Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture.Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable.

Within classical antiquity, Euripides was the most widely quoted author apart from Homer. His plays are full of 'quotable quotes', which were repeated so often that they acquired a life of their own. Hundreds of famous verses from Euripidean drama circulated widely within the ancient world, even after the plays in which they originally featured became forgotten or vanished completely. Indeed, the majority of Euripides' tragedies now survive only in the form of scattered quotations, otherwise known to us as 'fragments'. It is this corpus of fragmentary quotations, along with his extant plays, that makes Euripides such an interesting case study in the world of quotation culture. This book is the first of its kind to understand Euripides' work through this lens, as well as opening up quotation culture as a major theme of interest within classical scholarship.

Why did the New Zealand Wars occur? Who fought them and how did they proceed? And where were these battles fought? In The New Zealand Wars, Matthew Wright answers these questions in probing text supported by fact boxes and illustrations that make navigating these protracted wars easy.

Building on his 2014 book on the same subject, Wright covers all of the wars' major incidents, movements and people, including the Battle of Gate Pā, Pai Marire, and figures such as Colonel G.S. Whitmore and Te Kooti. He shows that the wars, which pitted British settlers and allied Māori against other Māori over a 30-year period, really ended up as a civil war fanning flames in many regions.

The book features glossaries that explain military terms, and sidebars that explore subjects like 'Did Maori invent trench warfare?', and 'Food, horrible food'. There are over 70 colour images, including of battle sites that we can visit today.

This book tells the story of HMS New Zealand, a battlecruiser paid for by the people of New Zealand in 1909, and when Japan was perceived as a threat in Australasia and the Pacific. Born of the collision between New Zealand's patriotic dreams and European politics, the tale of HMS New Zealand is further wrapped in the turbulent power-plays at the Admiralty in the years leading up to the World War I, not least because her design was already obsolescent when she was built. Nevertheless, she went on to have a distinguished World War I career when she was present in all three major naval battles--Heligoland, Dogger Bank, and Jutland--in the North Sea.

The book outlines the politics, the engineering issues, and provides a fast-paced account of the ship's career through official documents, eyewitness accounts of her crew and other period documentation, including reports of her dockings and modifications. All this is inter-woven with the human and social context to create a 'biography' of the ship as an expression of human endeavor, engineering, and action, and it is presented in significantly more detail than the summaries available in prior accounts.

In this fresh account of one of the 20th-century's great New Zealanders, Matthew Wright approaches Bernard Freyberg the man rather than the more widely known figure of a military leader. What took a humble immigrant child in Wellington to become a hero in two wars, friend to literary giants and politicians, very private father and husband, and very public Governor General? Freyberg: A Life is the most accessible biography on 'Tiny' Freyberg yet, with numerous black and
white photos.

Hawke's Bay has a remarkable history; like the rest of New Zealand's, short by world standards - for the place was first settled only in the thirteenth century - but filled with colour, life and adventure. This profusely illustrated book tells that story from its beginnings, through the rumbustious nineteenth century when British settlers flooded into the region, on into the twentieth century of provincial life, and finally into the twenty-first with its lifestyles and new vision of district place.The history of Hawke's Bay is a story of people - colourful characters whose lives lent such depth to Hawke's Bay's world. And it is a story of hope in adversity, of ambition, of recovery from disaster, and of success despite all the odds.This revised and updated second edition includes new photographs, further details and additional maps and material.

Numerous books have been written about Greek tragedy, but almost all of them are concerned with the 32 plays that still survive. This book, by contrast, concentrates on the plays that no longer exist. Hundreds of tragedies were performed in Athens and further afield during the classical period, and even though nearly all are lost, a certain amount is known about them through fragments and other types of evidence.

Matthew Wright offers an authoritative two-volume critical introduction and guide to the lost tragedies. This first volume examines the remains of works by playwrights such as Phrynichus, Agathon, Neophron, Critias, Astydamas, Chaeremon, and many others who have been forgotten or neglected. (Volume 2 explores the lost works of Aeschylus, Sophocles and Euripides.)

What types of evidence exist for lost tragedies, and how might we approach this evidence? How did these plays become lost or incompletely preserved? How can we explain why all tragedians except Aeschylus, Sophocles and Euripides became neglected or relegated to the status of 'minor' poets? What changes and continuities can be detected in tragedy after the fifth century BC? Can the study of lost works and neglected authors change our views of Greek tragedy as a genre? This book answers such questions through a detailed study of the fragments in their historical and literary context. Including English versions of previously untranslated fragments as well as in-depth discussion of their significance, The Lost Plays of Greek Tragedy makes these works accessible for the first time.

The surviving works of Aeschylus, Sophocles and Euripides have been familiar to readers and theatregoers for centuries; but these works are far outnumbered by their lost plays. Between them these authors wrote around two hundred tragedies, the fragmentary remains of which are utterly fascinating.

In this, the second volume of a major new survey of the tragic genre, Matthew Wright offers an authoritative critical guide to the lost plays of the three best-known tragedians. (The other Greek tragedians and their work are discussed in Volume 1: Neglected Authors.)

What can we learn about the lost plays of Aeschylus, Sophocles and Euripides from fragments and other types of evidence? How can we develop strategies or methodologies for 'reading' lost plays? Why were certain plays preserved and transmitted while others disappeared from view? Would we have a different impression of the work of these classic authors - or of Greek tragedy as a whole - if a different selection of plays had survived? This book answers such questions through a detailed study of the fragments in their historical and literary context. Making use of recent scholarly developments and new editions of the fragments, The Lost Plays of Greek Tragedy makes these works fully accessible for the first time.

This omnibus volume brings 'Battle for Crete', 'Desert Duel' and 'Italian Odyssey' together in one binding - a trilogy that traces the story of the Second New Zealand Division during the Second World War. Their journey took them from Greece and Crete to Egypt, the Western Desert, Libya and Tunisia. And then, with the Eighth Army, they landed in Italy, fighting in the bitter siege of Cassino, but ending their war with a flourish in the race to Trieste, where the New Zealanders were in the first confrontation of the Cold War.Wright is one who has been able to place himself within the culture and sense the history...This new book is a worthy contribution to our understanding...- Frank Glen, The Southland Times, 14 June 2003.Author Matthew Wright... has brought the Italian campaign alive. The book is as important as it is highly readable - so much better than the standard military histories.- Graeme Hunt, The National Business Review, 17 October 2003.

Wright is one who has been able to place himself within the culture and sense the history...This new book is a worthy contribution to our understanding...- Frank Glen, 'The Southland Times', 14 June 2003.Author Matthew Wright... has brought the Italian campaign alive. The book is as important as it is highly readable - so much better than the standard military histories.- Graeme Hunt, 'The National Business Review', 17 October 2003. In September 1943, the Second New Zealand Division landed in Italy, beginning a twenty month ground campaign that took the New Zealanders from Taranto to Trieste. It was dominated by the two-month siege of Cassino, a bitter struggle in the depths of winter that remains controversial even seventy years on.In this short account of the New Zealand part in the Italian campaign of the Second World War, historian Matthew Wright argues that Cassino was not the defeat it is often claimed to be. Adverse weather, the politics of the Anglo-American alliance, and sheer lack of numbers on the ground made it a difficult fight. Ultimately the question is not whether New Zealand failed - but how they achieved as much as they did under the circumstance.The real strengths of the New Zealand force- mobility and speed - were finally put to use in the last weeks of the war, when the division led the charge that shattered German positions in the Lombardy plain. In a three week blitzkrieg the New Zealanders broke the German line and surged into Trieste, ending the campaign with a flourish - and the first confrontation of the Cold War.

For three years from 1940 the Second New Zealand Division, led by Lieutenant-General Sir Bernard Freyberg, fought in the North African desert against a combined German-Italian army and its formidable leader, Field-Marshal Erwin Rommel.Rommel regarded the Kiwis as the elite of the British army, and their General was officially classified as a 'dangerous opponent.' During the desperate months of mid-1942, the New Zealand Division was almost all that stood between Rommel and Egypt.It was a hard-fought campaign. Yet the North African campaign was also a human story. Ordinary New Zealanders from civilian walks of life - accountants, lawyers, plumbers, labourers, teachers, musicians, even politicians - found unexpected strength within themselves to meet the demands of the war.Their battlegrounds - Sidi Rezegh, Ruweisat Ridge, Mingar Qaim, El Alamein, Tebaga Gap and Takrouna - are also part of New Zealand's history. 'In the battle which is sure to come within a few days, the] outcome depends almost entirely upon Freyburg's sic] division and air support. New Zealand Division is by far the best fighting unit in the Middle East. Freyburg sic] is a very great leader of men, possessed of tremendous courage and sound judgement.'- US Army Forces in Middle East, official report, 27 June 1942The New Zealanders...are trained and led by General Freyberg, a dangerous opponent. They are specialists in night fighting, they fight on a wide front, and...have learnt to follow up closely under the heavy artillery barrages which they use...They are also capable, in difficult country, of fighting without tank support...- German staff assessment of 2 NZ Division

Confronting the might of the Luftwaffe New Zealand soldiers arrived in Crete during early May 1941, short of equipment after a hasty evacuation from Greece. Three weeks later Germany invaded from the air, and the fate of New Zealand's primary armed force lay in the balance on an island half a world away from home. Exactly why the island fell to German paratroop assault has prompted intense debate then and since. In this gripping account of New Zealand's part in the battle for Crete, Matthew Wright draws on a wide range of archival sources to refute criticism both of the calibre of the New Zealand forces and of decisions made by the man in charge of the defence, Major-General Bernard Freyberg.

In December 1941, Japan attacked the British Empire and the United States, turning the European war that had raged since 1939 into a global conflict. For a few desperate months during early 1942, the Kiwis faced crisis. Australia had its own threat to face. Britain was stretched to the utmost against Germany, and the United States - with millions still unemployed - took time to turn its huge industry to war production.Despite heavy commitment to the European war, New Zealanders eventually fought the Japanese on land, sea and air, from Malaya to the Solomons and, finally, in Japanese home waters. Kiwis contributed in many other ways, providing bases and recreation facilities for US forces, food for the whole campaign, even sending physicists to work on the atomic bomb project.This book is an essential summary of that far-reaching effort - New Zealand's Pacific war.

In the summer of 1873, New Zealand was rocked by a scandal: Auckland newspaper editor David Leckie insisted that Russian terrorists had taken over a British warship in Auckland's Waitemata harbour and held the town to ransom. It was a hoax, of course, but he did it to highlight New Zealand's growing sense of vulnerability as one of Britain's furthest-flung colonies. So, in earnest, began New Zealand's naval story - one that extended through the highs and lows of the twentieth century: the First World War - when New Zealand naval forces and personnel fought from the North Sea to the Pacific - to the Second, when New Zealand's naval forces and personnel served in most of the major theatres, and finally the Cold War. It was a dramatic, exciting and ultimately human tale of people, politics, heroism and struggle, played out over more than 130 tumultuous years.

This is the story of New Zealand's military aviation from its modest beginnings in 1914 to the formation of the Royal New Zealand Air Force in 1936, the struggles of the Second World War and then the gyrations of the Cold War, wrapping up with the transition to the very different post-Cold War world of the 1990s. It is a story of politics, of aircraft, and especially of people - of the everyday New Zealanders who fought the Second World War, who served with the RNZAF and the RAF, then and later; and who found strengths in themselves that, perhaps, they did not know they had.

Britain's last generation of battleships emerged in the 1930s to the backdrop of a fading Empire. Industrial production had fallen sharply since the First World War, and Britain's economic position was poor. These constraints shaped the nature of Britain's last battleships - a continuum of designs that culminated in HMS Vanguard, completed after the war when a near-bankrupt Britain had to confront the reality of a lost empire.This short book, a monograph, explores the way that British designers responded to this challenging framework, revealing the context within which the decisions that shaped Britain's last battleships were made.

Matthew Wright brings Menander's Samia to life by explaining how it achieves its comic effects and how it fits within the broader context of fourth-century Greek drama and society. He offers a scene-by-scene reading of the play, combining close attention to detail with broader consideration of major themes, in an approach designed to bring out the humour and nuance of each individual moment on stage, while also illuminating Menander's comic art.

The play dramatizes a tangled story of mistakes, mishaps and misapprehensions leading up to the marriage of Moschion and Plangon. For most of the action the characters are at odds with one another owing to accidental delusions or deliberate deceptions, and it seems as if the marriage will be cancelled or indefinitely postponed; but ultimately everyone's problems are solved and the play ends happily. Samia is one of the best-preserved examples of fourth-century Greek comedy: celebrated within antiquity but subsequently lost for many years, it miraculously came back to light, in almost complete form, as a result of Egyptian papyrus finds during the 20th century.

Matthew Wright brings Menander's Samia to life by explaining how it achieves its comic effects and how it fits within the broader context of fourth-century Greek drama and society. He offers a scene-by-scene reading of the play, combining close attention to detail with broader consideration of major themes, in an approach designed to bring out the humour and nuance of each individual moment on stage, while also illuminating Menander's comic art.

The play dramatizes a tangled story of mistakes, mishaps and misapprehensions leading up to the marriage of Moschion and Plangon. For most of the action the characters are at odds with one another owing to accidental delusions or deliberate deceptions, and it seems as if the marriage will be cancelled or indefinitely postponed; but ultimately everyone's problems are solved and the play ends happily. Samia is one of the best-preserved examples of fourth-century Greek comedy: celebrated within antiquity but subsequently lost for many years, it miraculously came back to light, in almost complete form, as a result of Egyptian papyrus finds during the 20th century.

In the Gospels and the book of Acts we see miracle after miracle happening as they proclaim the Gospel but in today's age those miracles seem to be far off stories that happen few and far between. Why don't miracles happen more often? Why don't we see the power of God on a more regular basis? Matthew Wright attempts to answer this question by laying out the radical life mandated by Jesus in the Gospels. He breaks it down into three major steps, building a relationship with Jesus, going beyond the relationship, and living out the mission assigned to us.

Motivation occupies a front row seat in our minds most of the time. However, it is shocking to discover that we do not truly understand it. What does it mean to be motivated? What role does motivation play in achieving success? What difference would it make if I am not motivated? These questions frequently plague many people because it is imperative to first understand what motivation is.Motivation and Productivity Guide book discusses the relationship between motivation and productivity. There is no productivity without proper motivation. Do you lack motivation and have no energy to accomplish anything despite so much of what is waiting for you?Matthew Wright's Golden guide to self-motivation and productivity reveals happiness as a key to having great productivity. With blunt honesty acting as a major tool in the production of this life-changing book. Wright reveals more than enough ways to Be your own champion with amazing story references made. One would be amazed at how far the right motivation can yield unexpected results to get us our set goals. This awesome piece will expose ways to become one of those happy, successful people who seem always enthusiastic and productive.