From one of America's most distinguished historians comes this classic analysis of Richard Nixon. By considering some of the president's opinions, Wills comes to the controversial conclusion that Nixon was actually a liberal. Both entertaining and essential, Nixon Agonistes captures a troubled leader and a struggling nation mired in a foolish Asian war, forfeiting the loyalty of its youth, puzzled by its own power, and looking to its cautious president for confidence. In the end, Nixon Agonistes reaches far beyond its assessment of the thirty-seventh president to become an incisive and provocative analysis of the American political machine.
From one of America's foremost historians, The Kennedy Imprisonment is the definitive historical and psychological analysis of the Kennedy clan. The winner of a Pulitzer Prize, Garry Wills reveals a family that enjoyed public adulation but provided fluctuating leadership, that experienced both unparalleled fame and odd failures, and whose basic values ensnared its men in their own myths of success and masculinity. In the end, Wills reveals that the the Kennedys' crippling conception of power touched every part of their public and private lives, including their relationships with women and world leaders. Sometimes gossipy, sometimes philosophical, The Kennedy Imprisonment is a book that is as true, insightful, and relevant as ever.
A bestselling historian examines the life of a Founding Father.
Renowned historian and social commentator Garry Wills takes a fresh look at the life of James Madison, from his rise to prominence in the colonies through his role in the creation of the Articles of Confederation and the first Constitutional Congress. Madison oversaw the first foreign war under the constitution, and was forced to adjust some expectations he had formed while drafting that document. Not temperamentally suited to be a wartime President, Madison nonetheless confronted issues such as public morale, internal security, relations with Congress, and the independence of the military. Wills traces Madison's later life during which, like many recent Presidents, he enjoyed greater popularity than while in office.
Saint Augustine follows its subject from his youth in fourth-century Africa to his conversion and subsequent development as a theologian. It challenges the widely held misconceptions about Augustine's sexual excesses and shows how, in embracing classical philosophy, Augustine managed to enlist pagan authors in the defense of Christianity. The result is a biography that makes a spiritual ancestor feel like our contemporary.
This dazzling study of the three operas that Giuseppe Verdi adapted from Shakespeare's plays takes readers on a wonderfully engaging journey through opera, music, literature, history, and the nature of genius. Verdi's Shakespeare explores the writing and staging of Macbetto (Macbeth), Otello (Othello), and Falstaff, operas by Verdi, an Italian composer who could not read a word of English but who adored Shakespeare. Delving into the fast-paced worlds of these men and the hands-on life of the stage that at once challenged them and gave flight to their brilliance, Wills, in his inimitable way, illuminates the birth of artistic creation.
In this provocative work, which could not be timelier, Garry Wills, one of our country's most noted writers and historians, offers a powerful statement of his Catholic faith. Beginning with a reflection on his early experience of that faith as a child and later as a Jesuit seminarian, Wills reveals the importance of Catholicism in his own life. He goes on to challenge, in clear and forceful terms, the claim that criticism or reform of the papacy is an assault on the faith itself. For Wills, a Catholic can be both loyal and critical, a loving child who stays with his father even if the parent is wrong.
Wills turns outward from his personal experiences to present a sweeping narrative covering two thousand years of church history, revealing that the papacy, far from being an unchanging institution, has been transformed dramatically over the millennia -- and can be reimagined in the future. At a time when the church faces one of its most difficult crises, Garry Wills offers an important and compelling entrée into the discussion of the church's past -- and its future.
Intellectually brisk and spiritually moving, Why I Am a Catholic poses urgent questions for Catholic and non-Catholic readers alike.
Illuminating and provocative, Outside Looking In is a compelling chronicle of an original thinker at work in remarkable times. With his dazzling style and journalist's eye for detail, Garry Wills brings history to life. Whether writing about the civil rights movement, 1960s protests, or close-up studies of the people who have shaped our world, only he could bring together in one book Barry Goldwater, Daniel Berrigan, Beverly Sills, Richard Nixon, and John Waters. Wills shares, as only the best raconteurs can, stories of the fascinating people he has closely observed during more than fifty years of reporting.
From Pulitzer Prize-winner Garry Wills, the story of Augustine's Confessions
In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. We have to read Augustine as we do Dante, Wills writes, alert to rich layer upon layer of Scriptural and theological symbolism. Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.A many-faceted examination of how Shakespeare brought Rome alive for his readers through a masterful manipulation of ancient rhetoric
Renaissance plays and poetry in England were saturated with the formal rhetorical twists that Latin education made familiar to audiences and readers. Yet a formally educated man like Ben Jonson was unable to make these ornaments come to life in his two classical Roman plays. Garry Wills, focusing his attention on Julius Caesar, here demonstrates how Shakespeare so wonderfully made these ancient devices vivid, giving his characters their own personal styles of Roman speech.In four chapters, devoted to four of the play's main characters, Wills shows how Caesar, Brutus, Antony, and Cassius each has his own take on the rhetorical ornaments that Elizabethans learned in school. Shakespeare also makes Rome present and animate by casting his troupe of experienced players to make their strengths shine through the historical facts that Plutarch supplied him with. The result is that the Rome English-speaking people carry about in their minds is the Rome that Shakespeare created for them. And that is even true, Wills affirms, for today's classical scholars with access to the original Roman sources.