Gustave Dor (1832-83) was perhaps the most successful illustrator of the nineteenth century. His Dor Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Dor 's personal favorites.
The present volume reproduces with excellent clarity all 135 plates that Dor produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Dor 's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Tha s the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.
Botanical Block Printing is your companion on the journey of crafting relief prints from scratch, always with a botanical theme and beautifully presented in, printmaker and author, Rosanna Morris' contemporary and gentle aesthetic.
Richly photographed, the book is a practical how-to guide covering getting set up, what you need and equipment, followed by a comprehensive introduction to processes and techniques. You'll even learn how to make your own botanical inks, adding a personal touch to your creations. Step-by-step projects, including making block prints on both paper and fabric, are interspersed with interviews from fellow printmakers who specialise in natural subjects.
Bound with a Japanese-binding method, the exposed-spine allows the book to lay (and stay) open without any bending whilst it's being used as an instructional manual. The inside flap extends outwards to reveal an accurate ruler; handy to have nearby for when measurements are needed. The flap can then be folded inwards again, to bookmark a page and come back to a project later on. Finished with a burnt-orange thread running through the spine for an organic touch, this book is a real hands-on experience that's both durable and artistically crafted.
Throughout history, artists have grappled with the problem of depicting clearly and forcefully the principles of evil and suffering in human existence. With this view, the Lehners have collected 244 representations, symbols, and manuscript pages of devils and death from Egyptian times to 1931. Reproductions from Dürer, Holbein, Cranach, Rembrandt, and many other lesser-known or unknown artists illustrate the fascinating history. The fifteenth, sixteenth, and seventeenth centuries are stressed.
The book is divided into 12 chapters, each with a separate introduction. Most of the illustrations are collected in five of these chapters: Devils and Demons, including Belial, Beelzebub, and the Anti-Christ; Witches and Warlocks, their animals, forms, and rituals; The Danse Macabre, with the Dance of Death Alphabet by Holbein and representations of all classes leveled by the common force of death; Memento Mori, including a skull clock, a macabre representation of the Tree of Knowledge and Death, and the winged hourglass and scythe; and Religio-Political Devilry, the fight between the Papists and the Reformers, and symbols of devils in other political disputes. There are also chapters on the Fall of Lucifer, Faust and Mephistopheles, Hell and Damnation, The Apocalyptic Horsemen, Witch-Hunting, The Art of Dying, and Resurrection and Reckoning.
Anyone curious about witchcraft, death, and devils will be interested in this book. It is particularly useful to teachers, artists, and illustrators who need clear reproductions for the classroom, for models, or for commercial uses. Death, devils, and their history are very much with us today.
Learning Linocut is an exciting and detailed guide to the art of relief printing by exploring linocut. The book takes the reader on a comprehensive tour of the whole creative process, from generating ideas and setting up a studio space to cutting techniques, mark-making and printing a lino block. The book also covers more complex techniques for multiple-coloured linocuts including the reduction technique, the key-block system and experimental linocutting. Learning Linocut contains plenty of easy to follow step-by-step guides (illustrated by colour photos), interesting and innovative suggestions of ways to work with lino and even useful 'tips' from the author providing extra pointers for things to try next. The linocut techniques discussed in this book can either be carried out at home or in a professional printmaking studio.
- Packed full of colour images
- Step-by-step guides to each technique
- Provides lists of materials and equipment needed
- Investigates how to generate ideas and gain inspiration for prints
- Information on cutting techniques, mark-making and image interpretation
- Explains printing and registration methods
- Explores multiple-coloured prints - reduction and key-block systems
- How to store, finish and sell linocut prints
- Includes a selection of interesting linocut projects
- Useful 'tips' from the author throughout the book
Whether you are a complete beginner to art, just new to printmaking or you are an accomplished printmaker looking for some new ideas and tips, there will be something in here for you to take away. This is a must read for anyone interested in linocut printing
Learn to create classic block print patterns for greeting cards, wallpaper, book illustrations and more with Andrea Lauren's easy step-by-step instruction!
Artist and Designer Lauren shows you simple techniques for creating your own printing blocks out of art-foam. With no cutting and chiseling, these art-foam blocks can be made into shapes and patterns using only scissors and a pencil. Use these printing blocks, or purchased stamps, to create repeat patterns or bundled groupings to get that classic block print look for wallpaper, book illustrations, framing prints, greeting cards, gift wrap, fabric prints, and so much more! Throughout the book, find inspiration from selected works of block print artists from around the world. The new, easy-to-use block printing materials are great for beginners and skilled artists alike. Make your mark with Block Print!
Jos Guadalupe Posada (1852-1913) was Mexico's most illustrious graphic artist. For over forty years he worked tirelessly as an incorruptible and truly popular artist, illustrating cookbooks and fortune-telling books, collections of songs and riddles, periodicals and newspapers, children's books and novels, and most of all famous broadsides that were distributed throughout the country. After his death he was venerated by the artists of the new generation -- Rivera, Orozco, and many others, who realized that he had both saved and renewed the art of engraving in Mexico, and incorporated much of Posada's imagery into their own work.
Here are close to 300 of Posada's best engravings, all done for the printer and publisher A. Vanegas Arroyo in Mexico City. Posada worked in two techniques -- engraving on type metal with a many-pointed burin and, later, relief etching on zinc. The broadsides he illustrated commemorated all sorts of occasions -- disasters, political events, crimes, and miracles -- or they glorified great popular heroes like Zapata. Posada was known for his calaveras -- skeletons that cavorted, ate and drank, rode bicycles and horses, wielded swords and daggers, or were revolutionaries, streetcleaners, dishwashers, and almost everything else. This was traditional art for All Souls' Day, the Mexican Day of the Dead, but in Posada's hands it became extremely versatile, sometimes an instrument of social and political satire, sometimes a sympathetic portrait of a revolutionary, sometimes a comic, cartoon-like memento mori. He did engravings of murders, suicides, catastrophes, robberies, and executions, as well as of snake-men, giant snails, and other grotesques and deformation. He pictured the daily pleasures and chagrins of the people from a proletarian point of view, and with overflowing imaginativeness. There is brutality and horror in his art, but there is also humor, political consciousness, and a sprawling, immediate vitality.
This edition includes explanatory notes and commentary, often giving precise topical meaning to what otherwise appears vague or allegorical. It presents all of Posada's various themes, and all of the many forms in which he worked in his maturity. It is hoped that through it he will gain the wider audience, especially in America, that he deserves.
Bold, inventive and highly graphic, the indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements, which, guided by a rich mythology, create images of striking power. This indispensable and beautifully illustrated book is the first to introduce everyone, from the casual observer to the serious collector of Northwest Coast prints, to the forms, cultural background and structures of this highly imaginative art. The elements of style are introduced; the myths and legends which shape the motifs are interpreted; the stylistic differences between the major cultural groupings are defined and illustrated. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.
Our unique collection of colorful backgrounds and craft paper is perfect for all kinds of crafting, stationery, decoupage, origami, invitations, printmaking, bookbinding, handicraft, handmade paper beads and jewelry, as well as other crafty art projects.
His Don Quixote ... from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'. -- Life and Reminiscences of Gustave Doré
Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books.
Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work -- all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes.
As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct.
Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano.
Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works -- art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.
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