NATIONAL BESTSELLER
A Kansas City Star Best Book of the Year

Brilliant, meditative, and full of surprises, wisdom, and wonder.--Ann Lamott, author of Imperfect Birds

I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone. This is what Terry Tempest Williams's mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as it was to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own faith, and contemplates the notion of absence and presence art and in our world.

When Women Were Birds is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

An ode to our national parks, timed for the centennial, by the beloved author of When Women Were Birds

Longlisted for an Andrew Carnegie Medal for Excellence
A Washington Post Notable Book of the Year

America's national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the New York Times bestselling author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks and an exploration of what they mean to us and what we mean to them.

From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.

Timely and unsettling essays from an important and beloved writer and conservationist

In Erosion, Terry Tempest Williams's fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America's public lands and the erosion of our commitment to the open space of democracy. She asks: How do we find the strength to not look away from all that is breaking our hearts?

We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument--sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which oil rigs light up the horizon. And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself.

These essays are Williams's call to action, blazing a way forward through difficult and dispiriting times. We will find new territory--emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming.

Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone.

In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America's Redrock Wilderness in the canyon country of southern Utah.

As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country's most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert's power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise-an animal that can teach us the slow art of revolutionary patience as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land-an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.

Terry Tempest Williams presents a sharp-edged perspective on the ethics and politics of place, spiritual democracy, and the responsibilities of citizen engagement. By turns elegiac, inspiring, and passionate, The Open Space of Democracy offers a fresh perspective on the critical questions of our time.

Shards of glass can cut and wound or magnify a vision, Terry Tempest Williams tells us. Mosaic celebrates brokenness and the beauty of being brought together. Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation.

In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

The acclaimed author of Refuge here weaves together a resonant and often rhapsodic manifesto on behalf of the landscapes she loves, combining the power of her observations in the field with her personal experience--as a woman, a Mormon, and a Westerner. Through the grace of her stories we come to see how a lack of intimacy with the natural world has initiated a lack of intimacy with each other.

Williams shadows lions on the Serengeti and spots night herons in the Bronx. She pays homage to the rogue spirits of Edward Abbey and Georgia O'Keeffe, contemplates the unfathomable wildness of bears, and directs us to a politics of place. The result is an utterly persuasive book--one that has the power to change the way we live upon the earth.

With Leap, Terry Tempest Williams, award-winning author of Refuge, offers a sustained meditation on passion, faith, and creativity-based upon her transcendental encounter with Hieronymus Bosch's medieval masterpiece The Garden of Delights.

Williams examines this vibrant landscape with unprecedented acuity, recognizing parallels between the artist's prophetic vision and her own personal experiences as a Mormon and a naturalist. Searing in its spiritual, intellectual, and emotional courage, Williams's divine journey enables her to realize the full extent of her faith and through her exquisite imagination opens our eyes to the splendor of the world.

This unusual book is an introduction to Navajo culture by a storyteller. Steeped in the lore of the Navajo reservation, where she worked as a teacher, the author came to see Navajo legend and ritual as touchstones for evaluating her own experience. She presents them here as a means for all people to locate their own history, traditions, and sense of how to live well.

To know the oral tradition of Native American people is to feel the sensitivity and sensuality of language in its clearest motion and light, and this Williams has achieved in her appreciation of that tradition.--Simon Ortiz

Pieces of White Shell is vibrant--full of risk, gentleness, wonder, and humility.--Barry Lopez

This book is both informative and enormously evocative. Exposition and description are powerfully reinforced by recurrent passages in the mode of poetry and drama.--Brewster Ghiselin