Charley Harper was an American original.

For more than six decades he painted colorful and graphic illustrations of nature, animals, insects and people alike, from his home studio in Cincinnati, Ohio, until he passed away in 2007, at the age of 84. Renowned New York-based designer Todd Oldham rediscovered Charley's work in 2001, and collaborated closely with him in the ensuing years; combing through his extensive archive to edit and design this stunning monograph. This new mini edition is a popularly priced, beautiful tribute to Charley Harper's singular style, which he referred to as Minimal Realism.

A new edition of Saul Steinberg's memoir-via-drawing of his escape from fascist Europe and of his transition into life as an American, capturing absurdities, delights, and the grim realities of war along the way.

To escape fascist Europe, the artist Saul Steinberg drew his way to America. He made it to New York in 1942 already in contract with The New Yorker, but was soon called up to serve in the US Naval Reserve in World War II. This book, All In Line, is a memoir-via-drawing of this key time in Steinberg's life, when he began to find his line and his way as an American.

In works for The New Yorker and others, Steinberg depicted delightful absurdities and quiet moments: a painter saws a long canvas into smaller, sellable portions; a child draws a gigantic face on the sidewalk to the confusion of passersby; American soldiers stroll through exquisitely detailed streets in China, India, North Africa, and Italy.

But Steinberg didn't shy away from the grim realities of his era. There are withering anti-fascist drawings, as well as glimpses of war: skies crowded with bombers, families on the run, army convoys, broken-down jeeps, and smoldering battlefields.

This new edition of All in Line includes an introduction by cartoonist Liana Finck, an afterword by Steinberg scholar Iain Topliss on the making of the book, and full captions with notes. It will resonate with both lifelong Steinberg fans as well as those who are encountering his work for the first time.

- A catalog of the major exhibition of remarkable paintings by Mark Rothko at the Fondation Louis Vuitton in Paris, from October 18, 2023 to April 2, 2024

- This publication has been produced in close collaboration with the artist's family

- Two page fold-outs plunge the reader deep into Rothko's oeuvre

- Contains previously unpublished works and archive material

- Represents a major cultural event for Paris and the world

This illustrated catalog is published to accompany the retrospective exhibition devoted to American artist Mark Rothko, curated by Suzanne Pagé and the artist's son, Christopher Rothko. The show will feature over one hundred works. Born Markus Rothkowitz in Latvia in the early 20th century, the man who would soon become known as Mark Rothko began painting in the 1930s. While his early works were influenced by mythology and Surrealism, his first abstract paintings emerged in the 1940s with the Multiform series, followed by his Classic Years and the Black and Gray paintings. A key figure on the New York art scene, Rothko was an uncategorizable artist who deployed an extensive palette of colour and light with a talent that consistently triggers emotion. His great sensitivity shaped a poetic, enigmatic universe that leaves no one untouched.

Special insider access to the rebuilding process at Notre Dame after the 2019 fire, shot with a historic wet-plate collodion photographic process.

In Tomas van Houtryve: 36 Views of Notre Dame, the viewer accompanies the artist on his fourteen-year journey photographing the Paris icon before and after the fire. Van Houtryve obtained remarkable access to the cathedral to document the devastation of the fire and the reconstruction.

Drawing inspiration from Hokusai's series Thirty-six Views of Mount Fuji, the artist explores the monument in different contexts, seasons and using a wide range of photographic techniques--from 19th-century wet collodion to aerial drones. Accompanying the artist's works is a multilayered archive of the cathedral, including historic photographs, vernacular images and text by Victor Hugo.

A fascinating look at John Singer Sargent's formative years as a young painter in Paris, a city that helped forge his artistic identity and sparked his rise to the pinnacle of the nineteenth-century art world

In 1874, eighteen-year-old American artist John Singer Sargent went to Paris to become a painter. A mere ten years later, he would be an art-world sensation, sparking controversy with his scandalous portrait Madame X at the 1884 Salon. Sargent and Paris focuses on this decisive early decade in the artist's storied career, when he first achieved recognition for ambitious portraits and bold canvases that pushed the boundaries of convention. Incisive essays by the world's foremost Sargent scholars explore his life in Paris--then the epicenter of the cultural world--and the cosmopolitan circle of artists, writers, and cultivated patrons that nurtured his career and helped forge his artistic identity. Authors highlight the painter's connections to giants of the Parisian art scene as well as the influential patrons who were key to Sargent's progression as an artist. Presented alongside lavish images of more than a hundred paintings and works on paper--brought together from public and private collections throughout the United States and Europe--this publication offers an intimate look at the roots of Sargent's signature, breathtaking style and his indelible experiences as a young artist in the French capital.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(April 27-August 3, 2025)

Musée d'Orsay, Paris
(September 22, 2025-January 11, 2026)

From its origins in early eighteenth century slave communities to the end of the twentieth century, African-American art has made a vital contribution to the art of the United States. African-American Art provides a major reassessment of the subject, setting the art in the context of the African-American experience. Here, Patton discusses folk and decorative arts such as ceramics, furniture, and quilts alongside fine art, sculptures, paintings, and photography during the 1800s. She also examines the New Negro Movement of the 1920s, the era of Civil Rights and Black Nationalism during the 1960s and 70s, and the emergence of new black artists and theorists in the 1980s and 90s.

New evidence suggests different ways of looking at African-American art, confirming that it represents the culture and society from which it emerges. Here, Patton explores significant issues such as the relationship of art and politics, the influence of galleries and museums, the growth of black universities, critical theory, the impact of artists collectives, and the assortment of art practices since the 1960s. African-American Art shows that in its cultural diversity and synthesis of cultures it mirrors those in American society as a whole.

Norman Rockwell's son, Tom, has put together the absolute finest collection of his father's bounteous body of work, illustrations that bespeak the golden glow of pre- and post-WWII Americana. Rockwell senior, who said he depicted life as I would like it to be, chronicled iconic visions of American life: the Thanksgiving turkey, soda fountains, ice skating on the pond, and small-town boys playing baseball-not to mention the beginning of the civil rights movement. Now, the best-selling collection of Rockwell's most beloved illustrations, organized by decade, is available in a refreshed edition. With more than 150 images-oil paintings, watercolors, and rare black-and-white sketches--this is an uncommonly faithful Rockwell treasury. The original edition has sold nearly 200,000 copies.

The untold story of women artists in the United States and the social impact of their work during the crucial decades of the 1950s to the 1970s.

In Women Artists in Midcentury America, readers embark on a journey spanning two decades, delving into the evolving social and artistic landscapes through the lens of all-women exhibitions. These groundbreaking projects courageously confronted issues of sexual and racial discrimination, igniting profound discussions about women's roles within modernism and democracy. Looking closely at the inception and reception of these exhibitions by curators, artists, critics, and the public, the book sheds light on the remarkable contributions of numerous artists, from Ruth Asawa to Marguerite Zorach. By foregrounding the accomplishments of women artists during a conservative period overshadowed by the feminist movement of the 1970s, Daniel Belasco provides a fresh perspective on the complex history of women's art in America and its significance in the broader art world.

A collection of inspiring and provocative quotations from pioneering artist, feminist, and activist Judy Chicago

A fierce activist for women's rights and against climate change, Judy Chicago defines herself best: I'm Judy Chicago, and I'm an artist and a troublemaker. A leader of the Women's Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation The Dinner Party (1974-1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O'Keeffe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.

• You don't have to be a man to support a patriarchal worldview, and you don't have to be a woman to support feminist values.
• You have to choose hope. Hope comes from feeling that you're on the side of right and fighting for it. If you're a passive observer to what's going on, it's easy to give in to despair.
• Feminist art is all the stages of a woman giving birth to herself.
• [Women] should get fifty percent of the space in all institutions. That is what our mandate has to be.

This beautiful and informative volume illustrates the vitality and importance of North Carolina's contemporary art scene, showcasing the creation, collection, and celebration of art in all its richness and diversity. Featuring profiles of individual artists, compelling interviews, and beautiful full-color photography, this book tells the story of the state's evolution through the lens of its art world and some of its most compelling figures. Liza Roberts introduces readers to painters, photographers, sculptors, and other artists who live and work in North Carolina and who contribute to its growing reputation in the visual arts. Roberts also provides fascinating historical context, such as the influence of Black Mountain College, the birth and growth of Penland School of Crafts, and short histories of North Carolina's art museums, including Charlotte's Mint Museum, Raleigh's North Carolina Museum of Art, Winston-Salem's Reynolda House, and those flourishing at universities. Artists featured include Stephen Hayes, Mel Chin, Cristina Cordova, Beverly McIver, and Scott Avett. The result is the most comprehensive, informative, and visually rich story of contemporary art in North Carolina.

David Joselit traces and analyzes the contradictory formal, ideological, and political conditions during this period that made American art predominant throughout the world. Social and cultural transformations rooted in mass media technologies--photography, television, video, and the Internet--elevated consumer commodities to the status of legitimate art subjects, as in pop and installation art, and also brought about a mechanization of the creative act. Canonical movements and figures are discussed at length--Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Schnabel, Koons, Barney, and others--in juxtaposition with lesser known contemporary artists and practices.

An unprecedented examination of the underexplored late work of the iconic American modernist

Griffin's study of O'Keeffe's later works is a revelation, opening new dimensions of this iconic American modernist as she grappled with age and creative evolution. . . . A must-read.--Megan Fox Kelly, Observer, Art Books Defining 2025

Georgia O'Keeffe (1887-1986) has long been celebrated for her paintings, photographs, and contributions to American modernism in the 1930s and early 1940s, yet her work from the end of World War II through the early 1980s has been largely neglected. In this groundbreaking study, Randall C. Griffin focuses on the major pictorial series that O'Keeffe produced throughout her later career--mysterious abstract depictions of her house in Abiquiu, New Mexico, and its surrounding landscape; voluptuous aerial representations of rivers, skies, and canyons in Arizona; Buddhist-informed depictions of clouds; and daring and enigmatic portrayals of the Washington Monument.

Drawing from previously overlooked photographs, letters, objects, and paintings, Griffin reveals how these works reflect O'Keeffe's evolving artistic interests and ambitions while also engaging with contemporary issues such as race, class, gender, indigeneity, spirituality, and ecology.

Firmly situating O'Keeffe within the larger cultural and political milieu, this volume offers a new understanding of these visionary works and shows how they were informed by, and enriched, the American postwar artistic landscape.

This is the origin story of Nashville's surging contemporary art scene told by the ones who were there before anyone else. Not a story about commercial spaces or official institutions--this is the story of moldy warehouse studios and improvised galleries, happy-kegger after-parties and front lawn art sales, exhibitions in apartment living rooms and secret art displays hidden in plain sight.

Nowville is an oral history of the Nashville art scene beginning in the 1990s. Author Joe Nolan tracks down the city's art punks, art monks, radical art students, and visionary pioneers to share what made their moments in Nashville so special. He also offers insights into how this homespun movement powered by DIY innovating came to be a thriving creative community and a cornerstone of the city's contemporary allure.

Glorious Penobscot Bay, on the coast of Maine, with its quaint mainland towns, bustling tourist centers, and island fishing villages, stands as the backdrop of daydreams. The bay's sheer beauty has attracted generation after generation of artists to its shores. For Art of Penobscot Bay, brothers David and Carl Little, well-known stewards of Maine art, have selected art and artists, from history and today, that celebrate the myriad of inlets, islands, coves, and peninsulas--the nooks and corners of the region. Above all, they sought out art infused with a remarkable representation of place by more than 120 artists who have embraced the area and its people. Art of Penobscot Bay includes artists from the 19th century through the 21st century, including Fitz Henry Lane, Waldo Peirce, Edward Hopper, William Zorach, John Marin, Emily Muir, Greta Van Campen, Alex Katz, Eric Hopkins, and Amy Peters Wood. Combined with text by the Little brothers, the art takes readers on a wondrous visual journey around, across, and through a breathtaking bay.

The first monograph of the hundreds of billboards by artist-led coalition For Freedoms, the largest public creative collaboration in American history

Founded in 2016 by Hank Willis Thomas, Eric Gottesman, Wyatt Gallery, and Michelle Woo, For Freedoms is an artist-led organization that uses art as a catalyst for creative civic engagement, discourse, and direct action.

With the aim to infuse an anti-partisan, arts-based perspective into the political landscape, For Freedoms has collaborated with thousands of artists, activists, and scholars to create more than 500 evocative billboards that use art as a vehicle to deepen public discussions on civic issues and core values.

This comprehensive volume includes billboards created between 2016-2023 by over 400 established artists, including Derrick Adams, Gina Belafonte, Sanford Biggers, Paula Crown, Shepard Fairey, Theaster Gates, Guerrilla Girls, Jenny Holzer, Rashid Johnson, JR, Christine Sun Kim, Marilyn Minter, Sofía Gallisá Muriente, Gordon Parks, Kameelah Janan Rasheed, Maggie Rogers, Hank Willis Thomas, Carrie Mae Weems, and Ai Weiwei, among many more.

This new book celebrates how For Freedoms has transformed public commercial space into exhibition space and launched a creative collaboration of epic proportion. Published ahead of the 2024 American presidential election, it also underscores the For Freedoms mission to model how art can urge communities into greater action and participation.

A sweeping, entertaining, and gorgeously produced celebration of beloved American writer, artist, and illustrator Edward Gorey on his 100th birthday. Issued by the Edward Gorey Charitable Trust and produced in creative partnership with The Edward Gorey House.

For more than seven decades Edward Gorey's work has delighted fans of all ages and inspired artists across multiple disciplines. His collection of self-authored books, which comprises more than 100 volumes including The Gashlycrumb Tinies and The Doubtful Guest, remains a profoundly radical and uncompromised body of work.Viewed either separately or in their entirety, these works represent one of the most unique voices in American arts and letters.

E Is for Edward celebrates Edward Gorey in his capacity author, illustrator, humorist, playwright, printmaker, fabric artist, and stage designer and the vast array of material he created between 1953 and his death in 2000. Curated by Gregory Hischak, Director of The Edward Gorey House, the book is organized by major themes and topics that characterize Gorey's work including hapless children, mutant menageries, the murder mystery, the ballet, sartorial elegance, stylized decor, and the many recurring motifs and latent symbolism that underlie these subjects. In addition, Hischak offers a look into the pages of the dozens of rarely-viewed notebooks kept by Gorey throughout his lifetime, revealing yet another fascinating layer of his prodigious creative output.

Illustrated with hundreds of original pieces of art and archival material, E Is for Edward is a must-have book for every fan and the most comprehensive, in-depth exploration of Gorey's art in more than a decade.

An exploration of the human figure and artistic imagination in public art of the American Renaissance, from the nation's centennial to World War I

In an era of sweeping change following the devastation of the Civil War, an ambitious generation of American artists focused on the human figure in civic art. This richly illustrated publication showcases more than one hundred studies related to major commissions for the Boston Public Library, Library of Congress, Pennsylvania State Capitol, and other key civic institutions of the late nineteenth and early twentieth centuries. From intimate pencil sketches and clay maquettes to half-scale oil paintings for massive murals, these compelling expressions of ideas in formation reveal how artists such as Edwin Austin Abbey, Violet Oakley, John Singer Sargent, Augustus Saint-Gaudens, and others shaped their vision, recorded their influences, and developed a visual language that captivated a divided nation. Thematic sections offer discussions of related works, and essays address wider creative and cultural contexts, from the laboring body in an age of expanding industrialization to the relationship between the natural environment, art, and technology. This timely volume reassesses a neglected chapter in American art and shows how artists engaged with the struggles and forces of their time.

Distributed for the Yale University Art Gallery

Exhibition Schedule:

Yale University Art Gallery
(September 6, 2024-January 5, 2025)

Sea Witch, a book of photography and poetry by Maine native, Kristie Billings - images and words of the sea, nature, folk art, dolls, loss, grief, love, acceptance, rage, music, life.From punk rock to menopause to swimming with seals! A middle-aged story of a Sea Witch. Kristie Billings comes from a long line of lovers of the sea: fishermen, clamdiggers, and sardine packers. The ocean is home. She is a poet, a photographer, and a year-round swimmer. She is currently living in Ellsworth, Maine, and a native of Stonington, on Deer Isle. A great lover of music, of art, and life, Kristie is drawn to beauty, even in the most ordinary, mundane way. She is drawn to what others may pass by, unnoticed. Kristie has worn many hats over the years. She is a long time Saturday night DJ on Community Radio, WERU 89.9 FM, in Orland, Maine. From small town grocery clerk, to making tie dye t-shirts for the local import shop, sometimes working at a fish market, or selling men's suits, she owned her own shoe store. She has been an Arts Educator at a local theater, and lobster fisher, barista, and antique seller. Kristie is married to her best friend, Ed. They share a home with their rambunctious cats, who keep them on their toes. Kristie is a collector. Of stories, of emotions, of dolls, of feelings, wigs, mannequin parts, record albums, memories, beauty, laughter, vintage clothing, scallop shells, barnacles, hermit crabs. She is an observer. She's been writing poetry since childhood, beginning with her love of Edna St.Vincent Millay to the Beat poets, Bukowski, and beyond. As for photography, she has been taking pictures for years with an old Nikon, and has proceeded to collect more cameras since then. She is drawn with awe to the artists that may make you uncomfortable.

Looking for a good book? Treasury of American Pen & Ink Illustration 1881-1938 is a coffee-table-style book of outstanding black and white art that is magnificent to look through and should be in every art lover's home. -- Rushford Public Library
A combination of technological advances and a vast reservoir of native talent led to a golden age in American illustration during the period between the Gilded Age and the dawn of World War II. Popular magazines such as Century, Scribner's, Puck, and Life launched the careers of many aspiring illustrators, including Edwin Austin Abbey, Howard Pyle, Maxfield Parrish, Frederic Remington, Charles Dana Gibson, Rockwell Kent, and many others.
This collection features more than 230 reproductions of the finest pen-and-ink drawings by more than 100 artists during the heyday of the illustrated magazine, from 1881 to 1938. In addition to images from popular magazines, the survey features illustrations from newspapers and books that recapture a broad range of expressions of artistic imagination and experimentation. The compilation includes an informative Introduction by designer and art historian Fridolf Johnson, which traces the history and development of pen-and-ink illustration and chronicles America's richly varied illustrative tradition and artistic heritage.

The formation of a remarkable and innovative West Coast art scene in San Francisco, CA between 1930 and 1960.

San Francisco: The Golden Age details the extraordinary development of the Bay Area art scene between 1930 to 1960. During that time, a great museum director, an enlightened patron, and a brilliant art school came together to create an environment that nurtured a host of innovative artists.

The 1940s and 1950s saw the emergence of a startling number of distinctive artists in the Bay Area including Clyfford Still, Claire Falkenstein, Jay DeFeo, Richard Diebenkorn, and Ruth Asawa. Working far from the art world power bases in Europe and New York, these artists developed styles of art-making that are only now being fully recognized but helped put San Francisco on the map as an artist destination.