In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water--and the history of controlling it--is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry--past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik's photographs, these reflections soberly and hopefully populate images of South Louisiana's built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana's water-ruled landscapes.

With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.

For Harlem is where he worked and where he struggled and fought--his home of homes, where his heart was, and where his people are. Nearly sixty years since the martyrdom of Malcolm X, these words from Ossie Davis's eulogy remind us that Malcolm's political and religious beliefs and conceptions of culture have profoundly shaped and been shaped by Harlem. Mapping Malcolm continues the project of reinscribing Malcolm X's memory and legacy in the present by exploring his commitment to community building and his articulation of a global power analysis as it continues to manifest across New York City today. More specifically, the book explores the limits and possibilities of the archive, the political, material, and philosophical legacy of the Black radical tradition, the Black diaspora, and the state. Oriented toward sovereignty and liberation, Mapping Malcolm brings together artists, community organizers, and scholars to consider the politics of Black space-making in Harlem through a range of historical, cultural, and anti-imperialist worldviews designed to offer new, reparatory pedagogical possibilities. Together, they reconfigure how we understand, employ, and carry forward Malcolm X's sociopolitical, cross-cultural analyses of justice and power as an everyday praxis in the built environment and beyond.

With contributions from Maytha Alhassen, Joshua Bennett, Christopher Joshua Benton, Lisa Beyeler-Yvarra, Stephen Burks, Guy Davis, Ossie Davis, Ibrahem Hasan, Albert Hicks IV, Marc Lamont Hill, Ladi'Sasha Jones, Jerrell Gibbs, Nsenga Knight, Akemi Kochiyama, Denise Lim, Jaimee A. Swift, James A. Tyner, Marcus Washington Jr., and Darien Alexander Williams.

Tokyo is one of the most vibrant and livable cities on the planet, a megacity that somehow remains intimate and adaptive. Com-pared to Western metropolises like New York or Paris, however, few outsiders understand Tokyo's inner workings. For cities around the globe mired in crisis and seeking new models for the future, Tokyo's success at balancing between massive growth and local communal life poses a challenge: can we design other cities to emulate its best qualities?

Emergent Tokyo answers this question in the affirmative by delving into Tokyo's most distinctive urban spaces, from iconic neon nightlife to tranquil neighborhood backstreets. Tokyo at its best offers a new vision for a human-scale urban ecosystem, where ordinary residents can shape their own envi-ronment in ways large and small, and communities take on a life of their own beyond government master planning and corporate profit-seeking. As Tokyoites ourselves, we uncover how five key features of Tokyo's cityscape--yokochō alleyways, multi-tenant zakkyo buildings, undertrack infills, flowing ankyo streets, and dense low-rise neighborhoods--enable this 'emergent' urban-ism, allowing the city to organize itself from the bottom up.

This book demystifies Tokyo's emergent urbanism for an international audience, explaining its origins, its place in today's Tokyo, and its role in the Tokyo of tomorrow. Visitors to Japan, architects, and urban policy practitioners alike will come away with a fresh understanding of the world's premier megacity--and a practical guide for how to bring Tokyo-style intimacy, adaptability, and spontaneity to other cities around the world.

The first guidebook devoted exclusively to New York City's Art Deco treasures.

Winner of a 2017-2018 New York City Book Award presented by the New York Society Library

Of all the world's great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and '30s that recast New York as the world's modern metropolis. Anthony W. Robins, New York's best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan-each accompanied by a map designed by legendary New York cartographer John Tauranac-and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years' worth of experience into a guidebook for all to enjoy at their own pace.

A glorious piece of prose . . . Pollan leads readers on his adventure with humor and grace. --Chicago Tribune

A captivating personal inquiry into the art of architecture, the craft of building, and the meaning of modern work

A room of one's own: Is there anybody who hasn't at one time or another wished for such a place, hasn't turned those soft words over until they'd assumed a habitable shape?

When Michael Pollan decided to plant a garden, the result was the acclaimed bestseller Second Nature. In A Place of My Own, he turns his sharp insight to the craft of building, as he recounts the process of designing and constructing a small one-room structure on his rural Connecticut property--a place in which he hoped to read, write, and daydream, built with his own two unhandy hands.

Michael Pollan's unmatched ability to draw lines of connection between our everyday experiences--whether eating, gardening, or building--and the natural world has been the basis for the popular success of his many works of nonfiction, including the genre-defining bestsellers The Omnivore's Dilemma and In Defense of Food. With this updated edition of his earlier book A Place of My Own, readers can revisit the inspired, intelligent, and often hilarious story of Pollan's realization of a room of his own--a small, wooden hut, his shelter for daydreams--built with his admittedly unhandy hands. Inspired by both Thoreau and Mr. Blandings, A Place of My Own not only works to convey the history and meaning of all human building, it also marks the connections between our bodies, our minds, and the natural world.

A dazzling and generously illustrated journey through the philosophy and psychology of architecture and the indelible connection between our identities and our locations.

One of the great but often unmentioned causes of both happiness and misery is the quality of our environment: the kinds of walls, chairs, buildings, and streets that surround us. And yet a concern for architecture is too often described as frivolous, even self-indulgent. In The Architecture of Happiness, Alain de Botton starts from the idea that where we are heavily influences who we can be, and argues that it is architecture's task to stand as an eloquent reminder of our full potential.

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's Skyrise for Harlem project offered a Futuristic vision for Harlem that argued for environmental redesign: it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience.

Jordan was not an architect in the conventional sense, Saval says. But in the understanding of someone who sought to propose and build interventions in public space, she was.

Since its publication - Delirious New York (1978) has attained mythic status. Rem Koolhaas's celebration and analysis of New York depicts the city as a metaphor for the variety of human behavior

At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle - the culture of congestion - and its architecture. Manhattan, he writes, is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall). Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper.

Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse?

Never have the potential political consequences of architecture been greater, and never has the political sensibility of architecture been less.

This was the state of the discipline that social theorist and urban thinker Richard Sennett declared when he addressed an audience at the Harvard University Graduate School of Design in 1981. Over a series of six lectures, Sennett presented discourse as the foundation of democracy, and posited that our cities are uniquely positioned to either empower or constrict this discourse--and that the difference could lie in architecture and urban design.

Now, over 40 years later, as political polarization persists and its consequences arise in both new and familiar ways, Democracy and Urban Form revisits questions that remain relevant: If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse?

GREATNESS: Diverse Designers of Architecture is a compelling exploration of the contributions of diverse architects to the field of architecture.

This book delves into the essence of various architectural typologies, including residential, institutional, and master planning, through the lens of designers from varied backgrounds. It highlights the historical evolution of these typologies and their impact on urban planning and architecture, reflecting a wide range of lifestyles, cultures, and socio-economic backgrounds.

The book addresses the darker aspects of architectural history, such as housing injustice and redlining, while also celebrating the healing power of design in fostering community well-being and environmental sustainability. It emphasizes the importance of community-centric approaches in residential design and the role of architecture in shaping equitable and sustainable environments.

Featuring global projects, the book showcases how architects and designers worldwide address unique challenges and opportunities, enriching our understanding of architecture's role in shaping human lives. GREATNESS: Diverse Designers of Architecture is a call to action for architects and designers to create inclusive, sustainable, and responsive environments that foster community, dignity, and a sense of belonging for all.

A radical critique of architecture that places disability at the heart of the built environment

Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for the construction of disability, this book fundamentally reconsiders how we conceive of and experience disability in our world.

Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space.

By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.

The map may not be the territory, and the word may not be the thing, but this guide is as close as it gets.

Since its first publication by the Los Angeles County Museum of Art in 1965, this seminal vade mecum of Los Angeles architecture has explored every rich potency of the often relentless, but sometimes--as the authors have captured here--relenting L.A. cityscape. Revised extensively and updated rigorously since its fifth edition published in 2003, The Architectural Guidebook to Los Angeles now contains ninety-six sections organized in thirteen geographic chapters, boasting over 200 new additions to over thousands of entries cataloging every crease of Los Angeles County's metropolitan sheath.

Originally written by leading architectural historians Robert Winter--described by Los Angeles Magazine as both the spiritual godfather and father of L.A. architecture--and the late, great David Gebhard, the guide has been revised and edited for a sixth edition by award-winning L.A. urban walker and Winter's trusted collaborator Robert Inman. Nathan Masters, historian and Emmy-award-winning host, producer, and managing editor of KCET's Lost LA, writes the foreword.

The Architectural Guidebook to Los Angeles, hailed by many as the built L.A. opus, explores the manmade structures, gardens, parks, and other physical features of a fulgurous Los Angeles. With singular wit and brio, the authors artfully steward readers through all regions and styles, from the Spanish Mexican Period to Postmodern, American Take-over to High Tech, and Beaux-Arts to Craftsman. Sites covered begin with the missions of Spanish California and end with projects completed in 2017.

Dilettantes and experts, practitioners and students, aficionados and osmotic natives alike: all are blood type-compatible with this rich and peerless Bible for architecture enthusiasts. All of its own ilk, this book is thick and alive with a tone of its own making--and doing. A unique style of writing renders the guide simultaneously funny, tasteful, and historically-comprehensive, all with equal measure. Gebhard and Winter fill in the diegetic blanks with a droll eye. More than a critical reference for the bookshelves of scholars, enthusiasts, and practitioners alike, Architecture in Los Angeles is a faithful snapshot of the city as she lives and breathes.

Dr. Robert W. Winter (1924-2019)--lauded as a Guru, Father, and Godfather of Los Angeles architecture--was a renowned historian of fabricated California, claiming a rich bibliography of various guides and histories on California architecture, including Craftsman Style (2004).

Dr. David Gebhard (1927-1996) was a preeminent architectural historian and preservationist. After a long career teaching at UC Santa Barbara, he is remembered through his many written contributions to both the field writ large and his preservation efforts in both Santa Barbara and Pasadena.

Robert Inman is the author of A Guide to the Stairways of Los Angeles (2008) and Finding Los Angeles by Foot: Stairstreet, Bridge, Pathway, and Lane (2013). A native son of Los Angeles, he is an award-winning urban walker and frequent collaborator of his mentor, Dr. Robert W. Winter.

A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture's place in the contemporary moment

Architecture begins to matter, writes Paul Goldberger, when it brings delight and sadness and perplexity and awe along with a roof over our heads. In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant'Ivo in Rome as a work that embraces the deepest complexities of human imagination.

In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson's academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

Marcus Vitruvius Pollio, a Roman architect and engineer flourishing in the first century B.C., was the author of the oldest and most influential work on architecture in existence. For hundreds of years, the specific instructions he gave in his Ten Books on Architecture were followed faithfully, and major buildings in all parts of the world reveal the widespread influence of his precepts. According to the Encyclopedia Britannica, he was the chief authority studied by architects, and in every point his precepts were accepted as final. Bramante, Michelangelo, Palladio, Vignola, and earlier were careful students of the work of Vitruvius. His book is thus one of those rare works that have been supremely important in the creation of the greatest art masterpieces.
Vitruvius describes the classic principles of symmetry, harmony, and proportion in architecture; the design of the treasury, prison, senate house, baths, forum, and temples; the construction of the theater: its site, foundations, and acoustics; the proper style and proportion for private dwellings; the differences between the Ionic, Doric, and Corinthian styles; methods of giving durability and beauty to polished finishings; and many other topics that help us understand the methods and beliefs of the Roman architect.
It is a direct, authoritative, and detailed introduction to the ancients' methods of construction, the materials of the architect, and the prevailing aesthetic beliefs of the times; but it is also a work of art. Vitruvius wrote in such a fascinating manner, and digressed from his subject so often (as, for instance, when he wrote about the winds, Archimedes in his bath, and why authors should receive awards and honors at least as often as athletes), that his book has had a continuing appeal to the general reader for many centuries. Besides being an instructive treatise on nearly everything connected with Roman and Greek architecture, it is an entertaining description of some aspects of the life and beliefs of the times. This edition is the standard English translation, prepared over a period of several years by Professor M. H. Morgan of Harvard University.

In this book, Bernard Rudofsky steps outside the narrowly defined discipline that has governed our sense of architectural history and discusses the art of building as a universal phenomenon. He introduces the reader to communal architecture--architecture produced not by specialists but by the spontaneous and continuing activity of a whole people with a common heritage, acting within a community experience. A prehistoric theater district for a hundred thousand spectators on the American continent and underground towns and villages (complete with schools, offices, and factories) inhabited by millions of people are among the unexpected phenomena he brings to light.

The beauty of primitive architecture has often been dismissed as accidental, but today we recognize in it an art form that has resulted from human intelligence applied to uniquely human modes of life. Indeed, Rudofsky sees the philosophy and practical knowledge of the untutored builders as untapped sources of inspiration for industrial man trapped in his chaotic cities.

A broad range of diverse voices in architecture discuss issues of equity, access, and social justice embedded in and related to the built environment.

Margin and Text is a collection of essays, interviews, and personal stories, as well as historical and current writings and lectures, contributed by BIPOC and female practitioners and educators in architecture. Each piece offers reflections on architecture's troubled past, commentary on its fluid present, and visions of possible futures, all set amid today's context of broad social activism, divisive politics, and the devastating toll of the COVID-19 pandemic.

Edited by architecture educators Betsy West, Kelly Carlson-Reddig, and José L.S. Gámez, Margin and Text draws together contributors who are widely diverse in gender, ethnicity, age, religion, culture, point of view, and the nature of their work. Each chapter features an introduction by one of the editors, followed by essays from names in the field that include:

• Meejin Yoon (Höweler+Yoon) on the multicultural aspirations of architecture
• Chris Cornelius (University of New Mexico) on indigenous place and space
• Jack Travis (Jack Travis Architect) on a Black aesthetic
• Aneesha Dharwadker (University of Illinois) on America's architectural diaspora
• Teddy Cruz and Fonna Forman (Estudio Teddy Cruz+Fonna Forman) on the Mexico border
• And more

Accessible, compelling, and thought-provoking, these pieces are combined with personal snapshots, individual projects, and an overview of benchmark events such as Whitney M. Young's historic 1968 keynote address at the AIA National Convention, the Pritzker Prize petition for Denise Scott Brown, the Alcatraz Proclamation of 1969, and the #NotMyAIA response to AIA's pledge to work with Donald Trump following the 2016 election.

Richly illustrated with more than 100 photographs throughout, this timely volume offers unique perspectives on systemic racism in the architecture and design space, making it an invaluable resource for architecture students, academics, and professionals.

Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of common people and less immodest in their erections of heroic, self-aggrandizing monuments.

This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, Ugly and Ordinary Architecture, or the Decorated Shed, a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.

Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, façade, balcony, corridor, fireplace, stair, escalator, elevator and toilet: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It's a guide that is long overdue--in Koolhaas's own words, Never was a book more relevant--at a moment where architecture as we know it is changing beyond recognition.

Derived, updated, and expanded from Koolhaas's exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, James Westcott and Stephan Petermann; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans.

In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter:
Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimeter thick spine Contains a new introductory chapter with forewords, table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine) Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom's palimpsest-like design Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book Printed at the originally intended 100% size for full readability

In Architecture of Segregation, the intricate interplay between architecture and societal divisions is meticulously explored, providing a comprehensive analysis of how built environments have shaped and reflected racial, ethnic, and social segregation throughout history. This groundbreaking work delves deep into the historical contexts of segregation, from the indigenous peoples of North America to the African diaspora through the Triangular Slave Trade, uncovering how architecture played a pivotal role in the subjugation of marginalized communities.

This book navigates through pivotal moments like the Plessy vs. Ferguson Supreme Court decision and the establishment of Jim Crow segregation laws, shedding light on how legal frameworks influenced architectural design and urban planning. It also examines the enduring legacies of segregation on contemporary society, demonstrating the profound and lasting impact of architectural decisions.

Architecture of Segregation ultimately calls for a reevaluation of the role architects play in perpetuating or dismantling these divisions, challenging readers to consider the ethical implications of design and its potential to foster equality and inclusion in the built environment.

'The Intimate City' is a joyful miscellany of people seeing things in the urban landscape, the streets alive with remembrances and ideas even when those streets are relatively empty of people.--Robert Sullivan, New York Times Book Review

From the New York Times architecture critic, his celebrated walking tours of New York City, now expanded, covering four of the five boroughs and some 540 million years of history, accompanied by some of the people who know it best

As New York came to a halt with COVID, Michael Kimmelman composed an email to a group of architects, historians, writers, and friends, inviting them to take a walk. Wherever they liked, he wrote--preferably someplace meaningful to them, someplace that illuminated the city and what they loved about it. At first, the goal was distraction. At a scary moment when everything seemed uncertain, walking around New York served as a reminder of all the ways the city was still a rock, joy, and inspiration. What began with a lighthearted trip to explore Broadway's shuttered theater district and a stroll along Museum Mile when the museums were closed soon took on a much larger meaning and ambition. These intimate, funny, richly detailed conversations between Kimmelman and his companions became anchors for millions of Times readers during the pandemic. The walks unpacked the essence of urban life and its social fabric--the history, plans, laws, feats of structural engineering, architectural highlights, and everyday realities that make up a place Kimmelman calls humanity's greatest achievement.

Filled with stunning photographs documenting the city during the era of COVID, The Intimate City is the ultimate insider's guide. The book includes new walks through LGBTQ Greenwich Village, through Forest Hills, Queens, and Mott Haven, in the Bronx. All the walks can be walked, or just be read for pleasure, by know-it-all New Yorkers or anyone else. They take readers back to an age when Times Square was still a beaver pond and Yankee Stadium a salt marsh; across the Brooklyn Bridge, for green tea ice cream in Chinatown, for momos and samosas in Jackson Heights, to explore historic Black churches in Harlem and midcentury Mad Men skyscrapers on Park Avenue. A kaleidoscopic portrait of an enduring metropolis, The Intimate City reveals why New York, despite COVID and a long history of other calamities, continues to inspire and to mean so much to those who call it home and to countless others.