multitude of patterns for outfits that are perfect for men, women and children.

Originally intended for tailors, this collection of garment patterns is a wonderful handbook for the modern designer wanting to learn more about the history of outfit-making. Alongside the original diagrams, this guide includes comprehensive instructions as well as thorough explanations as to why each measurement is appropriate. Drawing and mathematics come together in this volume, helping you to bring traditional outfits to life.

The Tailors Classical and Infallible Text Book features chapters such as:

- Science

- Gravitation

- Human Equilibrium, Equipoise of Balance

- The Mechanism of the Human Frame

- The Principles of Plane Geometry

- The Plane Geometry of the Human Figure

- Suggestions RE Aesthetics, Designing and Drawing

Read & Co. Books has proudly republished this classic handbook in a new edition for the modern-day designer to enjoy. The Tailors Classical and Infallible Text Book is a must-read for those who are interested in the history of design and garment-making.

Savile Row is the home of hand tailoring.This short street is home to many of the world's finest tailoring houses, a street where for over 200 years royals, rock stars, and giants of the business and political worlds have come to have their clothes cut, sewn and fitted. Patrick Grant, co-owner of Savile Row tailors Norton & Sons, describes the long-standing traditions of craftsmanship that are maintained in the workrooms of this quiet corner of London's Mayfair - a fascinating and uniquely storied world. He celebrates the extraordinary ecosystem, from the British weavers and cloth houses to the trimmings merchants, that allows Savile Row to flourish.Grant shines a light on the captivating story of Savile Row, the painstaking processes required to create a bespoke garment, and the story of his personal experiences on this most famous thoroughfare. This book details, for the first time, the complete tailoring methods of several of Savile Row's finest sewing tailors, providing a detailed step-by-step manual on how to hand-make a pair of trousers, waistcoat, and coat in the Savile Row style, and a shirt in the style of one of Jermyn Street's finest shirt makers. Richly illustrated, this book gives an insight into a highly discreet and rarefied world of craftsmanship.

From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.
This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.
Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.
Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste

At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. In 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated paperback edition tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets and lavish embroidery within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival held in 1520. Even half a millennium later, such extraordinary works remain Tudor society's strongest projection of wealth, taste, and ultimately power.

Published in association with Historic Royal Palaces

Gloriously pieced together, much like the fine garments it portrays, this colorful book takes the reader on an international tour of indigo-colored textiles, presenting a huge swathe of remarkable clothing, people, and fabric. Catherine Legrand has spent more than twenty years traveling and researching the subject, and she has a deep knowledge of the ancient techniques, patterns, and clothing traditions that characterize ethnic textile design.

The book explores the production of indigo textiles throughout America, China, India, Africa, Central Asia, Japan, Laos, and Vietnam. It features more than 500 color photographs and is completed by specially commissioned drawings that provide close-ups of patterns and cloths.

The paperback edition of this captivating story of Tudor dress, and the people who made and wore it

The Tudors are some of the best-known figures in history. They continue, even today, to spark our curiosity and imagination. Their enduring popularity is no doubt partly due to the iconic portraits in which they are depicted, in farthingales and ruffs, furs and jewels, codpieces and cloaks, and vast expanses of velvet and silk. Far from being mere decoration, fashion was pivotal in the communication of status and power. This paperback edition of Tudor Fashion presents insights into the fashions of the Tudor dynasty. Histories of Kings and Queens complement stories of unsung dressmakers, laundresses, and officials charged with maintaining and transporting the immense Tudor wardrobes from palace to palace. Evidence from rare surviving garments and textiles, original documents, fine and decorative art, and archaeological findings enhance our understanding of the Tudors and their courts. Handsomely illustrated, this sumptuous book contextualizes Tudor dress and fills in gaps in our knowledge of the period and its fascinating historical figures.

Published in association with Historic Royal Palaces

Praised for her awe-inspiring ability to mix vibrant patterned fabrics, antique furniture, and collectible art, Anna Spiro has worked tirelessly throughout her design career to create compelling homes and spaces for her clients. This beautifully illustrated book, Anna Spiro: A Life in Pattern, is a source of inspiration for readers and admirers throughout the world of Spiro's colorful and visually complex style.

Describing her singular design ethos, Spiro says, I love to create rooms that spark emotion and people want to linger in... spaces that are rooted in tradition, yet unique in their execution. It's important for me to use only the highest quality so that our designs endure the test of time--quality over quantity. The end result is a curation of disparate objects brought together to create an interesting, layered, and inspiring space that defies the boundaries of dull yet respects the basic principles of classicism.

From mood boards to finished rooms, this exploration of Spiro's design philosophy gives readers the framework to create fiercely unique, surprising spaces that sing with individuality.

This book on patternmaking for menswear provides first-class guidance on illustration, making it a handy tool for designers, students and advanced hobbyists.

In this volume on men's clothing, part of our series on fashion patternmaking techniques by renowned author and designer Antonio Donnanno, readers will acquire the technical and stylistic knowledge they need to ensure their sartorial creations are technically flawless and stay fresh and new. After an introduction to the essential patternmaking tools, basic fabric notions, anatomy and measurement of the male body, industrial sizes and tailoring terms, the author describes in detail and step by step the making of patterns, covering a wealth of types of men's garments for all lifestyles and circumstances: from shirts to jackets, waistcoats, trousers, knitwear and underwear. All is presented with clear and easy-to-follow instructions and illustrations which indicate the author's long experience both as a teacher and as a consultant to international firms and pattern publishers. A special feature that makes this volume unique is the inclusion of an attached pattern sheet showing a base pattern for shirts, jackets and trousers in five sizes. Aimed at professional tailors, teachers and students, sewing lovers and industrial sample makers, this new volume in the Donnanno Fashion Patternmaking series is a useful and practical tool for meeting contemporary menswear tailoring challenges and needs. The book includes a pattern sheet with patterns for trousers, jackets and shirts in 5 sizes.

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Printed cotton sacks are currently fashionable aspects for material culture research, particularly in the costume and quilt history communities. Beginning in the late nineteenth century through the 1960s, these mass-produced sacks were relied upon by rural America as a valuable source of free fabric for clothing, quilts, and home décor. White cotton sacks were ubiquitous beginning in the last half of the nineteenth century; sacks printed with designs would come onto the market in 1937. Large households and farms required significant quantities of flour, sugar, and other staples, as well as animal feed, particularly chicken feed, all of which began to be packaged in cotton sacks at the beginning of the twentieth century. Companies such as the Imperial Sugar Company of Sugarland, Texas, and the Robert Nicholson Seed Company of Dallas, Texas, switched from jute and burlap bags to cotton in order to help ease the cotton slump that hit farmers throughout the South in the early 1920s. As the use of cotton sacks increased, whether the sacks were used to package human consumables or animal feed, these fabrics became colloquially known as feed sacks.

In 2015, more than 5600 printed cotton sack pieces came into the holdings of the Museum of Texas Tech University in the Pat L. Nickols Cotton Sack Research Collection. The Nickols Collection includes white sacks, printed partial and whole cotton sacks, swatches of printed sacks, instructional booklets, garments, quilts, quilt tops, and decorated white sacks. Combined with earlier and subsequent individual donations, the almost 6000 feed sack pieces held by the Museum of TTU make this the largest collection of feed sack materials to be assembled by an American museum, and likely the largest such collection in public hands. The Nickols Collection was brought to the museum in support of research, thus this publication serves to both showcase the breadth of the Pat L. Nickols Printed Cotton Sack Research Collection and also serve as a comprehensive visual archive for these important artifacts of rural American material culture.