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Taking us on a journey through the history of sacred art and architecture, Sacred Sites explores the myriads of ways in which we imbue our environments with profound and enduring meaning. From our early designation of nature and the body as temple to our futuristic embrace of imaginary realms, we travel the vast and mystical landscapes of myth, religion, and imagination.
Through gathering, we ignite our spaces with spirit, we circle the bonfire, bow down at the forest altar, give praise at the temple to our chosen divinities. Through pilgrimage, we carve indelible pathways, making our meditative way across continents, generations of footsteps treading, again and again, upon sacred grounds. And through our creative offerings to spirit - we envision new worlds, wildly imaginative odes to what we deem as holy; golden temples hewn of rock, enormous spirals sculpted from sand and soil, silent sanctuaries hidden among wooded groves. We paint the ancient cave walls, carve petroglyphs to mark the way, place roses in veneration at the candlelit shrine.
Slowly, stone-by-stone, we build monuments to our gods, a cosmic geometry held within our sacred architecture of worship. These hidden patterns can be found in the mysterious, towering pyramids found across the globe and throughout an astounding diversity of cultures, in the marble sanctuaries built to house the Greek and Roman goddesses, and in the windblown mountain monasteries of ancient Asia and the indigenous cliff-dwellings of the American Southwest.
Nature, art, beauty, these are the common elements found both within the places made sacred by our ancestors and in the multitude of environments where we strive to connect to source, and to ourselves. Tracing a hallowed route from rugged stone temples to transcendent works of modern architecture, the fifth volume in The Library of Esoterica celebrates the collective history of spaces made sacrosanct through human worship.
The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter's in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today.
The classic work on Gothic religious architecture, now with added illustrations and a new section by the author on rose windows
No other monument of a culture so radically different from our own is as much a part of contemporary life as the Gothic cathedral. In this illuminating book, esteemed art historian Otto Georg von Simson explores how Gothic architecture is an expression of supernatural reality, and shows how, to those who designed and worshipped in the great cathedrals of France in the twelfth and thirteenth centuries, this symbolic function of sacred architecture overshadowed all others. The Gothic Cathedral takes readers from the birth of the Gothic style with the Basilica of St.-Denis to the consummation of the form in the majestic Cathedral of Chartres, revealing how these incomparable architectural masterpieces embodied the spiritual and intellectual order of the medieval world.
The Basilica of the Sacred Heart at the University of Notre Dame contains one of the largest collections of late nineteenth-century French stained glass outside of France. The French Gothic-inspired church has forty-four large stained glass windows containing two hundred and twenty scenes. Today, more than 100,000 visitors tour the basilica each year to admire its architecture.
This informative guidebook tells the unique story of the windows: the improbable creation of a glassworks by cloistered Carmelite nuns in LeMans, France, and their stained glass that so perfectly illuminated the late-nineteenth-century French Catholic spirituality of the Congregation of Holy Cross. Stories in Light describes the windows according to their location in the building, from the narthex at the entrance to the Lady Chapel behind the altar. Full-color photographs, accompanied by commentary on the historical and theological importance of the glass and the iconography of the saints, provide a detailed view of the scenes found in each window. Stories in Light is an easy-to-read book written for all who visit the basilica and for readers everywhere who want to know more about the rich history and heritage of the Basilica of the Sacred Heart's stained glass.
Internationally renowned architect I. M. Pei commented that if Marcel Breuer's church for Saint John's Abbey had been built in New York instead of the north woods of Minnesota it would be world famous. Hamilton Smith, Breuer's longtime associate, wrote that the completed church was that rare thing, an architectural design fully realized, and he regarded it as Breuer's finest achievement. The junior member of the twelve-monk planning committee recounts in warm and frequently humorous detail how its members related to the Hungarian-born Bauhaus-trained architect who had no background in church architecture but shared their belief in the enduring quality of simple materials sympathetically used. How the strong architect-client relationship survived the strain of disagreement at a critical moment in completion of the church is the narrative high point in this informal record of four years in which the reader sees a masterpiece of modern church architecture take shape.
The Sunday Times paperback bestseller and Waterstones Non-Fiction Book of the Month
*Featuring a brand new chapter!*
'Never have the joys of exploring the churches and cathedrals of this country been so vividly conveyed as they are in this engaging and elegiac book.' - New Statesman **BOOK OF THE YEAR pick 2023**
'A delicious treat' - Financial Times **TRAVEL BOOK OF THE YEAR pick 2023**
'A charming odyssey' - The Times
'A wonderful book; thoughtful and challenging' - Daily Telegraph *****
A glorious history of sixteen of the world's greatest cathedrals, interwoven with the extraordinary stories of the people who built them.
'An impeccable guide to the golden age of ecclesiastical architecture' The Times
'Vivid, colourful and absorbing' Dan Jones
'An epic ode to some of our most beautiful and beloved buildings' Helen Carr
Aspects of Georgia's unique history can only be told through its extant rural churches. As the Georgia backcountry rapidly expanded in the late eighteenth and early nineteenth centuries, the churches erected on this newly parceled land became the center of community life. These early structures ranged from primitive outbuildings to those with more elaborate designs and were constructed with local, hand-hewn materials to serve the residents who lived nearby. From these rural communities sprang the villages, towns, counties, and cities that informed the way Georgia was organized and governed and that continue to influence the way we live today.
Historic Rural Churches of Georgia presents forty-seven early houses of worship from all areas of the state. Nearly three hundred stunning color photographs capture the simple elegance of these sanctuaries and their surrounding grounds and cemeteries. Of the historic churches that have survived, many are now in various states of distress and neglect and require restoration to ensure that they will continue to stand. This book is a project of the Historic Rural Churches of Georgia organization, whose mission is the preservation of historic rural churches across the state and the documentation of their history since their founding. If proper care is taken, these endangered and important landmarks can continue to represent the state's earliest examples of rural sacred architecture and the communities and traditions they housed.
A lively, open-ended study of the building of Chartres Cathedral. . . . Ball puts the fun back in medieval scholasticism. --Los Angeles Times
Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries--and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?
In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction--and the creation of other Gothic cathedrals--represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world.
Beautifully illustrated and written, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century--its schools of philosophy and science, its trades and technologies, its politics and religious debates--enabling us to view this ancient architectural marvel with fresh eyes.
The Duomo di Milano represents the pinnacle of Italian Gothic architecture. The drawing recreated here is part of a series proposed by the architect Paolo Cesa Bianchi for the decoration of the interior vaults of the Cathedral. The soaring arabesques create a sense of a faux relief arborescence over a golden background.
Temples to the Buddha and the Gods analyzes the patronage of diverse image houses built in the transnational Drāviḍa tradition of architecture in Sri Lanka--an architectural tradition that has been adopted across the Indian Ocean, from the premodern to the contemporary. Although the Drāviḍa tradition is generally associated with Hindu temple architecture, in Sri Lanka it was deployed to build temples to the Buddha as well as to Hindu and Buddhist deities. Framed along ethno-religious binaries, it is seen as foreign or provincial in previous studies of Sri Lanka's art histories. In contrast, this book argues that temples constructed in the Drāviḍa architectural tradition in the medieval and the early modern periods in Sri Lanka should be understood as part of the larger transnational architectural tradition. Sujatha Arundathi Meegama brings together different types of image houses built by various patrons (e.g., monarchs, monks, ministers, and merchants) that were previously considered in isolation and rarely included in the Sri Lankan art historical canon.
Examining a range of evidence--architecture, inscriptions, and poetry--and synthesizing disparate scholarship on the religious cultures and the art histories of Sri Lanka, the author illustrates that there was a strong presence of shared architectural traditions, shared patterns of patronage, and shared religious practices among the diverse communities on this island. Generally, scholarship on South Asian architecture focuses on the role of rulers and other secular or religious elites as agents of religious architecture; in addition to these actors, this study highlights the roles of architects who specialized in the Drāviḍa tradition and those who experimented with it in stone, brick, and timber in different time periods. Revealing the centrality of this architectural tradition, Temples to the Buddha and the Gods offers a new perspective that contextualizes the cultural tradition of Sri Lanka and its place in the interconnected world of the Indian Ocean.
In this second collection, the photographer/author has continued his long-term mission to photograph the captivating and evocative historic Catholic churches of the state of New Mexico. The mission became a journey that covered the highways, back roads, and trails of the state, from north to south, east to west. He has driven these roads, photographing these churches that reflect New Mexico's complex history and beautiful landscapes, and talked to many people who attend, maintain, and love them. His descriptions of the churches reflect that complex beauty and provide enough information for the reader to find each of them. The photographs and descriptions also reflect an urgency: many small, rural, historic churches in New Mexico lack funds for maintenance as rural populations decline, and some of them are at risk of disappearing forever. This volume covers the churches in central and southern New Mexico, churches south of Interstate 40. The churches include famous and imposing ones like San Esteban del Rey in Acoma Pueblo, and more modest ones off the beaten track like San Isidro Mission Church in Borica. They include churches from near the Mexican border in the south to the Arizona border in the west and the Texas border in the east, covering not only a wide geographic span but a time span from the 1600s to the 20th century. The churches reflect the diversity of New Mexico's communities and history. Each is unique and each one claims the Land of Enchantment as home.
'Never have the joys of exploring the churches and cathedrals of this country been so vividly conveyed as they are in this engaging and elegiac book.' - New Statesman **BOOK OF THE YEAR pick 2023**
'A delicious treat' - Financial Times **TRAVEL BOOK OF THE YEAR pick 2023**
'A charming odyssey' - The Times
'A wonderful book; thoughtful and challenging' - Daily Telegraph *****
Westminster Abbey is primarily a working church and is set up as such; not as a museum. Yet the majority of visitors are not worshippers. They are there to wonder at the magnificence of the building and its history as told by the artefacts on display (e.g. the Coronation Chair) and the plethora of monuments and graves of those memorialised and/or buried there. Unlike a museum, few points of interest are identified by way of labels and, necessarily, only a very small minority of them can be included in a conveniently sized guidebook.
There are over 3,000 people known to have been buried in the Abbey. There are stories behind many of them. This little book concentrates on some of those in the Nave and stories unlikely to be found in the usual guidebooks.
In this third stunning collection, the photographer and author continues his long-term mission to photograph the captivating and evocative historic Catholic churches of the state of New Mexico. The mission became a journey that covered the highways, back roads, and 4WD trails of the state, from north to south, east to west. He has driven these roads, photographing these churches that reflect New Mexico's complex history and beautiful landscapes, and talked to many people who attend, maintain, and love them. His photographs and descriptions of the churches reflect that complex beauty and provide enough information for the reader to find each of them. They also reflect an urgency: many small, rural, historic churches in New Mexico lack funds for maintenance as rural populations decline, and some of them are at risk of disappearing forever. This volume covers the churches in northeastern New Mexico, churches north of Interstate 40 and east of Santa Fe County and of the western half of Taos County. The churches include famous and imposing ones like San Francisco de Asís in Ranchos de Taos, and more modest ones off the beaten track like the Chapel of San Isidro in Tinaja. They cover not only a geographic span but a time span from the early 1700s to the 20th century. Each church is unique, each has its own story, and each one claims the Land of Enchantment as home.