A classic for a reason. My mind was warped into a new shape by her prose and it will never be the same again. -- Greta Gerwig

The authorized, original edition of one of the great literary masterpieces of the twentieth century: a miraculous novel of family, love, war, and mortality, with a foreword from Eudora Welty.

From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and conflict between men and women.

To the Lighthouse is made up of three powerfully charged visions into the life of the Ramsay family living in a summer house off the rocky coast of Scotland. There's the serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, their eight children, and assorted holiday guests. With the lighthouse excursion postponed, Woolf shows the small joys and quiet tragedies of everyday life that seemingly could go on forever.

But as time winds its way through their lives, the Ramsays face, alone and together, the greatest of human challenges and its greatest triumph--the human capacity for change.

A moving portrait in miniature of family life, To the Lighthouse also has profoundly universal implications, giving language to the silent space that separates people and the space that they transgress to reach each other.

I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister--a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling.

In this classic essay, Woolf takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a steady income and a room of their own in order to have the freedom to create.

With a Foreword by Mary Gordon

The authorized, original edition of Virginia Woolf's masterpiece and one of the most moving, revolutionary artworks of the twentieth century (Michael Cunningham), with a foreword by Maureen Howard.

In this vivid portrait of a single day in a woman's life, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of preparation for a party while in her mind she is something much more than a perfect society hostess. As she readies her house for friends and neighbors, she is flooded with remembrances of the past--the passionate loves of her carefree youth, her practical choice of husband, and the approach and retreat of war. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

From the introspective Clarissa, to the lover who never fully recovered from her rejection, to a war-ravaged stranger in the park, the characters and scope of Mrs. Dalloway reshape our sense of ordinary life and reshaped English literature as we know it.

Perhaps her masterpiece...Exquisite and superbly constructed...Required like most writers to choose between the surface and the depths as the basis of her operations, she chooses the surface and then burrows in as far as she can. -E. M. Forster

The long-lived protagonist of Orlando begins as a passionate teenage aristocrat, whose days are spent in rowdy revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, now in his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride. She returns to England, engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with a gender-nonconforming husband, and at last achieves publication of her own epic poem in the year 1928. A playful and exuberant romp through history, Orlando is Woolf's most lighthearted and unusual novel. VINTAGE CLASSICS.

Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

As his tale begins, Orlando is a passionate sixteen-year-old nobleman whose days are spent in rowdy revelry, filled with the colorful delights of Queen Elizabeth I's court. By the close, three centuries have passed, and he will have transformed into a thirty-six-year-old woman in the year 1928. Orlando's journey is also an internal one--he is an impulsive poet who learns patience in matter of the heart, and a woman who knows what it is to be a man.

Virginia Woolf's most unusual creation, Orlando is a fantastical biography as well as a funny, exuberant romp through history that examines the true nature of sexuality.

A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper

Mrs. Dalloway said she would buy the flowers herself. It's one of the most famous opening lines in literature, that of Virginia Woolf's beloved masterpiece of time, memory, and the city. In the wake of World War I and the 1918 flu pandemic, Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. In a novel in which she perfects the interior monologue and recapitulates the life cycle in the hours of the day, from first light to the dark of night, Woolf achieves an uncanny simulacrum of consciousness, bringing past, present, and future together, and recording, impression by impression, minute by minute, the feel of life itself.

This edition is collated from all known proofs, manuscripts, and impressions to reflect the author's intentions, and includes a catalog of emendations, an illuminating introduction and endnotes by the distinguished feminist critic Elaine Showalter, and a map of Mrs. Dalloway's London.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this influential extended essay, Virginia Woolf outlined what women need in order to fully make use of their abilities. Using powerful images and memorable thought experiments--such as a fictional sister of William Shakespeare, who is as talented as her brother but limited in ways he was not--Woolf analyzes the many ways in which women have been held back throughout history and still are in her own time. First published in 1929, A Room of One's Own has been a towering and inspirational statement of feminist principles for nearly a century--and remains relevant now, at a time of growing awareness of the kind of social injustices that she decried.

A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper

First masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf's own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey--a nobleman, traveler, writer? Man or . . . woman?

Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf's most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf's own words, a writer's holiday that delights in its ambiguity and capriciousness.

This edition is collated from all known proofs, manuscripts, and impressions to reflect the author's intentions, and includes an introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Virginia Woolf's development and evolution as a writer are highlighted in these 23 exceptional short stories. This collection pores over the intimate details of life in beautiful poetic prose.

These brilliant pieces of short fiction incapsulate classic 20th century modernism. Particularly celebrated stories, such as 'Mrs Dalloway in Bond Street', are featured in this collection, as well as the recognised stream of consciousness work, 'Mark on the Wall'. Virginia Woolf was a pioneer in stream of consciousness narration, and the stories carefully curated in this volume highlight her fine writing. The 23 pieces underline Woolf's interest in societal life and display the evolution of her burgeoning talent.

The contents of this collection include:

- 'Kew Gardens'

- 'Solid Objects'

- 'An Unwritten Novel'

- 'A Haunted House'

- 'Monday or Tuesday'

- 'The String Quartet'

- 'Society'

- 'Blue and Green'

Proudly republished by Read & Co. Classics, this newly curated collection of classic short stories features a specially-commissioned author biography. The Short Stories of Virginia Woolf is the perfect read for fans of the seminal writer.

This annotated edition of the landmark inquiry into the women's role in society by one of the twentieth century's greatest thinkers, Viriginia Woolf's classic A Room of One's Own features an introduction by English and Women's Studies professor Susan Gubar, perfect for critical analysis in classrooms and beyond.“A woman must have money and a room of her own if she is to write fiction.”In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister: a sister equal to Shakespeare in talent, equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. But if only she had found the means to create, urges Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Virginia Woolf takes on the establishment, using her gift for language to dissect the world around her and give a voice to those who have none.

This story of Elizabeth Barrett Browning's cocker spaniel, Flush, enchants right from the opening pages. Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning's life. Introduction by Trekkie Ritchie.

An invaluable guide to the art and mind of Virginia Woolf, drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing, others that are clearly writing exercises; accounts of people and scenes relevant to the raw material of her work; and comments on books she was reading. Edited and with a Preface by Leonard Woolf; Indices.

Inspired by the lost bliss of her childhood summers in Cornwall, Virginia Woolf produced one of the masterworks of English literature in To the Lighthouse. It concerns the Ramsay family and their summer guests on the Isle of Skye before and after the First World War. As children play and adults paint, talk, muse and explore, relationships shift and mutate. A captivating fusion of elegy, autobiography, socio-political critique and visionary thrust, it is the most accomplished of all Woolf's novels. On completing it, she thought she had exorcised the ghosts of her imposing parents, but she had also brought form to a book every bit as vivid and intense as the work of Lily Briscoe, the indomitable artist at the centre of the novel.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Hailed as one of the greatest works of modernist fiction, Virginia Woolf's semi-autobiographical novel about the Ramsay family explores the themes of perspective, interpersonal relationships, and the complexity of human experience. Woolf's use of shifting points of view in the narrative highlights how each person sees and experiences events in their own way. As conflict and grief impact the Ramsays throughout their time on Scotland's Isle of Skye, the reader is pulled into Woolf's own life.

Virginia Woolf's classic novel centers around Clarissa Dalloway, a married high-society woman in post-World War I London who is preparing for a party at her home in the evening. Acutely aware of her standing among other members of her elite social class but yearning to find her true self, Clarissa embodies the internal and external conflicts of women in the early twentieth century. As she makes her way about London, Clarissa's stream of consciousness is constantly interrupted by memories of her past, giving the reader a keen insight into the mind of a woman undergoing an existential crisis. Beloved by generations of readers, Mrs. Dalloway is a landmark novel that explores themes of feminism, mental illness, and self-realization.

Setting out to answer the question How are we to prevent war? Virginia Woolf argues that the inequalities between women and men must first be addressed. Framing her arguments in the form of a letter, Woolf wittily ponders to whom--among the many who have requested it--she will donate a guinea. As she works out her reasons for which causes she will support, Woolf articulates a vision of peace and political culture as radical now as it was when first published on the eve of the Second World War. A founding text of cultural theory, Three Guineas can also help us understand the twenty-first-century realities of endless war justified by unreal loyalties.

Witty, scornful, deeply serious...If you are a woman, or anti-war, or both, read it.--The New Yorker

A Penguin Classics Graphic Deluxe Edition, with flaps and deckle-edged paper

Every summer, Mr. and Mrs. Ramsey and their eight children vacation on Scotland's idyllic Isle of Skye, surrounded by artist friends. They expect these summers will go on forever, but with the arrival of World War I, they are forced to reckon with change, loss, and time's unstoppable march, before making, years later, the long-awaited return to Skye and to its towering lighthouse. An intimate, impressionistic meditation on memory, grief, the brutalities of war, and the tensions of domestic life, revolutionary for its use of stream of consciousness and shifting points of view, and infused with a singular poetic essence, To the Lighthouse is both a landmark in modernist writing and one of the greatest literary works of the twentieth century.

This edition is collated from all known proofs, manuscripts, and impressions to reflect the author's intentions, and includes a catalog of emendations and an introduction by the distinguished biographer and critic Hermione Lee.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.