Originally published in 1814, this remarkable volume features 110 colour swatches paired with poetic descriptions that capture nature's vibrant palette.

In the eighteenth century, German geologist Abraham Gottlob Werner (1750-1817) set out to establish a standard reference guide to colour for use in the general sciences. Decades later, Scottish botanical artist Patrick Syme (1774-1845) extended Werner's work, refining it into a comprehensive catalogue of the most prominent shades and hues found in nature. The result was a timeless compendium of colour that showcases the beauty of nature across the animal, vegetable, and mineral kingdoms.

Each colour swatch in Syme's edition of Werner's Nomenclature of Colours is accompanied by examples found in nature, offering a practical tool for scientists, artists, and explorers alike. Notably, Charles Darwin used this guide during his voyage on the HMS Beagle to accurately describe his observations.

This exquisite collection of colours celebrates the harmony of art and science, capturing the beauty found in the natural world.

The 50th anniversary edition of a classic text, featuring an expanded selection of color studies

The landmark 1963 book by Josef Albers . . . isn't just for aspiring artists. Its mesmerizing illustrations are a revelation for anyone interested in color theory and human perception.--Pilar Viladas, New York Times

A visionary work.--Malcolm Jones, Newsweek

Josef Albers's classic Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers's singular explanation of complex color theory principles.

Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers created it.

Fifty years after Interaction's initial publication, this anniversary edition presents a significantly expanded selection of close to sixty color studies alongside Albers's original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers's contribution, this landmark edition will find new audiences in studios and classrooms around the world.

At the intersection of science, art, and design, this must-have coffee table book highlights 100 mind-blowing colors that you've likely never seen before.

From Instagram sensation and self-described mad scientist artist Tyler Thrasher and creator of the popular Matter subscription box Terry Mudge, this book comes with a foreword by Hank Green.

This gorgeous compendium contains 100 amazing colors that you might otherwise live your whole life unaware of. These colors exist in the strangest of places, and serve extremely specific functions in nature, or were human-made with one goal in mind.

In this oversized, design-forward book you'll find entries for each of the 100 colors, organized in gradient order, with structural and impossible colors set at the end. Each entry has a 2-page spread with a full-page image of the color plus snappy descriptions, and easy-to-understand category symbols. Some entries include diagrams. Even includes structural colors and colors outside the range of human visibility! Also included is a brief introduction to color theory, a myth-busting section, plus index, glossary, and notes.

Here is your universe in living color:
Cosmic Latte: The average color of the universe.
Dragon's Blood A tropical tree that bleeds red resin with incredible medicinal potential.
Sonoluminescence: A color created by sound!
Eigengrau: The color we perceive in the absence of light (and no, it's not pitch black).

Perfect for anyone who loves science or art, and bursting with astonishing facts and stunning photography, The Universe in 100 Colors is a wonder for the senses.

A gorgeous expanded edition of Werner's Nomenclature of Colours, a landmark reference book on color and its origins in nature

First published in 1814, Werner's Nomenclature of Colours is a taxonomically organized guide to color in the natural world. Compiled by German geologist Abraham Gottlob Werner, the book was expanded and enhanced in 1821 by Patrick Syme, who added color swatches and further color descriptions, bringing the total number of classified hues to 110. The resulting resource has been invaluable not only to artists and designers but also to zoologists, botanists, mineralogists, anatomists, and explorers, including Charles Darwin on the famous voyage of the Beagle.

Nature's Palette makes this remarkable volume available to today's readers, and is now fully enhanced with new illustrations of all the animals, plants, and minerals Werner referenced alongside each color swatch. Readers can see tile red in a piece of porcelain jasper, the breast of a cock bullfinch, or a Shrubby Pimpernel. They can admire Berlin blue on a piece of sapphire, the Hepatica flower, or the wing feathers of a jay. Interspersed throughout the book are lavish feature pages displaying cases of taxidermy, eggs, shells, feathers, minerals, and butterflies, with individual specimens cross-referenced to the core catalog.

Featuring contributions by leading natural history experts along with more than 1,000 color illustrations and eight gatefolds, Nature's Palette is the ideal illustrated reference volume for visual artists, naturalists, and anyone who is captivated by color.

A beautifully illustrated history of the many inventive, poetic, and alluring ways in which color swatches have been selected and staged

The need to categorize and communicate color has mobilized practitioners and scholars for centuries. Color Charts describes the many different methods and ingenious devices developed since the fifteenth century by doctors, naturalists, dyers, and painters to catalog fragments of colors. With the advent of industrial society, manufacturers and merchants developed some of the most beautiful and varied tools ever designed to present all the available colors. Thanks to them, society has discovered the abundance of color embodied in a plethora of materials: cuts of fabric, leather, paper, and rubber; slats of wood and linoleum; delicate skeins of silk; careful deposits of paint and pastels; fragments of lipstick; and arrangements of flower petals. These samples shape a visual culture and a chromatic vocabulary and instill a deep desire for color.

Anne Varichon traces the emergence of modern color charts from a set of processes developed over the centuries in various contexts. She presents illuminating examples that bring this remarkable story to life, from ancient writings revealing attention to precise shade to contemporary designers' color charts, dyers' notebooks, and Werner's famous color nomenclature. Varichon argues that color charts have linked generations of artists, artisans, scientists, industrialists, and merchants, and have played an essential and enduring role in the way societies think about color.

Drawing on nearly two hundred documents from public and private collections, almost all of them previously unpublished, this wonderfully illustrated book shows how the color chart, in its many distinct forms and expressions, is a practical tool that has transcended its original purpose to become an educational aid and subject of contemplation worthy of being studied and admired.

The essence of Josef Albers's Interaction of Color in a format that engages learners of all ages and levels and encourages a hands-on approach

Interaction of Color is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color--many of the color exercises illustrated in Interaction of Color were devised by Albers's students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable readers to engage in the kinds of tactile creativity and exploration that characterized Albers's own classroom.

Focusing on eight of the most important lessons in Interaction of Color, this book invites readers to learn by doing, using only simple materials. Core instructions for each exercise are enhanced by additional tips, references to Albers's original text and illustrations, and stories about how Albers presented the ideas in class. The book and exercises are sufficiently nuanced to challenge and inspire seasoned artists, designers, and educators while also being readily accessible to younger readers and less-experienced practitioners.

In this essential guide, accomplished artist Patti Mollica walks you through the most important aspects of color theory as they relate to oil and acrylic painting.

Regardless of your medium, a solid understanding of color and its applications is essential. Petite in size but packed with information, this fresh, contemporary take on the subject of color features step-by-step projects and practical tips and techniques to put color knowledge to effective use.

From pigment characteristics and color mixing to color psychology, you'll find all the insight you need to make dynamic, harmonious, and meaningful color choices in your own works of art.

You'll find within: discussions and illustrations of the complexities of color and how to use it as a tool for communication; tips for creating vibrant mixes, lively blacks, realistic greens, and flesh tones; and an inspiring collection of fresh and contemporary artwork.

• Begin with an overview of color in the history of art and the science behind color.
• Then learn color basics: the color wheel; hue, saturation, and value; color and value; color temperature; color relativity; and color schemes.
• Everything you need to know about pigments and paints is detailed next.
• With these essentials covered, move on to integrate color with your compositions and painting style as a means of expression.

Harness the power of color in your painting with Color Theory!

A taxonomic guide to the colors of the natural world, with 13 palettes and 110 color swatches, cherished by artists and scientists for more than 2 centuries

Before Pantone, there was Werner's Nomenclature of Colours--Architectural Digest

This beautiful pocket-size facsimile is a charming artifact from the golden age of natural history and global exploration. In the pre-photographic age, almost all visual details had to be captured via the written word, and scientific observers could not afford ambiguity in their descriptions.

In the late 18th century, mineralogist Abraham Gottlob Werner devised a standardized color scheme that allowed him to describe even the subtlest of chromatic differences with consistent terminology. His scheme was then adapted by an Edinburgh flower painter, Patrick Syme, who used the actual minerals described by Werner to create the color charts in the book, enhancing them with examples from flora and fauna.

Werner's handbook became an invaluable resource for naturalists and anthropologists, including Charles Darwin, who used it to identify colors in nature during his seminal voyage on the HMS Beagle. Werner's terminology lent both precision and lyricism to Darwin's pioneering writings, enabling his readers to envision a world they would never see.

This new facsimile edition complete with ribbon marker brings the classic work back to life.

The Designer's Dictionary of Color by award-winning educator Sean Adams offers an in-depth exploration of 30 essential colors in art and graphic design.

​Designed for graphic designers, interior designers, artists, and anyone who uses color to express themselves, this book is both a practical resource and an inspirational tool. With astute descriptions and ideas for pitching colors to clients, The Designer's Dictionary of Color opens up the world of color for all who seek to harness its incredible power.

Organized by spectrum, this comprehensive guide provides detailed charts showing color ranges and palette variations, making it easy to navigate and reference during creative projects.

Each chapter delves into the creative history and cultural associations of a specific color, from the artistic to the utilitarian. Whether it's the turquoise on a Reid Miles album cover or the avocado paint on a 1970s Dodge station wagon, Adams provides insightful context and practical applications for each hue.

The descriptions are astute and succinct and even offer ideas for pitching particular colors to clients. . . . Edges are lined in the color of each chapter, so you can flip to the right chapter for quick reference during a meeting and while doing research. --Communication Arts

Art meets science in Book of Earth, artist and ochre specialist Heidi Gustafson's guide to creating color with Earth's extraordinary pigments, exploring their fascinating uses today and throughout history and culture.

Part anthropological study, part art book, and part how-to, Book of Earth is an immersive introduction into the world of ochre, a naturally occurring mineral used to make pigment. Each chapter delves into Heidi Gustafson's rare pigment archive and provides a thorough exploration of natural color, while challenging our notions of the inanimate world. Featuring practical advice and techniques for creating your own pigments and applying these skills in everyday life, Gustafson also includes contributor essays offering historical and cultural perspectives on color cultivation and the meaning of pigments to various cultures.

Gustafson was called the ochre whisperer by American Craft and noted as the woman archiving the world's ochre in the New York Times. Her personal collection of more than 600 pigments from around the planet is a unique treasure, and her passion and field experience will captivate you from the first page to the last.

Includes Color Photographs

Play with paint, get creative with color, and discover your personal palette--a joyful, interactive workbook for creativity, self-expression, and deepening your understanding of how color works.

Color is one of the most profound ways we have to express ourselves. In this lively workbook for artists, graphic designers, hobbyists, and creators of all types, you will journal your way through fresh and enriching ways to develop a more personal connection to color in your art and life. Using watercolors, gouache, or any other water-based medium, dive into color theory and explore your personal style while playing with a balanced blend of experiments and color meditations. Discover a personal color wheel while exploring tints and shades. Experiment with color mixing while you make as many of one color as you can - and then name them all (honeydew green, avocado green, mint ice cream...). Through playful prompts and inspiring examples, and with lots of room for painting, this book will guide you to a new or expanded relationship with color and deepen your understanding of what color can do for you.

Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years.

In this visual feast for color nerds, hue gurus Leatrice Eiseman and Keith Recker identify the shades that shaped our collective color palette.--Fast Company

From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color.

In this incredible and unique exploration of color, longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, décor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues.

A color theory book like no other, this vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

STUNNING ART BOOK AND RESOURCE GUIDE: A treasure trove of inspiration and reference for artists, designers, stylists, and lovers of fashion design, modern architecture, contemporary art, furniture, and home décor.

HANDS-ON GUIDANCE FOR CREATIVES: As one reviewer notes, this is a coffee table-sized decade-by-decade guide to the colors of the 20th century, with Pantone color palette listings to enable you to reproduce them exactly right.

COLOR MATTERS: Color as a form of communication is incredibly powerful. Its ability to influence thought, mood, and action is gaining newfound attention in the field of modern psychology and in our collective reach for bettering ourselves emotionally and spiritually.

Perfect for:

• Artists, graphic designers, fashion and décor designers, set decorators, and any professional who incorporates color into their work
• Library and museum curation
• Homeowners looking for period design inspiration
• Fans of cultural history, color exploration, and interior design
• Readers of Architectural Digest, Dwell, Wallpaper, and The World of Interiors

Both a practical and inspirational book filled with color combinations for any design and illustration project.

The use of color and its combinations creatively in illustration, graphic and product design also implies understanding what emotions they convey and how they affect our design and illustrations. We must also consider that color is also perceived differently in different countries and cultures. All this is widely explained in this second book in the Palette Perfect series, illustrated with projects by renowned international illustrators and designers, and organized by colors (identified with CMYK, RGB and HEX codes) and moods associated with the time of day. Diverging from the traditional segmentation of the color wheel, the book is divided into 24 chapters, each one being an hour of the day. This separation is represented visually by assigning a color to each hour, based on the usual daylight, temperature, mood and activities of that time, in the temperate climate zone. For example, the first chapters are the first hours of the morning, where the sky and the overall light is present but less intense. Around 1 pm the temperature is usually hotter, therefore represented with warmer colors (yellow and red); after midnight, the focus is put on activities that could be done at that time, like the neon lights of nightclubs. Based on real examples drawn from graphic, product and illustration, different innovative combinations and palettes are shown for each color and the meaning it conveys. Intended for graphic designers, design students, fashion and interior decoration lovers, and all those interested in exciting and unexpected color combinations that work.

The only color guide a designer will ever need; The Complete Color Harmony, Pantone Edition has been completely updated with Pantone colors and new text.

The Complete Color Harmony: Pantone Edition is the latest in Rockport Publishers' best-selling Color series. This edition has been completely revised from start to finish, and now features new text by Leatrice Eiseman, executive director of the Pantone Color Institute. And the color moods that she writes about in each chapter are based and matched with Pantone colors. The book expands on previous editions for the most comprehensive color reference to date.

This edition includes information on creating special effects, as well as an entirely new section devoted to the psychology of color. Eiseman helps readers determine their best color choices and suggests why some colors may inspire their creativity while others don't. The book includes new color palette sections along with expanded and updated color trends.

Essential color-mixing recipes for oil and acrylic painting in a convenient lay-flat format.

No more guessing at colors only to end up with a muddy mess and wasted paint! Color Mixing Recipes for Oil & Acrylic takes the mystery and stress out of color mixing with just the right formula for more than 450 color combinations, along with instruction on a variety of painting techniques. Use the handy conversion chart for finding acrylic equivalents of oil paints and vice versa.

Designed for use in the studio, this durable book features:

• A lay-flat spiral binding
• Easily wipeable glossy cardstock pages
• A removable plastic color-mixing grid

Follow these four simple steps to mix more than 1,500 color combinations:

• Look in the Color Guidance Index for the subject you want to paint--for example, Broccoli.
• Find the Color Recipe with the subject's recipe number (81) and a photo of the actual paint mixture.
• Use the Color Mixing Grid to measure each paint color.
• Mix the color.

It's that easy! This comprehensive reference also includes foundational instruction on color theory and mixing, covering:

• Color theory
• Color value mixing
• Graying color naturally
• Mixing flesh and portrait colors

Whether you are a beginning or experienced artist, Color Mixing Recipes for Oil & Acrylic is an invaluable tool for your workspace.

Walter Foster's best-selling Color Mixing Recipes series also includes Color Mixing Recipes for Watercolor, Color Mixing Recipes for Landscapes, and Color Mixing Recipes for Portraits. These books contain hundreds of precise color mixing combinations for realistic results, as well as acetate grids for measuring paint units.

Expert colorist Teruko Sakurai takes you to the end of the rainbow--and beyond--in this inspiring color dictionary

Over 2,750 traditional Japanese color combinations are presented, organized into 100 different themes associated with the seasons, landscapes and artistic heritage of Japan. Whether it's a shower of pink cherry blossoms, the flutter of a carp flap or the austere and cool tones of Mt. Fuji, flipping the pages of this color dictionary is like taking a stroll through the sensual delights of Japanese culture in all its dazzling tones, hues and palettes.

Each two-page section in this richly-illustrated book presents a different theme with the following information:

• An introduction to the color scheme and a description of how it can be used
• A number-coded nine-color palette board showing the range of shades and hues that complement and comprise the scheme
• CMYK, RGB and HEX (the color code used in Japan) references for all nine colors
• 26 examples including two- and three-color combinations with photos and illustrations

This is an indispensable guide for graphic designers, illustrators, decorators, artists and publishing professionals. It will also be enjoyable and inspiring for readers planning their own home design or art projects.

The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's great white whale, Huxley's reflections on mescaline, and Le Corbusier's journey to the East, Batchelor also discusses the use of color in Pop, Minimal, and more recent art.

Mixing colors accurately may be an art unto itself. In fact, many artists are discouraged by the time and expense it takes to mix and match colors, and achieve the right results. Even more frustrating is the vast range of colors available. Now there's a ready-to-use visual directory that takes all the guesswork out of mixing and matching colors . . . making every artist an expert Color Mixing Bible provides a basic color palette for each art medium, demonstrating an array of two-, three-, and four-color mixes, as well as offering full explanations of various paints and pigments.

This invaluable guide features scores of tips and techniques for color mixing with oils, acrylics, watercolors, inks, pastels, and virtually every other art medium. It also includes in-depth information on how to determine the opacity and strength of a color, choose a color palette, mix whites, arrange and organize colors prior to mixing, use optical and physical mixing techniques, and much more Plus, hundreds of color illustrations make everything simple. Whether one is an aspiring artist or working professional, Color Mixing Bible is an essential addition to every bookshelf.

A thoroughly practical guide to using color no artist can be without.

Full of beautiful, intricate hand-painted color wheels and practical advice on using and mixing colour, this book is a must-have for any artist working with pigment and paint. Starting from the basics of color and working up to the complexities of tonality, harmony, opacity and pigment, artist Ian Goldsmith explores and explains all the key elements of color and what it can do. A comprehensive paint index at the back of the book provides an indispensable reference guide for choosing and purchasing materials that no practising artist should be without.

Including:
- Primaries, secondaries and tertiaries
- Harmony
- Tonality
- Colour temperature

This comprehensive guide to colour science presents A. H. Munsell's foundational texts on colour theory and practice in a true celebration of both art and science.

Albert Henry Munsell was a pioneer of colour theory. His Colour Notation established theories for categorising colour around three dimensions: hue, value (lightness), and chroma (purity). These elements were proposed to produce any particular colour or differentiate between those of the same character. First published in 1905, Munsell's innovative theory offered insights into colour harmony, relationships, and the psychological impact of colours. It spurred significant advancements in colour science, art, and design, standing as a cornerstone text alongside those published by Michel Chevreul and Ogden Rood.

This new edition from Art Meets Science combines Munsell's seminal A Colour Notation with all fifteen full-colour plates from Atlas of the Munsell Color System, an introduction by Munsell, and an essay on colour by Bonnie E. Snow. An essential colour manual for those studying colour theory or with an interest in colour application, colour behaviours, and the history of colour theory.