As featured in WSJ. Magazine, New York Times, Town & Country, and Harper's Bazaar
The iconic jewelry brand's cofounders and chief designers reveal their personal story and creative journey together through words and images
Celebrating more than half a century of jewelry design, trailblazers Sybil and David Yurman take readers on a journey through their creative process and the history of their influential design house through personal anecdotes and never-before-seen imagery.
Spanning more than 350 pages filled with their artwork, family photographs, original design sketches, stunning jewelry portraits, and behind-the-scenes images from the brand's celebrated advertising campaigns, this luxe monograph traces the ascent of America's premier twentieth-century fine jewelry brand from the underground art worlds of New York and California to the global stage.
Showcasing Sybil's background as a painter and David's as a sculptor, the book explores how the Yurmans' artistic practices are inextricably intertwined with their jewelry-making process. It delves into the creation of their iconic Cable bracelet and other world-renowned collections. Featuring personal texts by Sybil, David, and their son, Evan, who became the president and chief creative officer of the luxury house in 2022, the book also includes never-before-seen original paintings and sculptures by Sybil and David Yurman.
Brand ambassadors, such as Kate Moss, Amber Valletta, and Gisele Bündchen, are showcased throughout the book in campaign images by Peter Lindbergh and other notable photographers.
New Jewellery Techniques is a detailed and abundantly-illustrated reference book that focuses on the innovative curved score folding for sheet metal techniques to create beautiful, dynamic three-dimensional forms, much like metal origami, in jewelry and metalsmithing.
Anastasia Young and Paul Wells, both renowned UK-based jewelers, authors and lecturers, have created a practical visual handbook on curved scoring and folding techniques applied to jewelry and metalsmithing for small objects. The book's clear, hands-on approach, with explanatory photographs for each step, makes it an invaluable resource for established jewelers wishing to learn more about new techniques, jewelry students, home crafters and advanced amateurs. Readers will discover a wealth of information about a variety of ways to score and fold metal and give it different finishes, shaping flat sheets into to visually stunningly organic forms, including guides on the tools needed for each method. A final section contains useful resources, from a detailed analysis of score depth based on the gauge of the wire used (through diagrams to aid design and planning) to information about where to source materials and facts about metalworking and jewelry in general.
This full color book is an excellent reference for costume jewelry lovers and collectors. While this first edition is by no means a complete representation of Bill's designs, it is the first catalog of Bill's work and the most comprehensive look at his life and career to date. Nearly 300 photographs, 10 editorial fashion photographs (out of more than the 200 that featured his work) and dozens of advertisements serve to authenticate Bill's designs.
William Franklin, Bill, Smith came from humble beginnings in small town Madison, Indiana and became a successful fine and costume jewelry designer. After three semesters at Indiana University as a Fine Arts major, Bill moved to New York to pursue a dance career. However, there were limited roles for Black dancers in the early 1950s, so he turned to jewelry design to make a living. Soon, he was being sought after by socialites, performers, and fashionistas alike for his frequently outrageous, over-the-top designs. Ethel Scull, Charlotte Ford, Loretta Young, Lena Horne, and Leontyne Price were among his famous clients. Bill was fond of using alternative materials, such as items found in hardware stores and nature, You can use anything you want - but don't make it look like what it is - give it another dimension. His Russian gold-plated gas pipe bracelet was a piece photographed in several fashion magazines throughout his career. In 1968, as the first Black Vice President of Richelieu, and the first designer to put his name on a collection, Bill created jewelry clothing made of pearls, chains, or faux coins. Models wearing his daring designs strutted the runway in a 1969 segment of the Today Show with Barbara Walters in August,1969. His oversized brooches, necklaces and earrings in bright, bold jewel tones have a decidedly masculine feel to them. Bill collaborated with fashion designers Jon Haggins, Arthur McGee, Mr. Mort, Scott Barrie, and others to create signature accessories for their collections.
Bill Smith, t.j. (for the jeweler so as not to be confused with the clothing designer) won several prestigious design awards including the Swarovski Great Designs in Costume Jewelry award in 11967 and the coveted Coty Award in 1970. Bill designed nearly 200 pieces of jewelry for the Broadway production of Coco, starring Katharine Hepburn. Bill was also selected to create the crown for the Miss Black America pageant, which was worn by winners from 1968-1975.
Bill Smith's designs are in the permanent collections of the Jefferson County History and Art Museum in Madison, Indiana, The MET in New York City, The Philadelphia Museum of Art, the Eskenazi Museum of Art at Indiana University, Bloomington, and the Yale University Art Collection.
Unearthing the history of an Indian region known for its impeccable diamonds
The Golconda Sultanate, in the contemporary Indian regions of Andhra Pradesh and Telangana, was once a center of diamond mining. Jewelry expert Capucine Juncker provides an in-depth study of the region's history, as well as a gemology of the diamonds and their subsequent mythology.
A new survey of the life, creative spirit, and career of Robert W. Ebendorf, one of America's most important artists in the field of found-object jewelry and metalwork.
Robert Ebendorf (b. 1938) has been one of the most influential artists in the studio jewelry movement from its beginning in the 1960s to today. His work combines exceptional craftsmanship, acquired through traditional training in gold- and silversmithing, with the inventive use of found objects and other alternative materials such as acrylic and ColorCore. Objects of Affection traces his development from the Scandinavian modernism of his early work to his first use of found objects such as tintype photographs in the 1960s; juxtapositions of colored acrylic and precious metals in the 1970s; use of found newspaper and other textual elements in the 1980s; his pivotal incorporation of animal parts in the 1990s; and the remixing and further development of many of these approaches in the twenty-first century.
Unique features of this highly collectable volume are its special focus on Ebendorf's work of the last two decades, his friendship with collectors Ron Porter and Joe Price, and his activities during his time in North Carolina. Also of note are the inclusion of selected works by graduates and faculty of East Carolina University (ECU) jewelry program that Ebendorf led from 1997 to 2016; preparatory sketches by Ebendorf; and collages included by him in many of the letters and postcards he has written over the course of his career. Many of these letters feature printed ephemera, in addition to sketches. And it is this ephemeral and archival aspect of the PorterˑPrice Collection which sets it apart from other publications on Ebendorf's work.
Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series delves deeper into the process of designing jewelry, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces, taking the inspiration from natural forms or art history. The fundamentals of drawing different pieces, such as necklaces, rings, earrings, and bracelets, are carefully explained and illustrated in the book, which includes all the technical details to be taken into consideration when planning a jewelry piece, from the executive point of view. While the first volume focused on the tools needed to be able to accurately convey ideas, draw different materials, facets and effects, and master the use of color, this publication tackles the process from the initial idea, based in natural or geometrical forms, to the final drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader's creativity. It is the ultimate tool and resource for jewelry students and professionals, and even illustrators in search of professional guidelines in freehand drawing and painting techniques when representing jewelry.
An inspiring selection of what is happening in the world of auteur jewellery right now, particularly with regard to brooches.
Edited by Nicolás Estrada, New Brooches, now in paperback, focuses on brooches within an exploration of current innovative trends in contemporary jewelry.