By the author who inspired Wes Anderson's film, The Grand Budapest Hotel

Written as both a recollection of the past and a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna--its seeming permanence, its promise, and its devastating fall.

Surrounded by the leading literary lights of the epoch, Stefan Zweig draws a vivid and intimate account of his life and travels through Vienna, Paris, Berlin, and London, touching on the very heart of European culture. His passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the edge of extinction.

This new translation by award-winning Anthea Bell captures the spirit of Zweig's writing in arguably his most revealing work.

Wes Anderson on Stefan Zweig: I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself -- our Author character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well.

Stefan Zweig was a dark and unorthodox artist; it's good to have him back.--Salman Rushdie

The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings.

Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health.

Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story.

This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

A group of passengers on a cruise ship challenge the world chess champion to a match. At first, they crumble, until they are helped by whispered advice from a stranger in the crowd--a man who will risk everything to win. Stefan Zweig's acclaimed novella Chess is a disturbing, intensely dramatic depiction of obsession and the price of the past.

Wes Anderson on Stefan Zweig: I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself -- our Author character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well.

The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined.

But Christine's aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine's and Ferdinand's lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom.

Never before published in English, this extraordinary book is an unexpected and haunting foray into noir fiction by one of the masters of the psychological novel.

Stefan Zweig's brilliant novel, Beware of Pity, is an original and powerful work.-The New York Times

The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Beware of Pity is an almost unbearably tense and powerful tale of unrequited love and the danger of pity.

In 1913, Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health.

Stefan Zweig's only novel is a devastating depiction of the torment of the betrayal of both honour and love, realised against the background of the disintegration of the Austro-Hungarian Empire.

'The novel I'll really remember reading this year is Stefan Zweig's frighteningly gripping Beware of Pity, first published in 1939 ... an intoxicating, morally shaking read about human responsibilities and a real reminder of what fiction can do best' -Times Literary Supplement

About the author

Stefan Zweig (1881-1942) was an Austrian novelist, poet, playwright and biographer. Born into an Austrian--Jewish family in 1881, he became a leading figure in Vienna's cultural world and was famed for his gripping novellas and biographies. At the height of his literary career, in the 1920s and 1930s, he was one of the most popular writers in the world: extremely popular in the United States, South America and Europe - he remains so in continental Europe - however, he was largely ignored by the British public.

Zweig is best known for his novellas (notably The Burning Secret, The Royal Game, Amok, and Letter from an Unknown Woman; novels (Beware of Pity, Confusion, and the post-humously published The Post Office Girl); and his vivid psychological biographical essays on famous writers and thinkers such as Erasmus, Tolstoy, Balzac, Stendhal, Nietzsche, Dostoevsky, Dickens, Freud and Mesmer.

In 1934, with the rise of Nazism, Zweig fled from Salzburg to London, then to New York, and finally to Brazil. Zweig's memoir, The World of Yesterday, was completed in 1942, one day before Zweig and his second wife were found dead, following an apparent double suicide.

Deluxe, clothbound edition.

I found it terrible, yet at the same time touching, for in all the years of the war I had not seen so perfect and pure an expression of bliss on any German face.

An ostensibly whimsical story about the adventures of a Berlin art dealer, Stefan Zweig's The Invisible Collection is a powerful evocation of the condition of Germany between the wars. When Zweig's anonymous narrator sets off to the provinces in search of a lucrative bargain, he finds himself caught up in the slow unfolding of a family tragedy--and is confronted with a unique reminder of the power of art...

Eris Gems make available in the form of beautifully produced saddle-stitched booklets a series of outstanding short works of fiction and non-fiction.

A casual introduction, a challenge to a simple game of chess, a lovers' reunion, a meaningless infidelity: from such small seeds Zweig brings forth five startlingly tense tales-meditations on the fragility of love, the limits of obsession, the combustibility of secrets and betrayal. A casual introduction, a challenge to a simple game of chess, a lovers' reunion, a meaningless infidelity: from such small seeds Zweig brings forth five startlingly tense tales--meditations on the fragility of love, the limits of obsession, the combustibility of secrets and betrayal.

To read anything by Zweig is to risk addiction; in this collection the power of his writing--which, with its unabashed intensity and narrative drive, made him one of the bestselling and most acclaimed authors in the world--is clear and irresistible. Each of these stories is a bolt of experience, unforgettable and unique.

This edition includes five powerful novellas:
Burning Secret
A Chess Story
Fear
Confusion
Journey into the Past

Written during the Second World War, Zweig's typically passionate and readable biography of Michel de Montaigne, is also a heartfelt argument for the importance of intellectual freedom, tolerance and humanism. Zweig draws strong parallels between Montaigne's age, when Europe was torn in two by conflict between Catholicism and Protestantism, and his own, in which the twin fanaticisms of Fascism and Communism were on the verge of destroying the pan-continental liberal culture he was born into, and loved dearly. Just as Montaigne sought to remain aloof from the factionalism of his day, so Zweig tried to the last to defend his freedom of thought, and argue for peace and compromise.

One of the final works Zweig wrote before his suicide, this is both a brilliantly impassioned portrait of a great mind, and a moving plea for tolerance in a world ruled by cruelty.

Nie habe ich unsere alte Erde mehr geliebt als in diesen letzten Jahren vor dem Ersten Weltkrieg, nie mehr auf Europas Einigung gehofft, nie mehr an seine Zukunft geglaubt als in dieser Zeit, da wir meinten, eine neue Morgenr te zu erblicken. Aber es war in Wahrheit schon der Feuerschein des nahenden Weltbrands.