Featuring striking photography by an expert in the field, this exploration of Japanese Brutalist architecture celebrates the surprising beauty and grace of buildings forged in concrete.

Emerging in the devastating aftermath of World War II, Brutalist architecture in Japan is characterized by its geometric shapes, functionality, and unconventional use of concrete--which is often left unfinished to showcase the material's inherent textures and imperfections.
Japanese Brutalism represented a radical departure from traditional Japanese architecture, drawing inspiration from the global Brutalist movement but incorporating unique elements that reflect Japan's culture and history. A leading expert on Japanese Brutalism, Paul Tulett has traveled throughout the country to photograph extraordinary examples of this aesthetic. In over 200 dynamic and impeccable photographs he captures the elements and paradoxes inherent in the buildings themselves: the rawness of concrete juxtaposed with elegant design; a harmonious integration into urban landscapes; and a global, modernist approach that maintains traditional Japanese elements.
Highlighting the work of architects such as Kenzo Tange, Tadao Ando, and Arata Isozaki, this unique volume shows how a blend of global influences and Japanese sensibilities has left an indelible mark on the architectural landscape of Japan, making Japanese Brutalism an intensely captivating and enduring style.

From the end of World War II until the mid-1960s, exciting things were happening in American architecture. Emerging talents were focusing on innovative projects that integrated at once modern design and low-cost materials. The trend was most notably embodied in the famous Case Study House Program, a blueprint for modern habitation championed by the era's leading American journal, Arts & Architecture.

The complete facsimile of the ambitious and groundbreaking Arts & Architecture was published by TASCHEN in 2008 as a limited edition. This new curation--directed and produced by Benedikt Taschen--brings together the magazine's highlights from 1950 to 1954, with a special focus on mid-century American architecture and its luminary pioneers including Richard Neutra, Eero Saarinen, and Charles & Ray Eames.

A celebration of a politically, socially and culturally engaged publication, this special selection is also a testimony to one of the most unique and influential eras in the history of American architecture.

Pioneering and sometimes problematic Tropical Modernism is an essential subject for fans of Le Corbusier and Bauhaus

Emerging in the death throes of colonial rule, the story of Tropical Modernism is one of politics and power, decolonization and defiance. Its leading proponents, British architects Jane Drew and Maxwell Fry, adapted a utopian Bauhaus-derived Modernist aesthetic to hot and humid conditions. After Independence, Tropical Modernism was championed by leaders including Jawaharlal Nehru and Kwame Nkrumah as a symbol of freedom, progressiveness and internationalism in monumental projects such as Chandigarh in Punjab planned by Le Corbusier and Black Star Square in Accra designed by Victor Adegbite. Scrutinizing the colonial narratives surrounding Tropical Modernism, and foregrounding the experience of African and Indian practitioners, this book reassesses an architectural style which has increasing relevance in today's changing climate.

Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG's trailblazing practice--where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says:

Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture.

Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task.

BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company's ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available--the comic.

As seen in Fast Company, Wallpaper*, and Dezeen

An innovative and original survey of the best Mid-Century Modern architecture from around the world

Featuring 450 of the very best works of Mid-Century Modern architecture from every continent, the Atlas of Mid-Century Modern Masterpieces showcases how the architects of the time harnessed the post-war boom and increasing globalization to create forward-thinking designs on a grander scale.

From embassies and office blocks to entertainments spaces and transport hubs, glamorous designs by such icons as Arne Jacobsen, Mies, Le Corbusier, Eero Saarinen, Alvar Aalto, Marcel Breuer, Frank Lloyd-Wright, and Oscar Niemeyer are each illustrated with stunning photography.

This stylish hardcover book showcases buildings from every continent, from classic North American skyscrapers and European masterpieces to modest churches in Africa, and iconic swimming pools in Australia and is a must-have for all design and architecture aficionados.

Louis Isadore Kahn (1901-1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his stuctures with a monumental and breathtaking spirituality.

This essential introduction brings together 17 of Kahn's most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an introductory essay explores Kahn's unique architectural ideology and his legacy as one of the most important 20th-century American architects since Frank Lloyd Wright.

Through Kahn masterworks, such as the National Assembly Building in Dhaka, Bangladesh, or Kimbell Art Museum in Fort Worth, Texas, we'll explore Kahn's his back to basics grammar inspired by ancient sites in Italy, Greece, and Egypt; and his unique vocabulary of mass, void, and light that suffused the International Style with a near-celestial luminescence.

Zaha Hadid (1950 - 2016) was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing.

By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects.

Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

Palm Springs is at the center of a unique tradition in architecture marked by invention and a sensitivity to local conditions that has resulted in design that exerts an influence far greater than the town's small size. The book is the first to fully explore the wide ranging forms this architecture has taken, from houses to gas stations, hotels to airports, banks to restaurants and spas.

Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers--including notably William F. Cody, E. Stewart Williams, and Albert Frey--were diverse and are ever more relevant in the face of contemporary challenges. Their answers addressed questions that still hold urgency: How to design sustainably in harsh climates? How to use technology efficiently and creatively to meet those challenges? How to build affordable and high-quality mass-produced housing? How to reflect a region's culture, economy, and distinctive atmosphere?

Architects here responded to nature's climatological demands, and Palm Springs became a center for innovations that were rooted in practice more than theory. Benefitting from the architectural freedoms offered by the remoteness of the California desert, designers explored new approaches that we can now identify as central to the Palm Springs School, shown here in rich archival and contemporary photography.

Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable.

During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as the most important new building in America since the Cold War; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre.

At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties.

From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe.

Formgiving. An Architectural Future History by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. The Danish word for design is formgivning, which literally means to give form to that which has not yet taken shape. In other words, to give form to the future. Using our power to give form, rather than allowing the future to take shape, is more important now than ever, as humankind's impact on the planet continues to increase and pose ever greater challenges to all life forms. Architecture plays a special role by proposing spaces for our lives that are fragments of the future in the making. William Gibson's words embody architecture's role perfectly: The future is already here--it's just not evenly distributed.

With Formgiving, BIG presents the last part of its trilogy, which began with Yes is More, one of the most successful architectural books of its generation, and continued with Hot to Cold. An Odyssey of Architectural Adaptation. The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution--Making, Sensing, Sustaining, Thinking, Healing, and Moving--the multimedia-based, interdisciplinary concepts encompassing the building industry.

Culture, climate, and landscape, as well as all the energies derived from the elements--the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind--are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen's commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.

Bjarke Ingels: To feel that we have license to imagine a future different from today, all we have to do is look back ten years, a hundred years, a thousand years, to realize how radically different things were then than they are today. The same will be true if we can look ahead with the same clarity of vision. As we tackle the complexities of everyday life, these six evolutionary trajectories allow us to place a firm gaze on the horizon of time to prevent us from being derailed by the random distractions of today. Since we know from our past that our future is bound to be different from our present, rather than waiting for it to take shape on its own, we have the power to give it form.

More than 65 projects document BIG's global work through the eyes of their users, from the drawing board to global construction sites and finished projects. Throughout the book are insights into developments that reach five, ten, or fifty years into the future, and evidence of BIG's intransigence to reach beyond the ordinary, and beyond worlds, to contribute to the future with each project. Each step not only reveals a world that resembles our dreams but also already tries to realize these dreams pragmatically. We have the power to create the world of tomorrow!

The book features: previously unpublished essays by Bjarke Ingels, award-winning photography by Laurian Ghinitoiu, Iwan Baan, and Rasmus Hjortsh j, among others, planetary proposals for habitats on the Moon and research centers on Mars, 20 LEGO master-builder models of BIG's work, a glimpse of Masterplanet--BIG's ongoing work on a collective, crowdsourced masterplan guide for sustaining our planet.

The first building-by-building survey of the remarkable architectural achievements in Saudi Arabia over the last fifty years, featuring case studies of 45 outstanding projects as well as previews of buildings due for completion by 2030.

Since the mid-1970s, there has been unprecedented construction in Saudi Arabia, much of which has involved high-profile architects and engineers from the Kingdom and around the world. They have produced buildings that are often highly innovative in their style, sustainability, construction techniques, and materials while drawing on the country's rich architectural heritage and taking account of environmental and climatic factors.

Many of these developments were commissioned by King Salman when he was governor of Riyadh, giving rise to a body of architecture known as Salmani. The principles of the Salmani architectural style - authenticity, continuity, human-centered design, liveability, innovation, and sustainability - have determined much of the architecture, interior design, landscaping, and urban planning of recent decades. Through detailed case studies, this new book shows how innovation has been combined with an interest in conservation and urban regeneration, as well as a concern for the social and human impact of architectural and planning decisions. From commercial developments and government and civic buildings to cultural and leisure facilities and palaces and mosques, a wide variety of projects are featured. While some have a strong basis in vernacular styles, others are daring, visionary designs, among them NEOM, an ambitious development incorporating a smart, car-free city known as The Line.

Among the featured international and Saudi architects are Ateliers Jean Nouvel, Beeah, Bjarke Ingels Group, Foster + Partners, Henning Larsen, HOK, Kengo Kuma & Associates, Omrania, Saudi Oger, Sn hetta, SOM, Thomas Heatherwick, and Zaha Hadid Architects.

As author Christopher Masters discusses in his text, the radicalism of NEOM (part of the Vision 2030 plan led by Crown Prince Mohammed bin Salman), the traditionalism of Salmani architecture, and the conservation programs in such locations as central Jeddah and the historic town of Diriyah appear to be very different in approach and philosophy. Yet all promote a strong interest in urbanism, an alternative to the car-oriented cities constructed as Saudi Arabia rapidly modernized in the last decades of the 20th century. They embody an aspiration to improve society through architecture and environment and to create cities that are fit for the challenges of the future. Lavishly illustrated with plans, drawings, and photographs, this timely volume highlights a field of architecture that has international importance and relevance and deserves to be more widely known outside the region.

In Yugoslavia's Third Way architecture, Brutalism meets the fantastical

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the Third Way, local architects produced a veritable parallel universe of modern architecture during the 45 years of the country's existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.

Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first publication to showcase an understudied but important body of modernist architecture. Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism and society by delving into the exceptional projects and key figures of the era, among them Bogdan Bogdanovic, Zoran Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski, Niko Kralj, Boris Magas, Juraj Neidhardt, Joze Plecnik, Svetlana Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Steric, Ivan Straus and Zlatko Ugljen.

Tokyo, 1985. The world's first megacity is at the height of its dynamism.

Forty years ago, a frenzy of creativity galvanised the Japanese capital. From fashion to movies to electronics, Tokyo was forging the future. Factories run by robots, the world's first high-speed trains, apartment blocks built from shipping containers, love hotels modelled on Bavarian castles...

In the thick of it, a young British teacher gazed around and asked questions. Why are Tokyoites so phlegmatic about earthquakes? What makes this high-tech city so unmistakably Japanese? And how, despite its size and pace, has Tokyo retained many pockets of perfect calm?

First published in 1985, Tokyo: the City at the End of the World was quickly recognised, in Time magazine, The New Yorker and elsewhere, as a fascinating portrait of the city that pointed where the world was headed. Forty years on numerous Asian cities have taken up Tokyo's baton, but Peter Popham's depiction of its menace and charm remains unrivalled.

Thematically focused analysis of modern architecture throughout Texas with gorgeous photographs illustrating works by famous and lesser-known architects.

In the mid-twentieth century, dramatic social and political change coincided with the ascendance and evolution of architectural modernism in Texas. Between the 1930s and 1980s, a state known for cowboys and cotton fields rapidly urbanized and became a hub of global trade and a heavyweight in national politics. Relentless ambition and a strong sense of place combined to make Texans particularly receptive to modern architecture's implication of newness, forward-looking attitude, and capacity to reinterpret historical forms in novel ways. As money and people poured in, architects and their clients used modern buildings to define themselves and the state.

Illustrated with stunning photographs by architect Ben Koush, Home, Heat, Money, God analyzes buildings in big cities and small towns by world-famous architects, Texas titans, and lesser-known designers. Architectural historian Kathryn O'Rourke describes the forces that influenced architects as they addressed basic needs--such as staying cool in a warming climate and living in up-to-date housing--and responded to a culture driven by potent religiosity, by the countervailing pressures of pluralism and homogenization, and by the myth of Texan exceptionalism.

Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalog surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, H lio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.

While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures, including Gerd Stern of USCO, Ken Isaacs, Gunther Zamp Kelp of Haus-Rucker-Co, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, as well as new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.

Spanish visionary Santiago Calatrava is renowned around the world as an architect, structural engineer, sculptor, and artist. Famed for bridges as much as buildings, he has made his name with neofuturistic structures that combine deft engineering solutions with dramatic visual impact.

From the Athens 2004 Olympic sports complex and the Museum of Tomorrow to the Peace Bridge in Calgary, Alamillo Bridge in Seville, and the Mujer Bridge in Buenos Aires, Calatrava's creations show particular interest in the meeting point of movement and balance. With influences ranging from NASA space design to da Vinci's nature studies, the structures dazzle with a sense of lightness, agility, and aerodynamism, but always with a graceful poise amid their particular surroundings.

This compact introduction explores Calatrava's unique aesthetic with key projects from his career, from early breakthroughs to his most recent work. Through buildings of culture, science, faith, and across his many famous bridges, we explore his integration of organic forms and human movements, and a uniquely fluid futurism, soaring towards tomorrow.

The world-famous garden made by Derek Jarman at his home, Prospect Cottage in Dungeness, is much visited and widely featured, but the house has long remained closed to the public. We are now finally permitted to open the door onto this previously undisturbed, unseen world, itself an artistic testament.

The background to the book is a poignant story of love and loss. After Derek Jarman's death, Prospect Cottage passed to his longtime companion Keith Collins, who changed only one thing: introducing curtains to prevent visitors to the garden from peering in. When Collins died suddenly in 2018, Gilbert McCarragher, a friend and neighbor in Dungeness, was asked to record this world.

This was the first time a photographer had so extensively documented the house, an artwork in its own right, which encapsulates Jarman's vision of the world. Organized room by room, McCarragher's photographs are accompanied by reflective essays that take the reader inside the cottage and reveal something of its history and the experience of photographing there. McCarragher compares the house to a camera, with a dark interior and light coming in through various openings, carefully measured and calculated by the filmmaker. If Jarman's garden is key to his lively and life-affirming outside universe, the house is a bit like his soul, a microcosm of his worldview.

Although race--a concept of human difference that establishes hierarchies of power and domination--has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality--from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants--Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.

After critiquing--and infuriating--the art world with The Painted Word, award-winning author Tom Wolfe shared his less than favorable thoughts about modern architecture in From Bauhaus to Our House.

In this examination of the strange saga of twentieth century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass and steel box designed buildings that have influenced--and infected--America's cities.

From panty raids to riots, Carbondale After Dark is a profusely illustrated anthology of history, essays and short stories that chronicles how a sleepy little college town in the Midwest became a hippie haven and radical outpost during the 1960s and '70s. Some call that Carbondale's golden age, while others say it was the city's hippie phase. Either way, it left a mark on the town and those who went through those tumultuous times, and it remains a period of interest to those who came after.

First published in 1982, the book has become a touchstone for those who were there, and a revelation for those who were not. Author H.B. Koplowitz provides a blow-by-blow account of the political and cultural upheavals that led to the May 1970 riots in Carbondale, and how protests evolved into street parties and a massive Halloween celebration.

The first third of the book focuses on the notorious downtown strip during the 1960s and '70s, when Carbondale was invaded by hippies, freaks, massive protests and even more massive street parties. It also chronicles streakers, bands, bars, hangouts, protest movements and street people, and efforts by city and school officials to control the madness. In other words, all the things that get left out of official histories and Chamber of Commerce brochures.

Amply illustrated with historic photos and graphics, the anthology also includes period essays and short stories with such titles as Kidnapped by Jesus Freaks and Kid Clyde: An Existentualist's Horror Story; rants on such subjects as women's lib and afrophobia; and a poem of teenage angst, The Horny Blues.

The expanded third edition adds three new stories: Carbondale Before Dark describes growing up in Carbondale in the 1950s and early '60s. Bucky's Dome is about living in futurist Buckminster Fuller's dome home in the early 1980s. Ghosts of Carbondale Past is a reflection on a 2017 reunion concert of 1970s Carbondale bands.

Chocked full of history and memories, Carbondale After Dark makes a great gift for anyone who has lived in Carbondale or gone to SIU.