The Secret Lives of Color tells the unusual stories of seventy-five fascinating shades, dyes, and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history.

In this book, Kassia St. Clair has turned her lifelong obsession with colors and where they come from (whether Van Gogh's chrome yellow sunflowers or punk's fluorescent pink) into a unique study of human civilization. Across fashion and politics, art and war, the secret lives of color tell the vivid story of our culture.

This passionate and majestic compedium will leave you bathed in the gorgeous optics of light. --Elle

A beautifully illustrated look at the paints and palettes used by many of the world's greatest artists from the sixteenth century to today

What can the palette an artist used or depicted tell us about their artistic process, preferences, and finished works? From traditional wooden boards to paint pots, ceramic plates, and studio walls, these deceptively simple yet potent tools provide vital evidence. The Artist's Palette presents fifty unique palettes alongside paintings by the celebrated artists who used them, gathering expert analysis of color, brushstroke, and technique to offer new histories of these artists and their work.

Alexandra Loske pairs each artist's color palette with one or more of their paintings, revealing how the artist used paints and pigments. While Georges Seurat meticulously arranged the paints on his palette in prismatic order, a pointillist technique reflected on his canvases, Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by the Black artists in his portraits, raising provocative questions about the role of color in Black history and Western art. Through these and other compelling accounts, Loske shows how, behind every great painting, there is a palette that tells its story.

Featuring a wealth of original photographs of palettes, paints, and pigments of all kinds, The Artist's Palette takes readers into the studios of artists from Artemisia Gentileschi, Rembrandt, Paul Cézanne, Vincent van Gogh and John Singer Sargent to Egon Schiele, Georgia O'Keeffe, Helen Frankenthaler, Lucian Freud, and Keith Haring, revealing how the materials and tools they used hide secrets and are often reflections of the life and times of the artist who once held, prepared, and used them.

Called the most comprehensive account yet of the [CIA's] activities between 1947 and 1967 by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA's astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work--now with a new preface by the author--is a real contribution to popular understanding of the postwar period (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571-1610), was a legend even in his own lifetime. Notorious bad boy of Italian painting, the artist was at once celebrated and controversial: Violent in temper, precise in technique, a creative master, and a man on the run.

This edition offers a comprehensive reassessment of Caravaggio's entire oeuvre with a catalogue raisonné of his works. Each painting is reproduced with recent, high production photography allowing for dramatic close-ups with Caravaggio's ingenious details of looks and gestures.

Five introductory chapters analyze Caravaggio's artistic career from his early struggle to make a living, through his first public commissions in Rome, and his growing celebrity status. They look at his increasing daring with lighting and with a boundary-breaking naturalism which allowed even biblical events to unfold with an unprecedented immediacy before the viewer.

A Penguin Classic

Bruno Munari was among the most inspirational designers of all time, described by Picasso as the new Leonardo. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs--these are just some of the subjects to which he turns his illuminating gaze.

From the acclaimed author of Blue and other color histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie

Pink has such powerful associations today that it's hard to imagine the color could ever have meant anything different. But it's only since the introduction of the Barbie doll in 1959 that pink has become decisively feminized. Indeed, in the eighteenth century, pink was frequently masculine, and the color has signified many things beyond gender over the course of its long history--from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of pink in the West, from antiquity to today.

Pink pigments first appear in ancient Macedonian paintings, but it was not until the eighteenth century that vivid, saturated pinks were developed for dyeing and painting. At the same time, a popular new flower--the pink rose--finally gave the color a standard name, and pink, assuming a place in everyday life, began to acquire its own symbolism, distinct from that of red, yellow, or white. Bringing the story up to the twentieth and twenty-first centuries, Pink describes how the color, both adored and detested, became associated with many other things, from softness and pleasure to nudity and sex.

Illustrated throughout with a wealth of captivating images, Pink is an entertaining and enlightening account of the evolving role and significance of the color in art, fashion, literature, religion, science, and everyday life across the millennia.

It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men--including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee--without repercussion. The fact that so many radical female artists of their generation--and earlier--also drank deeply from the same spiritual well has been sorely neglected for too long.

In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer, and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records to the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California. We also learn about the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions.

Weaving in and out of these myriad lives while sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography, and art history.

A beautifully illustrated global history of collage from the origins of paper to today

While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world's oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity.

Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims' religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion.

Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.

'Anyone looking for the most readable survey of the history of art from the [sic] cave paintings to the 20th century should buy the new, beautifully produced pocket edition of The Story of Art, still one of the great classics of art criticism.' - Independent

A cornerstone of art history - in a compact yet readable format and with a new preface by the author's granddaughter

The Story of Art has been a global bestseller for over half a century - the finest and most popular introduction ever written, published globally in more than 30 languages. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

Updated with a stunning new cover and a preface written specially by Professor Gombrich's granddaughter Leonie, this pocket format allows Gombrich's classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art and its history.

No city but Florence contains such an intense concentration of art produced in such a short span of time. The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal.

While most guidebooks offer only brief descriptions of a large number of works, with little discussion of the historical background, Judith Testa gives a fresh perspective on the rich and brilliant art of the Florentine Renaissance in An Art Lover's Guide to Florence. Concentrating on a number of the greatest works, by such masters as Botticelli and Michelangelo, Testa explains each piece in terms of what it meant to the people who produced it and for whom they made it, deftly treating the complex interplay of politics, sex, and religion that were involved in the creation of those works.

With Testa as a guide, armchair travelers and tourists alike will delight in the fascinating world of Florentine art and history.

From colorful threads found on the floor of an ancient Georgian cave to the Indian calicoes that fueled the Industrial Revolution, The Golden Thread illuminates the myriad and fascinating histories behind the cloths that came to define human civilization--the fabric, for example, that allowed mankind to shatter athletic records, and the textile technology that granted us the power to survive in space. Exploring the enduring association of textiles with women's work, Kassia St. Clair spins a rich social history . . . that also reflects the darker side of technology (Rachel Newcomb, Washington Post).

An art historical epic for dangerous times

What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? Art in a State of Siege tells the story of three compelling images created in dangerous moments and the people who experienced them--from Philip II of Spain to Carl Schmitt--whose panicked gaze turned artworks into omens.

Acclaimed art historian Joseph Koerner reaches back to the eve of iconoclasm and religious warfare to explore the most elusive painting ever painted. In Hieronymus Bosch's Garden of Delights, enemies are everywhere: Jews and Ottomans at the gates, witches and heretics at home, sins overtaking the mind. Following a paper trail leading from Bosch's time to World War II, Koerner considers a monumental self-portrait painted by Max Beckmann in 1927. Created when Germany was often governed by emergency decree, this image brazenly claimed to decide Europe's future--until the Nazis deemed it to be a threat to the German people. For South African artist William Kentridge, Beckmann exemplified art in a state of siege. Koerner shows how his work served as beacon during South Africa's racialist apartheid rule and inspired Kentridge's breakthrough animations of drawings being made, erased, and remade.

Spanning half a millennium but urgent today, Art in a State of Siege reveals how, in dire straits, art becomes the currency of last resort.

Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky's early method places him within broader developments in theories of knowledge and cultural change.

Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of archaeology of Western representation that far surpasses the usual scope of art historical studies.

Perspective in Panofsky's hands becomes a central component of a Western will to form, the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world.

Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.

This lively volume is ideal for the precocious high-schooler, the lazy collegian . . . and any adult who wishes for greater mastery of the subject. . . . Mullins leav[es] readers with an expansive, no-regrets appreciation of art and the human story.--Meghan Cox Gurdon, Wall Street Journal

A fresh take on art history as we know it.--Katy Hessel, The Great Women Artists Podcast

Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity and contributes to our overall wellbeing and positive mental health.

Why did our ancestors make art? What did art mean to them and what does their art mean for us today? Why is art even important at all?

Mullins introduces readers to the Terracotta Army and Nok sculptures, Renaissance artists such as Giotto and Michelangelo, trailblazers including Käthe Kollwitz, Pablo Picasso, Frida Kahlo, and contemporary artists who create art as resistance, such as Ai Weiwei and Shirin Neshat. She also restores forgotten artists such as Sofonisba Anguissola, Guan Daosheng and Jacob Lawrence, and travels to the Niger valley, Peru, Java, Rapa Nui and Australia, to broaden our understanding of what art is and should be.

This extraordinary journey through 100,000 years celebrates art's crucial place in understanding our collective culture and history.

The design of the book allows the student or art enthusiast to easily navigate their way around key periods, artists and styles. Accessible and concise, it simplifies and explains the most important and influential concepts in art, and shows how they are connected. The book explains how, why and when art changed, who introduced certain things, what they were, where they were produced, and whether they matter. It demystifies artistic jargon, giving readers a thorough understanding and broad enjoyment of art.

'Susie Hodge has culled through hundreds of art movements to highlight and present 36 that illustrate transitions of art, its ideas, representations, characteristics, and production from Prehistoric times up to the dynamic shifts of the 1960s and '70s. As complex as art history is, this book is a welcome, succinct introduction to some classic Western masters.'
Cindy Helm, New York Journal of Books

'Excellent introduction to the subject. A good quality book, tightly bound, and well illustrated.'
- Colin, Amazon reviewer

'The Short Story of Art is an attractive volume that serves as a convenient introduction to major movements, works, themes, and techniques of Western art. The works within are featured more for their seminal or illustrative nature than their fame per se, so the story part of the title is apt. The cross referencing and Other works by... sections makes it clear that this book is encouraging the reader to explore art on his own.'
-Tommy Grooms, Goodreads reviewer

Exquisitely illustrated and innovative, an investigation of the artistic evolution of John James Audubon.

John James Audubon (1785-1851), artist, naturalist, and creator of the celebrated The Birds of America, is widely regarded as America's first exceptional watercolorist. This book offers a unique exploration of Audubon's artistic journey intertwined with the drama of his life, unveiling how he studied both past and contemporary artists to forge something entirely innovative. Through this book, readers are invited to rediscover Audubon's groundbreaking watercolors as exemplary works of fine art. Moreover, the book delves into the controversies surrounding this legendary figure, who, for the first time in history, accurately represented all avian species life-size. Beautifully illustrated, it chronicles how Audubon infused ornithological illustration with a sense of exhilaration, breathing new life into once-conventional formulas and transforming them into awe-inspiring masterpieces.

Does the thought of going to an art museum make your eyes glaze over?

What if someone could make art come alive?

In Art History for Everyone, you'll meet some of history's most important works of art. You'll be surprised and excited by beautiful and strange paintings and intriguing sculptures-and get to know the people behind these works of art and their exciting stories.

• Why is the Virgin Mary's dress almost always red?
• What does it mean when you see a dog in old paintings?
• Can a wine glass and a hat tell us something about life in the Netherlands in the seventeenth century?
• How did Michelangelo really feel about painting the ceiling in the Sistine Chapel?

Kristine T. G. Hardeberg teaches art history online and in person. Through her courses and lectures, thousands of participants have discovered how exciting art history truly can be.

Let the author take you along on an exciting journey through the history of art, from antiquity to our own time. There are lots of aha moments, and you will see references of all kinds, from love and politics to religion and adventure.

You'll never look at art the same again!